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Color name
RGB 114 197 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 197 88 it is the complementary color RGB 141 58 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 197 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 197 88 shade: RGB 119 197 83, RGB 136 215 102, RGB 153 233 121, RGB 170 251 140 and RGB 187 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 197 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 197 88 shade: RGB 114 197 88, RGB 97 179 69, RGB 80 161 50, RGB 63 143 31 and RGB 46 125 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 197 88 shade: RGB 114 196 88, RGB 143 196 88, RGB 172 196 88, RGB 196 191 88 and RGB 196 162 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 197 88 shade: RGB 114 196 88, RGB 88 196 92, RGB 88 196 121, RGB 88 196 150 and RGB 88 196 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 197 88 shade matches the following richer shades: RGB 114 196 88, RGB 105 214 70, RGB 95 232 52 and RGB 86 251 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 197 88 shade: RGB 114 196 88, RGB 124 178 107, RGB 133 160 125, RGB 143 142 143 and RGB 152 124 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 197 88 shade: RGB 173 196 88, RGB 144 196 88, RGB 115 196 88, RGB 88 196 90 and RGB 88 196 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 197 88 shade: RGB 76 150 52, RGB 91 180 63, RGB 114 196 88, RGB 140 207 119 and RGB 166 218 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 197 88 shade: RGB 114 197 88, RGB 88 196 191 and RGB 196 88 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 197 88 shade: RGB 114 197 88, RGB 88 115 196 and RGB 196 88 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 197 88 shade: RGB 114 197 88, RGB 88 196 191, RGB 169 88 196 and RGB 196 88 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 197 88 shade: RGB 114 197 88, RGB 88 169 196, RGB 169 88 196 and RGB 196 115 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 55 / 23

HEX #72C558

RGB 114 197 88

HSL 105.69, 0.48%, 0.56%

LAB 72.37, -45.6, 46.27

 

Complementary color

CMYK 16 / 65 / 0 / 35

HEX #8D3AA7

RGB 141 58 167

HSL 285.69, 0.48%, 0.44%

LAB 40.38, 51.76, -43.3

 

CMYK 40 / 0 / 58 / 23

HEX #77C553

RGB 119 197 83

HSL 101.05, 0.5%, 0.55%

LAB 72.55, -44.54, 48.84

 

CMYK 37 / 0 / 53 / 16

HEX #88D766

RGB 136 215 102

HSL 101.95, 0.59%, 0.62%

LAB 78.92, -44.55, 47.73

 

CMYK 34 / 0 / 48 / 9

HEX #99E979

RGB 153 233 121

HSL 102.86, 0.72%, 0.69%

LAB 85.22, -44.49, 46.57

 

CMYK 32 / 0 / 44 / 2

HEX #AAFB8C

RGB 170 251 140

HSL 103.78, 0.93%, 0.77%

LAB 91.43, -44.37, 45.41

 

CMYK 27 / 0 / 38 / 0

HEX #BBFF9F

RGB 187 255 159

HSL 102.5, 1%, 0.81%

LAB 93.71, -38.05, 39.26

 

CMYK 42 / 0 / 55 / 23

HEX #72C558

RGB 114 197 88

HSL 105.69, 0.48%, 0.56%

LAB 72.37, -45.6, 46.27

 

CMYK 46 / 0 / 61 / 30

HEX #61B345

RGB 97 179 69

HSL 104.73, 0.44%, 0.49%

LAB 65.91, -45.5, 47.35

 

CMYK 50 / 0 / 69 / 37

HEX #50A132

RGB 80 161 50

HSL 103.78, 0.53%, 0.41%

LAB 59.37, -45.21, 48.2

 

CMYK 56 / 0 / 78 / 44

HEX #3F8F1F

RGB 63 143 31

HSL 102.86, 0.64%, 0.34%

LAB 52.73, -44.59, 48.48

 

CMYK 63 / 0 / 90 / 51

HEX #2E7D0C

RGB 46 125 12

HSL 101.95, 0.82%, 0.27%

LAB 46.01, -43.45, 47.55

 

CMYK 42 / 0 / 55 / 23

HEX #72C458

RGB 114 196 88

HSL 105.56, 0.48%, 0.56%

LAB 72.07, -45.18, 45.91

 

CMYK 27 / 0 / 55 / 23

HEX #8FC458

RGB 143 196 88

HSL 89.44, 0.48%, 0.56%

LAB 73.56, -35.23, 48.03

 

CMYK 12 / 0 / 55 / 23

HEX #ACC458

RGB 172 196 88

HSL 73.33, 0.48%, 0.56%

LAB 75.42, -24.07, 50.67

 

CMYK 0 / 3 / 55 / 23

HEX #C4BF58

RGB 196 191 88

HSL 57.22, 0.48%, 0.56%

LAB 75.89, -11.76, 51.69

 

CMYK 0 / 17 / 55 / 23

HEX #C4A258

RGB 196 162 88

HSL 41.11, 0.48%, 0.56%

LAB 68.23, 3.5, 42.74

 

CMYK 42 / 0 / 55 / 23

HEX #72C458

RGB 114 196 88

HSL 105.56, 0.48%, 0.56%

LAB 72.07, -45.18, 45.91

 

CMYK 55 / 0 / 53 / 23

HEX #58C45C

RGB 88 196 92

HSL 122.22, 0.48%, 0.56%

LAB 71.1, -52.11, 42.6

 

CMYK 55 / 0 / 38 / 23

HEX #58C479

RGB 88 196 121

HSL 138.33, 0.48%, 0.56%

LAB 71.51, -47.65, 28.51

 

CMYK 55 / 0 / 23 / 23

HEX #58C496

RGB 88 196 150

HSL 154.44, 0.48%, 0.56%

LAB 72.07, -41.95, 13.85

 

CMYK 55 / 0 / 9 / 23

HEX #58C4B3

RGB 88 196 179

HSL 170.56, 0.48%, 0.56%

LAB 72.77, -35.14, -0.86

 

CMYK 42 / 0 / 55 / 23

HEX #72C458

RGB 114 196 88

HSL 105.56, 0.48%, 0.56%

LAB 72.07, -45.18, 45.91

 

CMYK 51 / 0 / 67 / 16

HEX #69D646

RGB 105 214 70

HSL 105.42, 0.64%, 0.56%

LAB 77, -56.79, 59.14

 

CMYK 59 / 0 / 78 / 9

HEX #5FE834

RGB 95 232 52

HSL 105.67, 0.8%, 0.56%

LAB 82.05, -67.02, 70.31

 

CMYK 66 / 0 / 86 / 2

HEX #56FB22

RGB 86 251 34

HSL 105.62, 0.96%, 0.56%

LAB 87.53, -75.89, 79.51

 

CMYK 42 / 0 / 55 / 23

HEX #72C458

RGB 114 196 88

HSL 105.56, 0.48%, 0.56%

LAB 72.07, -45.18, 45.91

 

CMYK 30 / 0 / 40 / 30

HEX #7CB26B

RGB 124 178 107

HSL 105.63, 0.32%, 0.56%

LAB 67.42, -31.34, 30.76

 

CMYK 17 / 0 / 22 / 37

HEX #85A07D

RGB 133 160 125

HSL 106.29, 0.16%, 0.56%

LAB 63.02, -16.25, 15.2

 

CMYK 0 / 1 / 0 / 44

HEX #8F8E8F

RGB 143 142 143

HSL 300, 0%, 0.56%

LAB 59.13, 0.57, -0.41

 

CMYK 6 / 23 / 0 / 37

HEX #987CA1

RGB 152 124 161

HSL 285.41, 0.16%, 0.56%

LAB 55.75, 17.74, -15.71

 

CMYK 12 / 0 / 55 / 23

HEX #ADC458

RGB 173 196 88

HSL 72.78, 0.48%, 0.56%

LAB 75.49, -23.67, 50.77

 

CMYK 27 / 0 / 55 / 23

HEX #90C458

RGB 144 196 88

HSL 88.89, 0.48%, 0.56%

LAB 73.62, -34.86, 48.12

 

CMYK 41 / 0 / 55 / 23

HEX #73C458

RGB 115 196 88

HSL 105, 0.48%, 0.56%

LAB 72.11, -44.86, 45.97

 

CMYK 55 / 0 / 54 / 23

HEX #58C45A

RGB 88 196 90

HSL 121.11, 0.48%, 0.56%

LAB 71.07, -52.37, 43.53

 

CMYK 55 / 0 / 39 / 23

HEX #58C477

RGB 88 196 119

HSL 137.22, 0.48%, 0.56%

LAB 71.48, -47.99, 29.51

 

CMYK 49 / 0 / 65 / 41

HEX #4C9634

RGB 76 150 52

HSL 105.31, 0.49%, 0.4%

LAB 55.68, -41.77, 43.32

 

CMYK 49 / 0 / 65 / 29

HEX #5BB43F

RGB 91 180 63

HSL 105.64, 0.48%, 0.48%

LAB 65.92, -48.31, 49.92

 

CMYK 42 / 0 / 55 / 23

HEX #72C458

RGB 114 196 88

HSL 105.56, 0.48%, 0.56%

LAB 72.07, -45.18, 45.91

 

CMYK 32 / 0 / 43 / 19

HEX #8CCF77

RGB 140 207 119

HSL 105.68, 0.48%, 0.64%

LAB 77, -37.57, 37.1

 

CMYK 24 / 0 / 31 / 15

HEX #A6DA96

RGB 166 218 150

HSL 105.88, 0.48%, 0.72%

LAB 82.08, -29.35, 28.2

 

CMYK 42 / 0 / 55 / 23

HEX #72C558

RGB 114 197 88

HSL 105.69, 0.48%, 0.56%

LAB 72.37, -45.6, 46.27

 

CMYK 55 / 0 / 3 / 23

HEX #58C4BF

RGB 88 196 191

HSL 177.22, 0.48%, 0.56%

LAB 73.1, -32.03, -6.9

 

CMYK 0 / 55 / 19 / 23

HEX #C4589E

RGB 196 88 158

HSL 321.11, 0.48%, 0.56%

LAB 53.15, 51.31, -17.42

 

CMYK 42 / 0 / 55 / 23

HEX #72C558

RGB 114 197 88

HSL 105.69, 0.48%, 0.56%

LAB 72.37, -45.6, 46.27

 

CMYK 55 / 41 / 0 / 23

HEX #5873C4

RGB 88 115 196

HSL 225, 0.48%, 0.56%

LAB 49.88, 14, -45.4

 

CMYK 0 / 55 / 41 / 23

HEX #C45873

RGB 196 88 115

HSL 345, 0.48%, 0.56%

LAB 51.78, 45.78, 6.05

 

CMYK 42 / 0 / 55 / 23

HEX #72C558

RGB 114 197 88

HSL 105.69, 0.48%, 0.56%

LAB 72.37, -45.6, 46.27

 

CMYK 55 / 0 / 3 / 23

HEX #58C4BF

RGB 88 196 191

HSL 177.22, 0.48%, 0.56%

LAB 73.1, -32.03, -6.9

 

CMYK 14 / 55 / 0 / 23

HEX #A958C4

RGB 169 88 196

HSL 285, 0.48%, 0.56%

LAB 51.15, 50.29, -42.92

 

CMYK 0 / 55 / 52 / 23

HEX #C4585E

RGB 196 88 94

HSL 356.67, 0.48%, 0.56%

LAB 51.29, 43.72, 17.88

 

CMYK 42 / 0 / 55 / 23

HEX #72C558

RGB 114 197 88

HSL 105.69, 0.48%, 0.56%

LAB 72.37, -45.6, 46.27

 

CMYK 55 / 14 / 0 / 23

HEX #58A9C4

RGB 88 169 196

HSL 195, 0.48%, 0.56%

LAB 65.31, -17.07, -21.37

 

CMYK 14 / 55 / 0 / 23

HEX #A958C4

RGB 169 88 196

HSL 285, 0.48%, 0.56%

LAB 51.15, 50.29, -42.92

 

CMYK 0 / 41 / 55 / 23

HEX #C47358

RGB 196 115 88

HSL 15, 0.48%, 0.56%

LAB 56.78, 29.18, 28.59

 

Description

Color code: RGB 114 197 88 | qconv.com Color code: RGB 114 197 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 197 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 197 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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