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Color name
RGB 114 196 60

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 196 60 it is the complementary color RGB 141 59 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 196 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 196 60 shade: RGB 119 196 55, RGB 136 214 74, RGB 153 232 93, RGB 170 250 112 and RGB 187 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 196 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 196 60 shade: RGB 114 196 60, RGB 97 178 41, RGB 80 160 22, RGB 63 142 3 and RGB 46 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 196 60 shade: RGB 113 196 58, RGB 150 196 58, RGB 187 196 58, RGB 196 167 58 and RGB 196 130 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 196 60 shade: RGB 113 196 58, RGB 76 196 58, RGB 58 196 78, RGB 58 196 115 and RGB 58 196 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 196 60 shade matches the following richer shades: RGB 113 196 58, RGB 109 216 38 and RGB 104 237 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 196 60 shade: RGB 113 196 58, RGB 117 175 79, RGB 121 155 99, RGB 126 134 120 and RGB 130 113 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 196 60 shade: RGB 187 196 58, RGB 150 196 58, RGB 113 196 58, RGB 77 196 58 and RGB 58 196 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 196 60 shade: RGB 76 132 39, RGB 94 164 49, RGB 113 196 58, RGB 136 205 90 and RGB 159 215 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 196 60 shade: RGB 114 196 60, RGB 58 196 168 and RGB 196 58 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 196 60 shade: RGB 114 196 60, RGB 58 113 196 and RGB 196 58 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 196 60 shade: RGB 114 196 60, RGB 58 196 168, RGB 141 58 196 and RGB 196 58 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 196 60 shade: RGB 114 196 60, RGB 58 182 196, RGB 141 58 196 and RGB 196 72 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 69 / 23

HEX #72C43C

RGB 114 196 60

HSL 96.18, 0.54%, 0.5%

LAB 71.81, -47.83, 57.7

 

Complementary color

CMYK 28 / 70 / 0 / 24

HEX #8D3BC3

RGB 141 59 195

HSL 276.18, 0.54%, 0.5%

LAB 42.35, 57.31, -56.62

 

CMYK 39 / 0 / 72 / 23

HEX #77C437

RGB 119 196 55

HSL 92.77, 0.56%, 0.49%

LAB 72.01, -46.52, 59.84

 

CMYK 36 / 0 / 65 / 16

HEX #88D64A

RGB 136 214 74

HSL 93.43, 0.63%, 0.56%

LAB 78.36, -46.85, 59.39

 

CMYK 34 / 0 / 60 / 9

HEX #99E85D

RGB 153 232 93

HSL 94.1, 0.75%, 0.64%

LAB 84.63, -47.03, 58.61

 

CMYK 32 / 0 / 55 / 2

HEX #AAFA70

RGB 170 250 112

HSL 94.78, 0.93%, 0.71%

LAB 90.82, -47.11, 57.64

 

CMYK 27 / 0 / 49 / 0

HEX #BBFF83

RGB 187 255 131

HSL 92.9, 1%, 0.76%

LAB 93.33, -41.5, 52.22

 

CMYK 42 / 0 / 69 / 23

HEX #72C43C

RGB 114 196 60

HSL 96.18, 0.54%, 0.5%

LAB 71.81, -47.83, 57.7

 

CMYK 46 / 0 / 77 / 30

HEX #61B229

RGB 97 178 41

HSL 95.47, 0.63%, 0.43%

LAB 65.39, -47.35, 57.82

 

CMYK 50 / 0 / 86 / 37

HEX #50A016

RGB 80 160 22

HSL 94.78, 0.76%, 0.36%

LAB 58.89, -46.57, 56.98

 

CMYK 56 / 0 / 98 / 44

HEX #3F8E03

RGB 63 142 3

HSL 94.1, 0.96%, 0.28%

LAB 52.3, -45.38, 54.73

 

CMYK 63 / 0 / 100 / 51

HEX #2E7C00

RGB 46 124 0

HSL 97.74, 1%, 0.24%

LAB 45.63, -43.51, 49.75

 

CMYK 42 / 0 / 70 / 23

HEX #71C43A

RGB 113 196 58

HSL 96.09, 0.54%, 0.5%

LAB 71.76, -48.3, 58.38

 

CMYK 23 / 0 / 70 / 23

HEX #96C43A

RGB 150 196 58

HSL 80, 0.54%, 0.5%

LAB 73.72, -35.01, 61.01

 

CMYK 5 / 0 / 70 / 23

HEX #BBC43A

RGB 187 196 58

HSL 63.91, 0.54%, 0.5%

LAB 76.28, -19.99, 64.4

 

CMYK 0 / 15 / 70 / 23

HEX #C4A73A

RGB 196 167 58

HSL 47.39, 0.54%, 0.5%

LAB 69.24, -1.19, 57.66

 

CMYK 0 / 34 / 70 / 23

HEX #C4823A

RGB 196 130 58

HSL 31.3, 0.54%, 0.5%

LAB 59.89, 18.92, 47.97

 

CMYK 42 / 0 / 70 / 23

HEX #71C43A

RGB 113 196 58

HSL 96.09, 0.54%, 0.5%

LAB 71.76, -48.3, 58.38

 

CMYK 61 / 0 / 70 / 23

HEX #4CC43A

RGB 76 196 58

HSL 112.17, 0.54%, 0.5%

LAB 70.4, -58.67, 56.56

 

CMYK 70 / 0 / 60 / 23

HEX #3AC44E

RGB 58 196 78

HSL 128.7, 0.54%, 0.5%

LAB 70.13, -60.29, 47.78

 

CMYK 70 / 0 / 41 / 23

HEX #3AC473

RGB 58 196 115

HSL 144.78, 0.54%, 0.5%

LAB 70.61, -54.75, 30.28

 

CMYK 70 / 0 / 22 / 23

HEX #3AC498

RGB 58 196 152

HSL 160.87, 0.54%, 0.5%

LAB 71.31, -47.05, 11.6

 

CMYK 42 / 0 / 70 / 23

HEX #71C43A

RGB 113 196 58

HSL 96.09, 0.54%, 0.5%

LAB 71.76, -48.3, 58.38

 

CMYK 50 / 0 / 82 / 15

HEX #6DD826

RGB 109 216 38

HSL 96.07, 0.7%, 0.5%

LAB 77.58, -58.41, 70.15

 

CMYK 56 / 0 / 93 / 7

HEX #68ED11

RGB 104 237 17

HSL 96.27, 0.87%, 0.5%

LAB 83.73, -67.8, 79.1

 

CMYK 42 / 0 / 70 / 23

HEX #71C43A

RGB 113 196 58

HSL 96.09, 0.54%, 0.5%

LAB 71.76, -48.3, 58.38

 

CMYK 33 / 0 / 55 / 31

HEX #75AF4F

RGB 117 175 79

HSL 96.25, 0.38%, 0.5%

LAB 65.75, -36.02, 42.76

 

CMYK 22 / 0 / 36 / 39

HEX #799B63

RGB 121 155 99

HSL 96.43, 0.22%, 0.5%

LAB 60.26, -22.35, 25.64

 

CMYK 6 / 0 / 10 / 47

HEX #7E8678

RGB 126 134 120

HSL 94.29, 0.06%, 0.5%

LAB 54.91, -5.69, 6.53

 

CMYK 8 / 20 / 0 / 45

HEX #82718D

RGB 130 113 141

HSL 276.43, 0.11%, 0.5%

LAB 50.07, 12.2, -12.83

 

CMYK 5 / 0 / 70 / 23

HEX #BBC43A

RGB 187 196 58

HSL 63.91, 0.54%, 0.5%

LAB 76.28, -19.99, 64.4

 

CMYK 23 / 0 / 70 / 23

HEX #96C43A

RGB 150 196 58

HSL 80, 0.54%, 0.5%

LAB 73.72, -35.01, 61.01

 

CMYK 42 / 0 / 70 / 23

HEX #71C43A

RGB 113 196 58

HSL 96.09, 0.54%, 0.5%

LAB 71.76, -48.3, 58.38

 

CMYK 61 / 0 / 70 / 23

HEX #4DC43A

RGB 77 196 58

HSL 111.74, 0.54%, 0.5%

LAB 70.43, -58.44, 56.59

 

CMYK 70 / 0 / 61 / 23

HEX #3AC44D

RGB 58 196 77

HSL 128.26, 0.54%, 0.5%

LAB 70.12, -60.41, 48.22

 

CMYK 42 / 0 / 70 / 48

HEX #4C8427

RGB 76 132 39

HSL 96.13, 0.54%, 0.34%

LAB 49.72, -35.28, 42.57

 

CMYK 43 / 0 / 70 / 36

HEX #5EA431

RGB 94 164 49

HSL 96.52, 0.54%, 0.42%

LAB 60.92, -42.05, 50.41

 

CMYK 42 / 0 / 70 / 23

HEX #71C43A

RGB 113 196 58

HSL 96.09, 0.54%, 0.5%

LAB 71.76, -48.3, 58.38

 

CMYK 34 / 0 / 56 / 20

HEX #88CD5A

RGB 136 205 90

HSL 96, 0.53%, 0.58%

LAB 75.84, -41.54, 49.67

 

CMYK 26 / 0 / 43 / 16

HEX #9FD77A

RGB 159 215 122

HSL 96.13, 0.54%, 0.66%

LAB 80.39, -34.3, 40.13

 

CMYK 42 / 0 / 69 / 23

HEX #72C43C

RGB 114 196 60

HSL 96.18, 0.54%, 0.5%

LAB 71.81, -47.83, 57.7

 

CMYK 70 / 0 / 14 / 23

HEX #3AC4A8

RGB 58 196 168

HSL 167.83, 0.54%, 0.5%

LAB 71.69, -43.13, 3.47

 

CMYK 0 / 70 / 14 / 23

HEX #C43AA8

RGB 196 58 168

HSL 312.17, 0.54%, 0.5%

LAB 48.99, 65.3, -29.72

 

CMYK 42 / 0 / 69 / 23

HEX #72C43C

RGB 114 196 60

HSL 96.18, 0.54%, 0.5%

LAB 71.81, -47.83, 57.7

 

CMYK 70 / 42 / 0 / 23

HEX #3A71C4

RGB 58 113 196

HSL 216.09, 0.54%, 0.5%

LAB 47.87, 9.75, -48.69

 

CMYK 0 / 70 / 42 / 23

HEX #C43A71

RGB 196 58 113

HSL 336.09, 0.54%, 0.5%

LAB 46.91, 58.55, 0.22

 

CMYK 42 / 0 / 69 / 23

HEX #72C43C

RGB 114 196 60

HSL 96.18, 0.54%, 0.5%

LAB 71.81, -47.83, 57.7

 

CMYK 70 / 0 / 14 / 23

HEX #3AC4A8

RGB 58 196 168

HSL 167.83, 0.54%, 0.5%

LAB 71.69, -43.13, 3.47

 

CMYK 28 / 70 / 0 / 23

HEX #8D3AC4

RGB 141 58 196

HSL 276.09, 0.54%, 0.5%

LAB 42.27, 57.97, -57.34

 

CMYK 0 / 70 / 56 / 23

HEX #C43A56

RGB 196 58 86

HSL 347.83, 0.54%, 0.5%

LAB 46.22, 56.2, 15.81

 

CMYK 42 / 0 / 69 / 23

HEX #72C43C

RGB 114 196 60

HSL 96.18, 0.54%, 0.5%

LAB 71.81, -47.83, 57.7

 

CMYK 70 / 7 / 0 / 23

HEX #3AB6C4

RGB 58 182 196

HSL 186.09, 0.54%, 0.5%

LAB 68.27, -28.82, -16.95

 

CMYK 28 / 70 / 0 / 23

HEX #8D3AC4

RGB 141 58 196

HSL 276.09, 0.54%, 0.5%

LAB 42.27, 57.97, -57.34

 

CMYK 0 / 63 / 70 / 23

HEX #C4483A

RGB 196 72 58

HSL 6.09, 0.54%, 0.5%

LAB 47.85, 48.72, 34.58

 

Description

Color code: RGB 114 196 60 | qconv.com Color code: RGB 114 196 60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 196 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 196 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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