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Color name
RGB 114 196 115

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 196 115 it is the complementary color RGB 141 59 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 196 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 196 115 shade: RGB 119 196 110, RGB 136 214 129, RGB 153 232 148, RGB 170 250 167 and RGB 187 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 196 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 97 178 96, RGB 80 160 77, RGB 63 142 58 and RGB 46 124 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 135 196 114, RGB 157 196 114, RGB 179 196 114 and RGB 196 190 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 114 196 137, RGB 114 196 159, RGB 114 196 181 and RGB 114 188 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 196 115 shade matches the following richer shades: RGB 114 196 115, RGB 98 212 100, RGB 82 228 84 and RGB 66 244 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 130 180 131, RGB 146 164 147, RGB 163 148 162 and RGB 179 131 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 196 115 shade: RGB 158 196 114, RGB 136 196 114, RGB 114 196 114, RGB 114 196 136 and RGB 114 196 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 196 115 shade: RGB 67 161 68, RGB 85 184 86, RGB 114 196 115, RGB 143 208 144 and RGB 172 220 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 114 180 196 and RGB 196 114 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 114 114 196 and RGB 196 114 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 114 180 196, RGB 196 114 196 and RGB 196 131 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 196 115 shade: RGB 114 196 115, RGB 114 155 196, RGB 196 114 196 and RGB 196 155 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

Complementary color

CMYK 0 / 58 / 1 / 45

HEX #8D3B8C

RGB 141 59 140

HSL 300.73, 0.41%, 0.39%

LAB 39.04, 46.01, -29.12

 

CMYK 39 / 0 / 44 / 23

HEX #77C46E

RGB 119 196 110

HSL 113.72, 0.42%, 0.6%

LAB 72.58, -40.76, 35.8

 

CMYK 36 / 0 / 40 / 16

HEX #88D681

RGB 136 214 129

HSL 115.06, 0.51%, 0.67%

LAB 78.99, -40.58, 34.57

 

CMYK 34 / 0 / 36 / 9

HEX #99E894

RGB 153 232 148

HSL 116.43, 0.65%, 0.75%

LAB 85.31, -40.36, 33.4

 

CMYK 32 / 0 / 33 / 2

HEX #AAFAA7

RGB 170 250 167

HSL 117.83, 0.89%, 0.82%

LAB 91.55, -40.13, 32.28

 

CMYK 27 / 0 / 27 / 0

HEX #BBFFBA

RGB 187 255 186

HSL 119.13, 1%, 0.86%

LAB 94.15, -34.02, 26.36

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 46 / 0 / 46 / 30

HEX #61B260

RGB 97 178 96

HSL 119.27, 0.35%, 0.54%

LAB 65.92, -41.72, 34.29

 

CMYK 50 / 0 / 52 / 37

HEX #50A04D

RGB 80 160 77

HSL 117.83, 0.35%, 0.46%

LAB 59.33, -41.77, 35.61

 

CMYK 56 / 0 / 59 / 44

HEX #3F8E3A

RGB 63 142 58

HSL 116.43, 0.42%, 0.39%

LAB 52.63, -41.63, 36.92

 

CMYK 63 / 0 / 69 / 51

HEX #2E7C27

RGB 46 124 39

HSL 115.06, 0.52%, 0.32%

LAB 45.83, -41.16, 38.05

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 31 / 0 / 42 / 23

HEX #87C472

RGB 135 196 114

HSL 104.63, 0.41%, 0.61%

LAB 73.45, -34.94, 35.03

 

CMYK 20 / 0 / 42 / 23

HEX #9DC472

RGB 157 196 114

HSL 88.54, 0.41%, 0.61%

LAB 74.74, -27.08, 36.95

 

CMYK 9 / 0 / 42 / 23

HEX #B3C472

RGB 179 196 114

HSL 72.44, 0.41%, 0.61%

LAB 76.24, -18.67, 39.16

 

CMYK 0 / 3 / 42 / 23

HEX #C4BE72

RGB 196 190 114

HSL 55.61, 0.41%, 0.61%

LAB 75.93, -8.84, 39.05

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 42 / 0 / 30 / 23

HEX #72C489

RGB 114 196 137

HSL 136.83, 0.41%, 0.61%

LAB 72.8, -37.87, 21.99

 

CMYK 42 / 0 / 19 / 23

HEX #72C49F

RGB 114 196 159

HSL 152.93, 0.41%, 0.61%

LAB 73.26, -33.54, 10.82

 

CMYK 42 / 0 / 8 / 23

HEX #72C4B5

RGB 114 196 181

HSL 169.02, 0.41%, 0.61%

LAB 73.8, -28.62, -0.32

 

CMYK 42 / 4 / 0 / 23

HEX #72BCC4

RGB 114 188 196

HSL 185.85, 0.41%, 0.61%

LAB 71.91, -20.94, -11.28

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 54 / 0 / 53 / 17

HEX #62D464

RGB 98 212 100

HSL 121.05, 0.57%, 0.61%

LAB 76.44, -54.71, 45.32

 

CMYK 64 / 0 / 63 / 11

HEX #52E454

RGB 82 228 84

HSL 120.82, 0.73%, 0.61%

LAB 80.69, -65.99, 57.28

 

CMYK 73 / 0 / 72 / 4

HEX #42F444

RGB 66 244 68

HSL 120.67, 0.89%, 0.61%

LAB 85.14, -75.38, 68

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 28 / 0 / 27 / 29

HEX #82B483

RGB 130 180 131

HSL 121.2, 0.25%, 0.61%

LAB 68.77, -26.39, 19.82

 

CMYK 11 / 0 / 10 / 36

HEX #92A493

RGB 146 164 147

HSL 123.33, 0.09%, 0.61%

LAB 65.57, -9.66, 6.68

 

CMYK 0 / 9 / 1 / 36

HEX #A394A2

RGB 163 148 162

HSL 304, 0.08%, 0.61%

LAB 62.99, 8.14, -5.33

 

CMYK 0 / 27 / 1 / 30

HEX #B383B2

RGB 179 131 178

HSL 301.25, 0.24%, 0.61%

LAB 60.81, 26.43, -17.52

 

CMYK 19 / 0 / 42 / 23

HEX #9EC472

RGB 158 196 114

HSL 87.8, 0.41%, 0.61%

LAB 74.8, -26.71, 37.04

 

CMYK 31 / 0 / 42 / 23

HEX #88C472

RGB 136 196 114

HSL 103.9, 0.41%, 0.61%

LAB 73.5, -34.6, 35.11

 

CMYK 42 / 0 / 42 / 23

HEX #72C472

RGB 114 196 114

HSL 120, 0.41%, 0.61%

LAB 72.41, -41.72, 33.49

 

CMYK 42 / 0 / 31 / 23

HEX #72C488

RGB 114 196 136

HSL 136.1, 0.41%, 0.61%

LAB 72.78, -38.06, 22.49

 

CMYK 42 / 0 / 19 / 23

HEX #72C49E

RGB 114 196 158

HSL 152.2, 0.41%, 0.61%

LAB 73.24, -33.75, 11.33

 

CMYK 58 / 0 / 58 / 37

HEX #43A144

RGB 67 161 68

HSL 120.64, 0.41%, 0.45%

LAB 59.07, -46.9, 39.64

 

CMYK 54 / 0 / 53 / 28

HEX #55B856

RGB 85 184 86

HSL 120.61, 0.41%, 0.53%

LAB 67.19, -48.97, 40.75

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 31 / 0 / 31 / 18

HEX #8FD090

RGB 143 208 144

HSL 120.92, 0.41%, 0.69%

LAB 77.85, -33.26, 25.39

 

CMYK 22 / 0 / 21 / 14

HEX #ACDCAD

RGB 172 220 173

HSL 121.25, 0.41%, 0.77%

LAB 83.43, -24.54, 18.12

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 42 / 8 / 0 / 23

HEX #72B4C4

RGB 114 180 196

HSL 191.71, 0.41%, 0.61%

LAB 69.62, -16.82, -14.73

 

CMYK 0 / 42 / 25 / 23

HEX #C47293

RGB 196 114 147

HSL 335.85, 0.41%, 0.61%

LAB 57.92, 36.48, -3.85

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 42 / 42 / 0 / 23

HEX #7272C4

RGB 114 114 196

HSL 240, 0.41%, 0.61%

LAB 51.38, 20.79, -42.92

 

CMYK 0 / 42 / 42 / 23

HEX #C47272

RGB 196 114 114

HSL 0, 0.41%, 0.61%

LAB 57.06, 32.26, 14.08

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 42 / 8 / 0 / 23

HEX #72B4C4

RGB 114 180 196

HSL 191.71, 0.41%, 0.61%

LAB 69.62, -16.82, -14.73

 

CMYK 0 / 42 / 0 / 23

HEX #C472C4

RGB 196 114 196

HSL 300, 0.41%, 0.61%

LAB 59.67, 44.58, -29.34

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 42 / 0 / 41 / 23

HEX #72C473

RGB 114 196 115

HSL 120.73, 0.41%, 0.61%

LAB 72.43, -41.57, 33

 

CMYK 42 / 21 / 0 / 23

HEX #729BC4

RGB 114 155 196

HSL 210, 0.41%, 0.61%

LAB 62.51, -3.27, -25.54

 

CMYK 0 / 42 / 0 / 23

HEX #C472C4

RGB 196 114 196

HSL 300, 0.41%, 0.61%

LAB 59.67, 44.58, -29.34

 

CMYK 0 / 21 / 42 / 23

HEX #C49B72

RGB 196 155 114

HSL 30, 0.41%, 0.61%

LAB 66.82, 9.82, 27.3

 

Description

Color code: RGB 114 196 115 | qconv.com Color code: RGB 114 196 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 196 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 196 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 41% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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