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Color name
RGB 114 187 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 187 79 it is the complementary color RGB 141 68 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 187 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 187 79 shade: RGB 119 187 74, RGB 136 205 93, RGB 153 223 112, RGB 170 241 131 and RGB 187 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 187 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 187 79 shade: RGB 114 187 79, RGB 97 169 60, RGB 80 151 41, RGB 63 133 22 and RGB 46 115 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 187 79 shade: RGB 113 186 78, RGB 142 186 78, RGB 171 186 78, RGB 186 172 78 and RGB 186 143 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 187 79 shade: RGB 113 186 78, RGB 84 186 78, RGB 78 186 101, RGB 78 186 130 and RGB 78 186 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 187 79 shade matches the following richer shades: RGB 113 186 78, RGB 106 206 58, RGB 99 226 39 and RGB 92 245 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 187 79 shade: RGB 113 186 78, RGB 120 166 98, RGB 127 146 118, RGB 134 127 138 and RGB 141 107 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 187 79 shade: RGB 172 186 78, RGB 143 186 78, RGB 114 186 78, RGB 85 186 78 and RGB 78 186 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 187 79 shade: RGB 77 131 51, RGB 94 161 62, RGB 113 186 78, RGB 137 198 108 and RGB 161 209 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 187 79 shade: RGB 114 187 79, RGB 78 186 172 and RGB 186 78 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 187 79 shade: RGB 114 187 79, RGB 78 114 186 and RGB 186 78 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 187 79 shade: RGB 114 187 79, RGB 78 186 172, RGB 150 78 186 and RGB 186 78 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 187 79 shade: RGB 114 187 79, RGB 78 168 186, RGB 150 78 186 and RGB 186 96 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 58 / 27

HEX #72BB4F

RGB 114 187 79

HSL 100.56, 0.44%, 0.52%

LAB 69.24, -42.35, 46.8

 

Complementary color

CMYK 20 / 61 / 0 / 31

HEX #8D44B0

RGB 141 68 176

HSL 280.56, 0.44%, 0.48%

LAB 42.66, 48.89, -44.99

 

CMYK 36 / 0 / 60 / 27

HEX #77BB4A

RGB 119 187 74

HSL 96.11, 0.45%, 0.51%

LAB 69.44, -41.16, 49.36

 

CMYK 34 / 0 / 55 / 20

HEX #88CD5D

RGB 136 205 93

HSL 96.96, 0.53%, 0.58%

LAB 75.88, -41.22, 48.33

 

CMYK 31 / 0 / 50 / 13

HEX #99DF70

RGB 153 223 112

HSL 97.84, 0.63%, 0.66%

LAB 82.23, -41.2, 47.2

 

CMYK 29 / 0 / 46 / 5

HEX #AAF183

RGB 170 241 131

HSL 98.73, 0.8%, 0.73%

LAB 88.49, -41.12, 46.04

 

CMYK 27 / 0 / 41 / 0

HEX #BBFF96

RGB 187 255 150

HSL 98.86, 1%, 0.79%

LAB 93.57, -39.24, 43.49

 

CMYK 39 / 0 / 58 / 27

HEX #72BB4F

RGB 114 187 79

HSL 100.56, 0.44%, 0.52%

LAB 69.24, -42.35, 46.8

 

CMYK 43 / 0 / 64 / 34

HEX #61A93C

RGB 97 169 60

HSL 99.63, 0.48%, 0.45%

LAB 62.71, -42.21, 47.78

 

CMYK 47 / 0 / 73 / 41

HEX #509729

RGB 80 151 41

HSL 98.73, 0.57%, 0.38%

LAB 56.09, -41.87, 48.39

 

CMYK 53 / 0 / 83 / 48

HEX #3F8516

RGB 63 133 22

HSL 97.84, 0.72%, 0.3%

LAB 49.36, -41.2, 48.18

 

CMYK 60 / 0 / 97 / 55

HEX #2E7303

RGB 46 115 3

HSL 96.96, 0.95%, 0.23%

LAB 42.53, -40.02, 46.59

 

CMYK 39 / 0 / 58 / 27

HEX #71BA4E

RGB 113 186 78

HSL 100.56, 0.44%, 0.52%

LAB 68.88, -42.36, 46.83

 

CMYK 24 / 0 / 58 / 27

HEX #8EBA4E

RGB 142 186 78

HSL 84.44, 0.44%, 0.52%

LAB 70.47, -31.94, 49.07

 

CMYK 8 / 0 / 58 / 27

HEX #ABBA4E

RGB 171 186 78

HSL 68.33, 0.44%, 0.52%

LAB 72.45, -20.38, 51.84

 

CMYK 0 / 8 / 58 / 27

HEX #BAAC4E

RGB 186 172 78

HSL 52.22, 0.44%, 0.52%

LAB 69.82, -6.89, 49.22

 

CMYK 0 / 23 / 58 / 27

HEX #BA8F4E

RGB 186 143 78

HSL 36.11, 0.44%, 0.52%

LAB 62.2, 8.76, 40.39

 

CMYK 39 / 0 / 58 / 27

HEX #71BA4E

RGB 113 186 78

HSL 100.56, 0.44%, 0.52%

LAB 68.88, -42.36, 46.83

 

CMYK 55 / 0 / 58 / 27

HEX #54BA4E

RGB 84 186 78

HSL 116.67, 0.44%, 0.52%

LAB 67.69, -51.01, 45.14

 

CMYK 58 / 0 / 46 / 27

HEX #4EBA65

RGB 78 186 101

HSL 132.78, 0.44%, 0.52%

LAB 67.78, -49.33, 33.94

 

CMYK 58 / 0 / 30 / 27

HEX #4EBA82

RGB 78 186 130

HSL 148.89, 0.44%, 0.52%

LAB 68.28, -44.06, 19.32

 

CMYK 58 / 0 / 14 / 27

HEX #4EBAA0

RGB 78 186 160

HSL 165.56, 0.44%, 0.52%

LAB 68.95, -37.3, 3.93

 

CMYK 39 / 0 / 58 / 27

HEX #71BA4E

RGB 113 186 78

HSL 100.56, 0.44%, 0.52%

LAB 68.88, -42.36, 46.83

 

CMYK 49 / 0 / 72 / 19

HEX #6ACE3A

RGB 106 206 58

HSL 100.54, 0.6%, 0.52%

LAB 74.52, -54.41, 61.1

 

CMYK 56 / 0 / 83 / 11

HEX #63E227

RGB 99 226 39

HSL 100.75, 0.76%, 0.52%

LAB 80.29, -64.65, 72.21

 

CMYK 62 / 0 / 92 / 4

HEX #5CF513

RGB 92 245 19

HSL 100.62, 0.92%, 0.52%

LAB 85.82, -73.19, 80.44

 

CMYK 39 / 0 / 58 / 27

HEX #71BA4E

RGB 113 186 78

HSL 100.56, 0.44%, 0.52%

LAB 68.88, -42.36, 46.83

 

CMYK 28 / 0 / 41 / 35

HEX #78A662

RGB 120 166 98

HSL 100.59, 0.28%, 0.52%

LAB 63.46, -28.32, 30.34

 

CMYK 13 / 0 / 19 / 43

HEX #7F9276

RGB 127 146 118

HSL 100.71, 0.11%, 0.52%

LAB 58.39, -12.27, 12.61

 

CMYK 3 / 8 / 0 / 46

HEX #867F8A

RGB 134 127 138

HSL 278.18, 0.04%, 0.52%

LAB 54.11, 4.82, -4.99

 

CMYK 10 / 32 / 0 / 38

HEX #8D6B9D

RGB 141 107 157

HSL 280.8, 0.2%, 0.52%

LAB 50.23, 23.04, -21.91

 

CMYK 8 / 0 / 58 / 27

HEX #ACBA4E

RGB 172 186 78

HSL 67.78, 0.44%, 0.52%

LAB 72.52, -19.97, 51.94

 

CMYK 23 / 0 / 58 / 27

HEX #8FBA4E

RGB 143 186 78

HSL 83.89, 0.44%, 0.52%

LAB 70.53, -31.55, 49.16

 

CMYK 39 / 0 / 58 / 27

HEX #72BA4E

RGB 114 186 78

HSL 100, 0.44%, 0.52%

LAB 68.93, -42.02, 46.9

 

CMYK 54 / 0 / 58 / 27

HEX #55BA4E

RGB 85 186 78

HSL 116.11, 0.44%, 0.52%

LAB 67.72, -50.75, 45.19

 

CMYK 58 / 0 / 46 / 27

HEX #4EBA64

RGB 78 186 100

HSL 132.22, 0.44%, 0.52%

LAB 67.77, -49.48, 34.43

 

CMYK 41 / 0 / 61 / 49

HEX #4D8333

RGB 77 131 51

HSL 100.5, 0.44%, 0.36%

LAB 49.56, -33.32, 36.94

 

CMYK 42 / 0 / 61 / 37

HEX #5EA13E

RGB 94 161 62

HSL 100.61, 0.44%, 0.44%

LAB 60.08, -39.6, 43.92

 

CMYK 39 / 0 / 58 / 27

HEX #71BA4E

RGB 113 186 78

HSL 100.56, 0.44%, 0.52%

LAB 68.88, -42.36, 46.83

 

CMYK 31 / 0 / 45 / 22

HEX #89C66C

RGB 137 198 108

HSL 100.67, 0.44%, 0.6%

LAB 74.05, -35.98, 38.86

 

CMYK 23 / 0 / 34 / 18

HEX #A1D18A

RGB 161 209 138

HSL 100.56, 0.44%, 0.68%

LAB 79.05, -28.6, 30.29

 

CMYK 39 / 0 / 58 / 27

HEX #72BB4F

RGB 114 187 79

HSL 100.56, 0.44%, 0.52%

LAB 69.24, -42.35, 46.8

 

CMYK 58 / 0 / 8 / 27

HEX #4EBAAC

RGB 78 186 172

HSL 172.22, 0.44%, 0.52%

LAB 69.27, -34.25, -2.2

 

CMYK 0 / 58 / 16 / 27

HEX #BA4E9D

RGB 186 78 157

HSL 316.11, 0.44%, 0.52%

LAB 49.88, 52.85, -21.96

 

CMYK 39 / 0 / 58 / 27

HEX #72BB4F

RGB 114 187 79

HSL 100.56, 0.44%, 0.52%

LAB 69.24, -42.35, 46.8

 

CMYK 58 / 39 / 0 / 27

HEX #4E72BA

RGB 78 114 186

HSL 220, 0.44%, 0.52%

LAB 48.51, 9.19, -41.86

 

CMYK 0 / 58 / 39 / 27

HEX #BA4E72

RGB 186 78 114

HSL 340, 0.44%, 0.52%

LAB 48.39, 47.08, 1.56

 

CMYK 39 / 0 / 58 / 27

HEX #72BB4F

RGB 114 187 79

HSL 100.56, 0.44%, 0.52%

LAB 69.24, -42.35, 46.8

 

CMYK 58 / 0 / 8 / 27

HEX #4EBAAC

RGB 78 186 172

HSL 172.22, 0.44%, 0.52%

LAB 69.27, -34.25, -2.2

 

CMYK 19 / 58 / 0 / 27

HEX #964EBA

RGB 150 78 186

HSL 280, 0.44%, 0.52%

LAB 46.28, 48.3, -45.01

 

CMYK 0 / 58 / 50 / 27

HEX #BA4E5D

RGB 186 78 93

HSL 351.67, 0.44%, 0.52%

LAB 47.85, 44.92, 13.51

 

CMYK 39 / 0 / 58 / 27

HEX #72BB4F

RGB 114 187 79

HSL 100.56, 0.44%, 0.52%

LAB 69.24, -42.35, 46.8

 

CMYK 58 / 10 / 0 / 27

HEX #4EA8BA

RGB 78 168 186

HSL 190, 0.44%, 0.52%

LAB 64.3, -21.51, -17.37

 

CMYK 19 / 58 / 0 / 27

HEX #964EBA

RGB 150 78 186

HSL 280, 0.44%, 0.52%

LAB 46.28, 48.3, -45.01

 

CMYK 0 / 48 / 58 / 27

HEX #BA604E

RGB 186 96 78

HSL 10, 0.44%, 0.52%

LAB 51.1, 34.55, 26.73

 

Description

Color code: RGB 114 187 79 | qconv.com Color code: RGB 114 187 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 187 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 187 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 58 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 58% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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