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Color name
RGB 114 174 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 174 150 it is the complementary color RGB 141 81 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 174 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 174 150 shade: RGB 119 174 145, RGB 136 192 164, RGB 153 210 183, RGB 170 228 202 and RGB 187 246 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 174 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 174 150 shade: RGB 114 174 150, RGB 97 156 131, RGB 80 138 112, RGB 63 120 93 and RGB 46 102 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 174 150 shade: RGB 112 173 148, RGB 112 173 132, RGB 112 173 116, RGB 125 173 112 and RGB 141 173 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 174 150 shade: RGB 112 173 148, RGB 112 173 165, RGB 112 164 173, RGB 112 148 173 and RGB 112 131 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 174 150 shade matches the following richer shades: RGB 112 173 148, RGB 94 191 152, RGB 76 209 156, RGB 58 227 159 and RGB 39 245 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 174 150 shade: RGB 112 173 148, RGB 130 154 145, RGB 148 136 141, RGB 166 118 137 and RGB 185 100 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 174 150 shade: RGB 112 173 116, RGB 112 173 132, RGB 112 173 148, RGB 112 173 165 and RGB 112 165 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 174 150 shade: RGB 74 128 107, RGB 89 155 128, RGB 112 173 148, RGB 138 188 168 and RGB 164 203 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 174 150 shade: RGB 114 174 150, RGB 112 124 173 and RGB 173 124 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 174 150 shade: RGB 114 174 150, RGB 148 112 173 and RGB 173 148 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 174 150 shade: RGB 114 174 150, RGB 112 124 173, RGB 173 112 136 and RGB 173 160 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 174 150 shade: RGB 114 174 150, RGB 118 112 173, RGB 173 112 136 and RGB 167 173 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 14 / 32

HEX #72AE96

RGB 114 174 150

HSL 156, 0.27%, 0.56%

LAB 66.56, -24.84, 6.18

 

Complementary color

CMYK 0 / 43 / 26 / 45

HEX #8D5169

RGB 141 81 105

HSL 336, 0.27%, 0.44%

LAB 42.1, 28.34, -2.93

 

CMYK 32 / 0 / 17 / 32

HEX #77AE91

RGB 119 174 145

HSL 148.36, 0.25%, 0.57%

LAB 66.7, -24.36, 9.18

 

CMYK 29 / 0 / 15 / 25

HEX #88C0A4

RGB 136 192 164

HSL 150, 0.31%, 0.64%

LAB 73.29, -24.12, 8.32

 

CMYK 27 / 0 / 13 / 18

HEX #99D2B7

RGB 153 210 183

HSL 151.58, 0.39%, 0.71%

LAB 79.78, -23.91, 7.5

 

CMYK 25 / 0 / 11 / 11

HEX #AAE4CA

RGB 170 228 202

HSL 153.1, 0.52%, 0.78%

LAB 86.15, -23.71, 6.73

 

CMYK 24 / 0 / 10 / 4

HEX #BBF6DD

RGB 187 246 221

HSL 154.58, 0.77%, 0.85%

LAB 92.44, -23.54, 5.99

 

CMYK 34 / 0 / 14 / 32

HEX #72AE96

RGB 114 174 150

HSL 156, 0.27%, 0.56%

LAB 66.56, -24.84, 6.18

 

CMYK 38 / 0 / 16 / 39

HEX #619C83

RGB 97 156 131

HSL 154.58, 0.23%, 0.5%

LAB 59.85, -25.08, 7.07

 

CMYK 42 / 0 / 19 / 46

HEX #508A70

RGB 80 138 112

HSL 153.1, 0.27%, 0.43%

LAB 53.01, -25.33, 8.03

 

CMYK 48 / 0 / 23 / 53

HEX #3F785D

RGB 63 120 93

HSL 151.58, 0.31%, 0.36%

LAB 46.02, -25.56, 9.1

 

CMYK 55 / 0 / 27 / 60

HEX #2E664A

RGB 46 102 74

HSL 150, 0.38%, 0.29%

LAB 38.86, -25.75, 10.32

 

CMYK 35 / 0 / 14 / 32

HEX #70AD94

RGB 112 173 148

HSL 155.41, 0.27%, 0.56%

LAB 66.11, -25.37, 6.63

 

CMYK 35 / 0 / 24 / 32

HEX #70AD84

RGB 112 173 132

HSL 139.67, 0.27%, 0.56%

LAB 65.75, -28.66, 14.94

 

CMYK 35 / 0 / 33 / 32

HEX #70AD74

RGB 112 173 116

HSL 123.93, 0.27%, 0.56%

LAB 65.43, -31.58, 23.23

 

CMYK 28 / 0 / 35 / 32

HEX #7DAD70

RGB 125 173 112

HSL 107.21, 0.27%, 0.56%

LAB 66.07, -27.83, 26.36

 

CMYK 18 / 0 / 35 / 32

HEX #8DAD70

RGB 141 173 112

HSL 91.48, 0.27%, 0.56%

LAB 67.07, -22.01, 27.85

 

CMYK 35 / 0 / 14 / 32

HEX #70AD94

RGB 112 173 148

HSL 155.41, 0.27%, 0.56%

LAB 66.11, -25.37, 6.63

 

CMYK 35 / 0 / 5 / 32

HEX #70ADA5

RGB 112 173 165

HSL 172.13, 0.27%, 0.56%

LAB 66.56, -21.51, -2.15

 

CMYK 35 / 5 / 0 / 32

HEX #70A4AD

RGB 112 164 173

HSL 188.85, 0.27%, 0.56%

LAB 64.17, -14.86, -10.15

 

CMYK 35 / 14 / 0 / 32

HEX #7094AD

RGB 112 148 173

HSL 204.59, 0.27%, 0.56%

LAB 59.56, -6.14, -17.09

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 35 / 0 / 14 / 32

HEX #70AD94

RGB 112 173 148

HSL 155.41, 0.27%, 0.56%

LAB 66.11, -25.37, 6.63

 

CMYK 51 / 0 / 20 / 25

HEX #5EBF98

RGB 94 191 152

HSL 155.88, 0.43%, 0.56%

LAB 70.81, -37.9, 11.03

 

CMYK 64 / 0 / 25 / 18

HEX #4CD19C

RGB 76 209 156

HSL 156.09, 0.59%, 0.56%

LAB 75.78, -48.58, 15.8

 

CMYK 74 / 0 / 30 / 11

HEX #3AE39F

RGB 58 227 159

HSL 155.86, 0.75%, 0.56%

LAB 80.93, -57.81, 21.31

 

CMYK 84 / 0 / 33 / 4

HEX #27F5A3

RGB 39 245 163

HSL 156.12, 0.91%, 0.56%

LAB 86.2, -65.5, 26.42

 

CMYK 35 / 0 / 14 / 32

HEX #70AD94

RGB 112 173 148

HSL 155.41, 0.27%, 0.56%

LAB 66.11, -25.37, 6.63

 

CMYK 16 / 0 / 6 / 40

HEX #829A91

RGB 130 154 145

HSL 157.5, 0.11%, 0.56%

LAB 61.57, -10.31, 1.89

 

CMYK 0 / 8 / 5 / 42

HEX #94888D

RGB 148 136 141

HSL 335, 0.05%, 0.56%

LAB 57.87, 5.43, -1.05

 

CMYK 0 / 29 / 17 / 35

HEX #A67689

RGB 166 118 137

HSL 336.25, 0.21%, 0.56%

LAB 54.94, 21.77, -2.83

 

CMYK 0 / 46 / 28 / 27

HEX #B96486

RGB 185 100 134

HSL 336, 0.38%, 0.56%

LAB 53.11, 38.19, -3.5

 

CMYK 35 / 0 / 33 / 32

HEX #70AD74

RGB 112 173 116

HSL 123.93, 0.27%, 0.56%

LAB 65.43, -31.58, 23.23

 

CMYK 35 / 0 / 24 / 32

HEX #70AD84

RGB 112 173 132

HSL 139.67, 0.27%, 0.56%

LAB 65.75, -28.66, 14.94

 

CMYK 35 / 0 / 14 / 32

HEX #70AD94

RGB 112 173 148

HSL 155.41, 0.27%, 0.56%

LAB 66.11, -25.37, 6.63

 

CMYK 35 / 0 / 5 / 32

HEX #70ADA5

RGB 112 173 165

HSL 172.13, 0.27%, 0.56%

LAB 66.56, -21.51, -2.15

 

CMYK 35 / 5 / 0 / 32

HEX #70A5AD

RGB 112 165 173

HSL 187.87, 0.27%, 0.56%

LAB 64.46, -15.39, -9.72

 

CMYK 42 / 0 / 16 / 50

HEX #4A806B

RGB 74 128 107

HSL 156.67, 0.27%, 0.4%

LAB 49.44, -23.17, 5.82

 

CMYK 43 / 0 / 17 / 39

HEX #599B80

RGB 89 155 128

HSL 155.45, 0.27%, 0.48%

LAB 59.09, -27.58, 7.63

 

CMYK 35 / 0 / 14 / 32

HEX #70AD94

RGB 112 173 148

HSL 155.41, 0.27%, 0.56%

LAB 66.11, -25.37, 6.63

 

CMYK 27 / 0 / 11 / 26

HEX #8ABCA8

RGB 138 188 168

HSL 156, 0.27%, 0.64%

LAB 72.36, -20.67, 4.81

 

CMYK 19 / 0 / 8 / 20

HEX #A4CBBB

RGB 164 203 187

HSL 155.38, 0.27%, 0.72%

LAB 78.57, -16.12, 3.71

 

CMYK 34 / 0 / 14 / 32

HEX #72AE96

RGB 114 174 150

HSL 156, 0.27%, 0.56%

LAB 66.56, -24.84, 6.18

 

CMYK 35 / 28 / 0 / 32

HEX #707CAD

RGB 112 124 173

HSL 228.2, 0.27%, 0.56%

LAB 52.81, 7.72, -27.44

 

CMYK 0 / 28 / 35 / 32

HEX #AD7C70

RGB 173 124 112

HSL 11.8, 0.27%, 0.56%

LAB 56.55, 17.43, 14.1

 

CMYK 34 / 0 / 14 / 32

HEX #72AE96

RGB 114 174 150

HSL 156, 0.27%, 0.56%

LAB 66.56, -24.84, 6.18

 

CMYK 14 / 35 / 0 / 32

HEX #9470AD

RGB 148 112 173

HSL 275.41, 0.27%, 0.56%

LAB 52.84, 25.96, -27.15

 

CMYK 0 / 14 / 35 / 32

HEX #AD9470

RGB 173 148 112

HSL 35.41, 0.27%, 0.56%

LAB 62.7, 4, 22.51

 

CMYK 34 / 0 / 14 / 32

HEX #72AE96

RGB 114 174 150

HSL 156, 0.27%, 0.56%

LAB 66.56, -24.84, 6.18

 

CMYK 35 / 28 / 0 / 32

HEX #707CAD

RGB 112 124 173

HSL 228.2, 0.27%, 0.56%

LAB 52.81, 7.72, -27.44

 

CMYK 0 / 35 / 21 / 32

HEX #AD7088

RGB 173 112 136

HSL 336.39, 0.27%, 0.56%

LAB 54.29, 27.61, -3.11

 

CMYK 0 / 8 / 35 / 32

HEX #ADA070

RGB 173 160 112

HSL 47.21, 0.27%, 0.56%

LAB 65.9, -2.56, 26.77

 

CMYK 34 / 0 / 14 / 32

HEX #72AE96

RGB 114 174 150

HSL 156, 0.27%, 0.56%

LAB 66.56, -24.84, 6.18

 

CMYK 32 / 35 / 0 / 32

HEX #7670AD

RGB 118 112 173

HSL 245.9, 0.27%, 0.56%

LAB 50.05, 16.67, -31.72

 

CMYK 0 / 35 / 21 / 32

HEX #AD7088

RGB 173 112 136

HSL 336.39, 0.27%, 0.56%

LAB 54.29, 27.61, -3.11

 

CMYK 3 / 0 / 35 / 32

HEX #A7AD70

RGB 167 173 112

HSL 65.9, 0.27%, 0.56%

LAB 68.95, -11.9, 30.67

 

Description

Color code: RGB 114 174 150 | qconv.com Color code: RGB 114 174 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 174 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 174 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 14% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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