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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 169 228 it is the complementary color RGB 141 86 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 169 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 169 228 shade: RGB 119 169 223, RGB 136 187 242, RGB 153 205 255, RGB 170 223 255 and RGB 187 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 169 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 169 228 shade: RGB 114 169 228, RGB 97 151 209, RGB 80 133 190, RGB 63 115 171 and RGB 46 97 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 169 228 shade: RGB 113 168 228, RGB 113 137 228, RGB 120 113 228, RGB 150 113 228 and RGB 181 113 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 169 228 shade: RGB 113 168 228, RGB 113 137 228 and RGB 113 113 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 169 228 shade matches the following richer shades: RGB 113 168 228 and RGB 100 168 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 169 228 shade: RGB 113 168 228, RGB 127 169 214, RGB 140 169 200, RGB 154 170 187 and RGB 168 170 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 169 228 shade: RGB 113 228 226, RGB 113 199 228, RGB 113 168 228, RGB 113 138 228 and RGB 119 113 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 169 228 shade: RGB 44 126 214, RGB 78 147 221, RGB 113 168 228, RGB 148 189 234 and RGB 182 211 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 169 228 shade: RGB 114 169 228, RGB 195 113 228 and RGB 214 228 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 169 228 shade: RGB 114 169 228, RGB 228 113 168 and RGB 168 228 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 169 228 shade: RGB 114 169 228, RGB 195 113 228, RGB 228 172 113 and RGB 146 228 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 169 228 shade: RGB 114 169 228, RGB 228 113 226, RGB 228 172 113 and RGB 113 228 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 26 / 0 / 11

HEX #72A9E4

RGB 114 169 228

HSL 211.05, 0.68%, 0.67%

LAB 67.69, -1.91, -35.27

 

Complementary color

CMYK 0 / 39 / 81 / 45

HEX #8D561B

RGB 141 86 27

HSL 31.05, 0.68%, 0.33%

LAB 41.84, 17.91, 41.66

 

CMYK 47 / 24 / 0 / 13

HEX #77A9DF

RGB 119 169 223

HSL 211.15, 0.62%, 0.67%

LAB 67.74, -2.19, -32.42

 

CMYK 44 / 23 / 0 / 5

HEX #88BBF2

RGB 136 187 242

HSL 211.13, 0.8%, 0.74%

LAB 74.31, -2.62, -32.54

 

CMYK 40 / 20 / 0 / 0

HEX #99CDFF

RGB 153 205 255

HSL 209.41, 1%, 0.8%

LAB 80.55, -4.56, -29.83

 

CMYK 33 / 13 / 0 / 0

HEX #AADFFF

RGB 170 223 255

HSL 202.59, 1%, 0.83%

LAB 86.28, -9.52, -21.02

 

CMYK 27 / 5 / 0 / 0

HEX #BBF1FF

RGB 187 241 255

HSL 192.35, 1%, 0.87%

LAB 92, -13.97, -12.33

 

CMYK 50 / 26 / 0 / 11

HEX #72A9E4

RGB 114 169 228

HSL 211.05, 0.68%, 0.67%

LAB 67.69, -1.91, -35.27

 

CMYK 54 / 28 / 0 / 18

HEX #6197D1

RGB 97 151 209

HSL 211.07, 0.55%, 0.6%

LAB 61.03, -1.29, -35.19

 

CMYK 58 / 30 / 0 / 25

HEX #5085BE

RGB 80 133 190

HSL 211.09, 0.46%, 0.53%

LAB 54.24, -0.52, -35.13

 

CMYK 63 / 33 / 0 / 33

HEX #3F73AB

RGB 63 115 171

HSL 211.11, 0.46%, 0.46%

LAB 47.31, 0.46, -35.09

 

CMYK 70 / 36 / 0 / 40

HEX #2E6198

RGB 46 97 152

HSL 211.13, 0.54%, 0.39%

LAB 40.24, 1.75, -35.06

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 50 / 40 / 0 / 11

HEX #7189E4

RGB 113 137 228

HSL 227.48, 0.68%, 0.67%

LAB 58.98, 16.34, -48.95

 

CMYK 47 / 50 / 0 / 11

HEX #7871E4

RGB 120 113 228

HSL 243.65, 0.68%, 0.67%

LAB 53.39, 32.23, -57.83

 

CMYK 34 / 50 / 0 / 11

HEX #9671E4

RGB 150 113 228

HSL 259.3, 0.68%, 0.67%

LAB 55.98, 39.32, -53.53

 

CMYK 21 / 50 / 0 / 11

HEX #B571E4

RGB 181 113 228

HSL 275.48, 0.68%, 0.67%

LAB 59.19, 47.33, -48.24

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 50 / 40 / 0 / 11

HEX #7189E4

RGB 113 137 228

HSL 227.48, 0.68%, 0.67%

LAB 58.98, 16.34, -48.95

 

CMYK 50 / 50 / 0 / 11

HEX #7171E4

RGB 113 113 228

HSL 240, 0.68%, 0.67%

LAB 52.86, 30.71, -58.7

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 59 / 30 / 0 / 5

HEX #64A8F1

RGB 100 168 241

HSL 211.06, 0.83%, 0.67%

LAB 67.33, -0.32, -43

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 41 / 21 / 0 / 16

HEX #7FA9D6

RGB 127 169 214

HSL 211.03, 0.51%, 0.67%

LAB 67.83, -2.69, -27.3

 

CMYK 30 / 16 / 0 / 22

HEX #8CA9C8

RGB 140 169 200

HSL 211, 0.35%, 0.67%

LAB 68.11, -2.7, -19.07

 

CMYK 18 / 9 / 0 / 27

HEX #9AAABB

RGB 154 170 187

HSL 210.91, 0.2%, 0.67%

LAB 68.9, -1.96, -10.6

 

CMYK 3 / 2 / 0 / 32

HEX #A8AAAD

RGB 168 170 173

HSL 216, 0.03%, 0.67%

LAB 69.53, -0.13, -1.8

 

CMYK 50 / 0 / 1 / 11

HEX #71E4E2

RGB 113 228 226

HSL 178.96, 0.68%, 0.67%

LAB 84.22, -33.03, -9.06

 

CMYK 50 / 13 / 0 / 11

HEX #71C7E4

RGB 113 199 228

HSL 195.13, 0.68%, 0.67%

LAB 76.04, -18.22, -22.42

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 50 / 39 / 0 / 11

HEX #718AE4

RGB 113 138 228

HSL 226.96, 0.68%, 0.67%

LAB 59.24, 15.75, -48.53

 

CMYK 48 / 50 / 0 / 11

HEX #7771E4

RGB 119 113 228

HSL 243.13, 0.68%, 0.67%

LAB 53.31, 32, -57.96

 

CMYK 79 / 41 / 0 / 16

HEX #2C7ED6

RGB 44 126 214

HSL 211.06, 0.67%, 0.51%

LAB 52.19, 6.6, -52.08

 

CMYK 65 / 33 / 0 / 13

HEX #4E93DD

RGB 78 147 221

HSL 211.05, 0.68%, 0.59%

LAB 59.62, 1.2, -44.14

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 37 / 19 / 0 / 8

HEX #94BDEA

RGB 148 189 234

HSL 211.4, 0.67%, 0.75%

LAB 75.22, -2.74, -26.76

 

CMYK 24 / 12 / 0 / 5

HEX #B6D3F1

RGB 182 211 241

HSL 210.51, 0.68%, 0.83%

LAB 83.38, -3.15, -17.92

 

CMYK 50 / 26 / 0 / 11

HEX #72A9E4

RGB 114 169 228

HSL 211.05, 0.68%, 0.67%

LAB 67.69, -1.91, -35.27

 

CMYK 14 / 50 / 0 / 11

HEX #C371E4

RGB 195 113 228

HSL 282.78, 0.68%, 0.67%

LAB 60.79, 51.08, -45.6

 

CMYK 6 / 0 / 50 / 11

HEX #D6E471

RGB 214 228 113

HSL 67.3, 0.68%, 0.67%

LAB 87.47, -20.8, 53.94

 

CMYK 50 / 26 / 0 / 11

HEX #72A9E4

RGB 114 169 228

HSL 211.05, 0.68%, 0.67%

LAB 67.69, -1.91, -35.27

 

CMYK 0 / 50 / 26 / 11

HEX #E471A8

RGB 228 113 168

HSL 331.3, 0.68%, 0.67%

LAB 62.62, 50.73, -8.5

 

CMYK 26 / 0 / 50 / 11

HEX #A8E471

RGB 168 228 113

HSL 91.3, 0.68%, 0.67%

LAB 84.49, -38.1, 49.65

 

CMYK 50 / 26 / 0 / 11

HEX #72A9E4

RGB 114 169 228

HSL 211.05, 0.68%, 0.67%

LAB 67.69, -1.91, -35.27

 

CMYK 14 / 50 / 0 / 11

HEX #C371E4

RGB 195 113 228

HSL 282.78, 0.68%, 0.67%

LAB 60.79, 51.08, -45.6

 

CMYK 0 / 25 / 50 / 11

HEX #E4AC71

RGB 228 172 113

HSL 30.78, 0.68%, 0.67%

LAB 74.31, 13.62, 38.15

 

CMYK 36 / 0 / 50 / 11

HEX #92E471

RGB 146 228 113

HSL 102.78, 0.68%, 0.67%

LAB 83.33, -45.58, 47.99

 

CMYK 50 / 26 / 0 / 11

HEX #72A9E4

RGB 114 169 228

HSL 211.05, 0.68%, 0.67%

LAB 67.69, -1.91, -35.27

 

CMYK 0 / 50 / 1 / 11

HEX #E471E2

RGB 228 113 226

HSL 301.04, 0.68%, 0.67%

LAB 64.8, 59.69, -37.91

 

CMYK 0 / 25 / 50 / 11

HEX #E4AC71

RGB 228 172 113

HSL 30.78, 0.68%, 0.67%

LAB 74.31, 13.62, 38.15

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

Description

Color code: RGB 114 169 228 | qconv.com Color code: RGB 114 169 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 169 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 169 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 26 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 26% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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