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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 167 129 it is the complementary color RGB 141 88 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 167 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 167 129 shade: RGB 119 167 124, RGB 136 185 143, RGB 153 203 162, RGB 170 221 181 and RGB 187 239 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 167 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 167 129 shade: RGB 114 167 129, RGB 97 149 110, RGB 80 131 91, RGB 63 113 72 and RGB 46 95 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 167 129 shade: RGB 113 166 128, RGB 113 166 114, RGB 127 166 113, RGB 141 166 113 and RGB 155 166 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 167 129 shade: RGB 113 166 128, RGB 113 166 143, RGB 113 166 157, RGB 113 161 166 and RGB 113 147 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 167 129 shade matches the following richer shades: RGB 113 166 128, RGB 95 185 120, RGB 76 203 112, RGB 58 222 104 and RGB 39 240 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 167 129 shade: RGB 113 166 128, RGB 132 148 136, RGB 150 129 144, RGB 169 110 152 and RGB 188 92 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 167 129 shade: RGB 127 166 113, RGB 113 166 113, RGB 113 166 127, RGB 113 166 142 and RGB 113 166 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 167 129 shade: RGB 76 121 89, RGB 92 147 107, RGB 113 166 128, RGB 139 182 151 and RGB 164 198 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 167 129 shade: RGB 114 167 129, RGB 113 142 166 and RGB 166 113 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 167 129 shade: RGB 114 167 129, RGB 127 113 166 and RGB 166 127 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 167 129 shade: RGB 114 167 129, RGB 113 142 166, RGB 166 113 152 and RGB 166 138 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 167 129 shade: RGB 114 167 129, RGB 113 126 166, RGB 166 113 152 and RGB 166 154 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 23 / 35

HEX #72A781

RGB 114 167 129

HSL 136.98, 0.23%, 0.55%

LAB 64, -25.66, 14.17

 

Complementary color

CMYK 0 / 38 / 11 / 45

HEX #8D587E

RGB 141 88 126

HSL 316.98, 0.23%, 0.45%

LAB 44.45, 27.86, -12.26

 

CMYK 29 / 0 / 26 / 35

HEX #77A77C

RGB 119 167 124

HSL 126.25, 0.21%, 0.56%

LAB 64.17, -24.94, 17.21

 

CMYK 26 / 0 / 23 / 27

HEX #88B98F

RGB 136 185 143

HSL 128.57, 0.26%, 0.63%

LAB 70.81, -24.7, 16.2

 

CMYK 25 / 0 / 20 / 20

HEX #99CBA2

RGB 153 203 162

HSL 130.8, 0.32%, 0.7%

LAB 77.34, -24.48, 15.25

 

CMYK 23 / 0 / 18 / 13

HEX #AADDB5

RGB 170 221 181

HSL 132.94, 0.43%, 0.77%

LAB 83.75, -24.28, 14.35

 

CMYK 22 / 0 / 16 / 6

HEX #BBEFC8

RGB 187 239 200

HSL 135, 0.62%, 0.84%

LAB 90.08, -24.09, 13.5

 

CMYK 32 / 0 / 23 / 35

HEX #72A781

RGB 114 167 129

HSL 136.98, 0.23%, 0.55%

LAB 64, -25.66, 14.17

 

CMYK 35 / 0 / 26 / 42

HEX #61956E

RGB 97 149 110

HSL 135, 0.21%, 0.48%

LAB 57.23, -25.94, 15.22

 

CMYK 39 / 0 / 31 / 49

HEX #50835B

RGB 80 131 91

HSL 132.94, 0.24%, 0.41%

LAB 50.33, -26.22, 16.37

 

CMYK 44 / 0 / 36 / 56

HEX #3F7148

RGB 63 113 72

HSL 130.8, 0.28%, 0.35%

LAB 43.26, -26.5, 17.64

 

CMYK 52 / 0 / 44 / 63

HEX #2E5F35

RGB 46 95 53

HSL 128.57, 0.35%, 0.28%

LAB 36.03, -26.71, 19.05

 

CMYK 32 / 0 / 23 / 35

HEX #71A680

RGB 113 166 128

HSL 136.98, 0.23%, 0.55%

LAB 63.62, -25.68, 14.19

 

CMYK 32 / 0 / 31 / 35

HEX #71A672

RGB 113 166 114

HSL 121.13, 0.23%, 0.55%

LAB 63.34, -28.24, 21.5

 

CMYK 23 / 0 / 32 / 35

HEX #7FA671

RGB 127 166 113

HSL 104.15, 0.23%, 0.55%

LAB 64.14, -23.51, 23.27

 

CMYK 15 / 0 / 32 / 35

HEX #8DA671

RGB 141 166 113

HSL 88.3, 0.23%, 0.55%

LAB 65.06, -18.31, 24.66

 

CMYK 7 / 0 / 32 / 35

HEX #9BA671

RGB 155 166 113

HSL 72.45, 0.23%, 0.55%

LAB 66.08, -12.87, 26.2

 

CMYK 32 / 0 / 23 / 35

HEX #71A680

RGB 113 166 128

HSL 136.98, 0.23%, 0.55%

LAB 63.62, -25.68, 14.19

 

CMYK 32 / 0 / 14 / 35

HEX #71A68F

RGB 113 166 143

HSL 153.96, 0.23%, 0.55%

LAB 63.97, -22.63, 6.35

 

CMYK 32 / 0 / 5 / 35

HEX #71A69D

RGB 113 166 157

HSL 169.81, 0.23%, 0.55%

LAB 64.34, -19.5, -0.94

 

CMYK 32 / 3 / 0 / 35

HEX #71A1A6

RGB 113 161 166

HSL 185.66, 0.23%, 0.55%

LAB 63.14, -14.73, -7.76

 

CMYK 32 / 11 / 0 / 35

HEX #7193A6

RGB 113 147 166

HSL 201.51, 0.23%, 0.55%

LAB 59.1, -7.1, -13.81

 

CMYK 32 / 0 / 23 / 35

HEX #71A680

RGB 113 166 128

HSL 136.98, 0.23%, 0.55%

LAB 63.62, -25.68, 14.19

 

CMYK 49 / 0 / 35 / 27

HEX #5FB978

RGB 95 185 120

HSL 136.67, 0.39%, 0.55%

LAB 68.38, -41.39, 24.91

 

CMYK 63 / 0 / 45 / 20

HEX #4CCB70

RGB 76 203 112

HSL 137.01, 0.55%, 0.55%

LAB 73.17, -54.6, 35.22

 

CMYK 74 / 0 / 53 / 13

HEX #3ADE68

RGB 58 222 104

HSL 136.83, 0.71%, 0.55%

LAB 78.54, -65.71, 45.74

 

CMYK 84 / 0 / 60 / 6

HEX #27F060

RGB 39 240 96

HSL 137.01, 0.87%, 0.55%

LAB 83.76, -74.67, 55.45

 

CMYK 32 / 0 / 23 / 35

HEX #71A680

RGB 113 166 128

HSL 136.98, 0.23%, 0.55%

LAB 63.62, -25.68, 14.19

 

CMYK 11 / 0 / 8 / 42

HEX #849488

RGB 132 148 136

HSL 135, 0.07%, 0.55%

LAB 59.76, -8.15, 4.4

 

CMYK 0 / 14 / 4 / 41

HEX #968190

RGB 150 129 144

HSL 317.14, 0.09%, 0.55%

LAB 56.29, 10.74, -5.1

 

CMYK 0 / 35 / 10 / 34

HEX #A96E98

RGB 169 110 152

HSL 317.29, 0.26%, 0.55%

LAB 53.87, 29.95, -13.15

 

CMYK 0 / 51 / 14 / 26

HEX #BC5CA1

RGB 188 92 161

HSL 316.88, 0.42%, 0.55%

LAB 52.86, 47.36, -19.73

 

CMYK 23 / 0 / 32 / 35

HEX #7FA671

RGB 127 166 113

HSL 104.15, 0.23%, 0.55%

LAB 64.14, -23.51, 23.27

 

CMYK 32 / 0 / 32 / 35

HEX #71A671

RGB 113 166 113

HSL 120, 0.23%, 0.55%

LAB 63.32, -28.41, 22.02

 

CMYK 32 / 0 / 23 / 35

HEX #71A67F

RGB 113 166 127

HSL 135.85, 0.23%, 0.55%

LAB 63.6, -25.87, 14.72

 

CMYK 32 / 0 / 14 / 35

HEX #71A68E

RGB 113 166 142

HSL 152.83, 0.23%, 0.55%

LAB 63.95, -22.84, 6.87

 

CMYK 32 / 0 / 6 / 35

HEX #71A69C

RGB 113 166 156

HSL 168.68, 0.23%, 0.55%

LAB 64.31, -19.74, -0.42

 

CMYK 37 / 0 / 26 / 53

HEX #4C7959

RGB 76 121 89

HSL 137.33, 0.23%, 0.39%

LAB 46.89, -22.9, 12.76

 

CMYK 37 / 0 / 27 / 42

HEX #5C936B

RGB 92 147 107

HSL 136.36, 0.23%, 0.47%

LAB 56.29, -27.15, 15.57

 

CMYK 32 / 0 / 23 / 35

HEX #71A680

RGB 113 166 128

HSL 136.98, 0.23%, 0.55%

LAB 63.62, -25.68, 14.19

 

CMYK 24 / 0 / 17 / 29

HEX #8BB697

RGB 139 182 151

HSL 136.74, 0.23%, 0.63%

LAB 70.3, -20.7, 11.16

 

CMYK 17 / 0 / 12 / 22

HEX #A4C6AE

RGB 164 198 174

HSL 137.65, 0.23%, 0.71%

LAB 76.88, -16.09, 8.27

 

CMYK 32 / 0 / 23 / 35

HEX #72A781

RGB 114 167 129

HSL 136.98, 0.23%, 0.55%

LAB 64, -25.66, 14.17

 

CMYK 32 / 14 / 0 / 35

HEX #718EA6

RGB 113 142 166

HSL 207.17, 0.23%, 0.55%

LAB 57.66, -4.3, -15.98

 

CMYK 0 / 32 / 28 / 35

HEX #A67178

RGB 166 113 120

HSL 352.08, 0.23%, 0.55%

LAB 53.25, 21.97, 4.66

 

CMYK 32 / 0 / 23 / 35

HEX #72A781

RGB 114 167 129

HSL 136.98, 0.23%, 0.55%

LAB 64, -25.66, 14.17

 

CMYK 23 / 32 / 0 / 35

HEX #7F71A6

RGB 127 113 166

HSL 255.85, 0.23%, 0.55%

LAB 50.78, 17.02, -26.45

 

CMYK 0 / 23 / 32 / 35

HEX #A67F71

RGB 166 127 113

HSL 15.85, 0.23%, 0.55%

LAB 56.56, 13.03, 13.42

 

CMYK 32 / 0 / 23 / 35

HEX #72A781

RGB 114 167 129

HSL 136.98, 0.23%, 0.55%

LAB 64, -25.66, 14.17

 

CMYK 32 / 14 / 0 / 35

HEX #718EA6

RGB 113 142 166

HSL 207.17, 0.23%, 0.55%

LAB 57.66, -4.3, -15.98

 

CMYK 0 / 32 / 8 / 35

HEX #A67198

RGB 166 113 152

HSL 315.85, 0.23%, 0.55%

LAB 54.22, 27.21, -12.66

 

CMYK 0 / 17 / 32 / 35

HEX #A68A71

RGB 166 138 113

HSL 28.3, 0.23%, 0.55%

LAB 59.41, 6.82, 17.36

 

CMYK 32 / 0 / 23 / 35

HEX #72A781

RGB 114 167 129

HSL 136.98, 0.23%, 0.55%

LAB 64, -25.66, 14.17

 

CMYK 32 / 24 / 0 / 35

HEX #717EA6

RGB 113 126 166

HSL 225.28, 0.23%, 0.55%

LAB 53.15, 4.94, -22.87

 

CMYK 0 / 32 / 8 / 35

HEX #A67198

RGB 166 113 152

HSL 315.85, 0.23%, 0.55%

LAB 54.22, 27.21, -12.66

 

CMYK 0 / 7 / 32 / 35

HEX #A69A71

RGB 166 154 113

HSL 46.42, 0.23%, 0.55%

LAB 63.68, -2.03, 23.16

 

Description

Color code: RGB 114 167 129 | qconv.com Color code: RGB 114 167 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 167 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 167 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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