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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 166 88 it is the complementary color RGB 141 89 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 166 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 166 88 shade: RGB 119 166 83, RGB 136 184 102, RGB 153 202 121, RGB 170 220 140 and RGB 187 238 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 166 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 166 88 shade: RGB 114 166 88, RGB 97 148 69, RGB 80 130 50, RGB 63 112 31 and RGB 46 94 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 166 88 shade: RGB 114 167 87, RGB 135 167 87, RGB 156 167 87, RGB 167 155 87 and RGB 167 134 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 166 88 shade: RGB 114 167 87, RGB 93 167 87, RGB 87 167 104, RGB 87 167 125 and RGB 87 167 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 166 88 shade matches the following richer shades: RGB 114 167 87, RGB 107 187 67, RGB 100 208 46, RGB 93 228 26 and RGB 86 249 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 166 88 shade: RGB 114 167 87, RGB 121 146 108, RGB 128 125 129, RGB 134 105 149 and RGB 141 84 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 166 88 shade: RGB 156 167 87, RGB 135 167 87, RGB 114 167 87, RGB 93 167 87 and RGB 87 167 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 166 88 shade: RGB 77 112 59, RGB 95 140 73, RGB 114 167 87, RGB 137 181 114 and RGB 159 195 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 166 88 shade: RGB 114 166 88, RGB 87 167 156 and RGB 167 87 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 166 88 shade: RGB 114 166 88, RGB 87 114 167 and RGB 167 87 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 166 88 shade: RGB 114 166 88, RGB 87 167 156, RGB 140 87 167 and RGB 167 87 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 166 88 shade: RGB 114 166 88, RGB 87 153 167, RGB 140 87 167 and RGB 167 101 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 47 / 35

HEX #72A658

RGB 114 166 88

HSL 100, 0.31%, 0.5%

LAB 62.97, -31.85, 34.87

 

Complementary color

CMYK 16 / 47 / 0 / 35

HEX #8D59A7

RGB 141 89 167

HSL 280, 0.31%, 0.5%

LAB 46.44, 35.66, -33.69

 

CMYK 28 / 0 / 50 / 35

HEX #77A653

RGB 119 166 83

HSL 93.98, 0.33%, 0.49%

LAB 63.19, -30.65, 37.75

 

CMYK 26 / 0 / 45 / 28

HEX #88B866

RGB 136 184 102

HSL 95.12, 0.37%, 0.56%

LAB 69.81, -30.59, 36.54

 

CMYK 24 / 0 / 40 / 21

HEX #99CA79

RGB 153 202 121

HSL 96.3, 0.43%, 0.63%

LAB 76.31, -30.49, 35.35

 

CMYK 23 / 0 / 36 / 14

HEX #AADC8C

RGB 170 220 140

HSL 97.5, 0.53%, 0.71%

LAB 82.71, -30.37, 34.2

 

CMYK 21 / 0 / 33 / 7

HEX #BBEE9F

RGB 187 238 159

HSL 98.73, 0.7%, 0.78%

LAB 89.02, -30.24, 33.1

 

CMYK 31 / 0 / 47 / 35

HEX #72A658

RGB 114 166 88

HSL 100, 0.31%, 0.5%

LAB 62.97, -31.85, 34.87

 

CMYK 34 / 0 / 53 / 42

HEX #619445

RGB 97 148 69

HSL 98.73, 0.36%, 0.43%

LAB 56.24, -31.92, 36.1

 

CMYK 38 / 0 / 62 / 49

HEX #508232

RGB 80 130 50

HSL 97.5, 0.44%, 0.35%

LAB 49.38, -31.89, 37.26

 

CMYK 44 / 0 / 72 / 56

HEX #3F701F

RGB 63 112 31

HSL 96.3, 0.57%, 0.28%

LAB 42.38, -31.66, 38.1

 

CMYK 51 / 0 / 87 / 63

HEX #2E5E0C

RGB 46 94 12

HSL 95.12, 0.77%, 0.21%

LAB 35.23, -31.05, 37.98

 

CMYK 32 / 0 / 48 / 35

HEX #72A757

RGB 114 167 87

HSL 99.75, 0.31%, 0.5%

LAB 63.26, -32.44, 35.74

 

CMYK 19 / 0 / 48 / 35

HEX #87A757

RGB 135 167 87

HSL 84, 0.31%, 0.5%

LAB 64.54, -24.57, 37.61

 

CMYK 7 / 0 / 48 / 35

HEX #9CA757

RGB 156 167 87

HSL 68.25, 0.31%, 0.5%

LAB 66.05, -16.11, 39.79

 

CMYK 0 / 7 / 48 / 35

HEX #A79B57

RGB 167 155 87

HSL 51, 0.31%, 0.5%

LAB 63.63, -5.16, 37.04

 

CMYK 0 / 20 / 48 / 35

HEX #A78657

RGB 167 134 87

HSL 35.25, 0.31%, 0.5%

LAB 57.99, 6.39, 29.99

 

CMYK 32 / 0 / 48 / 35

HEX #72A757

RGB 114 167 87

HSL 99.75, 0.31%, 0.5%

LAB 63.26, -32.44, 35.74

 

CMYK 44 / 0 / 48 / 35

HEX #5DA757

RGB 93 167 87

HSL 115.5, 0.31%, 0.5%

LAB 62.21, -39.47, 34.2

 

CMYK 48 / 0 / 38 / 35

HEX #57A768

RGB 87 167 104

HSL 132.75, 0.31%, 0.5%

LAB 62.22, -38.55, 25.21

 

CMYK 48 / 0 / 25 / 35

HEX #57A77D

RGB 87 167 125

HSL 148.5, 0.31%, 0.5%

LAB 62.63, -34.5, 14.28

 

CMYK 48 / 0 / 13 / 35

HEX #57A792

RGB 87 167 146

HSL 164.25, 0.31%, 0.5%

LAB 63.13, -29.77, 3.3

 

CMYK 32 / 0 / 48 / 35

HEX #72A757

RGB 114 167 87

HSL 99.75, 0.31%, 0.5%

LAB 63.26, -32.44, 35.74

 

CMYK 43 / 0 / 64 / 27

HEX #6BBB43

RGB 107 187 67

HSL 100, 0.47%, 0.5%

LAB 68.8, -45.83, 51.56

 

CMYK 52 / 0 / 78 / 18

HEX #64D02E

RGB 100 208 46

HSL 100, 0.64%, 0.5%

LAB 74.84, -57.64, 65.31

 

CMYK 59 / 0 / 89 / 11

HEX #5DE41A

RGB 93 228 26

HSL 100.1, 0.8%, 0.5%

LAB 80.68, -67.27, 75.14

 

CMYK 65 / 0 / 98 / 2

HEX #56F905

RGB 86 249 5

HSL 100.08, 0.96%, 0.5%

LAB 86.87, -75.9, 82.51

 

CMYK 32 / 0 / 48 / 35

HEX #72A757

RGB 114 167 87

HSL 99.75, 0.31%, 0.5%

LAB 63.26, -32.44, 35.74

 

CMYK 17 / 0 / 26 / 43

HEX #79926C

RGB 121 146 108

HSL 99.47, 0.15%, 0.5%

LAB 57.76, -16.27, 17.3

 

CMYK 1 / 3 / 0 / 49

HEX #807D81

RGB 128 125 129

HSL 285, 0.02%, 0.5%

LAB 52.78, 1.93, -1.77

 

CMYK 10 / 30 / 0 / 42

HEX #866995

RGB 134 105 149

HSL 279.55, 0.17%, 0.5%

LAB 48.69, 20.09, -19.63

 

CMYK 17 / 51 / 0 / 33

HEX #8D54AA

RGB 141 84 170

HSL 279.77, 0.34%, 0.5%

LAB 45.5, 39.12, -36.93

 

CMYK 7 / 0 / 48 / 35

HEX #9CA757

RGB 156 167 87

HSL 68.25, 0.31%, 0.5%

LAB 66.05, -16.11, 39.79

 

CMYK 19 / 0 / 48 / 35

HEX #87A757

RGB 135 167 87

HSL 84, 0.31%, 0.5%

LAB 64.54, -24.57, 37.61

 

CMYK 32 / 0 / 48 / 35

HEX #72A757

RGB 114 167 87

HSL 99.75, 0.31%, 0.5%

LAB 63.26, -32.44, 35.74

 

CMYK 44 / 0 / 48 / 35

HEX #5DA757

RGB 93 167 87

HSL 115.5, 0.31%, 0.5%

LAB 62.21, -39.47, 34.2

 

CMYK 48 / 0 / 38 / 35

HEX #57A767

RGB 87 167 103

HSL 132, 0.31%, 0.5%

LAB 62.21, -38.72, 25.72

 

CMYK 31 / 0 / 47 / 56

HEX #4D703B

RGB 77 112 59

HSL 99.62, 0.31%, 0.34%

LAB 43.48, -23.17, 25.48

 

CMYK 32 / 0 / 48 / 45

HEX #5F8C49

RGB 95 140 73

HSL 100.3, 0.31%, 0.42%

LAB 53.68, -28.33, 30.87

 

CMYK 32 / 0 / 48 / 35

HEX #72A757

RGB 114 167 87

HSL 99.75, 0.31%, 0.5%

LAB 63.26, -32.44, 35.74

 

CMYK 24 / 0 / 37 / 29

HEX #89B572

RGB 137 181 114

HSL 99.4, 0.31%, 0.58%

LAB 69.17, -27.14, 29.51

 

CMYK 18 / 0 / 27 / 24

HEX #9FC38E

RGB 159 195 142

HSL 100.75, 0.31%, 0.66%

LAB 75.05, -21.87, 22.79

 

CMYK 31 / 0 / 47 / 35

HEX #72A658

RGB 114 166 88

HSL 100, 0.31%, 0.5%

LAB 62.97, -31.85, 34.87

 

CMYK 48 / 0 / 7 / 35

HEX #57A79C

RGB 87 167 156

HSL 171.75, 0.31%, 0.5%

LAB 63.4, -27.29, -1.9

 

CMYK 0 / 48 / 13 / 35

HEX #A75791

RGB 167 87 145

HSL 316.5, 0.31%, 0.5%

LAB 48.36, 40.62, -17.42

 

CMYK 31 / 0 / 47 / 35

HEX #72A658

RGB 114 166 88

HSL 100, 0.31%, 0.5%

LAB 62.97, -31.85, 34.87

 

CMYK 48 / 32 / 0 / 35

HEX #5772A7

RGB 87 114 167

HSL 219.75, 0.31%, 0.5%

LAB 48.07, 5.12, -31.47

 

CMYK 0 / 48 / 32 / 35

HEX #A75772

RGB 167 87 114

HSL 339.75, 0.31%, 0.5%

LAB 47.3, 35.93, -0.38

 

CMYK 31 / 0 / 47 / 35

HEX #72A658

RGB 114 166 88

HSL 100, 0.31%, 0.5%

LAB 62.97, -31.85, 34.87

 

CMYK 48 / 0 / 7 / 35

HEX #57A79C

RGB 87 167 156

HSL 171.75, 0.31%, 0.5%

LAB 63.4, -27.29, -1.9

 

CMYK 16 / 48 / 0 / 35

HEX #8C57A7

RGB 140 87 167

HSL 279.75, 0.31%, 0.5%

LAB 45.88, 36.49, -34.58

 

CMYK 0 / 48 / 41 / 35

HEX #A75762

RGB 167 87 98

HSL 351.75, 0.31%, 0.5%

LAB 46.86, 33.93, 8.67

 

CMYK 31 / 0 / 47 / 35

HEX #72A658

RGB 114 166 88

HSL 100, 0.31%, 0.5%

LAB 62.97, -31.85, 34.87

 

CMYK 48 / 8 / 0 / 35

HEX #5799A7

RGB 87 153 167

HSL 190.5, 0.31%, 0.5%

LAB 59.52, -17.17, -13.87

 

CMYK 16 / 48 / 0 / 35

HEX #8C57A7

RGB 140 87 167

HSL 279.75, 0.31%, 0.5%

LAB 45.88, 36.49, -34.58

 

CMYK 0 / 40 / 48 / 35

HEX #A76557

RGB 167 101 87

HSL 10.5, 0.31%, 0.5%

LAB 49.75, 25.02, 19.22

 

Description

Color code: RGB 114 166 88 | qconv.com Color code: RGB 114 166 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 166 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 166 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 47 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 47% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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