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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 152 102 it is the complementary color RGB 141 103 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 152 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 152 102 shade: RGB 119 152 97, RGB 136 170 116, RGB 153 188 135, RGB 170 206 154 and RGB 187 224 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 152 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 152 102 shade: RGB 114 152 102, RGB 97 134 83, RGB 80 116 64, RGB 63 98 45 and RGB 46 80 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 152 102 shade: RGB 114 153 102, RGB 127 153 102, RGB 141 153 102, RGB 153 150 102 and RGB 153 136 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 152 102 shade: RGB 114 153 102, RGB 102 153 103, RGB 102 153 117, RGB 102 153 131 and RGB 102 153 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 152 102 shade matches the following richer shades: RGB 114 153 102, RGB 103 173 81, RGB 92 194 60, RGB 82 214 40 and RGB 71 235 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 152 102 shade: RGB 114 153 102, RGB 124 132 122, RGB 135 111 143, RGB 146 91 163 and RGB 157 70 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 152 102 shade: RGB 141 153 102, RGB 128 153 102, RGB 114 153 102, RGB 102 153 102 and RGB 102 153 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 152 102 shade: RGB 77 103 68, RGB 95 128 85, RGB 114 153 102, RGB 137 169 126 and RGB 159 186 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 152 102 shade: RGB 114 152 102, RGB 102 153 150 and RGB 153 102 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 152 102 shade: RGB 114 152 102, RGB 102 114 153 and RGB 153 102 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 152 102 shade: RGB 114 152 102, RGB 102 153 150, RGB 140 102 153 and RGB 153 102 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 152 102 shade: RGB 114 152 102, RGB 102 140 153, RGB 140 102 153 and RGB 153 114 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 33 / 40

HEX #729866

RGB 114 152 102

HSL 105.6, 0.2%, 0.5%

LAB 58.97, -22.96, 22.21

 

Complementary color

CMYK 8 / 33 / 0 / 40

HEX #8D6799

RGB 141 103 153

HSL 285.6, 0.2%, 0.5%

LAB 49.08, 24.51, -21.32

 

CMYK 22 / 0 / 36 / 40

HEX #779861

RGB 119 152 97

HSL 96, 0.22%, 0.49%

LAB 59.2, -21.88, 25.31

 

CMYK 20 / 0 / 32 / 33

HEX #88AA74

RGB 136 170 116

HSL 97.78, 0.24%, 0.56%

LAB 65.94, -21.76, 24.15

 

CMYK 19 / 0 / 28 / 26

HEX #99BC87

RGB 153 188 135

HSL 99.62, 0.28%, 0.63%

LAB 72.55, -21.64, 23.06

 

CMYK 17 / 0 / 25 / 19

HEX #AACE9A

RGB 170 206 154

HSL 101.54, 0.35%, 0.71%

LAB 79.05, -21.52, 22.04

 

CMYK 17 / 0 / 23 / 12

HEX #BBE0AD

RGB 187 224 173

HSL 103.53, 0.45%, 0.78%

LAB 85.45, -21.41, 21.06

 

CMYK 25 / 0 / 33 / 40

HEX #729866

RGB 114 152 102

HSL 105.6, 0.2%, 0.5%

LAB 58.97, -22.96, 22.21

 

CMYK 28 / 0 / 38 / 47

HEX #618653

RGB 97 134 83

HSL 103.53, 0.24%, 0.43%

LAB 52.08, -23.15, 23.41

 

CMYK 31 / 0 / 45 / 55

HEX #507440

RGB 80 116 64

HSL 101.54, 0.29%, 0.35%

LAB 45.03, -23.33, 24.69

 

CMYK 36 / 0 / 54 / 62

HEX #3F622D

RGB 63 98 45

HSL 99.62, 0.37%, 0.28%

LAB 37.81, -23.44, 26.03

 

CMYK 43 / 0 / 68 / 69

HEX #2E501A

RGB 46 80 26

HSL 97.78, 0.51%, 0.21%

LAB 30.38, -23.41, 27.28

 

CMYK 25 / 0 / 33 / 40

HEX #729966

RGB 114 153 102

HSL 105.88, 0.2%, 0.5%

LAB 59.27, -23.47, 22.61

 

CMYK 17 / 0 / 33 / 40

HEX #7F9966

RGB 127 153 102

HSL 90.59, 0.2%, 0.5%

LAB 60.12, -18.6, 23.89

 

CMYK 8 / 0 / 33 / 40

HEX #8D9966

RGB 141 153 102

HSL 74.12, 0.2%, 0.5%

LAB 61.14, -13.1, 25.43

 

CMYK 0 / 2 / 33 / 40

HEX #999666

RGB 153 150 102

HSL 56.47, 0.2%, 0.5%

LAB 61.26, -6.61, 25.77

 

CMYK 0 / 11 / 33 / 40

HEX #998866

RGB 153 136 102

HSL 40, 0.2%, 0.5%

LAB 57.41, 1.11, 20.63

 

CMYK 25 / 0 / 33 / 40

HEX #729966

RGB 114 153 102

HSL 105.88, 0.2%, 0.5%

LAB 59.27, -23.47, 22.61

 

CMYK 33 / 0 / 33 / 40

HEX #669967

RGB 102 153 103

HSL 121.18, 0.2%, 0.5%

LAB 58.59, -27.53, 21.02

 

CMYK 33 / 0 / 24 / 40

HEX #669975

RGB 102 153 117

HSL 137.65, 0.2%, 0.5%

LAB 58.87, -24.93, 13.61

 

CMYK 33 / 0 / 14 / 40

HEX #669983

RGB 102 153 131

HSL 154.12, 0.2%, 0.5%

LAB 59.2, -22.03, 6.17

 

CMYK 33 / 0 / 6 / 40

HEX #669990

RGB 102 153 144

HSL 169.41, 0.2%, 0.5%

LAB 59.54, -19.07, -0.7

 

CMYK 25 / 0 / 33 / 40

HEX #729966

RGB 114 153 102

HSL 105.88, 0.2%, 0.5%

LAB 59.27, -23.47, 22.61

 

CMYK 40 / 0 / 53 / 32

HEX #67AD51

RGB 103 173 81

HSL 105.65, 0.36%, 0.5%

LAB 64.46, -39.69, 40.07

 

CMYK 53 / 0 / 69 / 24

HEX #5CC23C

RGB 92 194 60

HSL 105.67, 0.53%, 0.5%

LAB 70.31, -53.71, 55.85

 

CMYK 62 / 0 / 81 / 16

HEX #52D628

RGB 82 214 40

HSL 105.52, 0.69%, 0.5%

LAB 76.09, -64.62, 67.96

 

CMYK 70 / 0 / 92 / 8

HEX #47EB13

RGB 71 235 19

HSL 105.56, 0.85%, 0.5%

LAB 82.27, -74.22, 77.31

 

CMYK 25 / 0 / 33 / 40

HEX #729966

RGB 114 153 102

HSL 105.88, 0.2%, 0.5%

LAB 59.27, -23.47, 22.61

 

CMYK 6 / 0 / 8 / 48

HEX #7C847A

RGB 124 132 122

HSL 108, 0.04%, 0.5%

LAB 54.23, -4.95, 4.38

 

CMYK 6 / 22 / 0 / 44

HEX #876F8F

RGB 135 111 143

HSL 285, 0.13%, 0.5%

LAB 50.1, 15.59, -13.93

 

CMYK 10 / 44 / 0 / 36

HEX #925BA3

RGB 146 91 163

HSL 285.83, 0.28%, 0.5%

LAB 47.28, 35.17, -29.97

 

CMYK 15 / 62 / 0 / 28

HEX #9D46B8

RGB 157 70 184

HSL 285.79, 0.45%, 0.5%

LAB 45.65, 53.55, -44.8

 

CMYK 8 / 0 / 33 / 40

HEX #8D9966

RGB 141 153 102

HSL 74.12, 0.2%, 0.5%

LAB 61.14, -13.1, 25.43

 

CMYK 16 / 0 / 33 / 40

HEX #809966

RGB 128 153 102

HSL 89.41, 0.2%, 0.5%

LAB 60.19, -18.21, 23.99

 

CMYK 25 / 0 / 33 / 40

HEX #729966

RGB 114 153 102

HSL 105.88, 0.2%, 0.5%

LAB 59.27, -23.47, 22.61

 

CMYK 33 / 0 / 33 / 40

HEX #669966

RGB 102 153 102

HSL 120, 0.2%, 0.5%

LAB 58.57, -27.7, 21.55

 

CMYK 33 / 0 / 24 / 40

HEX #669974

RGB 102 153 116

HSL 136.47, 0.2%, 0.5%

LAB 58.85, -25.13, 14.14

 

CMYK 25 / 0 / 34 / 60

HEX #4D6744

RGB 77 103 68

HSL 104.57, 0.2%, 0.34%

LAB 40.73, -17.01, 16.73

 

CMYK 26 / 0 / 34 / 50

HEX #5F8055

RGB 95 128 85

HSL 106.05, 0.2%, 0.42%

LAB 50.13, -20.49, 19.67

 

CMYK 25 / 0 / 33 / 40

HEX #729966

RGB 114 153 102

HSL 105.88, 0.2%, 0.5%

LAB 59.27, -23.47, 22.61

 

CMYK 19 / 0 / 25 / 34

HEX #89A97E

RGB 137 169 126

HSL 104.65, 0.2%, 0.58%

LAB 65.9, -19.28, 18.68

 

CMYK 15 / 0 / 19 / 27

HEX #9FBA97

RGB 159 186 151

HSL 106.29, 0.2%, 0.66%

LAB 72.71, -15.83, 14.73

 

CMYK 25 / 0 / 33 / 40

HEX #729866

RGB 114 152 102

HSL 105.6, 0.2%, 0.5%

LAB 58.97, -22.96, 22.21

 

CMYK 33 / 0 / 2 / 40

HEX #669996

RGB 102 153 150

HSL 176.47, 0.2%, 0.5%

LAB 59.72, -17.63, -3.86

 

CMYK 0 / 33 / 12 / 40

HEX #996687

RGB 153 102 135

HSL 321.18, 0.2%, 0.5%

LAB 49.53, 25.77, -9.86

 

CMYK 25 / 0 / 33 / 40

HEX #729866

RGB 114 152 102

HSL 105.6, 0.2%, 0.5%

LAB 58.97, -22.96, 22.21

 

CMYK 33 / 25 / 0 / 40

HEX #667299

RGB 102 114 153

HSL 225.88, 0.2%, 0.5%

LAB 48.46, 5.22, -22.58

 

CMYK 0 / 33 / 25 / 40

HEX #996672

RGB 153 102 114

HSL 345.88, 0.2%, 0.5%

LAB 48.87, 22.29, 1.69

 

CMYK 25 / 0 / 33 / 40

HEX #729866

RGB 114 152 102

HSL 105.6, 0.2%, 0.5%

LAB 58.97, -22.96, 22.21

 

CMYK 33 / 0 / 2 / 40

HEX #669996

RGB 102 153 150

HSL 176.47, 0.2%, 0.5%

LAB 59.72, -17.63, -3.86

 

CMYK 8 / 33 / 0 / 40

HEX #8C6699

RGB 140 102 153

HSL 284.71, 0.2%, 0.5%

LAB 48.73, 24.76, -21.87

 

CMYK 0 / 33 / 32 / 40

HEX #996668

RGB 153 102 104

HSL 357.65, 0.2%, 0.5%

LAB 48.6, 20.83, 7.28

 

CMYK 25 / 0 / 33 / 40

HEX #729866

RGB 114 152 102

HSL 105.6, 0.2%, 0.5%

LAB 58.97, -22.96, 22.21

 

CMYK 33 / 8 / 0 / 40

HEX #668C99

RGB 102 140 153

HSL 195.29, 0.2%, 0.5%

LAB 55.97, -9.83, -11.15

 

CMYK 8 / 33 / 0 / 40

HEX #8C6699

RGB 140 102 153

HSL 284.71, 0.2%, 0.5%

LAB 48.73, 24.76, -21.87

 

CMYK 0 / 25 / 33 / 40

HEX #997266

RGB 153 114 102

HSL 14.12, 0.2%, 0.5%

LAB 51.57, 13.64, 12.64

 

Description

Color code: RGB 114 152 102 | qconv.com Color code: RGB 114 152 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 152 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 152 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 33 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 33% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - REHAU Group | Unlimi...
Link: http://rehau.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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