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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 147 35 it is the complementary color RGB 141 108 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 147 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 147 35 shade: RGB 119 147 30, RGB 136 165 49, RGB 153 183 68, RGB 170 201 87 and RGB 187 219 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 147 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 147 35 shade: RGB 114 147 35, RGB 97 129 16, RGB 80 111 0, RGB 63 93 0 and RGB 46 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 147 35 shade: RGB 115 148 34, RGB 145 148 34, RGB 148 120 34, RGB 148 90 34 and RGB 148 59 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 147 35 shade: RGB 115 148 34, RGB 84 148 34, RGB 53 148 34, RGB 34 148 46 and RGB 34 148 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 147 35 shade matches the following richer shades: RGB 115 148 34, RGB 121 163 20 and RGB 127 178 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 147 35 shade: RGB 115 148 34, RGB 109 133 49, RGB 102 119 64, RGB 96 104 79 and RGB 90 89 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 147 35 shade: RGB 148 120 34, RGB 146 148 34, RGB 116 148 34, RGB 86 148 34 and RGB 55 148 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 147 35 shade: RGB 63 81 19, RGB 89 115 27, RGB 115 148 34, RGB 141 182 42 and RGB 164 208 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 147 35 shade: RGB 114 147 35, RGB 34 148 89 and RGB 135 34 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 147 35 shade: RGB 114 147 35, RGB 34 116 148 and RGB 148 34 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 147 35 shade: RGB 114 147 35, RGB 34 148 89, RGB 67 34 148 and RGB 148 34 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 147 35 shade: RGB 114 147 35, RGB 34 148 124, RGB 67 34 148 and RGB 148 34 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 76 / 42

HEX #729323

RGB 114 147 35

HSL 77.68, 0.62%, 0.36%

LAB 56.65, -27.75, 51.78

 

Complementary color

CMYK 36 / 51 / 0 / 14

HEX #8D6CDC

RGB 141 108 220

HSL 257.68, 0.62%, 0.64%

LAB 53.55, 37.84, -52.97

 

CMYK 19 / 0 / 80 / 42

HEX #77931E

RGB 119 147 30

HSL 74.36, 0.66%, 0.35%

LAB 56.96, -25.9, 53.85

 

CMYK 18 / 0 / 70 / 35

HEX #88A531

RGB 136 165 49

HSL 75, 0.54%, 0.42%

LAB 63.64, -26.55, 53.97

 

CMYK 16 / 0 / 63 / 28

HEX #99B744

RGB 153 183 68

HSL 75.65, 0.46%, 0.49%

LAB 70.22, -27.02, 53.42

 

CMYK 15 / 0 / 57 / 21

HEX #AAC957

RGB 170 201 87

HSL 76.32, 0.51%, 0.56%

LAB 76.68, -27.37, 52.54

 

CMYK 15 / 0 / 52 / 14

HEX #BBDB6A

RGB 187 219 106

HSL 76.99, 0.61%, 0.64%

LAB 83.06, -27.62, 51.5

 

CMYK 22 / 0 / 76 / 42

HEX #729323

RGB 114 147 35

HSL 77.68, 0.62%, 0.36%

LAB 56.65, -27.75, 51.78

 

CMYK 25 / 0 / 88 / 49

HEX #618110

RGB 97 129 16

HSL 76.99, 0.78%, 0.28%

LAB 49.83, -26.99, 50.9

 

CMYK 28 / 0 / 100 / 56

HEX #506F00

RGB 80 111 0

HSL 76.76, 1%, 0.22%

LAB 42.88, -25.94, 48.31

 

CMYK 32 / 0 / 100 / 64

HEX #3F5D00

RGB 63 93 0

HSL 79.35, 1%, 0.18%

LAB 35.76, -24.43, 42.38

 

CMYK 39 / 0 / 100 / 71

HEX #2E4B00

RGB 46 75 0

HSL 83.2, 1%, 0.15%

LAB 28.41, -22.86, 36.24

 

CMYK 22 / 0 / 77 / 42

HEX #739422

RGB 115 148 34

HSL 77.37, 0.63%, 0.36%

LAB 57.02, -27.87, 52.5

 

CMYK 2 / 0 / 77 / 42

HEX #919422

RGB 145 148 34

HSL 61.58, 0.63%, 0.36%

LAB 59.26, -14.86, 55.4

 

CMYK 0 / 19 / 77 / 42

HEX #947822

RGB 148 120 34

HSL 45.26, 0.63%, 0.36%

LAB 51.66, 1.83, 48.39

 

CMYK 0 / 39 / 77 / 42

HEX #945A22

RGB 148 90 34

HSL 29.47, 0.63%, 0.36%

LAB 43.83, 19.08, 40.74

 

CMYK 0 / 60 / 77 / 42

HEX #943B22

RGB 148 59 34

HSL 13.16, 0.63%, 0.36%

LAB 37, 36.01, 33.69

 

CMYK 22 / 0 / 77 / 42

HEX #739422

RGB 115 148 34

HSL 77.37, 0.63%, 0.36%

LAB 57.02, -27.87, 52.5

 

CMYK 43 / 0 / 77 / 42

HEX #549422

RGB 84 148 34

HSL 93.68, 0.63%, 0.36%

LAB 55.26, -39.77, 50.2

 

CMYK 64 / 0 / 77 / 42

HEX #359422

RGB 53 148 34

HSL 110, 0.63%, 0.36%

LAB 54.08, -48.85, 48.65

 

CMYK 77 / 0 / 69 / 42

HEX #22942E

RGB 34 148 46

HSL 126.32, 0.63%, 0.36%

LAB 53.73, -51.51, 43.45

 

CMYK 77 / 0 / 48 / 42

HEX #22944D

RGB 34 148 77

HSL 142.63, 0.63%, 0.36%

LAB 54.09, -47.22, 28.79

 

CMYK 22 / 0 / 77 / 42

HEX #739422

RGB 115 148 34

HSL 77.37, 0.63%, 0.36%

LAB 57.02, -27.87, 52.5

 

CMYK 26 / 0 / 88 / 36

HEX #79A314

RGB 121 163 20

HSL 77.62, 0.78%, 0.36%

LAB 61.92, -33.07, 60.87

 

CMYK 29 / 0 / 97 / 30

HEX #7FB205

RGB 127 178 5

HSL 77.69, 0.95%, 0.36%

LAB 66.8, -37.81, 67.24

 

CMYK 22 / 0 / 77 / 42

HEX #739422

RGB 115 148 34

HSL 77.37, 0.63%, 0.36%

LAB 57.02, -27.87, 52.5

 

CMYK 18 / 0 / 63 / 48

HEX #6D8531

RGB 109 133 49

HSL 77.14, 0.46%, 0.36%

LAB 52.12, -21.92, 41.29

 

CMYK 14 / 0 / 46 / 53

HEX #667740

RGB 102 119 64

HSL 78.55, 0.3%, 0.36%

LAB 47.48, -16, 28.09

 

CMYK 8 / 0 / 24 / 59

HEX #60684F

RGB 96 104 79

HSL 79.2, 0.14%, 0.36%

LAB 42.69, -7.95, 13.09

 

CMYK 4 / 5 / 0 / 63

HEX #5A595E

RGB 90 89 94

HSL 252, 0.03%, 0.36%

LAB 38.07, 1.48, -2.74

 

CMYK 0 / 19 / 77 / 42

HEX #947822

RGB 148 120 34

HSL 45.26, 0.63%, 0.36%

LAB 51.66, 1.83, 48.39

 

CMYK 1 / 0 / 77 / 42

HEX #929422

RGB 146 148 34

HSL 61.05, 0.63%, 0.36%

LAB 59.35, -14.41, 55.51

 

CMYK 22 / 0 / 77 / 42

HEX #749422

RGB 116 148 34

HSL 76.84, 0.63%, 0.36%

LAB 57.08, -27.45, 52.58

 

CMYK 42 / 0 / 77 / 42

HEX #569422

RGB 86 148 34

HSL 92.63, 0.63%, 0.36%

LAB 55.35, -39.07, 50.32

 

CMYK 63 / 0 / 77 / 42

HEX #379422

RGB 55 148 34

HSL 108.95, 0.63%, 0.36%

LAB 54.14, -48.37, 48.72

 

CMYK 22 / 0 / 77 / 68

HEX #3F5113

RGB 63 81 19

HSL 77.42, 0.62%, 0.2%

LAB 31.78, -17.24, 32.44

 

CMYK 23 / 0 / 77 / 55

HEX #59731B

RGB 89 115 27

HSL 77.73, 0.62%, 0.28%

LAB 44.89, -22.95, 42.77

 

CMYK 22 / 0 / 77 / 42

HEX #739422

RGB 115 148 34

HSL 77.37, 0.63%, 0.36%

LAB 57.02, -27.87, 52.5

 

CMYK 23 / 0 / 77 / 29

HEX #8DB62A

RGB 141 182 42

HSL 77.57, 0.63%, 0.44%

LAB 68.96, -32.99, 61.71

 

CMYK 21 / 0 / 73 / 18

HEX #A4D039

RGB 164 208 57

HSL 77.48, 0.62%, 0.52%

LAB 78.05, -35.11, 65.94

 

CMYK 22 / 0 / 76 / 42

HEX #729323

RGB 114 147 35

HSL 77.68, 0.62%, 0.36%

LAB 56.65, -27.75, 51.78

 

CMYK 77 / 0 / 40 / 42

HEX #229459

RGB 34 148 89

HSL 148.95, 0.63%, 0.36%

LAB 54.28, -44.98, 22.55

 

CMYK 9 / 77 / 0 / 42

HEX #872294

RGB 135 34 148

HSL 293.16, 0.63%, 0.36%

LAB 34.87, 56.29, -40.69

 

CMYK 22 / 0 / 76 / 42

HEX #729323

RGB 114 147 35

HSL 77.68, 0.62%, 0.36%

LAB 56.65, -27.75, 51.78

 

CMYK 77 / 22 / 0 / 42

HEX #227494

RGB 34 116 148

HSL 196.84, 0.63%, 0.36%

LAB 45.59, -12.92, -24.33

 

CMYK 0 / 77 / 22 / 42

HEX #942274

RGB 148 34 116

HSL 316.84, 0.63%, 0.36%

LAB 35.4, 54.16, -19.83

 

CMYK 22 / 0 / 76 / 42

HEX #729323

RGB 114 147 35

HSL 77.68, 0.62%, 0.36%

LAB 56.65, -27.75, 51.78

 

CMYK 77 / 0 / 40 / 42

HEX #229459

RGB 34 148 89

HSL 148.95, 0.63%, 0.36%

LAB 54.28, -44.98, 22.55

 

CMYK 55 / 77 / 0 / 42

HEX #432294

RGB 67 34 148

HSL 257.37, 0.63%, 0.36%

LAB 25.18, 43.7, -56.85

 

CMYK 0 / 77 / 37 / 42

HEX #94225D

RGB 148 34 93

HSL 328.95, 0.63%, 0.36%

LAB 34.46, 51.26, -6.62

 

CMYK 22 / 0 / 76 / 42

HEX #729323

RGB 114 147 35

HSL 77.68, 0.62%, 0.36%

LAB 56.65, -27.75, 51.78

 

CMYK 77 / 0 / 16 / 42

HEX #22947C

RGB 34 148 124

HSL 167.37, 0.63%, 0.36%

LAB 55.05, -36.71, 3.87

 

CMYK 55 / 77 / 0 / 42

HEX #432294

RGB 67 34 148

HSL 257.37, 0.63%, 0.36%

LAB 25.18, 43.7, -56.85

 

CMYK 0 / 77 / 60 / 42

HEX #94223B

RGB 148 34 59

HSL 346.84, 0.63%, 0.36%

LAB 33.47, 48.13, 14.06

 

Description

Color code: RGB 114 147 35 | qconv.com Color code: RGB 114 147 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 147 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 147 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 76 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 76% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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