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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 138 29 it is the complementary color RGB 141 117 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 138 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 138 29 shade: RGB 119 138 24, RGB 136 156 43, RGB 153 174 62, RGB 170 192 81 and RGB 187 210 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 138 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 97 120 10, RGB 80 102 0, RGB 63 84 0 and RGB 46 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 138 133 29, RGB 138 103 29, RGB 138 74 29 and RGB 138 44 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 85 138 29, RGB 55 138 29, RGB 29 138 32 and RGB 29 138 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 138 29 shade matches the following richer shades: RGB 114 138 29, RGB 122 152 15 and RGB 130 166 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 107 125 43, RGB 99 111 56, RGB 91 98 70 and RGB 84 84 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 138 29 shade: RGB 138 104 29, RGB 138 133 29, RGB 115 138 29, RGB 85 138 29 and RGB 56 138 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 138 29 shade: RGB 58 70 15, RGB 86 104 22, RGB 114 138 29, RGB 142 172 36 and RGB 171 206 43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 29 138 75 and RGB 118 29 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 29 115 138 and RGB 138 29 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 29 138 75, RGB 53 29 138 and RGB 138 29 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 138 29 shade: RGB 114 138 29, RGB 29 138 107, RGB 53 29 138 and RGB 138 29 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

Complementary color

CMYK 38 / 48 / 0 / 11

HEX #8D75E2

RGB 141 117 226

HSL 253.21, 0.65%, 0.67%

LAB 55.96, 34.26, -52.49

 

CMYK 14 / 0 / 83 / 46

HEX #778A18

RGB 119 138 24

HSL 70, 0.7%, 0.32%

LAB 54.2, -21.65, 53.17

 

CMYK 13 / 0 / 72 / 39

HEX #889C2B

RGB 136 156 43

HSL 70.62, 0.57%, 0.39%

LAB 60.95, -22.46, 53.57

 

CMYK 12 / 0 / 64 / 32

HEX #99AE3E

RGB 153 174 62

HSL 71.25, 0.47%, 0.46%

LAB 67.57, -23.06, 53.14

 

CMYK 11 / 0 / 58 / 25

HEX #AAC051

RGB 170 192 81

HSL 71.89, 0.47%, 0.54%

LAB 74.09, -23.51, 52.3

 

CMYK 11 / 0 / 52 / 18

HEX #BBD264

RGB 187 210 100

HSL 72.55, 0.55%, 0.61%

LAB 80.5, -23.86, 51.28

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 19 / 0 / 92 / 53

HEX #61780A

RGB 97 120 10

HSL 72.55, 0.85%, 0.25%

LAB 46.97, -22.69, 49.83

 

CMYK 22 / 0 / 100 / 60

HEX #506600

RGB 80 102 0

HSL 72.94, 1%, 0.2%

LAB 39.93, -21.41, 46.07

 

CMYK 25 / 0 / 100 / 67

HEX #3F5400

RGB 63 84 0

HSL 75, 1%, 0.16%

LAB 32.7, -19.83, 40.04

 

CMYK 30 / 0 / 100 / 74

HEX #2E4200

RGB 46 66 0

HSL 78.18, 1%, 0.13%

LAB 25.19, -18.23, 33.39

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 0 / 4 / 79 / 46

HEX #8A851D

RGB 138 133 29

HSL 57.25, 0.65%, 0.33%

LAB 54.31, -10.24, 52.31

 

CMYK 0 / 25 / 79 / 46

HEX #8A671D

RGB 138 103 29

HSL 40.73, 0.65%, 0.33%

LAB 45.9, 6.69, 44.52

 

CMYK 0 / 46 / 79 / 46

HEX #8A4A1D

RGB 138 74 29

HSL 24.77, 0.65%, 0.33%

LAB 38.53, 23.56, 37.37

 

CMYK 0 / 68 / 79 / 46

HEX #8A2C1D

RGB 138 44 29

HSL 8.26, 0.65%, 0.33%

LAB 32.47, 39.14, 31.16

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 38 / 0 / 79 / 46

HEX #558A1D

RGB 85 138 29

HSL 89.17, 0.65%, 0.33%

LAB 52.06, -35.37, 48.85

 

CMYK 60 / 0 / 79 / 46

HEX #378A1D

RGB 55 138 29

HSL 105.69, 0.65%, 0.33%

LAB 50.78, -45.02, 47.18

 

CMYK 79 / 0 / 77 / 46

HEX #1D8A20

RGB 29 138 32

HSL 121.65, 0.65%, 0.33%

LAB 50.15, -50.22, 45.28

 

CMYK 79 / 0 / 55 / 46

HEX #1D8A3E

RGB 29 138 62

HSL 138.17, 0.65%, 0.33%

LAB 50.44, -46.72, 32.08

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 20 / 0 / 90 / 40

HEX #7A980F

RGB 122 152 15

HSL 73.14, 0.82%, 0.33%

LAB 58.63, -27.59, 59.15

 

CMYK 22 / 0 / 99 / 35

HEX #82A602

RGB 130 166 2

HSL 73.17, 0.98%, 0.33%

LAB 63.36, -31.16, 65.05

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 14 / 0 / 66 / 51

HEX #6B7D2B

RGB 107 125 43

HSL 73.17, 0.49%, 0.33%

LAB 49.46, -19.14, 41.12

 

CMYK 11 / 0 / 50 / 56

HEX #636F38

RGB 99 111 56

HSL 73.09, 0.33%, 0.33%

LAB 44.67, -13.9, 28.94

 

CMYK 7 / 0 / 29 / 62

HEX #5B6246

RGB 91 98 70

HSL 75, 0.17%, 0.33%

LAB 40.25, -8.09, 15.07

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 0 / 25 / 79 / 46

HEX #8A681D

RGB 138 104 29

HSL 41.28, 0.65%, 0.33%

LAB 46.17, 6.11, 44.78

 

CMYK 0 / 4 / 79 / 46

HEX #8A851D

RGB 138 133 29

HSL 57.25, 0.65%, 0.33%

LAB 54.31, -10.24, 52.31

 

CMYK 17 / 0 / 79 / 46

HEX #738A1D

RGB 115 138 29

HSL 72.66, 0.65%, 0.33%

LAB 53.93, -23.18, 51.28

 

CMYK 38 / 0 / 79 / 46

HEX #558A1D

RGB 85 138 29

HSL 89.17, 0.65%, 0.33%

LAB 52.06, -35.37, 48.85

 

CMYK 59 / 0 / 79 / 46

HEX #388A1D

RGB 56 138 29

HSL 105.14, 0.65%, 0.33%

LAB 50.81, -44.75, 47.22

 

CMYK 17 / 0 / 79 / 73

HEX #3A460F

RGB 58 70 15

HSL 73.09, 0.65%, 0.17%

LAB 27.61, -13.76, 29.89

 

CMYK 17 / 0 / 79 / 59

HEX #566816

RGB 86 104 22

HSL 73.17, 0.65%, 0.25%

LAB 41.12, -18.86, 40.94

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 17 / 0 / 79 / 33

HEX #8EAC24

RGB 142 172 36

HSL 73.24, 0.65%, 0.41%

LAB 66.05, -28.13, 60.9

 

CMYK 17 / 0 / 79 / 19

HEX #ABCE2B

RGB 171 206 43

HSL 72.88, 0.65%, 0.49%

LAB 77.86, -32.07, 70.29

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 79 / 0 / 46 / 46

HEX #1D8A4B

RGB 29 138 75

HSL 145.32, 0.65%, 0.33%

LAB 50.62, -44.51, 25.42

 

CMYK 14 / 79 / 0 / 46

HEX #761D8A

RGB 118 29 138

HSL 288.99, 0.65%, 0.33%

LAB 30.8, 52.55, -41.22

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 79 / 17 / 0 / 46

HEX #1D738A

RGB 29 115 138

HSL 192.66, 0.65%, 0.33%

LAB 44.74, -16.51, -19.71

 

CMYK 0 / 79 / 17 / 46

HEX #8A1D73

RGB 138 29 115

HSL 312.66, 0.65%, 0.33%

LAB 32.96, 53.11, -23.13

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 79 / 0 / 46 / 46

HEX #1D8A4B

RGB 29 138 75

HSL 145.32, 0.65%, 0.33%

LAB 50.62, -44.51, 25.42

 

CMYK 62 / 79 / 0 / 46

HEX #351D8A

RGB 53 29 138

HSL 253.21, 0.65%, 0.33%

LAB 21.84, 41.32, -56.2

 

CMYK 0 / 79 / 33 / 46

HEX #8A1D5D

RGB 138 29 93

HSL 324.77, 0.65%, 0.33%

LAB 31.97, 50.16, -10.56

 

CMYK 17 / 0 / 79 / 46

HEX #728A1D

RGB 114 138 29

HSL 73.21, 0.65%, 0.33%

LAB 53.86, -23.62, 51.19

 

CMYK 79 / 0 / 22 / 46

HEX #1D8A6B

RGB 29 138 107

HSL 162.94, 0.65%, 0.33%

LAB 51.27, -37.39, 8.22

 

CMYK 62 / 79 / 0 / 46

HEX #351D8A

RGB 53 29 138

HSL 253.21, 0.65%, 0.33%

LAB 21.84, 41.32, -56.2

 

CMYK 0 / 79 / 57 / 46

HEX #8A1D3C

RGB 138 29 60

HSL 342.94, 0.65%, 0.33%

LAB 30.9, 46.84, 9.57

 

Description

Color code: RGB 114 138 29 | qconv.com Color code: RGB 114 138 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 138 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 138 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 79 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 79% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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