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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 92 215 it is the complementary color RGB 142 163 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 92 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 92 215 shade: RGB 118 92 210, RGB 135 110 229, RGB 152 128 248, RGB 169 146 255 and RGB 186 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 92 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 92 215 shade: RGB 113 92 215, RGB 96 74 196, RGB 79 56 177, RGB 62 38 158 and RGB 45 20 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 92 215 shade: RGB 112 90 215, RGB 145 90 215, RGB 179 90 215, RGB 212 90 215 and RGB 215 90 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 92 215 shade: RGB 112 90 215 and RGB 90 90 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 92 215 shade matches the following richer shades: RGB 112 90 215, RGB 101 74 231 and RGB 90 57 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 92 215 shade: RGB 112 90 215, RGB 122 107 198, RGB 133 123 182, RGB 144 140 165 and RGB 155 156 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 92 215 shade: RGB 90 136 215, RGB 90 103 215, RGB 111 90 215, RGB 144 90 215 and RGB 177 90 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 92 215 shade: RGB 66 43 179, RGB 83 57 207, RGB 112 90 215, RGB 140 123 223 and RGB 169 157 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 92 215 shade: RGB 113 92 215, RGB 215 90 169 and RGB 119 215 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 92 215 shade: RGB 113 92 215, RGB 215 111 90 and RGB 90 215 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 92 215 shade: RGB 113 92 215, RGB 215 90 169, RGB 194 215 90 and RGB 90 215 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 92 215 shade: RGB 113 92 215, RGB 215 90 132, RGB 194 215 90 and RGB 90 215 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 57 / 0 / 16

HEX #715CD7

RGB 113 92 215

HSL 250.24, 0.61%, 0.6%

LAB 47.07, 39.29, -60.68

 

Complementary color

CMYK 13 / 0 / 75 / 36

HEX #8EA328

RGB 142 163 40

HSL 70.24, 0.61%, 0.4%

LAB 63.42, -23.55, 57.18

 

CMYK 44 / 56 / 0 / 18

HEX #765CD2

RGB 118 92 210

HSL 253.22, 0.57%, 0.59%

LAB 47.18, 38.93, -57.62

 

CMYK 41 / 52 / 0 / 10

HEX #876EE5

RGB 135 110 229

HSL 252.61, 0.7%, 0.66%

LAB 53.98, 37.68, -57.37

 

CMYK 39 / 48 / 0 / 3

HEX #9880F8

RGB 152 128 248

HSL 252, 0.9%, 0.74%

LAB 60.69, 36.54, -57.14

 

CMYK 34 / 43 / 0 / 0

HEX #A992FF

RGB 169 146 255

HSL 252.66, 1%, 0.79%

LAB 66.68, 32.42, -51.36

 

CMYK 27 / 36 / 0 / 0

HEX #BAA4FF

RGB 186 164 255

HSL 254.51, 1%, 0.82%

LAB 72.37, 26.92, -42.32

 

CMYK 47 / 57 / 0 / 16

HEX #715CD7

RGB 113 92 215

HSL 250.24, 0.61%, 0.6%

LAB 47.07, 39.29, -60.68

 

CMYK 51 / 62 / 0 / 23

HEX #604AC4

RGB 96 74 196

HSL 250.82, 0.51%, 0.53%

LAB 40.2, 40.79, -60.94

 

CMYK 55 / 68 / 0 / 31

HEX #4F38B1

RGB 79 56 177

HSL 251.4, 0.52%, 0.46%

LAB 33.28, 42.38, -61.11

 

CMYK 61 / 76 / 0 / 38

HEX #3E269E

RGB 62 38 158

HSL 252, 0.61%, 0.38%

LAB 26.39, 43.93, -61.02

 

CMYK 68 / 86 / 0 / 45

HEX #2D148B

RGB 45 20 139

HSL 252.61, 0.75%, 0.31%

LAB 19.73, 45, -60.33

 

CMYK 48 / 58 / 0 / 16

HEX #705AD7

RGB 112 90 215

HSL 250.56, 0.61%, 0.6%

LAB 46.53, 40.25, -61.56

 

CMYK 33 / 58 / 0 / 16

HEX #915AD7

RGB 145 90 215

HSL 266.4, 0.61%, 0.6%

LAB 49.78, 47.55, -56.14

 

CMYK 17 / 58 / 0 / 16

HEX #B35AD7

RGB 179 90 215

HSL 282.72, 0.61%, 0.6%

LAB 53.82, 55.78, -49.47

 

CMYK 1 / 58 / 0 / 16

HEX #D45AD7

RGB 212 90 215

HSL 298.56, 0.61%, 0.6%

LAB 58.24, 64.05, -42.18

 

CMYK 0 / 58 / 14 / 16

HEX #D75AB8

RGB 215 90 184

HSL 314.88, 0.61%, 0.6%

LAB 57.29, 59.83, -25.95

 

CMYK 48 / 58 / 0 / 16

HEX #705AD7

RGB 112 90 215

HSL 250.56, 0.61%, 0.6%

LAB 46.53, 40.25, -61.56

 

CMYK 58 / 58 / 0 / 16

HEX #5A5AD7

RGB 90 90 215

HSL 240, 0.61%, 0.6%

LAB 44.79, 36.05, -64.46

 

CMYK 48 / 58 / 0 / 16

HEX #705AD7

RGB 112 90 215

HSL 250.56, 0.61%, 0.6%

LAB 46.53, 40.25, -61.56

 

CMYK 56 / 68 / 0 / 9

HEX #654AE7

RGB 101 74 231

HSL 250.32, 0.77%, 0.6%

LAB 43.41, 52.03, -75.77

 

CMYK 64 / 77 / 0 / 3

HEX #5A39F8

RGB 90 57 248

HSL 250.37, 0.93%, 0.6%

LAB 41.02, 64.09, -89.32

 

CMYK 48 / 58 / 0 / 16

HEX #705AD7

RGB 112 90 215

HSL 250.56, 0.61%, 0.6%

LAB 46.53, 40.25, -61.56

 

CMYK 38 / 46 / 0 / 22

HEX #7A6BC6

RGB 122 107 198

HSL 249.89, 0.44%, 0.6%

LAB 50.37, 27.64, -45.62

 

CMYK 27 / 32 / 0 / 29

HEX #857BB6

RGB 133 123 182

HSL 250.17, 0.29%, 0.6%

LAB 54.58, 16.96, -29.75

 

CMYK 13 / 15 / 0 / 35

HEX #908CA5

RGB 144 140 165

HSL 249.6, 0.12%, 0.6%

LAB 59.34, 6.62, -12.65

 

CMYK 1 / 0 / 4 / 39

HEX #9B9C95

RGB 155 156 149

HSL 68.57, 0.03%, 0.6%

LAB 64.09, -1.68, 3.53

 

CMYK 58 / 37 / 0 / 16

HEX #5A88D7

RGB 90 136 215

HSL 217.92, 0.61%, 0.6%

LAB 56.77, 7.91, -45.26

 

CMYK 58 / 52 / 0 / 16

HEX #5A67D7

RGB 90 103 215

HSL 233.76, 0.61%, 0.6%

LAB 47.98, 28.07, -59.29

 

CMYK 48 / 58 / 0 / 16

HEX #6F5AD7

RGB 111 90 215

HSL 250.08, 0.61%, 0.6%

LAB 46.44, 40.05, -61.7

 

CMYK 33 / 58 / 0 / 16

HEX #905AD7

RGB 144 90 215

HSL 265.92, 0.61%, 0.6%

LAB 49.68, 47.31, -56.33

 

CMYK 18 / 58 / 0 / 16

HEX #B15AD7

RGB 177 90 215

HSL 281.76, 0.61%, 0.6%

LAB 53.56, 55.28, -49.89

 

CMYK 63 / 76 / 0 / 30

HEX #422BB3

RGB 66 43 179

HSL 250.15, 0.61%, 0.44%

LAB 29.76, 48.21, -68.1

 

CMYK 60 / 72 / 0 / 19

HEX #5339CF

RGB 83 57 207

HSL 250.4, 0.61%, 0.52%

LAB 36.5, 51.46, -73.42

 

CMYK 48 / 58 / 0 / 16

HEX #705AD7

RGB 112 90 215

HSL 250.56, 0.61%, 0.6%

LAB 46.53, 40.25, -61.56

 

CMYK 37 / 45 / 0 / 13

HEX #8C7BDF

RGB 140 123 223

HSL 250.2, 0.61%, 0.68%

LAB 57.14, 29.71, -48.94

 

CMYK 27 / 32 / 0 / 9

HEX #A99DE7

RGB 169 157 231

HSL 249.73, 0.61%, 0.76%

LAB 68.25, 20.2, -35.76

 

CMYK 47 / 57 / 0 / 16

HEX #715CD7

RGB 113 92 215

HSL 250.24, 0.61%, 0.6%

LAB 47.07, 39.29, -60.68

 

CMYK 0 / 58 / 21 / 16

HEX #D75AA9

RGB 215 90 169

HSL 322.08, 0.61%, 0.6%

LAB 56.71, 57.65, -18.17

 

CMYK 45 / 0 / 58 / 16

HEX #77D75A

RGB 119 215 90

HSL 106.08, 0.61%, 0.6%

LAB 78.03, -51.22, 52

 

CMYK 47 / 57 / 0 / 16

HEX #715CD7

RGB 113 92 215

HSL 250.24, 0.61%, 0.6%

LAB 47.07, 39.29, -60.68

 

CMYK 0 / 48 / 58 / 16

HEX #D76F5A

RGB 215 111 90

HSL 10.08, 0.61%, 0.6%

LAB 58.56, 38.89, 30.26

 

CMYK 58 / 0 / 48 / 16

HEX #5AD76F

RGB 90 215 111

HSL 130.08, 0.61%, 0.6%

LAB 77.23, -56.28, 40.94

 

CMYK 47 / 57 / 0 / 16

HEX #715CD7

RGB 113 92 215

HSL 250.24, 0.61%, 0.6%

LAB 47.07, 39.29, -60.68

 

CMYK 0 / 58 / 21 / 16

HEX #D75AA9

RGB 215 90 169

HSL 322.08, 0.61%, 0.6%

LAB 56.71, 57.65, -18.17

 

CMYK 10 / 0 / 58 / 16

HEX #C2D75A

RGB 194 215 90

HSL 70.08, 0.61%, 0.6%

LAB 82.28, -24.34, 57.95

 

CMYK 58 / 0 / 37 / 16

HEX #5AD788

RGB 90 215 136

HSL 142.08, 0.61%, 0.6%

LAB 77.61, -52.21, 28.84

 

CMYK 47 / 57 / 0 / 16

HEX #715CD7

RGB 113 92 215

HSL 250.24, 0.61%, 0.6%

LAB 47.07, 39.29, -60.68

 

CMYK 0 / 58 / 39 / 16

HEX #D75A84

RGB 215 90 132

HSL 339.84, 0.61%, 0.6%

LAB 55.51, 53.02, 1.71

 

CMYK 10 / 0 / 58 / 16

HEX #C2D75A

RGB 194 215 90

HSL 70.08, 0.61%, 0.6%

LAB 82.28, -24.34, 57.95

 

CMYK 58 / 0 / 20 / 16

HEX #5AD7AD

RGB 90 215 173

HSL 159.84, 0.61%, 0.6%

LAB 78.34, -44.67, 10.42

 

Description

Color code: RGB 113 92 215 | qconv.com Color code: RGB 113 92 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 92 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 92 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 57 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 57% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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