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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 198 66 it is the complementary color RGB 142 57 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 198 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 198 66 shade: RGB 118 198 61, RGB 135 216 80, RGB 152 234 99, RGB 169 252 118 and RGB 186 255 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 198 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 96 180 47, RGB 79 162 28, RGB 62 144 9 and RGB 45 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 149 198 66, RGB 184 198 66, RGB 198 176 66 and RGB 198 141 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 77 198 66, RGB 66 198 90, RGB 66 198 126 and RGB 66 198 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 198 66 shade matches the following richer shades: RGB 113 198 66, RGB 107 218 46 and RGB 102 238 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 119 178 86, RGB 124 159 106, RGB 130 139 125 and RGB 136 119 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 198 66 shade: RGB 185 198 66, RGB 150 198 66, RGB 114 198 66, RGB 79 198 66 and RGB 66 198 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 198 66 shade: RGB 77 140 42, RGB 94 172 51, RGB 113 198 66, RGB 137 208 98 and RGB 161 217 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 66 198 176 and RGB 198 66 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 66 114 198 and RGB 198 66 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 66 198 176, RGB 150 66 198 and RGB 198 66 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 198 66 shade: RGB 113 198 66, RGB 66 181 198, RGB 150 66 198 and RGB 198 84 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

Complementary color

CMYK 25 / 70 / 0 / 26

HEX #8E39BD

RGB 142 57 189

HSL 278.64, 0.54%, 0.48%

LAB 41.77, 57.08, -54.06

 

CMYK 40 / 0 / 69 / 22

HEX #76C63D

RGB 118 198 61

HSL 95.04, 0.55%, 0.51%

LAB 72.61, -47.26, 58.2

 

CMYK 38 / 0 / 63 / 15

HEX #87D850

RGB 135 216 80

HSL 95.74, 0.64%, 0.58%

LAB 78.95, -47.52, 57.56

 

CMYK 35 / 0 / 58 / 8

HEX #98EA63

RGB 152 234 99

HSL 96.44, 0.76%, 0.65%

LAB 85.21, -47.65, 56.66

 

CMYK 33 / 0 / 53 / 1

HEX #A9FC76

RGB 169 252 118

HSL 97.16, 0.96%, 0.73%

LAB 91.4, -47.68, 55.63

 

CMYK 27 / 0 / 46 / 0

HEX #BAFF89

RGB 186 255 137

HSL 95.08, 1%, 0.77%

LAB 93.35, -41.16, 49.41

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 47 / 0 / 74 / 29

HEX #60B42F

RGB 96 180 47

HSL 97.89, 0.59%, 0.45%

LAB 66.01, -48.09, 56.36

 

CMYK 51 / 0 / 83 / 36

HEX #4FA21C

RGB 79 162 28

HSL 97.16, 0.71%, 0.37%

LAB 59.51, -47.39, 55.99

 

CMYK 57 / 0 / 94 / 44

HEX #3E9009

RGB 62 144 9

HSL 96.44, 0.88%, 0.3%

LAB 52.94, -46.25, 54.21

 

CMYK 64 / 0 / 100 / 51

HEX #2D7E00

RGB 45 126 0

HSL 98.57, 1%, 0.25%

LAB 46.28, -44.49, 50.26

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 25 / 0 / 67 / 22

HEX #95C642

RGB 149 198 66

HSL 82.27, 0.54%, 0.52%

LAB 74.3, -35.78, 58.51

 

CMYK 7 / 0 / 67 / 22

HEX #B8C642

RGB 184 198 66

HSL 66.36, 0.54%, 0.52%

LAB 76.66, -21.78, 61.7

 

CMYK 0 / 11 / 67 / 22

HEX #C6B042

RGB 198 176 66

HSL 50, 0.54%, 0.52%

LAB 71.86, -4.64, 57.1

 

CMYK 0 / 29 / 67 / 22

HEX #C68D42

RGB 198 141 66

HSL 34.09, 0.54%, 0.52%

LAB 62.88, 14.21, 47.48

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 61 / 0 / 67 / 22

HEX #4DC642

RGB 77 198 66

HSL 115, 0.54%, 0.52%

LAB 71.12, -58.44, 54.17

 

CMYK 67 / 0 / 55 / 22

HEX #42C65A

RGB 66 198 90

HSL 130.91, 0.54%, 0.52%

LAB 71.07, -58.01, 43.37

 

CMYK 67 / 0 / 36 / 22

HEX #42C67E

RGB 66 198 126

HSL 147.27, 0.54%, 0.52%

LAB 71.59, -52.11, 25.89

 

CMYK 67 / 0 / 18 / 22

HEX #42C6A2

RGB 66 198 162

HSL 163.64, 0.54%, 0.52%

LAB 72.33, -44.28, 7.66

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 51 / 0 / 79 / 15

HEX #6BDA2E

RGB 107 218 46

HSL 98.72, 0.7%, 0.52%

LAB 78.15, -59.33, 68.51

 

CMYK 57 / 0 / 89 / 7

HEX #66EE1A

RGB 102 238 26

HSL 98.49, 0.86%, 0.52%

LAB 83.99, -68.43, 78.05

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 33 / 0 / 52 / 30

HEX #77B256

RGB 119 178 86

HSL 98.48, 0.37%, 0.52%

LAB 66.85, -35.87, 40.69

 

CMYK 22 / 0 / 33 / 38

HEX #7C9F6A

RGB 124 159 106

HSL 99.62, 0.22%, 0.52%

LAB 61.76, -22.19, 23.85

 

CMYK 6 / 0 / 10 / 45

HEX #828B7D

RGB 130 139 125

HSL 98.57, 0.06%, 0.52%

LAB 56.77, -6.03, 6.36

 

CMYK 6 / 18 / 0 / 43

HEX #887791

RGB 136 119 145

HSL 279.23, 0.11%, 0.52%

LAB 52.37, 11.66, -11.67

 

CMYK 7 / 0 / 67 / 22

HEX #B9C642

RGB 185 198 66

HSL 65.91, 0.54%, 0.52%

LAB 76.74, -21.37, 61.8

 

CMYK 24 / 0 / 67 / 22

HEX #96C642

RGB 150 198 66

HSL 81.82, 0.54%, 0.52%

LAB 74.36, -35.4, 58.59

 

CMYK 42 / 0 / 67 / 22

HEX #72C642

RGB 114 198 66

HSL 98.18, 0.54%, 0.52%

LAB 72.47, -48.17, 56.02

 

CMYK 60 / 0 / 67 / 22

HEX #4FC642

RGB 79 198 66

HSL 114.09, 0.54%, 0.52%

LAB 71.18, -57.97, 54.25

 

CMYK 67 / 0 / 56 / 22

HEX #42C658

RGB 66 198 88

HSL 130, 0.54%, 0.52%

LAB 71.04, -58.27, 44.29

 

CMYK 45 / 0 / 70 / 45

HEX #4D8C2A

RGB 77 140 42

HSL 98.57, 0.54%, 0.36%

LAB 52.4, -38.16, 44.13

 

CMYK 45 / 0 / 70 / 33

HEX #5EAC33

RGB 94 172 51

HSL 98.68, 0.54%, 0.44%

LAB 63.45, -45.21, 52.24

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 34 / 0 / 53 / 18

HEX #89D062

RGB 137 208 98

HSL 98.73, 0.54%, 0.6%

LAB 76.87, -41.65, 47.17

 

CMYK 26 / 0 / 40 / 15

HEX #A1D982

RGB 161 217 130

HSL 98.62, 0.53%, 0.68%

LAB 81.19, -33.48, 37.17

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 67 / 0 / 11 / 22

HEX #42C6B0

RGB 66 198 176

HSL 170, 0.54%, 0.52%

LAB 72.68, -40.77, 0.58

 

CMYK 0 / 67 / 16 / 22

HEX #C642A7

RGB 198 66 167

HSL 314.09, 0.54%, 0.52%

LAB 50.33, 62.72, -27.04

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 67 / 42 / 0 / 22

HEX #4272C6

RGB 66 114 198

HSL 218.18, 0.54%, 0.52%

LAB 48.6, 11.1, -48.66

 

CMYK 0 / 67 / 42 / 22

HEX #C64272

RGB 198 66 114

HSL 338.18, 0.54%, 0.52%

LAB 48.41, 56.16, 1.83

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 67 / 0 / 11 / 22

HEX #42C6B0

RGB 66 198 176

HSL 170, 0.54%, 0.52%

LAB 72.68, -40.77, 0.58

 

CMYK 24 / 67 / 0 / 22

HEX #9642C6

RGB 150 66 198

HSL 278.18, 0.54%, 0.52%

LAB 44.88, 56.73, -54.23

 

CMYK 0 / 67 / 56 / 22

HEX #C64258

RGB 198 66 88

HSL 350, 0.54%, 0.52%

LAB 47.76, 53.85, 16.74

 

CMYK 43 / 0 / 67 / 22

HEX #71C642

RGB 113 198 66

HSL 98.64, 0.54%, 0.52%

LAB 72.42, -48.49, 55.96

 

CMYK 67 / 9 / 0 / 22

HEX #42B5C6

RGB 66 181 198

HSL 187.73, 0.54%, 0.52%

LAB 68.23, -26.59, -18.1

 

CMYK 24 / 67 / 0 / 22

HEX #9642C6

RGB 150 66 198

HSL 278.18, 0.54%, 0.52%

LAB 44.88, 56.73, -54.23

 

CMYK 0 / 58 / 67 / 22

HEX #C65442

RGB 198 84 66

HSL 8.18, 0.54%, 0.52%

LAB 50.38, 44.34, 33.11

 

Description

Color code: RGB 113 198 66 | qconv.com Color code: RGB 113 198 66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 198 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 198 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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