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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 119 228 it is the complementary color RGB 142 136 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 119 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 119 228 shade: RGB 118 119 223, RGB 135 137 242, RGB 152 155 255, RGB 169 173 255 and RGB 186 191 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 119 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 119 228 shade: RGB 113 119 228, RGB 96 101 209, RGB 79 83 190, RGB 62 65 171 and RGB 45 47 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 119 228 shade: RGB 113 119 228, RGB 138 113 228, RGB 169 113 228, RGB 200 113 228 and RGB 228 113 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 119 228 shade: RGB 113 119 228 and RGB 113 113 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 119 228 shade matches the following richer shades: RGB 113 119 228 and RGB 100 107 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 119 228 shade: RGB 113 119 228, RGB 127 131 214, RGB 140 143 200, RGB 154 156 187 and RGB 168 168 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 119 228 shade: RGB 113 182 228, RGB 113 151 228, RGB 113 121 228, RGB 136 113 228 and RGB 167 113 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 119 228 shade: RGB 44 53 214, RGB 78 86 221, RGB 113 119 228, RGB 148 152 234 and RGB 182 185 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 119 228 shade: RGB 113 119 228, RGB 228 113 212 and RGB 167 228 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 119 228 shade: RGB 113 119 228, RGB 228 113 121 and RGB 121 228 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 119 228 shade: RGB 113 119 228, RGB 228 113 212, RGB 228 220 113 and RGB 113 228 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 119 228 shade: RGB 113 119 228, RGB 228 113 178, RGB 228 220 113 and RGB 113 228 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

Complementary color

CMYK 0 / 4 / 81 / 44

HEX #8E881B

RGB 142 136 27

HSL 56.87, 0.68%, 0.33%

LAB 55.52, -10.11, 54.17

 

CMYK 47 / 47 / 0 / 13

HEX #7677DF

RGB 118 119 223

HSL 239.43, 0.62%, 0.67%

LAB 54.42, 26.71, -53.38

 

CMYK 44 / 43 / 0 / 5

HEX #8789F2

RGB 135 137 242

HSL 238.88, 0.8%, 0.74%

LAB 61.18, 25.59, -53.12

 

CMYK 40 / 39 / 0 / 0

HEX #989BFF

RGB 152 155 255

HSL 238.25, 1%, 0.8%

LAB 67.53, 22.96, -50.11

 

CMYK 34 / 32 / 0 / 0

HEX #A9ADFF

RGB 169 173 255

HSL 237.21, 1%, 0.83%

LAB 73.25, 17.2, -41.05

 

CMYK 27 / 25 / 0 / 0

HEX #BABFFF

RGB 186 191 255

HSL 235.65, 1%, 0.86%

LAB 79, 12.01, -32.04

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 54 / 52 / 0 / 18

HEX #6065D1

RGB 96 101 209

HSL 237.35, 0.55%, 0.6%

LAB 47.49, 28.53, -56.64

 

CMYK 58 / 56 / 0 / 25

HEX #4F53BE

RGB 79 83 190

HSL 237.84, 0.46%, 0.53%

LAB 40.52, 30.21, -56.98

 

CMYK 64 / 62 / 0 / 33

HEX #3E41AB

RGB 62 65 171

HSL 238.35, 0.47%, 0.46%

LAB 33.45, 32.2, -57.31

 

CMYK 70 / 69 / 0 / 40

HEX #2D2F98

RGB 45 47 152

HSL 238.88, 0.54%, 0.39%

LAB 26.33, 34.53, -57.5

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 39 / 50 / 0 / 11

HEX #8A71E4

RGB 138 113 228

HSL 253.04, 0.68%, 0.67%

LAB 54.88, 36.38, -55.36

 

CMYK 26 / 50 / 0 / 11

HEX #A971E4

RGB 169 113 228

HSL 269.22, 0.68%, 0.67%

LAB 57.89, 44.17, -50.38

 

CMYK 12 / 50 / 0 / 11

HEX #C871E4

RGB 200 113 228

HSL 285.39, 0.68%, 0.67%

LAB 61.39, 52.43, -44.63

 

CMYK 0 / 50 / 1 / 11

HEX #E471E1

RGB 228 113 225

HSL 301.57, 0.68%, 0.67%

LAB 64.76, 59.51, -37.42

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 50 / 50 / 0 / 11

HEX #7171E4

RGB 113 113 228

HSL 240, 0.68%, 0.67%

LAB 52.86, 30.71, -58.7

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 59 / 56 / 0 / 5

HEX #646BF1

RGB 100 107 241

HSL 237.02, 0.83%, 0.67%

LAB 51.35, 35.87, -68.46

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 41 / 39 / 0 / 16

HEX #7F83D6

RGB 127 131 214

HSL 237.24, 0.51%, 0.67%

LAB 57.66, 19.15, -43.15

 

CMYK 30 / 29 / 0 / 22

HEX #8C8FC8

RGB 140 143 200

HSL 237, 0.35%, 0.67%

LAB 61.12, 11.97, -29.78

 

CMYK 18 / 17 / 0 / 27

HEX #9A9CBB

RGB 154 156 187

HSL 236.36, 0.2%, 0.67%

LAB 65.15, 5.8, -16.24

 

CMYK 3 / 3 / 0 / 32

HEX #A8A8AD

RGB 168 168 173

HSL 240, 0.03%, 0.67%

LAB 69, 0.96, -2.58

 

CMYK 50 / 20 / 0 / 11

HEX #71B6E4

RGB 113 182 228

HSL 204, 0.68%, 0.67%

LAB 71.26, -9.27, -29.75

 

CMYK 50 / 34 / 0 / 11

HEX #7197E4

RGB 113 151 228

HSL 220.17, 0.68%, 0.67%

LAB 62.71, 8.12, -43.05

 

CMYK 50 / 47 / 0 / 11

HEX #7179E4

RGB 113 121 228

HSL 235.83, 0.68%, 0.67%

LAB 54.85, 25.91, -55.52

 

CMYK 40 / 50 / 0 / 11

HEX #8871E4

RGB 136 113 228

HSL 252, 0.68%, 0.67%

LAB 54.71, 35.9, -55.65

 

CMYK 27 / 50 / 0 / 11

HEX #A771E4

RGB 167 113 228

HSL 268.17, 0.68%, 0.67%

LAB 57.68, 43.65, -50.73

 

CMYK 79 / 75 / 0 / 16

HEX #2C35D6

RGB 44 53 214

HSL 236.82, 0.67%, 0.51%

LAB 33.85, 51.98, -81.92

 

CMYK 65 / 61 / 0 / 13

HEX #4E56DD

RGB 78 86 221

HSL 236.64, 0.68%, 0.59%

LAB 43.5, 38.53, -70.01

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 37 / 35 / 0 / 8

HEX #9498EA

RGB 148 152 234

HSL 237.21, 0.67%, 0.75%

LAB 65.51, 17.95, -41.81

 

CMYK 24 / 23 / 0 / 5

HEX #B6B9F1

RGB 182 185 241

HSL 236.95, 0.68%, 0.83%

LAB 76.68, 10.83, -28.12

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 0 / 50 / 7 / 11

HEX #E471D4

RGB 228 113 212

HSL 308.35, 0.68%, 0.67%

LAB 64.21, 57.32, -31.01

 

CMYK 27 / 0 / 50 / 11

HEX #A7E471

RGB 167 228 113

HSL 91.83, 0.68%, 0.67%

LAB 84.43, -38.45, 49.57

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 0 / 50 / 47 / 11

HEX #E47179

RGB 228 113 121

HSL 355.83, 0.68%, 0.67%

LAB 61.38, 45.33, 16.7

 

CMYK 47 / 0 / 50 / 11

HEX #79E471

RGB 121 228 113

HSL 115.83, 0.68%, 0.67%

LAB 82.24, -53.15, 46.4

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 0 / 50 / 7 / 11

HEX #E471D4

RGB 228 113 212

HSL 308.35, 0.68%, 0.67%

LAB 64.21, 57.32, -31.01

 

CMYK 0 / 4 / 50 / 11

HEX #E4DC71

RGB 228 220 113

HSL 55.83, 0.68%, 0.67%

LAB 86.44, -11.29, 52.98

 

CMYK 50 / 0 / 44 / 11

HEX #71E480

RGB 113 228 128

HSL 127.83, 0.68%, 0.67%

LAB 82.14, -53.23, 38.94

 

CMYK 50 / 48 / 0 / 11

HEX #7177E4

RGB 113 119 228

HSL 236.87, 0.68%, 0.67%

LAB 54.35, 27.11, -56.32

 

CMYK 0 / 50 / 22 / 11

HEX #E471B2

RGB 228 113 178

HSL 326.09, 0.68%, 0.67%

LAB 62.94, 52.11, -13.72

 

CMYK 0 / 4 / 50 / 11

HEX #E4DC71

RGB 228 220 113

HSL 55.83, 0.68%, 0.67%

LAB 86.44, -11.29, 52.98

 

CMYK 50 / 0 / 29 / 11

HEX #71E4A3

RGB 113 228 163

HSL 146.09, 0.68%, 0.67%

LAB 82.72, -47.23, 21.92

 

Description

Color code: RGB 113 119 228 | qconv.com Color code: RGB 113 119 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 119 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 119 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 48 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 48% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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