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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 105 174 it is the complementary color RGB 142 150 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 105 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 105 174 shade: RGB 118 105 169, RGB 135 123 188, RGB 152 141 207, RGB 169 159 226 and RGB 186 177 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 105 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 105 174 shade: RGB 113 105 174, RGB 96 87 155, RGB 79 69 136, RGB 62 51 117 and RGB 45 33 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 105 174 shade: RGB 113 105 174, RGB 132 105 174, RGB 150 105 174, RGB 169 105 174 and RGB 174 105 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 105 174 shade: RGB 113 105 174 and RGB 105 105 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 105 174 shade matches the following richer shades: RGB 113 105 174, RGB 99 87 193, RGB 85 68 211, RGB 71 50 230 and RGB 56 31 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 105 174 shade: RGB 113 105 174, RGB 128 124 156, RGB 142 142 137, RGB 156 161 118 and RGB 170 180 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 105 174 shade: RGB 105 135 174, RGB 105 117 174, RGB 112 105 174, RGB 131 105 174 and RGB 149 105 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 105 174 shade: RGB 76 69 128, RGB 92 83 155, RGB 113 105 174, RGB 139 132 189 and RGB 164 159 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 105 174 shade: RGB 113 105 174, RGB 174 105 154 and RGB 126 174 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 105 174 shade: RGB 113 105 174, RGB 174 112 105 and RGB 105 174 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 105 174 shade: RGB 113 105 174, RGB 174 105 154, RGB 167 174 105 and RGB 105 174 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 105 174 shade: RGB 113 105 174, RGB 174 105 133, RGB 167 174 105 and RGB 105 174 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

Complementary color

CMYK 5 / 0 / 46 / 41

HEX #8E9651

RGB 142 150 81

HSL 66.96, 0.3%, 0.45%

LAB 60.03, -13.69, 35.26

 

CMYK 30 / 38 / 0 / 34

HEX #7669A9

RGB 118 105 169

HSL 252.19, 0.27%, 0.54%

LAB 48.03, 19.82, -32.54

 

CMYK 28 / 35 / 0 / 26

HEX #877BBC

RGB 135 123 188

HSL 251.08, 0.33%, 0.61%

LAB 55.02, 19.09, -32.5

 

CMYK 27 / 32 / 0 / 19

HEX #988DCF

RGB 152 141 207

HSL 250, 0.41%, 0.68%

LAB 61.85, 18.45, -32.51

 

CMYK 25 / 30 / 0 / 11

HEX #A99FE2

RGB 169 159 226

HSL 248.96, 0.54%, 0.75%

LAB 68.55, 17.87, -32.55

 

CMYK 24 / 28 / 0 / 4

HEX #BAB1F5

RGB 186 177 245

HSL 247.94, 0.77%, 0.83%

LAB 75.12, 17.35, -32.63

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 38 / 44 / 0 / 39

HEX #60579B

RGB 96 87 155

HSL 247.94, 0.28%, 0.47%

LAB 40.69, 20.65, -35.95

 

CMYK 42 / 49 / 0 / 47

HEX #4F4588

RGB 79 69 136

HSL 248.96, 0.33%, 0.4%

LAB 33.34, 21.75, -36.18

 

CMYK 47 / 56 / 0 / 54

HEX #3E3375

RGB 62 51 117

HSL 250, 0.39%, 0.33%

LAB 25.79, 23.08, -36.47

 

CMYK 54 / 66 / 0 / 62

HEX #2D2162

RGB 45 33 98

HSL 251.08, 0.5%, 0.26%

LAB 18.04, 24.69, -36.77

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 24 / 40 / 0 / 32

HEX #8469AE

RGB 132 105 174

HSL 263.48, 0.3%, 0.55%

LAB 49.57, 25.31, -32.94

 

CMYK 14 / 40 / 0 / 32

HEX #9669AE

RGB 150 105 174

HSL 279.13, 0.3%, 0.55%

LAB 51.43, 30.85, -29.91

 

CMYK 3 / 40 / 0 / 32

HEX #A969AE

RGB 169 105 174

HSL 295.65, 0.3%, 0.55%

LAB 53.59, 36.84, -26.38

 

CMYK 0 / 40 / 7 / 32

HEX #AE69A1

RGB 174 105 161

HSL 311.3, 0.3%, 0.55%

LAB 53.68, 36.03, -18.64

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 40 / 40 / 0 / 32

HEX #6969AE

RGB 105 105 174

HSL 240, 0.3%, 0.55%

LAB 47.19, 17.5, -36.86

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 49 / 55 / 0 / 24

HEX #6357C1

RGB 99 87 193

HSL 246.79, 0.46%, 0.55%

LAB 43.24, 32.74, -54.26

 

CMYK 60 / 68 / 0 / 17

HEX #5544D3

RGB 85 68 211

HSL 247.13, 0.62%, 0.55%

LAB 39.19, 46.95, -71.31

 

CMYK 69 / 78 / 0 / 10

HEX #4732E6

RGB 71 50 230

HSL 247, 0.78%, 0.55%

LAB 36.62, 60.44, -86.47

 

CMYK 77 / 88 / 0 / 3

HEX #381FF8

RGB 56 31 248

HSL 246.91, 0.94%, 0.55%

LAB 35.2, 72, -99.05

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 18 / 21 / 0 / 39

HEX #807C9C

RGB 128 124 156

HSL 247.5, 0.14%, 0.55%

LAB 53.39, 8.41, -16.6

 

CMYK 0 / 0 / 4 / 44

HEX #8E8E89

RGB 142 142 137

HSL 60, 0.02%, 0.55%

LAB 58.88, -0.96, 2.65

 

CMYK 3 / 0 / 27 / 37

HEX #9CA176

RGB 156 161 118

HSL 66.98, 0.19%, 0.55%

LAB 64.86, -9.13, 21.85

 

CMYK 6 / 0 / 44 / 29

HEX #AAB464

RGB 170 180 100

HSL 67.5, 0.35%, 0.55%

LAB 70.95, -15.71, 39.48

 

CMYK 40 / 22 / 0 / 32

HEX #6987AE

RGB 105 135 174

HSL 213.91, 0.3%, 0.55%

LAB 55.47, -0.46, -23.96

 

CMYK 40 / 33 / 0 / 32

HEX #6975AE

RGB 105 117 174

HSL 229.57, 0.3%, 0.55%

LAB 50.43, 10.19, -31.77

 

CMYK 36 / 40 / 0 / 32

HEX #7069AE

RGB 112 105 174

HSL 246.09, 0.3%, 0.55%

LAB 47.76, 19.44, -35.93

 

CMYK 25 / 40 / 0 / 32

HEX #8369AE

RGB 131 105 174

HSL 262.61, 0.3%, 0.55%

LAB 49.48, 25.01, -33.1

 

CMYK 14 / 40 / 0 / 32

HEX #9569AE

RGB 149 105 174

HSL 278.26, 0.3%, 0.55%

LAB 51.32, 30.54, -30.08

 

CMYK 41 / 46 / 0 / 50

HEX #4C4580

RGB 76 69 128

HSL 247.12, 0.3%, 0.39%

LAB 32.59, 18.48, -32.44

 

CMYK 41 / 46 / 0 / 39

HEX #5C539B

RGB 92 83 155

HSL 247.5, 0.3%, 0.47%

LAB 39.29, 22.06, -38.19

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 26 / 30 / 0 / 26

HEX #8B84BD

RGB 139 132 189

HSL 247.37, 0.3%, 0.63%

LAB 57.72, 15.27, -28.85

 

CMYK 19 / 22 / 0 / 20

HEX #A49FCB

RGB 164 159 203

HSL 246.82, 0.3%, 0.71%

LAB 67.28, 10.96, -21.84

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 0 / 40 / 11 / 32

HEX #AE699A

RGB 174 105 154

HSL 317.39, 0.3%, 0.55%

LAB 53.42, 34.8, -14.94

 

CMYK 28 / 0 / 40 / 32

HEX #7EAE69

RGB 126 174 105

HSL 101.74, 0.3%, 0.55%

LAB 66.31, -29.01, 30.4

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 0 / 36 / 40 / 32

HEX #AE7069

RGB 174 112 105

HSL 6.09, 0.3%, 0.55%

LAB 53.61, 23.71, 14.09

 

CMYK 40 / 0 / 36 / 32

HEX #69AE70

RGB 105 174 112

HSL 126.09, 0.3%, 0.55%

LAB 65.31, -34.96, 25.16

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 0 / 40 / 11 / 32

HEX #AE699A

RGB 174 105 154

HSL 317.39, 0.3%, 0.55%

LAB 53.42, 34.8, -14.94

 

CMYK 4 / 0 / 40 / 32

HEX #A7AE69

RGB 167 174 105

HSL 66.09, 0.3%, 0.55%

LAB 69.12, -13.27, 34.57

 

CMYK 40 / 0 / 28 / 32

HEX #69AE7E

RGB 105 174 126

HSL 138.26, 0.3%, 0.55%

LAB 65.58, -32.44, 17.94

 

CMYK 35 / 40 / 0 / 32

HEX #7169AE

RGB 113 105 174

HSL 246.96, 0.3%, 0.55%

LAB 47.84, 19.73, -35.79

 

CMYK 0 / 40 / 24 / 32

HEX #AE6985

RGB 174 105 133

HSL 335.65, 0.3%, 0.55%

LAB 52.72, 31.4, -3.64

 

CMYK 4 / 0 / 40 / 32

HEX #A7AE69

RGB 167 174 105

HSL 66.09, 0.3%, 0.55%

LAB 69.12, -13.27, 34.57

 

CMYK 40 / 0 / 16 / 32

HEX #69AE93

RGB 105 174 147

HSL 156.52, 0.3%, 0.55%

LAB 66.04, -28.12, 7.05

 

Description

Color code: RGB 113 105 174 | qconv.com Color code: RGB 113 105 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 105 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 105 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 40 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 40% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Mizuho Bank : Produc...
Link: http://www.mizuhobank.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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