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Color name
RGB 112 93 55

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 93 55 it is the complementary color RGB 143 162 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 93 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 93 55 shade: RGB 117 93 50, RGB 134 111 69, RGB 151 129 88, RGB 168 147 107 and RGB 185 165 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 93 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 95 75 36, RGB 78 57 17, RGB 61 39 0 and RGB 44 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 112 78 55, RGB 112 62 55 and RGB 112 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 112 109 55, RGB 100 112 55, RGB 85 112 55 and RGB 70 112 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 93 55 shade matches the following richer shades: RGB 112 93 55, RGB 126 98 41, RGB 139 102 28, RGB 153 107 14 and RGB 167 111 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 99 89 69, RGB 85 84 82, RGB 71 80 96 and RGB 58 75 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 93 55 shade: RGB 112 63 55, RGB 112 78 55, RGB 112 93 55, RGB 112 108 55 and RGB 101 112 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 93 55 shade: RGB 57 47 28, RGB 85 70 41, RGB 112 93 55, RGB 140 116 69 and RGB 168 139 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 63 112 55 and RGB 70 55 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 55 112 93 and RGB 93 55 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 63 112 55, RGB 55 74 112 and RGB 105 55 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 93 55 shade: RGB 112 93 55, RGB 55 112 65, RGB 55 74 112 and RGB 112 55 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

Complementary color

CMYK 29 / 19 / 0 / 22

HEX #8FA2C8

RGB 143 162 200

HSL 220, 0.34%, 0.67%

LAB 66.41, 2.07, -21.65

 

CMYK 0 / 21 / 57 / 54

HEX #755D32

RGB 117 93 50

HSL 38.51, 0.4%, 0.33%

LAB 40.96, 4.09, 28.15

 

CMYK 0 / 17 / 49 / 47

HEX #866F45

RGB 134 111 69

HSL 38.77, 0.32%, 0.4%

LAB 48.09, 3.17, 26.7

 

CMYK 0 / 15 / 42 / 41

HEX #978158

RGB 151 129 88

HSL 39.05, 0.26%, 0.47%

LAB 55.06, 2.45, 25.33

 

CMYK 0 / 13 / 36 / 34

HEX #A8936B

RGB 168 147 107

HSL 39.34, 0.26%, 0.54%

LAB 61.87, 1.86, 24.07

 

CMYK 0 / 11 / 32 / 27

HEX #B9A57E

RGB 185 165 126

HSL 39.66, 0.3%, 0.61%

LAB 68.56, 1.37, 22.91

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 0 / 21 / 62 / 63

HEX #5F4B24

RGB 95 75 36

HSL 39.66, 0.45%, 0.26%

LAB 33.12, 3.25, 26.11

 

CMYK 0 / 27 / 78 / 69

HEX #4E3911

RGB 78 57 17

HSL 39.34, 0.64%, 0.19%

LAB 25.52, 4.63, 27.49

 

CMYK 0 / 36 / 100 / 76

HEX #3D2700

RGB 61 39 0

HSL 38.36, 1%, 0.12%

LAB 17.66, 6.53, 25.7

 

CMYK 0 / 52 / 100 / 83

HEX #2C1500

RGB 44 21 0

HSL 28.64, 1%, 0.09%

LAB 9.58, 9.54, 14.54

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 0 / 30 / 51 / 56

HEX #704E37

RGB 112 78 55

HSL 24.21, 0.34%, 0.33%

LAB 36.31, 11.33, 19.28

 

CMYK 0 / 45 / 51 / 56

HEX #703E37

RGB 112 62 55

HSL 7.37, 0.34%, 0.33%

LAB 32.18, 21.01, 13.83

 

CMYK 0 / 51 / 51 / 56

HEX #703737

RGB 112 55 55

HSL 0, 0.34%, 0.33%

LAB 30.53, 25.11, 11.59

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 0 / 3 / 51 / 56

HEX #706D37

RGB 112 109 55

HSL 56.84, 0.34%, 0.33%

LAB 45.16, -7.07, 30.34

 

CMYK 11 / 0 / 51 / 56

HEX #647037

RGB 100 112 55

HSL 72.63, 0.34%, 0.33%

LAB 45.04, -14.12, 29.96

 

CMYK 24 / 0 / 51 / 56

HEX #557037

RGB 85 112 55

HSL 88.42, 0.34%, 0.33%

LAB 43.94, -20.52, 28.36

 

CMYK 38 / 0 / 51 / 56

HEX #467037

RGB 70 112 55

HSL 104.21, 0.34%, 0.33%

LAB 43.01, -26.39, 27.01

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 0 / 22 / 67 / 51

HEX #7E6229

RGB 126 98 41

HSL 40.24, 0.51%, 0.33%

LAB 43.26, 4.63, 35.87

 

CMYK 0 / 27 / 80 / 45

HEX #8B661C

RGB 139 102 28

HSL 40, 0.66%, 0.33%

LAB 45.74, 7.7, 44.82

 

CMYK 0 / 30 / 91 / 40

HEX #996B0E

RGB 153 107 14

HSL 40.14, 0.83%, 0.33%

LAB 48.66, 10.92, 52.56

 

CMYK 0 / 34 / 99 / 35

HEX #A76F01

RGB 167 111 1

HSL 39.76, 0.99%, 0.33%

LAB 51.37, 14.87, 58.05

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 0 / 10 / 30 / 61

HEX #635945

RGB 99 89 69

HSL 40, 0.18%, 0.33%

LAB 38.25, 0.57, 13.07

 

CMYK 0 / 1 / 4 / 67

HEX #555452

RGB 85 84 82

HSL 40, 0.02%, 0.33%

LAB 35.75, -0.01, 1.3

 

CMYK 26 / 17 / 0 / 62

HEX #475060

RGB 71 80 96

HSL 218.4, 0.15%, 0.33%

LAB 33.82, 0.47, -10.51

 

CMYK 47 / 32 / 0 / 57

HEX #3A4B6E

RGB 58 75 110

HSL 220.38, 0.31%, 0.33%

LAB 31.94, 3.71, -22.32

 

CMYK 0 / 44 / 51 / 56

HEX #703F37

RGB 112 63 55

HSL 8.42, 0.34%, 0.33%

LAB 32.43, 20.42, 14.16

 

CMYK 0 / 30 / 51 / 56

HEX #704E37

RGB 112 78 55

HSL 24.21, 0.34%, 0.33%

LAB 36.31, 11.33, 19.28

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 0 / 4 / 51 / 56

HEX #706C37

RGB 112 108 55

HSL 55.79, 0.34%, 0.33%

LAB 44.87, -6.5, 29.99

 

CMYK 10 / 0 / 51 / 56

HEX #657037

RGB 101 112 55

HSL 71.58, 0.34%, 0.33%

LAB 45.12, -13.68, 30.07

 

CMYK 0 / 18 / 51 / 78

HEX #392F1C

RGB 57 47 28

HSL 39.31, 0.34%, 0.17%

LAB 19.99, 1.35, 13.88

 

CMYK 0 / 18 / 52 / 67

HEX #554629

RGB 85 70 41

HSL 39.55, 0.35%, 0.25%

LAB 30.57, 2, 19.8

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 0 / 17 / 51 / 45

HEX #8C7445

RGB 140 116 69

HSL 39.72, 0.34%, 0.41%

LAB 50.09, 2.97, 29.34

 

CMYK 0 / 17 / 51 / 34

HEX #A88B52

RGB 168 139 82

HSL 39.77, 0.34%, 0.49%

LAB 59.34, 3.54, 34.4

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 44 / 0 / 51 / 56

HEX #3F7037

RGB 63 112 55

HSL 111.58, 0.34%, 0.33%

LAB 42.64, -28.88, 26.47

 

CMYK 38 / 51 / 0 / 56

HEX #463770

RGB 70 55 112

HSL 255.79, 0.34%, 0.33%

LAB 27.31, 21.06, -30.81

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 51 / 0 / 17 / 56

HEX #37705D

RGB 55 112 93

HSL 160, 0.34%, 0.33%

LAB 43.05, -23.75, 4.84

 

CMYK 17 / 51 / 0 / 56

HEX #5D3770

RGB 93 55 112

HSL 280, 0.34%, 0.33%

LAB 29.98, 28.03, -26.41

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 44 / 0 / 51 / 56

HEX #3F7037

RGB 63 112 55

HSL 111.58, 0.34%, 0.33%

LAB 42.64, -28.88, 26.47

 

CMYK 51 / 34 / 0 / 56

HEX #374A70

RGB 55 74 112

HSL 220, 0.34%, 0.33%

LAB 31.53, 4.2, -24.23

 

CMYK 6 / 51 / 0 / 56

HEX #693770

RGB 105 55 112

HSL 292.63, 0.34%, 0.33%

LAB 31.59, 31.82, -23.77

 

CMYK 0 / 17 / 51 / 56

HEX #705D37

RGB 112 93 55

HSL 40, 0.34%, 0.33%

LAB 40.49, 2.26, 24.61

 

CMYK 51 / 0 / 42 / 56

HEX #377041

RGB 55 112 65

HSL 130.53, 0.34%, 0.33%

LAB 42.43, -29.83, 20.51

 

CMYK 51 / 34 / 0 / 56

HEX #374A70

RGB 55 74 112

HSL 220, 0.34%, 0.33%

LAB 31.53, 4.2, -24.23

 

CMYK 0 / 51 / 8 / 56

HEX #703767

RGB 112 55 103

HSL 309.47, 0.34%, 0.33%

LAB 32.16, 32.3, -17.09

 

Description

Color code: RGB 112 93 55 | qconv.com Color code: RGB 112 93 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 93 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 93 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 51 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 51% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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