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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 85 57 it is the complementary color RGB 143 170 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 85 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 85 57 shade: RGB 117 85 52, RGB 134 103 71, RGB 151 121 90, RGB 168 139 109 and RGB 185 157 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 85 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 85 57 shade: RGB 112 85 57, RGB 95 67 38, RGB 78 49 19, RGB 61 31 0 and RGB 44 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 85 57 shade: RGB 111 84 56, RGB 111 69 56 and RGB 111 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 85 57 shade: RGB 111 84 56, RGB 111 99 56, RGB 109 111 56, RGB 94 111 56 and RGB 79 111 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 85 57 shade matches the following richer shades: RGB 111 84 56, RGB 125 84 42, RGB 139 85 29, RGB 152 85 15 and RGB 166 85 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 85 57 shade: RGB 111 84 56, RGB 98 84 69, RGB 84 84 83, RGB 71 83 97 and RGB 57 83 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 85 57 shade: RGB 111 56 58, RGB 111 69 56, RGB 111 84 56, RGB 111 98 56 and RGB 110 111 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 85 57 shade: RGB 57 43 28, RGB 84 63 42, RGB 111 84 56, RGB 139 105 70 and RGB 166 126 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 85 57 shade: RGB 112 85 57, RGB 73 111 56 and RGB 61 56 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 85 57 shade: RGB 112 85 57, RGB 56 111 84 and RGB 84 56 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 85 57 shade: RGB 112 85 57, RGB 73 111 56, RGB 56 84 111 and RGB 95 56 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 85 57 shade: RGB 112 85 57, RGB 56 111 56, RGB 56 84 111 and RGB 111 56 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 49 / 56

HEX #705539

RGB 112 85 57

HSL 30.55, 0.33%, 0.33%

LAB 38.26, 7.29, 20.61

 

Complementary color

CMYK 28 / 14 / 0 / 22

HEX #8FAAC6

RGB 143 170 198

HSL 210.55, 0.33%, 0.67%

LAB 68.51, -2.85, -17.35

 

CMYK 0 / 27 / 56 / 54

HEX #755534

RGB 117 85 52

HSL 30.46, 0.38%, 0.33%

LAB 38.77, 9.08, 24.33

 

CMYK 0 / 23 / 47 / 47

HEX #866747

RGB 134 103 71

HSL 30.48, 0.31%, 0.4%

LAB 45.94, 8.05, 22.8

 

CMYK 0 / 20 / 40 / 41

HEX #97795A

RGB 151 121 90

HSL 30.49, 0.25%, 0.47%

LAB 52.94, 7.23, 21.42

 

CMYK 0 / 17 / 35 / 34

HEX #A88B6D

RGB 168 139 109

HSL 30.51, 0.25%, 0.54%

LAB 59.79, 6.56, 20.17

 

CMYK 0 / 15 / 31 / 27

HEX #B99D80

RGB 185 157 128

HSL 30.53, 0.29%, 0.61%

LAB 66.51, 5.99, 19.02

 

CMYK 0 / 24 / 49 / 56

HEX #705539

RGB 112 85 57

HSL 30.55, 0.33%, 0.33%

LAB 38.26, 7.29, 20.61

 

CMYK 0 / 29 / 60 / 63

HEX #5F4326

RGB 95 67 38

HSL 30.53, 0.43%, 0.26%

LAB 30.85, 8.41, 22.22

 

CMYK 0 / 37 / 76 / 69

HEX #4E3113

RGB 78 49 19

HSL 30.51, 0.61%, 0.19%

LAB 23.21, 9.93, 23.96

 

CMYK 0 / 49 / 100 / 76

HEX #3D1F00

RGB 61 31 0

HSL 30.49, 1%, 0.12%

LAB 15.34, 11.9, 22.82

 

CMYK 0 / 70 / 100 / 83

HEX #2C0D00

RGB 44 13 0

HSL 17.73, 1%, 0.09%

LAB 7.44, 14.84, 11.44

 

CMYK 0 / 24 / 50 / 56

HEX #6F5438

RGB 111 84 56

HSL 30.55, 0.33%, 0.33%

LAB 37.85, 7.33, 20.65

 

CMYK 0 / 38 / 50 / 56

HEX #6F4538

RGB 111 69 56

HSL 14.18, 0.33%, 0.33%

LAB 33.82, 16.47, 15.36

 

CMYK 0 / 50 / 50 / 56

HEX #6F3838

RGB 111 56 56

HSL 0, 0.33%, 0.33%

LAB 30.62, 24.23, 11.05

 

CMYK 0 / 24 / 50 / 56

HEX #6F5438

RGB 111 84 56

HSL 30.55, 0.33%, 0.33%

LAB 37.85, 7.33, 20.65

 

CMYK 0 / 11 / 50 / 56

HEX #6F6338

RGB 111 99 56

HSL 46.91, 0.33%, 0.33%

LAB 42.14, -1.64, 26.07

 

CMYK 2 / 0 / 50 / 56

HEX #6D6F38

RGB 109 111 56

HSL 62.18, 0.33%, 0.33%

LAB 45.5, -9.46, 30.15

 

CMYK 15 / 0 / 50 / 56

HEX #5E6F38

RGB 94 111 56

HSL 78.55, 0.33%, 0.33%

LAB 44.28, -16.07, 28.38

 

CMYK 29 / 0 / 50 / 56

HEX #4F6F38

RGB 79 111 56

HSL 94.91, 0.33%, 0.33%

LAB 43.24, -22.29, 26.86

 

CMYK 0 / 24 / 50 / 56

HEX #6F5438

RGB 111 84 56

HSL 30.55, 0.33%, 0.33%

LAB 37.85, 7.33, 20.65

 

CMYK 0 / 33 / 66 / 51

HEX #7D542A

RGB 125 84 42

HSL 30.36, 0.5%, 0.33%

LAB 39.36, 12.54, 30.94

 

CMYK 0 / 39 / 79 / 45

HEX #8B551D

RGB 139 85 29

HSL 30.55, 0.65%, 0.33%

LAB 41.33, 17.66, 40.18

 

CMYK 0 / 44 / 90 / 40

HEX #98550F

RGB 152 85 15

HSL 30.66, 0.82%, 0.33%

LAB 43.07, 23.07, 47.85

 

CMYK 0 / 49 / 99 / 35

HEX #A65501

RGB 166 85 1

HSL 30.55, 0.99%, 0.33%

LAB 45.09, 28.93, 53.93

 

CMYK 0 / 24 / 50 / 56

HEX #6F5438

RGB 111 84 56

HSL 30.55, 0.33%, 0.33%

LAB 37.85, 7.33, 20.65

 

CMYK 0 / 14 / 30 / 62

HEX #625445

RGB 98 84 69

HSL 31.03, 0.17%, 0.33%

LAB 36.68, 3.17, 10.9

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 27 / 14 / 0 / 62

HEX #475361

RGB 71 83 97

HSL 212.31, 0.15%, 0.33%

LAB 34.78, -1.14, -9.69

 

CMYK 48 / 25 / 0 / 57

HEX #39536E

RGB 57 83 110

HSL 210.57, 0.32%, 0.33%

LAB 34.36, -1.71, -18.56

 

CMYK 0 / 50 / 48 / 56

HEX #6F383A

RGB 111 56 58

HSL 357.82, 0.33%, 0.33%

LAB 30.67, 24.45, 9.82

 

CMYK 0 / 38 / 50 / 56

HEX #6F4538

RGB 111 69 56

HSL 14.18, 0.33%, 0.33%

LAB 33.82, 16.47, 15.36

 

CMYK 0 / 24 / 50 / 56

HEX #6F5438

RGB 111 84 56

HSL 30.55, 0.33%, 0.33%

LAB 37.85, 7.33, 20.65

 

CMYK 0 / 12 / 50 / 56

HEX #6F6238

RGB 111 98 56

HSL 45.82, 0.33%, 0.33%

LAB 41.85, -1.06, 25.71

 

CMYK 1 / 0 / 50 / 56

HEX #6E6F38

RGB 110 111 56

HSL 61.09, 0.33%, 0.33%

LAB 45.59, -9.01, 30.28

 

CMYK 0 / 25 / 51 / 78

HEX #392B1C

RGB 57 43 28

HSL 31.03, 0.34%, 0.17%

LAB 18.72, 4.04, 12.23

 

CMYK 0 / 25 / 50 / 67

HEX #543F2A

RGB 84 63 42

HSL 30, 0.33%, 0.25%

LAB 28.4, 6.06, 16.38

 

CMYK 0 / 24 / 50 / 56

HEX #6F5438

RGB 111 84 56

HSL 30.55, 0.33%, 0.33%

LAB 37.85, 7.33, 20.65

 

CMYK 0 / 24 / 50 / 45

HEX #8B6946

RGB 139 105 70

HSL 30.43, 0.33%, 0.41%

LAB 47.02, 8.99, 24.87

 

CMYK 0 / 24 / 49 / 35

HEX #A67E54

RGB 166 126 84

HSL 30.73, 0.33%, 0.49%

LAB 55.75, 10.16, 28.77

 

CMYK 0 / 24 / 49 / 56

HEX #705539

RGB 112 85 57

HSL 30.55, 0.33%, 0.33%

LAB 38.26, 7.29, 20.61

 

CMYK 34 / 0 / 50 / 56

HEX #496F38

RGB 73 111 56

HSL 101.45, 0.33%, 0.33%

LAB 42.87, -24.63, 26.32

 

CMYK 45 / 50 / 0 / 56

HEX #3D386F

RGB 61 56 111

HSL 245.45, 0.33%, 0.33%

LAB 26.64, 17.55, -31.29

 

CMYK 0 / 24 / 49 / 56

HEX #705539

RGB 112 85 57

HSL 30.55, 0.33%, 0.33%

LAB 38.26, 7.29, 20.61

 

CMYK 50 / 0 / 24 / 56

HEX #386F54

RGB 56 111 84

HSL 150.55, 0.33%, 0.33%

LAB 42.54, -25.13, 9.51

 

CMYK 24 / 50 / 0 / 56

HEX #54386F

RGB 84 56 111

HSL 270.55, 0.33%, 0.33%

LAB 29.06, 24.35, -27.3

 

CMYK 0 / 24 / 49 / 56

HEX #705539

RGB 112 85 57

HSL 30.55, 0.33%, 0.33%

LAB 38.26, 7.29, 20.61

 

CMYK 34 / 0 / 50 / 56

HEX #496F38

RGB 73 111 56

HSL 101.45, 0.33%, 0.33%

LAB 42.87, -24.63, 26.32

 

CMYK 50 / 24 / 0 / 56

HEX #38546F

RGB 56 84 111

HSL 209.45, 0.33%, 0.33%

LAB 34.66, -2.29, -18.73

 

CMYK 14 / 50 / 0 / 56

HEX #5F386F

RGB 95 56 111

HSL 282.55, 0.33%, 0.33%

LAB 30.42, 27.83, -25.06

 

CMYK 0 / 24 / 49 / 56

HEX #705539

RGB 112 85 57

HSL 30.55, 0.33%, 0.33%

LAB 38.26, 7.29, 20.61

 

CMYK 50 / 0 / 50 / 56

HEX #386F38

RGB 56 111 56

HSL 120, 0.33%, 0.33%

LAB 41.99, -30.58, 25.04

 

CMYK 50 / 24 / 0 / 56

HEX #38546F

RGB 56 84 111

HSL 209.45, 0.33%, 0.33%

LAB 34.66, -2.29, -18.73

 

CMYK 0 / 50 / 0 / 56

HEX #6F386F

RGB 111 56 111

HSL 300, 0.33%, 0.33%

LAB 32.6, 32.97, -21.49

 

Description

Color code: RGB 112 85 57 | qconv.com Color code: RGB 112 85 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 85 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 85 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 49 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 49% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Gafolik.COM - Slogan...
Link: http://www.gafolik.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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