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Color name
RGB 112 74 0

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 74 0 it is the complementary color RGB 143 181 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 74 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 74 0 shade: RGB 117 74 0, RGB 134 92 14, RGB 151 110 33, RGB 168 128 52 and RGB 185 146 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 74 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 95 56 0, RGB 78 38 0, RGB 61 20 0 and RGB 44 2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 112 43 0, RGB 112 13 0 and RGB 112 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 112 104 0, RGB 89 112 0, RGB 59 112 0 and RGB 29 112 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 74 0 shade matches the following richer shades: RGB 112 74 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 103 71 9, RGB 94 68 18, RGB 84 65 27 and RGB 75 62 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 74 0 shade: RGB 112 13 0, RGB 112 43 0, RGB 112 72 0, RGB 112 102 0 and RGB 91 112 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 74 0 shade: RGB 29 19 0, RGB 70 46 0, RGB 112 74 0, RGB 153 101 0 and RGB 194 128 0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 16 112 0 and RGB 28 0 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 0 112 72 and RGB 72 0 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 16 112 0, RGB 0 39 112 and RGB 95 0 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 74 0 shade: RGB 112 74 0, RGB 0 112 16, RGB 0 39 112 and RGB 112 0 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

Complementary color

CMYK 44 / 29 / 0 / 0

HEX #8FB5FF

RGB 143 181 255

HSL 219.64, 1%, 0.78%

LAB 73.62, 6.01, -40.6

 

CMYK 0 / 37 / 100 / 54

HEX #754A00

RGB 117 74 0

HSL 37.95, 1%, 0.23%

LAB 35.36, 12.96, 44.55

 

CMYK 0 / 31 / 90 / 47

HEX #865C0E

RGB 134 92 14

HSL 39, 0.81%, 0.29%

LAB 42.39, 10.72, 46.59

 

CMYK 0 / 27 / 78 / 41

HEX #976E21

RGB 151 110 33

HSL 39.15, 0.64%, 0.36%

LAB 49.3, 8.88, 46.66

 

CMYK 0 / 24 / 69 / 34

HEX #A88034

RGB 168 128 52

HSL 39.31, 0.53%, 0.43%

LAB 56.1, 7.38, 45.77

 

CMYK 0 / 21 / 62 / 27

HEX #B99247

RGB 185 146 71

HSL 39.47, 0.45%, 0.5%

LAB 62.78, 6.15, 44.55

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 0 / 41 / 100 / 63

HEX #5F3800

RGB 95 56 0

HSL 35.37, 1%, 0.19%

LAB 27.47, 13.2, 37.45

 

CMYK 0 / 51 / 100 / 69

HEX #4E2600

RGB 78 38 0

HSL 29.23, 1%, 0.15%

LAB 20.07, 16.03, 29.19

 

CMYK 0 / 67 / 100 / 76

HEX #3D1400

RGB 61 20 0

HSL 19.67, 1%, 0.12%

LAB 12.56, 18.84, 19.17

 

CMYK 0 / 95 / 100 / 83

HEX #2C0200

RGB 44 2 0

HSL 2.73, 1%, 0.09%

LAB 5.23, 20.22, 8.22

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 0 / 62 / 100 / 56

HEX #702B00

RGB 112 43 0

HSL 23.04, 1%, 0.22%

LAB 27.22, 28.6, 38.34

 

CMYK 0 / 88 / 100 / 56

HEX #700D00

RGB 112 13 0

HSL 6.96, 1%, 0.22%

LAB 22.77, 40.73, 34.09

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 0 / 7 / 100 / 56

HEX #706800

RGB 112 104 0

HSL 55.71, 1%, 0.22%

LAB 43.28, -7.27, 49.76

 

CMYK 21 / 0 / 100 / 56

HEX #597000

RGB 89 112 0

HSL 72.32, 1%, 0.22%

LAB 43.82, -22.47, 49.29

 

CMYK 47 / 0 / 100 / 56

HEX #3B7000

RGB 59 112 0

HSL 88.39, 1%, 0.22%

LAB 42.03, -34.73, 47.14

 

CMYK 74 / 0 / 100 / 56

HEX #1D7000

RGB 29 112 0

HSL 104.46, 1%, 0.22%

LAB 40.98, -43.23, 45.86

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 0 / 31 / 91 / 60

HEX #674709

RGB 103 71 9

HSL 39.57, 0.84%, 0.22%

LAB 32.72, 8.16, 38.62

 

CMYK 0 / 28 / 81 / 63

HEX #5E4412

RGB 94 68 18

HSL 39.47, 0.68%, 0.22%

LAB 30.78, 5.86, 32.92

 

CMYK 0 / 23 / 68 / 67

HEX #54411B

RGB 84 65 27

HSL 40, 0.51%, 0.22%

LAB 28.76, 3.29, 25.82

 

CMYK 0 / 17 / 52 / 71

HEX #4B3E24

RGB 75 62 36

HSL 40, 0.35%, 0.22%

LAB 26.93, 1.59, 18.04

 

CMYK 0 / 88 / 100 / 56

HEX #700D00

RGB 112 13 0

HSL 6.96, 1%, 0.22%

LAB 22.77, 40.73, 34.09

 

CMYK 0 / 62 / 100 / 56

HEX #702B00

RGB 112 43 0

HSL 23.04, 1%, 0.22%

LAB 27.22, 28.6, 38.34

 

CMYK 0 / 36 / 100 / 56

HEX #704800

RGB 112 72 0

HSL 38.57, 1%, 0.22%

LAB 34.15, 11.74, 43.42

 

CMYK 0 / 9 / 100 / 56

HEX #706600

RGB 112 102 0

HSL 54.64, 1%, 0.22%

LAB 42.68, -6.13, 49.34

 

CMYK 19 / 0 / 100 / 56

HEX #5B7000

RGB 91 112 0

HSL 71.25, 1%, 0.22%

LAB 43.96, -21.57, 49.47

 

CMYK 0 / 34 / 100 / 89

HEX #1D1300

RGB 29 19 0

HSL 39.31, 1%, 0.06%

LAB 6.57, 1.99, 9.87

 

CMYK 0 / 34 / 100 / 73

HEX #462E00

RGB 70 46 0

HSL 39.43, 1%, 0.14%

LAB 21.04, 6.73, 29.93

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 0 / 34 / 100 / 40

HEX #996500

RGB 153 101 0

HSL 39.61, 1%, 0.3%

LAB 47.08, 14.12, 54.57

 

CMYK 0 / 34 / 100 / 24

HEX #C28000

RGB 194 128 0

HSL 39.59, 1%, 0.38%

LAB 58.89, 17.51, 64.84

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 86 / 0 / 100 / 56

HEX #107000

RGB 16 112 0

HSL 111.43, 1%, 0.22%

LAB 40.73, -45.37, 45.57

 

CMYK 75 / 100 / 0 / 56

HEX #1C0070

RGB 28 0 112

HSL 255, 1%, 0.22%

LAB 12.07, 43.82, -55.86

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 100 / 0 / 36 / 56

HEX #007048

RGB 0 112 72

HSL 158.57, 1%, 0.22%

LAB 41.31, -37.78, 14.72

 

CMYK 36 / 100 / 0 / 56

HEX #480070

RGB 72 0 112

HSL 278.57, 1%, 0.22%

LAB 18.13, 47.4, -45.64

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 86 / 0 / 100 / 56

HEX #107000

RGB 16 112 0

HSL 111.43, 1%, 0.22%

LAB 40.73, -45.37, 45.57

 

CMYK 100 / 65 / 0 / 56

HEX #002770

RGB 0 39 112

HSL 219.11, 1%, 0.22%

LAB 18.46, 20.17, -45.34

 

CMYK 15 / 100 / 0 / 56

HEX #5F0070

RGB 95 0 112

HSL 290.89, 1%, 0.22%

LAB 22.31, 50.68, -38.65

 

CMYK 0 / 34 / 100 / 56

HEX #704A00

RGB 112 74 0

HSL 39.64, 1%, 0.22%

LAB 34.69, 10.52, 43.78

 

CMYK 100 / 0 / 86 / 56

HEX #007010

RGB 0 112 16

HSL 128.57, 1%, 0.22%

LAB 40.62, -46.19, 41.35

 

CMYK 100 / 65 / 0 / 56

HEX #002770

RGB 0 39 112

HSL 219.11, 1%, 0.22%

LAB 18.46, 20.17, -45.34

 

CMYK 0 / 100 / 15 / 56

HEX #70005F

RGB 112 0 95

HSL 309.11, 1%, 0.22%

LAB 24.55, 50.97, -23.77

 

Description

Color code: RGB 112 74 0 | qconv.com Color code: RGB 112 74 0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 74 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 74 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 100 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 100% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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