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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 29 241 it is the complementary color RGB 143 226 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 29 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 29 241 shade: RGB 117 29 236, RGB 134 47 255, RGB 151 65 255, RGB 168 83 255 and RGB 185 101 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 29 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 29 241 shade: RGB 112 29 241, RGB 95 11 222, RGB 78 0 203, RGB 61 0 184 and RGB 44 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 29 241 shade: RGB 112 29 240, RGB 169 29 240, RGB 226 29 240, RGB 240 29 198 and RGB 240 29 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 29 241 shade: RGB 112 29 240, RGB 55 29 240 and RGB 29 29 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 29 241 shade matches the following richer shades: RGB 112 29 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 29 241 shade: RGB 112 29 240, RGB 116 49 221, RGB 120 68 201, RGB 124 87 182 and RGB 129 107 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 29 241 shade: RGB 29 61 240, RGB 54 29 240, RGB 110 29 240, RGB 166 29 240 and RGB 223 29 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 29 241 shade: RGB 75 11 176, RGB 92 13 215, RGB 112 29 240, RGB 136 68 243 and RGB 161 107 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 29 241 shade: RGB 112 29 241, RGB 240 29 117 and RGB 33 240 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 29 241 shade: RGB 112 29 241, RGB 240 110 29 and RGB 29 240 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 29 241 shade: RGB 112 29 241, RGB 240 29 117, RGB 159 240 29 and RGB 29 240 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 29 241 shade: RGB 112 29 241, RGB 240 29 54, RGB 159 240 29 and RGB 29 240 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 88 / 0 / 5

HEX #701DF1

RGB 112 29 241

HSL 263.49, 0.88%, 0.53%

LAB 39.03, 74.39, -88.61

 

Complementary color

CMYK 37 / 0 / 94 / 11

HEX #8FE20E

RGB 143 226 14

HSL 83.49, 0.88%, 0.47%

LAB 81.98, -52.05, 78.66

 

CMYK 50 / 88 / 0 / 7

HEX #751DEC

RGB 117 29 236

HSL 265.51, 0.84%, 0.52%

LAB 39.1, 73.7, -85.64

 

CMYK 47 / 82 / 0 / 0

HEX #862FFF

RGB 134 47 255

HSL 265.1, 1%, 0.59%

LAB 44.69, 74.62, -87.04

 

CMYK 41 / 75 / 0 / 0

HEX #9741FF

RGB 151 65 255

HSL 267.16, 1%, 0.63%

LAB 48.98, 70.27, -79.92

 

CMYK 34 / 67 / 0 / 0

HEX #A853FF

RGB 168 83 255

HSL 269.65, 1%, 0.66%

LAB 53.74, 65.43, -72.09

 

CMYK 27 / 60 / 0 / 0

HEX #B965FF

RGB 185 101 255

HSL 272.73, 1%, 0.7%

LAB 58.83, 60.44, -63.78

 

CMYK 54 / 88 / 0 / 5

HEX #701DF1

RGB 112 29 241

HSL 263.49, 0.88%, 0.53%

LAB 39.03, 74.39, -88.61

 

CMYK 57 / 95 / 0 / 13

HEX #5F0BDE

RGB 95 11 222

HSL 263.89, 0.91%, 0.46%

LAB 33.87, 72.3, -86.38

 

CMYK 62 / 100 / 0 / 20

HEX #4E00CB

RGB 78 0 203

HSL 263.05, 1%, 0.4%

LAB 29.24, 68.57, -83.11

 

CMYK 67 / 100 / 0 / 28

HEX #3D00B8

RGB 61 0 184

HSL 259.89, 1%, 0.36%

LAB 25.12, 63.27, -78.8

 

CMYK 73 / 100 / 0 / 35

HEX #2C00A5

RGB 44 0 165

HSL 256, 1%, 0.32%

LAB 21.03, 57.96, -74.22

 

CMYK 53 / 88 / 0 / 6

HEX #701DF0

RGB 112 29 240

HSL 263.6, 0.88%, 0.53%

LAB 38.92, 74.16, -88.21

 

CMYK 30 / 88 / 0 / 6

HEX #A91DF0

RGB 169 29 240

HSL 279.81, 0.88%, 0.53%

LAB 46.45, 80.55, -75.56

 

CMYK 6 / 88 / 0 / 6

HEX #E21DF0

RGB 226 29 240

HSL 296.02, 0.88%, 0.53%

LAB 55.42, 89.03, -60.61

 

CMYK 0 / 88 / 18 / 6

HEX #F01DC6

RGB 240 29 198

HSL 311.94, 0.88%, 0.53%

LAB 55.56, 85.7, -36.38

 

CMYK 0 / 88 / 41 / 6

HEX #F01D8D

RGB 240 29 141

HSL 328.15, 0.88%, 0.53%

LAB 53.31, 79.62, -6.38

 

CMYK 53 / 88 / 0 / 6

HEX #701DF0

RGB 112 29 240

HSL 263.6, 0.88%, 0.53%

LAB 38.92, 74.16, -88.21

 

CMYK 77 / 88 / 0 / 6

HEX #371DF0

RGB 55 29 240

HSL 247.39, 0.88%, 0.53%

LAB 33.95, 70.48, -96.62

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 53 / 88 / 0 / 6

HEX #701DF0

RGB 112 29 240

HSL 263.6, 0.88%, 0.53%

LAB 38.92, 74.16, -88.21

 

CMYK 53 / 88 / 0 / 6

HEX #701DF0

RGB 112 29 240

HSL 263.6, 0.88%, 0.53%

LAB 38.92, 74.16, -88.21

 

CMYK 48 / 78 / 0 / 13

HEX #7431DD

RGB 116 49 221

HSL 263.37, 0.72%, 0.53%

LAB 39.8, 63.44, -75.94

 

CMYK 40 / 66 / 0 / 21

HEX #7844C9

RGB 120 68 201

HSL 263.46, 0.55%, 0.53%

LAB 41.76, 50.19, -61.2

 

CMYK 32 / 52 / 0 / 29

HEX #7C57B6

RGB 124 87 182

HSL 263.37, 0.39%, 0.53%

LAB 44.91, 35.65, -45.04

 

CMYK 21 / 34 / 0 / 36

HEX #816BA3

RGB 129 107 163

HSL 263.57, 0.23%, 0.53%

LAB 49.29, 20.49, -26.99

 

CMYK 88 / 75 / 0 / 6

HEX #1D3DF0

RGB 29 61 240

HSL 230.9, 0.88%, 0.53%

LAB 37.64, 55.39, -90.5

 

CMYK 78 / 88 / 0 / 6

HEX #361DF0

RGB 54 29 240

HSL 247.11, 0.88%, 0.53%

LAB 33.89, 70.44, -96.72

 

CMYK 54 / 88 / 0 / 6

HEX #6E1DF0

RGB 110 29 240

HSL 263.03, 0.88%, 0.53%

LAB 38.7, 73.98, -88.59

 

CMYK 31 / 88 / 0 / 6

HEX #A61DF0

RGB 166 29 240

HSL 278.96, 0.88%, 0.53%

LAB 46.01, 80.16, -76.3

 

CMYK 7 / 88 / 0 / 6

HEX #DF1DF0

RGB 223 29 240

HSL 295.17, 0.88%, 0.53%

LAB 54.93, 88.55, -61.43

 

CMYK 57 / 94 / 0 / 31

HEX #4B0BB0

RGB 75 11 176

HSL 263.27, 0.88%, 0.37%

LAB 26.36, 60.02, -71.91

 

CMYK 57 / 94 / 0 / 16

HEX #5C0DD7

RGB 92 13 215

HSL 263.47, 0.89%, 0.45%

LAB 32.85, 70.16, -84.04

 

CMYK 53 / 88 / 0 / 6

HEX #701DF0

RGB 112 29 240

HSL 263.6, 0.88%, 0.53%

LAB 38.92, 74.16, -88.21

 

CMYK 44 / 72 / 0 / 5

HEX #8844F3

RGB 136 68 243

HSL 263.31, 0.88%, 0.61%

LAB 46.76, 63.73, -76.92

 

CMYK 34 / 56 / 0 / 4

HEX #A16BF5

RGB 161 107 245

HSL 263.48, 0.87%, 0.69%

LAB 56.77, 49.57, -61.7

 

CMYK 54 / 88 / 0 / 5

HEX #701DF1

RGB 112 29 241

HSL 263.49, 0.88%, 0.53%

LAB 39.03, 74.39, -88.61

 

CMYK 0 / 88 / 51 / 6

HEX #F01D75

RGB 240 29 117

HSL 334.98, 0.88%, 0.53%

LAB 52.61, 77.68, 7.04

 

CMYK 86 / 0 / 88 / 6

HEX #21F01D

RGB 33 240 29

HSL 118.86, 0.88%, 0.53%

LAB 83.3, -80.15, 76.44

 

CMYK 54 / 88 / 0 / 5

HEX #701DF1

RGB 112 29 241

HSL 263.49, 0.88%, 0.53%

LAB 39.03, 74.39, -88.61

 

CMYK 0 / 54 / 88 / 6

HEX #F06E1D

RGB 240 110 29

HSL 23.03, 0.88%, 0.53%

LAB 61.45, 46.19, 63.34

 

CMYK 88 / 0 / 54 / 6

HEX #1DF06E

RGB 29 240 110

HSL 143.03, 0.88%, 0.53%

LAB 83.81, -73.63, 49.25

 

CMYK 54 / 88 / 0 / 5

HEX #701DF1

RGB 112 29 241

HSL 263.49, 0.88%, 0.53%

LAB 39.03, 74.39, -88.61

 

CMYK 0 / 88 / 51 / 6

HEX #F01D75

RGB 240 29 117

HSL 334.98, 0.88%, 0.53%

LAB 52.61, 77.68, 7.04

 

CMYK 34 / 0 / 88 / 6

HEX #9FF01D

RGB 159 240 29

HSL 83.03, 0.88%, 0.53%

LAB 86.89, -51.84, 80.91

 

CMYK 88 / 0 / 37 / 6

HEX #1DF098

RGB 29 240 152

HSL 154.98, 0.88%, 0.53%

LAB 84.41, -66.6, 29.57

 

CMYK 54 / 88 / 0 / 5

HEX #701DF1

RGB 112 29 241

HSL 263.49, 0.88%, 0.53%

LAB 39.03, 74.39, -88.61

 

CMYK 0 / 88 / 78 / 6

HEX #F01D36

RGB 240 29 54

HSL 352.89, 0.88%, 0.53%

LAB 51.46, 74.43, 43.13

 

CMYK 34 / 0 / 88 / 6

HEX #9FF01D

RGB 159 240 29

HSL 83.03, 0.88%, 0.53%

LAB 86.89, -51.84, 80.91

 

CMYK 88 / 0 / 10 / 6

HEX #1DF0D8

RGB 29 240 216

HSL 173.18, 0.88%, 0.53%

LAB 85.78, -51.72, -1.69

 

Description

Color code: RGB 112 29 241 | qconv.com Color code: RGB 112 29 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 29 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 29 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 88 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 88% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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