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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 243 107 it is the complementary color RGB 143 12 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 243 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 243 107 shade: RGB 117 243 102, RGB 134 255 121, RGB 151 255 140, RGB 168 255 159 and RGB 185 255 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 243 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 243 107 shade: RGB 112 243 107, RGB 95 225 88, RGB 78 207 69, RGB 61 189 50 and RGB 44 171 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 243 107 shade: RGB 113 243 108, RGB 149 243 108, RGB 186 243 108, RGB 222 243 108 and RGB 243 227 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 243 107 shade: RGB 113 243 108, RGB 108 243 140, RGB 108 243 176, RGB 108 243 212 and RGB 108 237 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 243 107 shade matches the following richer shades: RGB 113 243 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 243 107 shade: RGB 113 243 108, RGB 125 230 121, RGB 137 217 134, RGB 149 204 147 and RGB 161 191 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 243 107 shade: RGB 187 243 108, RGB 151 243 108, RGB 115 243 108, RGB 108 243 137 and RGB 108 243 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 243 107 shade: RGB 39 236 32, RGB 76 240 70, RGB 113 243 108, RGB 150 246 146 and RGB 187 249 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 243 107 shade: RGB 112 243 107, RGB 108 222 243 and RGB 243 108 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 243 107 shade: RGB 112 243 107, RGB 108 115 243 and RGB 243 108 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 243 107 shade: RGB 112 243 107, RGB 108 222 243, RGB 236 108 243 and RGB 243 128 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 243 107 shade: RGB 112 243 107, RGB 108 182 243, RGB 236 108 243 and RGB 243 169 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 56 / 5

HEX #70F36B

RGB 112 243 107

HSL 117.79, 0.85%, 0.69%

LAB 86.31, -62.01, 53.97

 

Complementary color

CMYK 3 / 92 / 0 / 42

HEX #8F0C94

RGB 143 12 148

HSL 297.79, 0.85%, 0.31%

LAB 34.48, 63.05, -41.23

 

CMYK 52 / 0 / 58 / 5

HEX #75F366

RGB 117 243 102

HSL 113.62, 0.85%, 0.68%

LAB 86.43, -61.3, 56.36

 

CMYK 47 / 0 / 53 / 0

HEX #86FF79

RGB 134 255 121

HSL 114.18, 1%, 0.74%

LAB 90.77, -59.16, 53.14

 

CMYK 41 / 0 / 45 / 0

HEX #97FF8C

RGB 151 255 140

HSL 114.26, 1%, 0.77%

LAB 91.68, -51.94, 45.54

 

CMYK 34 / 0 / 38 / 0

HEX #A8FF9F

RGB 168 255 159

HSL 114.38, 1%, 0.81%

LAB 92.73, -44.15, 37.8

 

CMYK 27 / 0 / 30 / 0

HEX #B9FFB2

RGB 185 255 178

HSL 114.55, 1%, 0.85%

LAB 93.9, -35.93, 30.04

 

CMYK 54 / 0 / 56 / 5

HEX #70F36B

RGB 112 243 107

HSL 117.79, 0.85%, 0.69%

LAB 86.31, -62.01, 53.97

 

CMYK 58 / 0 / 61 / 12

HEX #5FE158

RGB 95 225 88

HSL 116.93, 0.7%, 0.61%

LAB 80.17, -61.68, 55.1

 

CMYK 62 / 0 / 67 / 19

HEX #4ECF45

RGB 78 207 69

HSL 116.09, 0.59%, 0.54%

LAB 73.98, -61.09, 56.05

 

CMYK 68 / 0 / 74 / 26

HEX #3DBD32

RGB 61 189 50

HSL 115.25, 0.58%, 0.47%

LAB 67.74, -60.12, 56.65

 

CMYK 74 / 0 / 82 / 33

HEX #2CAB1F

RGB 44 171 31

HSL 114.43, 0.69%, 0.4%

LAB 61.45, -58.62, 56.56

 

CMYK 53 / 0 / 56 / 5

HEX #71F36C

RGB 113 243 108

HSL 117.78, 0.85%, 0.69%

LAB 86.35, -61.65, 53.59

 

CMYK 39 / 0 / 56 / 5

HEX #95F36C

RGB 149 243 108

HSL 101.78, 0.85%, 0.69%

LAB 87.76, -51.44, 55.59

 

CMYK 23 / 0 / 56 / 5

HEX #BAF36C

RGB 186 243 108

HSL 85.33, 0.85%, 0.69%

LAB 89.68, -38.86, 58.32

 

CMYK 9 / 0 / 56 / 5

HEX #DEF36C

RGB 222 243 108

HSL 69.33, 0.85%, 0.69%

LAB 92, -25.29, 61.58

 

CMYK 0 / 7 / 56 / 5

HEX #F3E36C

RGB 243 227 108

HSL 52.89, 0.85%, 0.69%

LAB 89.43, -9.14, 59.08

 

CMYK 53 / 0 / 56 / 5

HEX #71F36C

RGB 113 243 108

HSL 117.78, 0.85%, 0.69%

LAB 86.35, -61.65, 53.59

 

CMYK 56 / 0 / 42 / 5

HEX #6CF38C

RGB 108 243 140

HSL 134.22, 0.85%, 0.69%

LAB 86.59, -58.47, 38.72

 

CMYK 56 / 0 / 28 / 5

HEX #6CF3B0

RGB 108 243 176

HSL 150.22, 0.85%, 0.69%

LAB 87.2, -52.08, 21.37

 

CMYK 56 / 0 / 13 / 5

HEX #6CF3D4

RGB 108 243 212

HSL 166.22, 0.85%, 0.69%

LAB 87.99, -44.28, 3.81

 

CMYK 56 / 2 / 0 / 5

HEX #6CEDF3

RGB 108 237 243

HSL 182.67, 0.85%, 0.69%

LAB 87.11, -33.81, -13.72

 

CMYK 53 / 0 / 56 / 5

HEX #71F36C

RGB 113 243 108

HSL 117.78, 0.85%, 0.69%

LAB 86.35, -61.65, 53.59

 

CMYK 53 / 0 / 56 / 5

HEX #71F36C

RGB 113 243 108

HSL 117.78, 0.85%, 0.69%

LAB 86.35, -61.65, 53.59

 

CMYK 46 / 0 / 47 / 10

HEX #7DE679

RGB 125 230 121

HSL 117.8, 0.69%, 0.69%

LAB 83.09, -51.78, 43.66

 

CMYK 37 / 0 / 38 / 15

HEX #89D986

RGB 137 217 134

HSL 117.83, 0.52%, 0.69%

LAB 79.99, -40.84, 33.35

 

CMYK 27 / 0 / 28 / 20

HEX #95CC93

RGB 149 204 147

HSL 117.89, 0.36%, 0.69%

LAB 77.09, -28.9, 22.83

 

CMYK 16 / 0 / 17 / 25

HEX #A1BF9F

RGB 161 191 159

HSL 116.25, 0.2%, 0.69%

LAB 74.41, -16.29, 12.81

 

CMYK 23 / 0 / 56 / 5

HEX #BBF36C

RGB 187 243 108

HSL 84.89, 0.85%, 0.69%

LAB 89.74, -38.5, 58.4

 

CMYK 38 / 0 / 56 / 5

HEX #97F36C

RGB 151 243 108

HSL 100.89, 0.85%, 0.69%

LAB 87.85, -50.81, 55.72

 

CMYK 53 / 0 / 56 / 5

HEX #73F36C

RGB 115 243 108

HSL 116.89, 0.85%, 0.69%

LAB 86.42, -61.15, 53.68

 

CMYK 56 / 0 / 44 / 5

HEX #6CF389

RGB 108 243 137

HSL 132.89, 0.85%, 0.69%

LAB 86.55, -58.94, 40.14

 

CMYK 56 / 0 / 29 / 5

HEX #6CF3AD

RGB 108 243 173

HSL 148.89, 0.85%, 0.69%

LAB 87.15, -52.67, 22.83

 

CMYK 83 / 0 / 86 / 7

HEX #27EC20

RGB 39 236 32

HSL 117.94, 0.84%, 0.53%

LAB 82.12, -78.43, 74.89

 

CMYK 68 / 0 / 71 / 6

HEX #4CF046

RGB 76 240 70

HSL 117.88, 0.85%, 0.61%

LAB 84.12, -72.34, 66.32

 

CMYK 53 / 0 / 56 / 5

HEX #71F36C

RGB 113 243 108

HSL 117.78, 0.85%, 0.69%

LAB 86.35, -61.65, 53.59

 

CMYK 39 / 0 / 41 / 4

HEX #96F692

RGB 150 246 146

HSL 117.6, 0.85%, 0.77%

LAB 89.14, -47.65, 39.38

 

CMYK 25 / 0 / 26 / 2

HEX #BBF9B9

RGB 187 249 185

HSL 118.13, 0.84%, 0.85%

LAB 92.49, -31.41, 24.6

 

CMYK 54 / 0 / 56 / 5

HEX #70F36B

RGB 112 243 107

HSL 117.79, 0.85%, 0.69%

LAB 86.31, -62.01, 53.97

 

CMYK 56 / 9 / 0 / 5

HEX #6CDEF3

RGB 108 222 243

HSL 189.33, 0.85%, 0.69%

LAB 82.86, -26.62, -20.11

 

CMYK 0 / 56 / 30 / 5

HEX #F36CA9

RGB 243 108 169

HSL 332.89, 0.85%, 0.69%

LAB 63.87, 57.96, -6.98

 

CMYK 54 / 0 / 56 / 5

HEX #70F36B

RGB 112 243 107

HSL 117.79, 0.85%, 0.69%

LAB 86.31, -62.01, 53.97

 

CMYK 56 / 53 / 0 / 5

HEX #6C73F3

RGB 108 115 243

HSL 236.89, 0.85%, 0.69%

LAB 53.94, 33.16, -65.37

 

CMYK 0 / 56 / 53 / 5

HEX #F36C73

RGB 243 108 115

HSL 356.89, 0.85%, 0.69%

LAB 62.52, 52.45, 22.05

 

CMYK 54 / 0 / 56 / 5

HEX #70F36B

RGB 112 243 107

HSL 117.79, 0.85%, 0.69%

LAB 86.31, -62.01, 53.97

 

CMYK 56 / 9 / 0 / 5

HEX #6CDEF3

RGB 108 222 243

HSL 189.33, 0.85%, 0.69%

LAB 82.86, -26.62, -20.11

 

CMYK 3 / 56 / 0 / 5

HEX #EC6CF3

RGB 236 108 243

HSL 296.89, 0.85%, 0.69%

LAB 65.77, 67.03, -45.73

 

CMYK 0 / 47 / 56 / 5

HEX #F3806C

RGB 243 128 108

HSL 8.89, 0.85%, 0.69%

LAB 66.19, 42.19, 30.83

 

CMYK 54 / 0 / 56 / 5

HEX #70F36B

RGB 112 243 107

HSL 117.79, 0.85%, 0.69%

LAB 86.31, -62.01, 53.97

 

CMYK 56 / 25 / 0 / 5

HEX #6CB6F3

RGB 108 182 243

HSL 207.11, 0.85%, 0.69%

LAB 71.63, -5.9, -37.34

 

CMYK 3 / 56 / 0 / 5

HEX #EC6CF3

RGB 236 108 243

HSL 296.89, 0.85%, 0.69%

LAB 65.77, 67.03, -45.73

 

CMYK 0 / 30 / 56 / 5

HEX #F3A96C

RGB 243 169 108

HSL 27.11, 0.85%, 0.69%

LAB 75.15, 20.87, 42.13

 

Description

Color code: RGB 112 243 107 | qconv.com Color code: RGB 112 243 107 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 243 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 243 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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