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Color name
RGB 112 190 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 190 126 it is the complementary color RGB 143 65 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 190 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 190 126 shade: RGB 117 190 121, RGB 134 208 140, RGB 151 226 159, RGB 168 244 178 and RGB 185 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 190 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 190 126 shade: RGB 112 190 126, RGB 95 172 107, RGB 78 154 88, RGB 61 136 69 and RGB 44 118 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 190 126 shade: RGB 110 190 124, RGB 117 190 110, RGB 139 190 110, RGB 160 190 110 and RGB 182 190 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 190 126 shade: RGB 110 190 124, RGB 110 190 146, RGB 110 190 167, RGB 110 190 189 and RGB 110 169 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 190 126 shade matches the following richer shades: RGB 110 190 124, RGB 93 207 114, RGB 76 224 103 and RGB 59 240 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 190 126 shade: RGB 110 190 124, RGB 127 173 135, RGB 144 156 146, RGB 161 139 157 and RGB 178 122 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 190 126 shade: RGB 139 190 110, RGB 118 190 110, RGB 110 190 123, RGB 110 190 145 and RGB 110 190 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 190 126 shade: RGB 67 150 82, RGB 82 177 99, RGB 110 190 124, RGB 139 202 150 and RGB 167 215 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 190 126 shade: RGB 112 190 126, RGB 110 161 190 and RGB 190 110 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 190 126 shade: RGB 112 190 126, RGB 123 110 190 and RGB 190 123 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 190 126 shade: RGB 112 190 126, RGB 110 161 190, RGB 190 110 176 and RGB 190 139 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 190 126 shade: RGB 112 190 126, RGB 110 137 190, RGB 190 110 176 and RGB 190 163 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 34 / 25

HEX #70BE7E

RGB 112 190 126

HSL 130.77, 0.38%, 0.59%

LAB 70.72, -37.71, 24.99

 

Complementary color

CMYK 0 / 55 / 10 / 44

HEX #8F4181

RGB 143 65 129

HSL 310.77, 0.38%, 0.41%

LAB 39.92, 41.65, -20.99

 

CMYK 38 / 0 / 36 / 25

HEX #75BE79

RGB 117 190 121

HSL 123.29, 0.36%, 0.6%

LAB 70.86, -37.03, 27.86

 

CMYK 36 / 0 / 33 / 18

HEX #86D08C

RGB 134 208 140

HSL 124.86, 0.44%, 0.67%

LAB 77.32, -36.78, 26.69

 

CMYK 33 / 0 / 30 / 11

HEX #97E29F

RGB 151 226 159

HSL 126.4, 0.56%, 0.74%

LAB 83.69, -36.53, 25.58

 

CMYK 31 / 0 / 27 / 4

HEX #A8F4B2

RGB 168 244 178

HSL 127.89, 0.78%, 0.81%

LAB 89.97, -36.27, 24.54

 

CMYK 27 / 0 / 23 / 0

HEX #B9FFC5

RGB 185 255 197

HSL 130.29, 1%, 0.86%

LAB 94.25, -32.82, 20.9

 

CMYK 41 / 0 / 34 / 25

HEX #70BE7E

RGB 112 190 126

HSL 130.77, 0.38%, 0.59%

LAB 70.72, -37.71, 24.99

 

CMYK 45 / 0 / 38 / 33

HEX #5FAC6B

RGB 95 172 107

HSL 129.35, 0.32%, 0.52%

LAB 64.16, -37.94, 26.22

 

CMYK 49 / 0 / 43 / 40

HEX #4E9A58

RGB 78 154 88

HSL 127.89, 0.33%, 0.45%

LAB 57.5, -38.11, 27.55

 

CMYK 55 / 0 / 49 / 47

HEX #3D8845

RGB 61 136 69

HSL 126.4, 0.38%, 0.39%

LAB 50.72, -38.15, 28.96

 

CMYK 63 / 0 / 58 / 54

HEX #2C7632

RGB 44 118 50

HSL 124.86, 0.46%, 0.32%

LAB 43.83, -37.93, 30.41

 

CMYK 42 / 0 / 35 / 25

HEX #6EBE7C

RGB 110 190 124

HSL 130.5, 0.38%, 0.59%

LAB 70.59, -38.65, 25.86

 

CMYK 38 / 0 / 42 / 25

HEX #75BE6E

RGB 117 190 110

HSL 114.75, 0.38%, 0.59%

LAB 70.69, -38.74, 33.36

 

CMYK 27 / 0 / 42 / 25

HEX #8BBE6E

RGB 139 190 110

HSL 98.25, 0.38%, 0.59%

LAB 71.85, -31.3, 35.09

 

CMYK 16 / 0 / 42 / 25

HEX #A0BE6E

RGB 160 190 110

HSL 82.5, 0.38%, 0.59%

LAB 73.17, -23.52, 37.03

 

CMYK 4 / 0 / 42 / 25

HEX #B6BE6E

RGB 182 190 110

HSL 66, 0.38%, 0.59%

LAB 74.76, -14.9, 39.37

 

CMYK 42 / 0 / 35 / 25

HEX #6EBE7C

RGB 110 190 124

HSL 130.5, 0.38%, 0.59%

LAB 70.59, -38.65, 25.86

 

CMYK 42 / 0 / 23 / 25

HEX #6EBE92

RGB 110 190 146

HSL 147, 0.38%, 0.59%

LAB 71.02, -34.53, 14.67

 

CMYK 42 / 0 / 12 / 25

HEX #6EBEA7

RGB 110 190 167

HSL 162.75, 0.38%, 0.59%

LAB 71.51, -30.01, 3.95

 

CMYK 42 / 0 / 1 / 25

HEX #6EBEBD

RGB 110 190 189

HSL 179.25, 0.38%, 0.59%

LAB 72.11, -24.73, -7.19

 

CMYK 42 / 11 / 0 / 25

HEX #6EA9BE

RGB 110 169 190

HSL 195.75, 0.38%, 0.59%

LAB 66.07, -13.63, -16.79

 

CMYK 42 / 0 / 35 / 25

HEX #6EBE7C

RGB 110 190 124

HSL 130.5, 0.38%, 0.59%

LAB 70.59, -38.65, 25.86

 

CMYK 55 / 0 / 45 / 19

HEX #5DCF72

RGB 93 207 114

HSL 131.05, 0.54%, 0.59%

LAB 74.93, -52.02, 36.57

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 75 / 0 / 62 / 6

HEX #3BF05C

RGB 59 240 92

HSL 130.94, 0.86%, 0.59%

LAB 83.98, -72.91, 57.48

 

CMYK 42 / 0 / 35 / 25

HEX #6EBE7C

RGB 110 190 124

HSL 130.5, 0.38%, 0.59%

LAB 70.59, -38.65, 25.86

 

CMYK 27 / 0 / 22 / 32

HEX #7FAD87

RGB 127 173 135

HSL 130.43, 0.22%, 0.59%

LAB 66.63, -23.21, 14.66

 

CMYK 8 / 0 / 6 / 39

HEX #909C92

RGB 144 156 146

HSL 130, 0.06%, 0.59%

LAB 63.16, -6.25, 3.76

 

CMYK 0 / 14 / 2 / 37

HEX #A18B9D

RGB 161 139 157

HSL 310.91, 0.1%, 0.59%

LAB 60.32, 11.54, -6.48

 

CMYK 0 / 31 / 6 / 30

HEX #B27AA8

RGB 178 122 168

HSL 310.71, 0.27%, 0.59%

LAB 58.24, 29.25, -15.72

 

CMYK 27 / 0 / 42 / 25

HEX #8BBE6E

RGB 139 190 110

HSL 98.25, 0.38%, 0.59%

LAB 71.85, -31.3, 35.09

 

CMYK 38 / 0 / 42 / 25

HEX #76BE6E

RGB 118 190 110

HSL 114, 0.38%, 0.59%

LAB 70.74, -38.42, 33.43

 

CMYK 42 / 0 / 35 / 25

HEX #6EBE7B

RGB 110 190 123

HSL 129.75, 0.38%, 0.59%

LAB 70.57, -38.82, 26.37

 

CMYK 42 / 0 / 24 / 25

HEX #6EBE91

RGB 110 190 145

HSL 146.25, 0.38%, 0.59%

LAB 71, -34.74, 15.18

 

CMYK 42 / 0 / 13 / 25

HEX #6EBEA6

RGB 110 190 166

HSL 162, 0.38%, 0.59%

LAB 71.48, -30.24, 4.46

 

CMYK 55 / 0 / 45 / 41

HEX #439652

RGB 67 150 82

HSL 130.84, 0.38%, 0.43%

LAB 55.7, -40.4, 28.37

 

CMYK 54 / 0 / 44 / 31

HEX #52B163

RGB 82 177 99

HSL 130.74, 0.38%, 0.51%

LAB 65.07, -45.02, 31.53

 

CMYK 42 / 0 / 35 / 25

HEX #6EBE7C

RGB 110 190 124

HSL 130.5, 0.38%, 0.59%

LAB 70.59, -38.65, 25.86

 

CMYK 31 / 0 / 26 / 21

HEX #8BCA96

RGB 139 202 150

HSL 130.48, 0.37%, 0.67%

LAB 76.03, -30.69, 19.7

 

CMYK 22 / 0 / 18 / 16

HEX #A7D7B0

RGB 167 215 176

HSL 131.25, 0.38%, 0.75%

LAB 81.81, -23.23, 14.22

 

CMYK 41 / 0 / 34 / 25

HEX #70BE7E

RGB 112 190 126

HSL 130.77, 0.38%, 0.59%

LAB 70.72, -37.71, 24.99

 

CMYK 42 / 15 / 0 / 25

HEX #6EA1BE

RGB 110 161 190

HSL 201.75, 0.38%, 0.59%

LAB 63.77, -9.3, -20.27

 

CMYK 0 / 42 / 32 / 25

HEX #BE6E81

RGB 190 110 129

HSL 345.75, 0.38%, 0.59%

LAB 55.77, 33.98, 3.4

 

CMYK 41 / 0 / 34 / 25

HEX #70BE7E

RGB 112 190 126

HSL 130.77, 0.38%, 0.59%

LAB 70.72, -37.71, 24.99

 

CMYK 35 / 42 / 0 / 25

HEX #7B6EBE

RGB 123 110 190

HSL 249.75, 0.38%, 0.59%

LAB 50.78, 23.9, -40.37

 

CMYK 0 / 35 / 42 / 25

HEX #BE7B6E

RGB 190 123 110

HSL 9.75, 0.38%, 0.59%

LAB 58.26, 24.56, 17.92

RGB 190 123 110

CMYK 41 / 0 / 34 / 25

HEX #70BE7E

RGB 112 190 126

HSL 130.77, 0.38%, 0.59%

LAB 70.72, -37.71, 24.99

 

CMYK 42 / 15 / 0 / 25

HEX #6EA1BE

RGB 110 161 190

HSL 201.75, 0.38%, 0.59%

LAB 63.77, -9.3, -20.27

 

CMYK 0 / 42 / 7 / 25

HEX #BE6EB0

RGB 190 110 176

HSL 310.5, 0.38%, 0.59%

LAB 57.3, 41.22, -21.61

 

CMYK 0 / 27 / 42 / 25

HEX #BE8B6E

RGB 190 139 110

HSL 21.75, 0.38%, 0.59%

LAB 62.12, 15.71, 23.13

 

CMYK 41 / 0 / 34 / 25

HEX #70BE7E

RGB 112 190 126

HSL 130.77, 0.38%, 0.59%

LAB 70.72, -37.71, 24.99

 

CMYK 42 / 28 / 0 / 25

HEX #6E89BE

RGB 110 137 190

HSL 219.75, 0.38%, 0.59%

LAB 57, 4.28, -30.69

 

CMYK 0 / 42 / 7 / 25

HEX #BE6EB0

RGB 190 110 176

HSL 310.5, 0.38%, 0.59%

LAB 57.3, 41.22, -21.61

 

CMYK 0 / 14 / 42 / 25

HEX #BEA36E

RGB 190 163 110

HSL 39.75, 0.38%, 0.59%

LAB 68.22, 2.56, 31.17

 

Description

Color code: RGB 112 190 126 | qconv.com Color code: RGB 112 190 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 190 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 190 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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