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Color name
RGB 112 189 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 189 88 it is the complementary color RGB 143 66 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 189 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 189 88 shade: RGB 117 189 83, RGB 134 207 102, RGB 151 225 121, RGB 168 243 140 and RGB 185 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 189 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 189 88 shade: RGB 112 189 88, RGB 95 171 69, RGB 78 153 50, RGB 61 135 31 and RGB 44 117 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 189 88 shade: RGB 111 188 87, RGB 138 188 87, RGB 165 188 87, RGB 188 183 87 and RGB 188 156 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 189 88 shade: RGB 111 188 87, RGB 87 188 90, RGB 87 188 117, RGB 87 188 144 and RGB 87 188 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 189 88 shade matches the following richer shades: RGB 111 188 87, RGB 101 207 68, RGB 91 226 49 and RGB 81 245 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 189 88 shade: RGB 111 188 87, RGB 121 169 106, RGB 131 150 125, RGB 141 131 144 and RGB 151 112 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 189 88 shade: RGB 166 188 87, RGB 139 188 87, RGB 112 188 87, RGB 87 188 88 and RGB 87 188 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 189 88 shade: RGB 74 137 54, RGB 90 167 66, RGB 111 188 87, RGB 136 199 116 and RGB 161 211 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 189 88 shade: RGB 112 189 88, RGB 87 188 183 and RGB 188 87 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 189 88 shade: RGB 112 189 88, RGB 87 112 188 and RGB 188 87 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 189 88 shade: RGB 112 189 88, RGB 87 188 183, RGB 162 87 188 and RGB 188 87 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 189 88 shade: RGB 112 189 88, RGB 87 162 188, RGB 162 87 188 and RGB 188 112 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 53 / 26

HEX #70BD58

RGB 112 189 88

HSL 105.74, 0.43%, 0.54%

LAB 69.86, -42.85, 43.25

 

Complementary color

CMYK 14 / 60 / 0 / 35

HEX #8F42A7

RGB 143 66 167

HSL 285.74, 0.43%, 0.46%

LAB 42.04, 48.46, -40.63

 

CMYK 38 / 0 / 56 / 26

HEX #75BD53

RGB 117 189 83

HSL 100.75, 0.45%, 0.53%

LAB 70.04, -41.78, 45.9

 

CMYK 35 / 0 / 51 / 19

HEX #86CF66

RGB 134 207 102

HSL 101.71, 0.52%, 0.61%

LAB 76.47, -41.76, 44.75

 

CMYK 33 / 0 / 46 / 12

HEX #97E179

RGB 151 225 121

HSL 102.69, 0.63%, 0.68%

LAB 82.81, -41.67, 43.57

 

CMYK 31 / 0 / 42 / 5

HEX #A8F38C

RGB 168 243 140

HSL 103.69, 0.81%, 0.75%

LAB 89.07, -41.53, 42.4

 

CMYK 27 / 0 / 38 / 0

HEX #B9FF9F

RGB 185 255 159

HSL 103.75, 1%, 0.81%

LAB 93.6, -38.71, 39.1

 

CMYK 41 / 0 / 53 / 26

HEX #70BD58

RGB 112 189 88

HSL 105.74, 0.43%, 0.54%

LAB 69.86, -42.85, 43.25

 

CMYK 44 / 0 / 60 / 33

HEX #5FAB45

RGB 95 171 69

HSL 104.71, 0.43%, 0.47%

LAB 63.33, -42.8, 44.4

 

CMYK 49 / 0 / 67 / 40

HEX #4E9932

RGB 78 153 50

HSL 103.69, 0.51%, 0.4%

LAB 56.72, -42.58, 45.34

 

CMYK 55 / 0 / 77 / 47

HEX #3D871F

RGB 61 135 31

HSL 102.69, 0.63%, 0.33%

LAB 50, -42.04, 45.79

 

CMYK 62 / 0 / 90 / 54

HEX #2C750C

RGB 44 117 12

HSL 101.71, 0.81%, 0.25%

LAB 43.19, -40.99, 45.07

 

CMYK 41 / 0 / 54 / 26

HEX #6FBC57

RGB 111 188 87

HSL 105.74, 0.43%, 0.54%

LAB 69.49, -42.86, 43.29

 

CMYK 27 / 0 / 54 / 26

HEX #8ABC57

RGB 138 188 87

HSL 89.7, 0.43%, 0.54%

LAB 70.91, -33.49, 45.32

 

CMYK 12 / 0 / 54 / 26

HEX #A5BC57

RGB 165 188 87

HSL 73.66, 0.43%, 0.54%

LAB 72.66, -23.04, 47.81

 

CMYK 0 / 3 / 54 / 26

HEX #BCB757

RGB 188 183 87

HSL 57.03, 0.43%, 0.54%

LAB 73.05, -11.06, 48.72

 

CMYK 0 / 17 / 54 / 26

HEX #BC9C57

RGB 188 156 87

HSL 40.99, 0.43%, 0.54%

LAB 65.87, 3.25, 40.23

 

CMYK 41 / 0 / 54 / 26

HEX #6FBC57

RGB 111 188 87

HSL 105.74, 0.43%, 0.54%

LAB 69.49, -42.86, 43.29

 

CMYK 54 / 0 / 52 / 26

HEX #57BC5A

RGB 87 188 90

HSL 121.78, 0.43%, 0.54%

LAB 68.56, -49.5, 40.47

 

CMYK 54 / 0 / 38 / 26

HEX #57BC75

RGB 87 188 117

HSL 137.82, 0.43%, 0.54%

LAB 68.95, -45.28, 27.21

 

CMYK 54 / 0 / 23 / 26

HEX #57BC90

RGB 87 188 144

HSL 153.86, 0.43%, 0.54%

LAB 69.47, -39.95, 13.45

 

CMYK 54 / 0 / 9 / 26

HEX #57BCAC

RGB 87 188 172

HSL 170.5, 0.43%, 0.54%

LAB 70.16, -33.37, -0.86

 

CMYK 41 / 0 / 54 / 26

HEX #6FBC57

RGB 111 188 87

HSL 105.74, 0.43%, 0.54%

LAB 69.49, -42.86, 43.29

 

CMYK 51 / 0 / 67 / 19

HEX #65CF44

RGB 101 207 68

HSL 105.76, 0.59%, 0.54%

LAB 74.7, -55.44, 57.44

 

CMYK 60 / 0 / 78 / 11

HEX #5BE231

RGB 91 226 49

HSL 105.76, 0.75%, 0.54%

LAB 80.09, -66.1, 69.29

 

CMYK 67 / 0 / 88 / 4

HEX #51F51E

RGB 81 245 30

HSL 105.77, 0.91%, 0.54%

LAB 85.58, -75.14, 78.51

 

CMYK 41 / 0 / 54 / 26

HEX #6FBC57

RGB 111 188 87

HSL 105.74, 0.43%, 0.54%

LAB 69.49, -42.86, 43.29

 

CMYK 28 / 0 / 37 / 34

HEX #79A96A

RGB 121 169 106

HSL 105.71, 0.27%, 0.54%

LAB 64.55, -28.23, 27.51

 

CMYK 13 / 0 / 17 / 41

HEX #83967D

RGB 131 150 125

HSL 105.6, 0.11%, 0.54%

LAB 60, -11.68, 10.95

 

CMYK 2 / 9 / 0 / 44

HEX #8D8390

RGB 141 131 144

HSL 286.15, 0.06%, 0.54%

LAB 56, 6.29, -5.62

 

CMYK 7 / 31 / 0 / 36

HEX #9770A3

RGB 151 112 163

HSL 285.88, 0.22%, 0.54%

LAB 52.74, 24.77, -21.47

 

CMYK 12 / 0 / 54 / 26

HEX #A6BC57

RGB 166 188 87

HSL 73.07, 0.43%, 0.54%

LAB 72.73, -22.63, 47.92

 

CMYK 26 / 0 / 54 / 26

HEX #8BBC57

RGB 139 188 87

HSL 89.11, 0.43%, 0.54%

LAB 70.97, -33.11, 45.4

 

CMYK 40 / 0 / 54 / 26

HEX #70BC57

RGB 112 188 87

HSL 105.15, 0.43%, 0.54%

LAB 69.54, -42.54, 43.36

 

CMYK 54 / 0 / 53 / 26

HEX #57BC58

RGB 87 188 88

HSL 120.59, 0.43%, 0.54%

LAB 68.53, -49.76, 41.42

 

CMYK 54 / 0 / 39 / 26

HEX #57BC73

RGB 87 188 115

HSL 136.63, 0.43%, 0.54%

LAB 68.92, -45.63, 28.21

 

CMYK 46 / 0 / 61 / 46

HEX #4A8936

RGB 74 137 54

HSL 105.54, 0.43%, 0.37%

LAB 51.4, -36.67, 37.56

 

CMYK 46 / 0 / 60 / 35

HEX #5AA742

RGB 90 167 66

HSL 105.74, 0.43%, 0.46%

LAB 61.83, -43.03, 44.01

 

CMYK 41 / 0 / 54 / 26

HEX #6FBC57

RGB 111 188 87

HSL 105.74, 0.43%, 0.54%

LAB 69.49, -42.86, 43.29

 

CMYK 32 / 0 / 42 / 22

HEX #88C774

RGB 136 199 116

HSL 105.54, 0.43%, 0.62%

LAB 74.41, -35.7, 35.26

 

CMYK 24 / 0 / 31 / 17

HEX #A1D392

RGB 161 211 146

HSL 106.15, 0.42%, 0.7%

LAB 79.75, -28.35, 27.08

 

CMYK 41 / 0 / 53 / 26

HEX #70BD58

RGB 112 189 88

HSL 105.74, 0.43%, 0.54%

LAB 69.86, -42.85, 43.25

 

CMYK 54 / 0 / 3 / 26

HEX #57BCB7

RGB 87 188 183

HSL 177.03, 0.43%, 0.54%

LAB 70.46, -30.52, -6.44

 

CMYK 0 / 54 / 19 / 26

HEX #BC5798

RGB 188 87 152

HSL 321.39, 0.43%, 0.54%

LAB 51.58, 48.43, -16.38

 

CMYK 41 / 0 / 53 / 26

HEX #70BD58

RGB 112 189 88

HSL 105.74, 0.43%, 0.54%

LAB 69.86, -42.85, 43.25

 

CMYK 54 / 40 / 0 / 26

HEX #5770BC

RGB 87 112 188

HSL 225.15, 0.43%, 0.54%

LAB 48.57, 13.02, -42.89

 

CMYK 0 / 54 / 40 / 26

HEX #BC5770

RGB 188 87 112

HSL 345.15, 0.43%, 0.54%

LAB 50.31, 43.17, 5.57

 

CMYK 41 / 0 / 53 / 26

HEX #70BD58

RGB 112 189 88

HSL 105.74, 0.43%, 0.54%

LAB 69.86, -42.85, 43.25

 

CMYK 54 / 0 / 3 / 26

HEX #57BCB7

RGB 87 188 183

HSL 177.03, 0.43%, 0.54%

LAB 70.46, -30.52, -6.44

 

CMYK 14 / 54 / 0 / 26

HEX #A257BC

RGB 162 87 188

HSL 284.55, 0.43%, 0.54%

LAB 49.65, 47.26, -40.73

 

CMYK 0 / 54 / 51 / 26

HEX #BC575C

RGB 188 87 92

HSL 357.03, 0.43%, 0.54%

LAB 49.83, 41.13, 16.88

 

CMYK 41 / 0 / 53 / 26

HEX #70BD58

RGB 112 189 88

HSL 105.74, 0.43%, 0.54%

LAB 69.86, -42.85, 43.25

 

CMYK 54 / 14 / 0 / 26

HEX #57A2BC

RGB 87 162 188

HSL 195.45, 0.43%, 0.54%

LAB 62.93, -15.92, -20.54

 

CMYK 14 / 54 / 0 / 26

HEX #A257BC

RGB 162 87 188

HSL 284.55, 0.43%, 0.54%

LAB 49.65, 47.26, -40.73

 

CMYK 0 / 40 / 54 / 26

HEX #BC7057

RGB 188 112 87

HSL 14.85, 0.43%, 0.54%

LAB 55.04, 27.49, 26.7

 

Description

Color code: RGB 112 189 88 | qconv.com Color code: RGB 112 189 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 189 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 189 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 53 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 53% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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