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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 167 31 it is the complementary color RGB 143 88 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 167 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 167 31 shade: RGB 117 167 26, RGB 134 185 45, RGB 151 203 64, RGB 168 221 83 and RGB 185 239 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 167 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 167 31 shade: RGB 112 167 31, RGB 95 149 12, RGB 78 131 0, RGB 61 113 0 and RGB 44 95 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 167 31 shade: RGB 112 168 30, RGB 149 168 30, RGB 168 149 30, RGB 168 112 30 and RGB 168 75 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 167 31 shade: RGB 112 168 30, RGB 75 168 30, RGB 38 168 30, RGB 30 168 60 and RGB 30 168 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 167 31 shade matches the following richer shades: RGB 112 168 30 and RGB 115 184 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 167 31 shade: RGB 112 168 30, RGB 109 151 46, RGB 106 135 63, RGB 103 119 79 and RGB 100 103 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 167 31 shade: RGB 168 149 30, RGB 149 168 30, RGB 113 168 30, RGB 76 168 30 and RGB 39 168 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 167 31 shade: RGB 65 98 18, RGB 89 133 24, RGB 112 168 30, RGB 135 202 37 and RGB 155 219 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 167 31 shade: RGB 112 167 31, RGB 30 168 113 and RGB 168 30 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 167 31 shade: RGB 112 167 31, RGB 30 113 168 and RGB 168 30 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 167 31 shade: RGB 112 167 31, RGB 30 168 113, RGB 85 30 168 and RGB 168 30 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 167 31 shade: RGB 112 167 31, RGB 30 168 154, RGB 85 30 168 and RGB 168 30 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 81 / 35

HEX #70A71F

RGB 112 167 31

HSL 84.26, 0.69%, 0.39%

LAB 62.66, -37.99, 58.59

 

Complementary color

CMYK 36 / 61 / 0 / 12

HEX #8F58E0

RGB 143 88 224

HSL 264.26, 0.69%, 0.61%

LAB 49.74, 50.41, -61.34

 

CMYK 30 / 0 / 84 / 35

HEX #75A71A

RGB 117 167 26

HSL 81.28, 0.73%, 0.38%

LAB 62.92, -36.28, 60.26

 

CMYK 28 / 0 / 76 / 27

HEX #86B92D

RGB 134 185 45

HSL 81.86, 0.61%, 0.45%

LAB 69.44, -36.95, 61.04

 

CMYK 26 / 0 / 68 / 20

HEX #97CB40

RGB 151 203 64

HSL 82.45, 0.57%, 0.52%

LAB 75.86, -37.42, 60.95

 

CMYK 24 / 0 / 62 / 13

HEX #A8DD53

RGB 168 221 83

HSL 83.04, 0.67%, 0.6%

LAB 82.2, -37.75, 60.37

 

CMYK 23 / 0 / 57 / 6

HEX #B9EF66

RGB 185 239 102

HSL 83.65, 0.81%, 0.67%

LAB 88.45, -37.97, 59.52

 

CMYK 33 / 0 / 81 / 35

HEX #70A71F

RGB 112 167 31

HSL 84.26, 0.69%, 0.39%

LAB 62.66, -37.99, 58.59

 

CMYK 36 / 0 / 92 / 42

HEX #5F950C

RGB 95 149 12

HSL 83.65, 0.85%, 0.32%

LAB 56.04, -37.16, 56.89

 

CMYK 40 / 0 / 100 / 49

HEX #4E8300

RGB 78 131 0

HSL 84.27, 1%, 0.26%

LAB 49.32, -35.98, 53.21

 

CMYK 46 / 0 / 100 / 56

HEX #3D7100

RGB 61 113 0

HSL 87.61, 1%, 0.22%

LAB 42.46, -34.44, 47.52

 

CMYK 54 / 0 / 100 / 63

HEX #2C5F00

RGB 44 95 0

HSL 92.21, 1%, 0.19%

LAB 35.44, -32.75, 41.69

 

CMYK 33 / 0 / 82 / 34

HEX #70A81E

RGB 112 168 30

HSL 84.35, 0.7%, 0.39%

LAB 62.96, -38.48, 59.14

 

CMYK 11 / 0 / 82 / 34

HEX #95A81E

RGB 149 168 30

HSL 68.26, 0.7%, 0.39%

LAB 65.35, -23.46, 62.16

 

CMYK 0 / 11 / 82 / 34

HEX #A8951E

RGB 168 149 30

HSL 51.74, 0.7%, 0.39%

LAB 61.58, -5.18, 59.5

 

CMYK 0 / 33 / 82 / 34

HEX #A8701E

RGB 168 112 30

HSL 35.65, 0.7%, 0.39%

LAB 51.85, 15.38, 50.93

 

CMYK 0 / 55 / 82 / 34

HEX #A84B1E

RGB 168 75 30

HSL 19.57, 0.7%, 0.39%

LAB 43.43, 35.65, 43.24

 

CMYK 33 / 0 / 82 / 34

HEX #70A81E

RGB 112 168 30

HSL 84.35, 0.7%, 0.39%

LAB 62.96, -38.48, 59.14

 

CMYK 55 / 0 / 82 / 34

HEX #4BA81E

RGB 75 168 30

HSL 100.43, 0.7%, 0.39%

LAB 61.3, -50.73, 57.02

 

CMYK 77 / 0 / 82 / 34

HEX #26A81E

RGB 38 168 30

HSL 116.52, 0.7%, 0.39%

LAB 60.35, -58.67, 55.79

 

CMYK 82 / 0 / 64 / 34

HEX #1EA83C

RGB 30 168 60

HSL 133.04, 0.7%, 0.39%

LAB 60.43, -57.15, 44.7

 

CMYK 82 / 0 / 42 / 34

HEX #1EA861

RGB 30 168 97

HSL 149.13, 0.7%, 0.39%

LAB 60.91, -51.48, 26.94

 

CMYK 33 / 0 / 82 / 34

HEX #70A81E

RGB 112 168 30

HSL 84.35, 0.7%, 0.39%

LAB 62.96, -38.48, 59.14

 

CMYK 38 / 0 / 92 / 28

HEX #73B80E

RGB 115 184 14

HSL 84.35, 0.86%, 0.39%

LAB 67.99, -44.73, 66.8

 

CMYK 33 / 0 / 82 / 34

HEX #70A81E

RGB 112 168 30

HSL 84.35, 0.7%, 0.39%

LAB 62.96, -38.48, 59.14

 

CMYK 28 / 0 / 70 / 41

HEX #6D972E

RGB 109 151 46

HSL 84, 0.53%, 0.39%

LAB 57.64, -30.98, 48.47

 

CMYK 21 / 0 / 53 / 47

HEX #6A873F

RGB 106 135 63

HSL 84.17, 0.36%, 0.39%

LAB 52.68, -22.82, 35.02

 

CMYK 13 / 0 / 34 / 53

HEX #67774F

RGB 103 119 79

HSL 84, 0.2%, 0.39%

LAB 47.81, -13.49, 20.1

 

CMYK 3 / 0 / 8 / 60

HEX #64675F

RGB 100 103 95

HSL 82.5, 0.04%, 0.39%

LAB 43.12, -2.79, 4.1

 

CMYK 0 / 11 / 82 / 34

HEX #A8951E

RGB 168 149 30

HSL 51.74, 0.7%, 0.39%

LAB 61.58, -5.18, 59.5

 

CMYK 11 / 0 / 82 / 34

HEX #95A81E

RGB 149 168 30

HSL 68.26, 0.7%, 0.39%

LAB 65.35, -23.46, 62.16

 

CMYK 33 / 0 / 82 / 34

HEX #71A81E

RGB 113 168 30

HSL 83.91, 0.7%, 0.39%

LAB 63.02, -38.1, 59.21

 

CMYK 55 / 0 / 82 / 34

HEX #4CA81E

RGB 76 168 30

HSL 100, 0.7%, 0.39%

LAB 61.34, -50.45, 57.06

 

CMYK 77 / 0 / 82 / 34

HEX #27A81E

RGB 39 168 30

HSL 116.09, 0.7%, 0.39%

LAB 60.36, -58.52, 55.81

 

CMYK 34 / 0 / 82 / 62

HEX #416212

RGB 65 98 18

HSL 84.75, 0.69%, 0.23%

LAB 37.67, -25.22, 38.62

 

CMYK 33 / 0 / 82 / 48

HEX #598518

RGB 89 133 24

HSL 84.22, 0.69%, 0.31%

LAB 50.65, -31.84, 49.22

 

CMYK 33 / 0 / 82 / 34

HEX #70A81E

RGB 112 168 30

HSL 84.35, 0.7%, 0.39%

LAB 62.96, -38.48, 59.14

 

CMYK 33 / 0 / 82 / 21

HEX #87CA25

RGB 135 202 37

HSL 84.36, 0.69%, 0.47%

LAB 74.52, -44.38, 68.11

 

CMYK 29 / 0 / 72 / 14

HEX #9BDB3D

RGB 155 219 61

HSL 84.3, 0.69%, 0.55%

LAB 80.72, -43.17, 67

 

CMYK 33 / 0 / 81 / 35

HEX #70A71F

RGB 112 167 31

HSL 84.26, 0.69%, 0.39%

LAB 62.66, -37.99, 58.59

 

CMYK 82 / 0 / 33 / 34

HEX #1EA871

RGB 30 168 113

HSL 156.09, 0.7%, 0.39%

LAB 61.2, -48.2, 18.68

 

CMYK 0 / 82 / 0 / 34

HEX #A81EA8

RGB 168 30 168

HSL 300, 0.7%, 0.39%

LAB 41.34, 67.45, -42.1

 

CMYK 33 / 0 / 81 / 35

HEX #70A71F

RGB 112 167 31

HSL 84.26, 0.69%, 0.39%

LAB 62.66, -37.99, 58.59

 

CMYK 82 / 33 / 0 / 34

HEX #1E71A8

RGB 30 113 168

HSL 203.91, 0.7%, 0.39%

LAB 45.52, -4.22, -36.23

 

CMYK 0 / 82 / 33 / 34

HEX #A81E71

RGB 168 30 113

HSL 323.91, 0.7%, 0.39%

LAB 38.63, 59.89, -12.67

 

CMYK 33 / 0 / 81 / 35

HEX #70A71F

RGB 112 167 31

HSL 84.26, 0.69%, 0.39%

LAB 62.66, -37.99, 58.59

 

CMYK 82 / 0 / 33 / 34

HEX #1EA871

RGB 30 168 113

HSL 156.09, 0.7%, 0.39%

LAB 61.2, -48.2, 18.68

 

CMYK 49 / 82 / 0 / 34

HEX #551EA8

RGB 85 30 168

HSL 263.91, 0.7%, 0.39%

LAB 28.61, 53.42, -63.34

 

CMYK 0 / 82 / 49 / 34

HEX #A81E55

RGB 168 30 85

HSL 336.09, 0.7%, 0.39%

LAB 37.68, 57.09, 3.7

 

CMYK 33 / 0 / 81 / 35

HEX #70A71F

RGB 112 167 31

HSL 84.26, 0.69%, 0.39%

LAB 62.66, -37.99, 58.59

 

CMYK 82 / 0 / 8 / 34

HEX #1EA89A

RGB 30 168 154

HSL 173.91, 0.7%, 0.39%

LAB 62.18, -37.76, -2.74

 

CMYK 49 / 82 / 0 / 34

HEX #551EA8

RGB 85 30 168

HSL 263.91, 0.7%, 0.39%

LAB 28.61, 53.42, -63.34

 

CMYK 0 / 82 / 74 / 34

HEX #A81E2C

RGB 168 30 44

HSL 353.91, 0.7%, 0.39%

LAB 36.81, 54.46, 28.67

 

Description

Color code: RGB 112 167 31 | qconv.com Color code: RGB 112 167 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 167 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 167 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 81 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 81% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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