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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 153 106 it is the complementary color RGB 143 102 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 153 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 153 106 shade: RGB 117 153 101, RGB 134 171 120, RGB 151 189 139, RGB 168 207 158 and RGB 185 225 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 153 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 95 135 87, RGB 78 117 68, RGB 61 99 49 and RGB 44 81 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 125 153 106, RGB 137 153 106, RGB 150 153 106 and RGB 153 143 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 106 153 113, RGB 106 153 125, RGB 106 153 138 and RGB 106 153 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 153 106 shade matches the following richer shades: RGB 112 153 106, RGB 97 174 86, RGB 82 194 65, RGB 67 214 45 and RGB 52 234 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 127 133 126, RGB 142 113 146, RGB 157 93 166 and RGB 172 72 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 153 106 shade: RGB 137 153 106, RGB 125 153 106, RGB 112 153 106, RGB 106 153 112 and RGB 106 153 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 153 106 shade: RGB 76 105 71, RGB 93 130 88, RGB 112 153 106, RGB 135 170 130 and RGB 159 187 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 106 150 153 and RGB 153 106 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 106 112 153 and RGB 153 106 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 106 150 153, RGB 147 106 153 and RGB 153 109 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 153 106 shade: RGB 112 153 106, RGB 106 136 153, RGB 147 106 153 and RGB 153 123 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

Complementary color

CMYK 4 / 32 / 0 / 42

HEX #8F6695

RGB 143 102 149

HSL 292.34, 0.19%, 0.49%

LAB 48.9, 24.93, -19.22

 

CMYK 24 / 0 / 34 / 40

HEX #759965

RGB 117 153 101

HSL 101.54, 0.2%, 0.5%

LAB 59.44, -22.53, 23.42

 

CMYK 22 / 0 / 30 / 33

HEX #86AB78

RGB 134 171 120

HSL 103.53, 0.23%, 0.57%

LAB 66.17, -22.36, 22.28

 

CMYK 20 / 0 / 26 / 26

HEX #97BD8B

RGB 151 189 139

HSL 105.6, 0.27%, 0.64%

LAB 72.79, -22.21, 21.22

 

CMYK 19 / 0 / 24 / 19

HEX #A8CF9E

RGB 168 207 158

HSL 107.76, 0.34%, 0.72%

LAB 79.28, -22.06, 20.22

 

CMYK 18 / 0 / 21 / 12

HEX #B9E1B1

RGB 185 225 177

HSL 110, 0.44%, 0.79%

LAB 85.67, -21.93, 19.27

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 30 / 0 / 36 / 47

HEX #5F8757

RGB 95 135 87

HSL 110, 0.22%, 0.44%

LAB 52.34, -23.75, 21.5

 

CMYK 33 / 0 / 42 / 54

HEX #4E7544

RGB 78 117 68

HSL 107.76, 0.26%, 0.36%

LAB 45.3, -23.97, 22.77

 

CMYK 38 / 0 / 51 / 61

HEX #3D6331

RGB 61 99 49

HSL 105.6, 0.34%, 0.29%

LAB 38.09, -24.15, 24.12

 

CMYK 46 / 0 / 63 / 68

HEX #2C511E

RGB 44 81 30

HSL 103.53, 0.46%, 0.22%

LAB 30.67, -24.19, 25.48

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 18 / 0 / 31 / 40

HEX #7D996A

RGB 125 153 106

HSL 95.74, 0.19%, 0.51%

LAB 60.05, -18.74, 21.58

 

CMYK 10 / 0 / 31 / 40

HEX #89996A

RGB 137 153 106

HSL 80.43, 0.19%, 0.51%

LAB 60.91, -14.11, 22.87

 

CMYK 2 / 0 / 31 / 40

HEX #96996A

RGB 150 153 106

HSL 63.83, 0.19%, 0.51%

LAB 61.92, -8.92, 24.4

 

CMYK 0 / 7 / 31 / 40

HEX #998F6A

RGB 153 143 106

HSL 47.23, 0.19%, 0.51%

LAB 59.4, -2.24, 21.07

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 31 / 0 / 26 / 40

HEX #6A9971

RGB 106 153 113

HSL 128.94, 0.19%, 0.51%

LAB 59.01, -24.37, 16.07

 

CMYK 31 / 0 / 18 / 40

HEX #6A997D

RGB 106 153 125

HSL 144.26, 0.19%, 0.51%

LAB 59.28, -22.02, 9.7

 

CMYK 31 / 0 / 10 / 40

HEX #6A998A

RGB 106 153 138

HSL 160.85, 0.19%, 0.51%

LAB 59.6, -19.23, 2.81

 

CMYK 31 / 0 / 1 / 40

HEX #6A9997

RGB 106 153 151

HSL 177.45, 0.19%, 0.51%

LAB 59.96, -16.2, -4.04

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 44 / 0 / 51 / 32

HEX #61AE56

RGB 97 174 86

HSL 112.5, 0.35%, 0.51%

LAB 64.55, -41.4, 37.65

 

CMYK 58 / 0 / 66 / 24

HEX #52C241

RGB 82 194 65

HSL 112.09, 0.51%, 0.51%

LAB 70.01, -55.9, 53.43

 

CMYK 69 / 0 / 79 / 16

HEX #43D62D

RGB 67 214 45

HSL 112.19, 0.67%, 0.51%

LAB 75.75, -67.45, 66.13

 

CMYK 78 / 0 / 89 / 8

HEX #34EA19

RGB 52 234 25

HSL 112.25, 0.83%, 0.51%

LAB 81.65, -76.66, 75.78

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 5 / 0 / 5 / 48

HEX #7F857E

RGB 127 133 126

HSL 111.43, 0.03%, 0.51%

LAB 54.86, -3.61, 3

 

CMYK 3 / 23 / 0 / 43

HEX #8E7192

RGB 142 113 146

HSL 292.73, 0.13%, 0.51%

LAB 51.42, 17.53, -13.62

 

CMYK 5 / 44 / 0 / 35

HEX #9D5DA6

RGB 157 93 166

HSL 292.6, 0.29%, 0.51%

LAB 49.19, 38.08, -28.66

 

CMYK 8 / 61 / 0 / 27

HEX #AC48BB

RGB 172 72 187

HSL 292.17, 0.46%, 0.51%

LAB 48.25, 56.93, -42.28

 

CMYK 10 / 0 / 31 / 40

HEX #89996A

RGB 137 153 106

HSL 80.43, 0.19%, 0.51%

LAB 60.91, -14.11, 22.87

 

CMYK 18 / 0 / 31 / 40

HEX #7D996A

RGB 125 153 106

HSL 95.74, 0.19%, 0.51%

LAB 60.05, -18.74, 21.58

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 31 / 0 / 27 / 40

HEX #6A9970

RGB 106 153 112

HSL 127.66, 0.19%, 0.51%

LAB 58.99, -24.55, 16.6

 

CMYK 31 / 0 / 18 / 40

HEX #6A997D

RGB 106 153 125

HSL 144.26, 0.19%, 0.51%

LAB 59.28, -22.02, 9.7

 

CMYK 28 / 0 / 32 / 59

HEX #4C6947

RGB 76 105 71

HSL 111.18, 0.19%, 0.35%

LAB 41.37, -17.95, 15.8

 

CMYK 28 / 0 / 32 / 49

HEX #5D8258

RGB 93 130 88

HSL 112.86, 0.19%, 0.43%

LAB 50.68, -21.76, 18.69

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 21 / 0 / 24 / 33

HEX #87AA82

RGB 135 170 130

HSL 112.5, 0.19%, 0.59%

LAB 66.15, -19.82, 16.8

 

CMYK 15 / 0 / 17 / 27

HEX #9FBB9B

RGB 159 187 155

HSL 112.5, 0.19%, 0.67%

LAB 73.07, -15.65, 13.08

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 31 / 2 / 0 / 40

HEX #6A9699

RGB 106 150 153

HSL 183.83, 0.19%, 0.51%

LAB 59.14, -14.11, -6.39

 

CMYK 0 / 31 / 14 / 40

HEX #996A83

RGB 153 106 131

HSL 328.09, 0.19%, 0.51%

LAB 50.36, 22.77, -6.25

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 31 / 27 / 0 / 40

HEX #6A7099

RGB 106 112 153

HSL 232.34, 0.19%, 0.51%

LAB 48.2, 7.66, -22.95

 

CMYK 0 / 31 / 27 / 40

HEX #996A70

RGB 153 106 112

HSL 352.34, 0.19%, 0.51%

LAB 49.8, 19.69, 4.22

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 31 / 2 / 0 / 40

HEX #6A9699

RGB 106 150 153

HSL 183.83, 0.19%, 0.51%

LAB 59.14, -14.11, -6.39

 

CMYK 4 / 31 / 0 / 40

HEX #936A99

RGB 147 106 153

HSL 292.34, 0.19%, 0.51%

LAB 50.47, 24.8, -19.15

 

CMYK 0 / 29 / 31 / 40

HEX #996D6A

RGB 153 109 106

HSL 3.83, 0.19%, 0.51%

LAB 50.39, 17.08, 8.63

 

CMYK 27 / 0 / 31 / 40

HEX #70996A

RGB 112 153 106

HSL 112.34, 0.19%, 0.51%

LAB 59.22, -23.53, 20.32

 

CMYK 31 / 11 / 0 / 40

HEX #6A8899

RGB 106 136 153

HSL 201.7, 0.19%, 0.51%

LAB 55.04, -6.38, -12.52

 

CMYK 4 / 31 / 0 / 40

HEX #936A99

RGB 147 106 153

HSL 292.34, 0.19%, 0.51%

LAB 50.47, 24.8, -19.15

 

CMYK 0 / 20 / 31 / 40

HEX #997B6A

RGB 153 123 106

HSL 21.7, 0.19%, 0.51%

LAB 54, 9.03, 13.69

 

Description

Color code: RGB 112 153 106 | qconv.com Color code: RGB 112 153 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 153 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 153 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 31 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 31% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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