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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 154 60 it is the complementary color RGB 143 101 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 154 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 154 60 shade: RGB 117 154 55, RGB 134 172 74, RGB 151 190 93, RGB 168 208 112 and RGB 185 226 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 154 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 154 60 shade: RGB 112 154 60, RGB 95 136 41, RGB 78 118 22, RGB 61 100 3 and RGB 44 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 154 60 shade: RGB 112 154 59, RGB 137 154 59, RGB 154 145 59, RGB 154 120 59 and RGB 154 94 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 154 60 shade: RGB 112 154 59, RGB 86 154 59, RGB 61 154 59, RGB 59 154 84 and RGB 59 154 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 154 60 shade matches the following richer shades: RGB 112 154 59, RGB 113 171 42, RGB 115 188 25 and RGB 117 206 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 154 60 shade: RGB 112 154 59, RGB 110 136 77, RGB 108 119 94, RGB 106 102 111 and RGB 104 84 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 154 60 shade: RGB 154 144 59, RGB 138 154 59, RGB 113 154 59, RGB 88 154 59 and RGB 63 154 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 154 60 shade: RGB 68 94 36, RGB 90 124 48, RGB 112 154 59, RGB 133 183 71 and RGB 153 195 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 154 60 shade: RGB 112 154 60, RGB 59 154 119 and RGB 154 59 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 154 60 shade: RGB 112 154 60, RGB 59 113 154 and RGB 154 59 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 154 60 shade: RGB 112 154 60, RGB 59 154 119, RGB 100 59 154 and RGB 154 59 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 154 60 shade: RGB 112 154 60, RGB 59 154 147, RGB 100 59 154 and RGB 154 59 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 61 / 40

HEX #709A3C

RGB 112 154 60

HSL 86.81, 0.44%, 0.42%

LAB 58.87, -30.07, 43.74

 

Complementary color

CMYK 27 / 48 / 0 / 24

HEX #8F65C3

RGB 143 101 195

HSL 266.81, 0.44%, 0.58%

LAB 50.79, 35.99, -43.11

 

CMYK 24 / 0 / 64 / 40

HEX #759A37

RGB 117 154 55

HSL 82.42, 0.47%, 0.41%

LAB 59.13, -28.53, 46.38

 

CMYK 22 / 0 / 57 / 33

HEX #86AC4A

RGB 134 172 74

HSL 83.27, 0.4%, 0.48%

LAB 65.8, -28.77, 45.45

 

CMYK 21 / 0 / 51 / 25

HEX #97BE5D

RGB 151 190 93

HSL 84.12, 0.43%, 0.55%

LAB 72.36, -28.9, 44.36

 

CMYK 19 / 0 / 46 / 18

HEX #A8D070

RGB 168 208 112

HSL 85, 0.51%, 0.63%

LAB 78.81, -28.97, 43.21

 

CMYK 18 / 0 / 42 / 11

HEX #B9E283

RGB 185 226 131

HSL 85.89, 0.62%, 0.7%

LAB 85.17, -28.99, 42.05

 

CMYK 27 / 0 / 61 / 40

HEX #709A3C

RGB 112 154 60

HSL 86.81, 0.44%, 0.42%

LAB 58.87, -30.07, 43.74

 

CMYK 30 / 0 / 70 / 47

HEX #5F8829

RGB 95 136 41

HSL 85.89, 0.54%, 0.35%

LAB 52.06, -29.8, 44.5

 

CMYK 34 / 0 / 81 / 54

HEX #4E7616

RGB 78 118 22

HSL 85, 0.69%, 0.27%

LAB 45.13, -29.31, 44.53

 

CMYK 39 / 0 / 97 / 61

HEX #3D6403

RGB 61 100 3

HSL 84.12, 0.94%, 0.2%

LAB 38.04, -28.5, 43.24

 

CMYK 46 / 0 / 100 / 68

HEX #2C5200

RGB 44 82 0

HSL 87.8, 1%, 0.16%

LAB 30.81, -27.03, 38.07

 

CMYK 27 / 0 / 62 / 40

HEX #709A3B

RGB 112 154 59

HSL 86.53, 0.45%, 0.42%

LAB 58.86, -30.16, 44.19

 

CMYK 11 / 0 / 62 / 40

HEX #899A3B

RGB 137 154 59

HSL 70.74, 0.45%, 0.42%

LAB 60.56, -19.94, 46.54

 

CMYK 0 / 6 / 62 / 40

HEX #9A913B

RGB 154 145 59

HSL 54.32, 0.45%, 0.42%

LAB 59.38, -7.81, 45.65

 

CMYK 0 / 22 / 62 / 40

HEX #9A783B

RGB 154 120 59

HSL 38.53, 0.45%, 0.42%

LAB 52.53, 6.08, 37.96

 

CMYK 0 / 39 / 62 / 40

HEX #9A5E3B

RGB 154 94 59

HSL 22.11, 0.45%, 0.42%

LAB 45.89, 20.97, 30.13

 

CMYK 27 / 0 / 62 / 40

HEX #709A3B

RGB 112 154 59

HSL 86.53, 0.45%, 0.42%

LAB 58.86, -30.16, 44.19

 

CMYK 44 / 0 / 62 / 40

HEX #569A3B

RGB 86 154 59

HSL 102.95, 0.45%, 0.42%

LAB 57.47, -39.55, 42.25

 

CMYK 60 / 0 / 62 / 40

HEX #3D9A3B

RGB 61 154 59

HSL 118.74, 0.45%, 0.42%

LAB 56.5, -46.78, 40.9

 

CMYK 62 / 0 / 45 / 40

HEX #3B9A54

RGB 59 154 84

HSL 135.79, 0.45%, 0.42%

LAB 56.76, -43.68, 28.61

 

CMYK 62 / 0 / 29 / 40

HEX #3B9A6D

RGB 59 154 109

HSL 151.58, 0.45%, 0.42%

LAB 57.22, -38.83, 15.52

 

CMYK 27 / 0 / 62 / 40

HEX #709A3B

RGB 112 154 59

HSL 86.53, 0.45%, 0.42%

LAB 58.86, -30.16, 44.19

 

CMYK 34 / 0 / 75 / 33

HEX #71AB2A

RGB 113 171 42

HSL 86.98, 0.61%, 0.42%

LAB 64, -38.82, 56.41

 

CMYK 39 / 0 / 87 / 26

HEX #73BC19

RGB 115 188 25

HSL 86.87, 0.77%, 0.42%

LAB 69.24, -46.09, 65.91

 

CMYK 43 / 0 / 97 / 19

HEX #75CE07

RGB 117 206 7

HSL 86.83, 0.93%, 0.42%

LAB 74.79, -53, 73.1

 

CMYK 27 / 0 / 62 / 40

HEX #709A3B

RGB 112 154 59

HSL 86.53, 0.45%, 0.42%

LAB 58.86, -30.16, 44.19

 

CMYK 19 / 0 / 43 / 47

HEX #6E884D

RGB 110 136 77

HSL 86.44, 0.28%, 0.42%

LAB 53.45, -20.01, 28.64

 

CMYK 9 / 0 / 21 / 53

HEX #6C775E

RGB 108 119 94

HSL 86.4, 0.12%, 0.42%

LAB 48.5, -9.01, 12.4

 

CMYK 5 / 8 / 0 / 56

HEX #6A666F

RGB 106 102 111

HSL 266.67, 0.04%, 0.42%

LAB 43.82, 3.44, -4.49

 

CMYK 19 / 35 / 0 / 49

HEX #685481

RGB 104 84 129

HSL 266.67, 0.21%, 0.42%

LAB 39.36, 17.95, -22.25

 

CMYK 0 / 6 / 62 / 40

HEX #9A903B

RGB 154 144 59

HSL 53.68, 0.45%, 0.42%

LAB 59.1, -7.27, 45.34

 

CMYK 10 / 0 / 62 / 40

HEX #8A9A3B

RGB 138 154 59

HSL 70.11, 0.45%, 0.42%

LAB 60.63, -19.52, 46.65

 

CMYK 27 / 0 / 62 / 40

HEX #719A3B

RGB 113 154 59

HSL 85.89, 0.45%, 0.42%

LAB 58.92, -29.77, 44.27

 

CMYK 43 / 0 / 62 / 40

HEX #589A3B

RGB 88 154 59

HSL 101.68, 0.45%, 0.42%

LAB 57.56, -38.89, 42.38

 

CMYK 59 / 0 / 62 / 40

HEX #3F9A3B

RGB 63 154 59

HSL 117.47, 0.45%, 0.42%

LAB 56.57, -46.28, 40.99

 

CMYK 28 / 0 / 62 / 63

HEX #445E24

RGB 68 94 36

HSL 86.9, 0.45%, 0.25%

LAB 36.67, -20.44, 29.59

 

CMYK 27 / 0 / 61 / 51

HEX #5A7C30

RGB 90 124 48

HSL 86.84, 0.44%, 0.34%

LAB 48.01, -25.37, 36.84

 

CMYK 27 / 0 / 62 / 40

HEX #709A3B

RGB 112 154 59

HSL 86.53, 0.45%, 0.42%

LAB 58.86, -30.16, 44.19

 

CMYK 27 / 0 / 61 / 28

HEX #85B747

RGB 133 183 71

HSL 86.79, 0.44%, 0.5%

LAB 68.97, -34.59, 50.39

 

CMYK 22 / 0 / 48 / 24

HEX #99C365

RGB 153 195 101

HSL 86.81, 0.44%, 0.58%

LAB 74.02, -29.65, 42.5

 

CMYK 27 / 0 / 61 / 40

HEX #709A3C

RGB 112 154 60

HSL 86.81, 0.44%, 0.42%

LAB 58.87, -30.07, 43.74

 

CMYK 62 / 0 / 23 / 40

HEX #3B9A77

RGB 59 154 119

HSL 157.89, 0.45%, 0.42%

LAB 57.44, -36.55, 10.21

 

CMYK 0 / 62 / 2 / 40

HEX #9A3B97

RGB 154 59 151

HSL 301.89, 0.45%, 0.42%

LAB 41.58, 51.53, -31.67

 

CMYK 27 / 0 / 61 / 40

HEX #709A3C

RGB 112 154 60

HSL 86.81, 0.44%, 0.42%

LAB 58.87, -30.07, 43.74

 

CMYK 62 / 27 / 0 / 40

HEX #3B719A

RGB 59 113 154

HSL 205.89, 0.45%, 0.42%

LAB 45.73, -4.95, -27.59

 

CMYK 0 / 62 / 27 / 40

HEX #9A3B71

RGB 154 59 113

HSL 325.89, 0.45%, 0.42%

LAB 39.9, 45.5, -10.98

 

CMYK 27 / 0 / 61 / 40

HEX #709A3C

RGB 112 154 60

HSL 86.81, 0.44%, 0.42%

LAB 58.87, -30.07, 43.74

 

CMYK 62 / 0 / 23 / 40

HEX #3B9A77

RGB 59 154 119

HSL 157.89, 0.45%, 0.42%

LAB 57.44, -36.55, 10.21

 

CMYK 35 / 62 / 0 / 40

HEX #643B9A

RGB 100 59 154

HSL 265.89, 0.45%, 0.42%

LAB 34.34, 38.34, -45.47

 

CMYK 0 / 62 / 39 / 40

HEX #9A3B5E

RGB 154 59 94

HSL 337.89, 0.45%, 0.42%

LAB 39.25, 43.06, -0.05

 

CMYK 27 / 0 / 61 / 40

HEX #709A3C

RGB 112 154 60

HSL 86.81, 0.44%, 0.42%

LAB 58.87, -30.07, 43.74

 

CMYK 62 / 0 / 5 / 40

HEX #3B9A93

RGB 59 154 147

HSL 175.58, 0.45%, 0.42%

LAB 58.18, -29.31, -4.62

 

CMYK 35 / 62 / 0 / 40

HEX #643B9A

RGB 100 59 154

HSL 265.89, 0.45%, 0.42%

LAB 34.34, 38.34, -45.47

 

CMYK 0 / 62 / 57 / 40

HEX #9A3B42

RGB 154 59 66

HSL 355.58, 0.45%, 0.42%

LAB 38.54, 40.28, 16.58

 

Description

Color code: RGB 112 154 60 | qconv.com Color code: RGB 112 154 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 154 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 154 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 61 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 61% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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