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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 81 156 it is the complementary color RGB 144 174 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 81 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 81 156 shade: RGB 116 81 151, RGB 133 99 170, RGB 150 117 189, RGB 167 135 208 and RGB 184 153 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 81 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 81 156 shade: RGB 111 81 156, RGB 94 63 137, RGB 77 45 118, RGB 60 27 99 and RGB 43 9 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 81 156 shade: RGB 109 79 154, RGB 130 79 154, RGB 150 79 154, RGB 154 79 139 and RGB 154 79 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 81 156 shade: RGB 109 79 154, RGB 89 79 154 and RGB 79 79 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 81 156 shade matches the following richer shades: RGB 109 79 154, RGB 105 60 173, RGB 102 41 192, RGB 98 22 211 and RGB 94 3 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 81 156 shade: RGB 109 79 154, RGB 113 98 135, RGB 117 117 116, RGB 121 136 97 and RGB 124 155 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 81 156 shade: RGB 79 89 154, RGB 89 79 154, RGB 109 79 154, RGB 129 79 154 and RGB 149 79 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 81 156 shade: RGB 71 51 100, RGB 90 65 127, RGB 109 79 154, RGB 130 100 175 and RGB 152 127 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 81 156 shade: RGB 111 81 156, RGB 154 79 109 and RGB 79 154 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 81 156 shade: RGB 111 81 156, RGB 154 109 79 and RGB 79 154 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 81 156 shade: RGB 111 81 156, RGB 154 79 109, RGB 124 154 79 and RGB 79 154 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 81 156 shade: RGB 111 81 156, RGB 154 79 87, RGB 124 154 79 and RGB 79 154 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 48 / 0 / 39

HEX #6F519C

RGB 111 81 156

HSL 264, 0.32%, 0.46%

LAB 40.68, 28.86, -36.47

 

Complementary color

CMYK 17 / 0 / 43 / 32

HEX #90AE63

RGB 144 174 99

HSL 84, 0.32%, 0.54%

LAB 67.35, -23.1, 35.09

 

CMYK 23 / 46 / 0 / 41

HEX #745197

RGB 116 81 151

HSL 270, 0.3%, 0.45%

LAB 40.95, 29.05, -33.01

 

CMYK 22 / 42 / 0 / 33

HEX #8563AA

RGB 133 99 170

HSL 268.73, 0.29%, 0.53%

LAB 48.02, 28.17, -33.03

 

CMYK 21 / 38 / 0 / 26

HEX #9675BD

RGB 150 117 189

HSL 267.5, 0.35%, 0.6%

LAB 54.95, 27.37, -33.08

 

CMYK 20 / 35 / 0 / 18

HEX #A787D0

RGB 167 135 208

HSL 266.3, 0.44%, 0.67%

LAB 61.74, 26.64, -33.14

 

CMYK 19 / 33 / 0 / 11

HEX #B899E3

RGB 184 153 227

HSL 265.14, 0.57%, 0.75%

LAB 68.4, 25.97, -33.23

 

CMYK 29 / 48 / 0 / 39

HEX #6F519C

RGB 111 81 156

HSL 264, 0.32%, 0.46%

LAB 40.68, 28.86, -36.47

 

CMYK 31 / 54 / 0 / 46

HEX #5E3F89

RGB 94 63 137

HSL 265.14, 0.37%, 0.39%

LAB 33.44, 29.9, -36.55

 

CMYK 35 / 62 / 0 / 54

HEX #4D2D76

RGB 77 45 118

HSL 266.3, 0.45%, 0.32%

LAB 26.05, 31, -36.61

 

CMYK 39 / 73 / 0 / 61

HEX #3C1B63

RGB 60 27 99

HSL 267.5, 0.57%, 0.25%

LAB 18.56, 32, -36.5

 

CMYK 46 / 89 / 0 / 69

HEX #2B0950

RGB 43 9 80

HSL 268.73, 0.8%, 0.17%

LAB 11.19, 32.32, -35.84

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 16 / 49 / 0 / 40

HEX #824F9A

RGB 130 79 154

HSL 280.8, 0.32%, 0.46%

LAB 42.26, 35.12, -32.63

 

CMYK 3 / 49 / 0 / 40

HEX #964F9A

RGB 150 79 154

HSL 296.8, 0.32%, 0.46%

LAB 44.81, 41.13, -28.45

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 0 / 49 / 23 / 40

HEX #9A4F76

RGB 154 79 118

HSL 328.8, 0.32%, 0.46%

LAB 43.9, 36.16, -8.04

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 42 / 49 / 0 / 40

HEX #594F9A

RGB 89 79 154

HSL 248, 0.32%, 0.46%

LAB 37.93, 23.49, -39.77

 

CMYK 49 / 49 / 0 / 40

HEX #4F4F9A

RGB 79 79 154

HSL 240, 0.32%, 0.46%

LAB 37.09, 20.96, -41.15

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 39 / 65 / 0 / 32

HEX #693CAD

RGB 105 60 173

HSL 263.89, 0.48%, 0.46%

LAB 36.47, 43.96, -53.41

 

CMYK 47 / 79 / 0 / 25

HEX #6629C0

RGB 102 41 192

HSL 264.24, 0.65%, 0.46%

LAB 34.43, 57.48, -67.99

 

CMYK 54 / 90 / 0 / 17

HEX #6216D3

RGB 98 22 211

HSL 264.13, 0.81%, 0.46%

LAB 33.72, 67.86, -80.27

 

CMYK 59 / 99 / 0 / 10

HEX #5E03E6

RGB 94 3 230

HSL 264.05, 0.97%, 0.46%

LAB 34.31, 75.15, -90.23

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 16 / 27 / 0 / 47

HEX #716287

RGB 113 98 135

HSL 264.32, 0.16%, 0.46%

LAB 44.23, 13.87, -18.31

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 11 / 0 / 29 / 47

HEX #798861

RGB 121 136 97

HSL 83.08, 0.17%, 0.46%

LAB 54.59, -12.71, 19.19

 

CMYK 20 / 0 / 50 / 39

HEX #7C9B4E

RGB 124 155 78

HSL 84.16, 0.33%, 0.46%

LAB 60.14, -23.97, 36.63

 

CMYK 49 / 42 / 0 / 40

HEX #4F599A

RGB 79 89 154

HSL 232, 0.32%, 0.46%

LAB 39.82, 14.56, -36.82

 

CMYK 42 / 49 / 0 / 40

HEX #594F9A

RGB 89 79 154

HSL 248, 0.32%, 0.46%

LAB 37.93, 23.49, -39.77

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 3 / 49 / 0 / 40

HEX #954F9A

RGB 149 79 154

HSL 296, 0.32%, 0.46%

LAB 44.68, 40.83, -28.66

 

CMYK 29 / 49 / 0 / 61

HEX #473364

RGB 71 51 100

HSL 264.49, 0.32%, 0.3%

LAB 25.65, 20.49, -25.73

 

CMYK 29 / 49 / 0 / 50

HEX #5A417F

RGB 90 65 127

HSL 264.19, 0.32%, 0.38%

LAB 32.89, 24.82, -31.26

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 26 / 43 / 0 / 31

HEX #8264AF

RGB 130 100 175

HSL 264, 0.32%, 0.54%

LAB 48.2, 27.92, -35.69

 

CMYK 20 / 33 / 0 / 26

HEX #987FBD

RGB 152 127 189

HSL 264.19, 0.32%, 0.62%

LAB 57.59, 22.2, -28.96

 

CMYK 29 / 48 / 0 / 39

HEX #6F519C

RGB 111 81 156

HSL 264, 0.32%, 0.46%

LAB 40.68, 28.86, -36.47

 

CMYK 0 / 49 / 29 / 40

HEX #9A4F6D

RGB 154 79 109

HSL 336, 0.32%, 0.46%

LAB 43.6, 34.84, -2.97

 

CMYK 49 / 0 / 49 / 40

HEX #4F9A4F

RGB 79 154 79

HSL 120, 0.32%, 0.46%

LAB 57.4, -39.22, 32.2

 

CMYK 29 / 48 / 0 / 39

HEX #6F519C

RGB 111 81 156

HSL 264, 0.32%, 0.46%

LAB 40.68, 28.86, -36.47

 

CMYK 0 / 29 / 49 / 40

HEX #9A6D4F

RGB 154 109 79

HSL 24, 0.32%, 0.46%

LAB 49.94, 14.17, 23.83

 

CMYK 49 / 0 / 29 / 40

HEX #4F9A6D

RGB 79 154 109

HSL 144, 0.32%, 0.46%

LAB 57.92, -33.96, 16.6

 

CMYK 29 / 48 / 0 / 39

HEX #6F519C

RGB 111 81 156

HSL 264, 0.32%, 0.46%

LAB 40.68, 28.86, -36.47

 

CMYK 0 / 49 / 29 / 40

HEX #9A4F6D

RGB 154 79 109

HSL 336, 0.32%, 0.46%

LAB 43.6, 34.84, -2.97

 

CMYK 19 / 0 / 49 / 40

HEX #7C9A4F

RGB 124 154 79

HSL 84, 0.32%, 0.46%

LAB 59.85, -23.35, 35.77

 

CMYK 49 / 0 / 19 / 40

HEX #4F9A7C

RGB 79 154 124

HSL 156, 0.32%, 0.46%

LAB 58.25, -30.72, 8.64

 

CMYK 29 / 48 / 0 / 39

HEX #6F519C

RGB 111 81 156

HSL 264, 0.32%, 0.46%

LAB 40.68, 28.86, -36.47

 

CMYK 0 / 49 / 44 / 40

HEX #9A4F57

RGB 154 79 87

HSL 353.6, 0.32%, 0.46%

LAB 42.99, 32.03, 9.66

 

CMYK 19 / 0 / 49 / 40

HEX #7C9A4F

RGB 124 154 79

HSL 84, 0.32%, 0.46%

LAB 59.85, -23.35, 35.77

 

CMYK 49 / 0 / 5 / 40

HEX #4F9A93

RGB 79 154 147

HSL 174.4, 0.32%, 0.46%

LAB 58.86, -25.06, -3.53

 

Description

Color code: RGB 111 81 156 | qconv.com Color code: RGB 111 81 156 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 81 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 81 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 48 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 48% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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