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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 72 241 it is the complementary color RGB 144 183 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 72 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 72 241 shade: RGB 116 72 236, RGB 133 90 255, RGB 150 108 255, RGB 167 126 255 and RGB 184 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 72 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 72 241 shade: RGB 111 72 241, RGB 94 54 222, RGB 77 36 203, RGB 60 18 184 and RGB 43 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 72 241 shade: RGB 109 70 241, RGB 155 70 241, RGB 201 70 241, RGB 241 70 234 and RGB 241 70 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 72 241 shade: RGB 109 70 241 and RGB 70 70 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 72 241 shade matches the following richer shades: RGB 109 70 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 72 241 shade: RGB 109 70 241, RGB 118 86 224, RGB 126 102 208, RGB 135 118 192 and RGB 144 134 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 72 241 shade: RGB 70 124 241, RGB 70 78 241, RGB 107 70 241, RGB 152 70 241 and RGB 198 70 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 72 241 shade: RGB 61 16 212, RGB 79 31 238, RGB 109 70 241, RGB 139 108 243 and RGB 169 146 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 72 241 shade: RGB 111 72 241, RGB 241 70 169 and RGB 101 241 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 72 241 shade: RGB 111 72 241, RGB 241 107 70 and RGB 70 241 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 72 241 shade: RGB 111 72 241, RGB 241 70 169, RGB 204 241 70 and RGB 70 241 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 72 241 shade: RGB 111 72 241, RGB 241 70 118, RGB 204 241 70 and RGB 70 241 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 70 / 0 / 5

HEX #6F48F1

RGB 111 72 241

HSL 253.85, 0.86%, 0.61%

LAB 44.75, 57.43, -79.18

 

Complementary color

CMYK 21 / 0 / 92 / 28

HEX #90B70E

RGB 144 183 14

HSL 73.85, 0.86%, 0.39%

LAB 69.35, -33.16, 68.58

 

CMYK 51 / 69 / 0 / 7

HEX #7448EC

RGB 116 72 236

HSL 256.1, 0.81%, 0.6%

LAB 44.81, 56.8, -76.26

 

CMYK 48 / 65 / 0 / 0

HEX #855AFF

RGB 133 90 255

HSL 255.64, 1%, 0.68%

LAB 51.29, 55.53, -76.24

 

CMYK 41 / 58 / 0 / 0

HEX #966CFF

RGB 150 108 255

HSL 257.14, 1%, 0.71%

LAB 56.51, 49.17, -67.7

 

CMYK 35 / 51 / 0 / 0

HEX #A77EFF

RGB 167 126 255

HSL 259.07, 1%, 0.75%

LAB 61.96, 43.12, -58.87

 

CMYK 28 / 44 / 0 / 0

HEX #B890FF

RGB 184 144 255

HSL 261.62, 1%, 0.78%

LAB 67.54, 37.49, -49.91

 

CMYK 54 / 70 / 0 / 5

HEX #6F48F1

RGB 111 72 241

HSL 253.85, 0.86%, 0.61%

LAB 44.75, 57.43, -79.18

 

CMYK 58 / 76 / 0 / 13

HEX #5E36DE

RGB 94 54 222

HSL 254.29, 0.72%, 0.54%

LAB 38.36, 58.65, -78.96

 

CMYK 62 / 82 / 0 / 20

HEX #4D24CB

RGB 77 36 203

HSL 254.73, 0.7%, 0.47%

LAB 32.15, 59.45, -78.28

 

CMYK 67 / 90 / 0 / 28

HEX #3C12B8

RGB 60 18 184

HSL 255.18, 0.82%, 0.4%

LAB 26.31, 59.27, -76.81

 

CMYK 74 / 100 / 0 / 35

HEX #2B00A5

RGB 43 0 165

HSL 255.64, 1%, 0.32%

LAB 20.94, 57.93, -74.36

 

CMYK 55 / 71 / 0 / 5

HEX #6D46F1

RGB 109 70 241

HSL 253.68, 0.86%, 0.61%

LAB 44.21, 58.15, -80.08

 

CMYK 36 / 71 / 0 / 5

HEX #9B46F1

RGB 155 70 241

HSL 269.82, 0.86%, 0.61%

LAB 49.13, 65.59, -71.84

 

CMYK 17 / 71 / 0 / 5

HEX #C946F1

RGB 201 70 241

HSL 285.96, 0.86%, 0.61%

LAB 55.23, 74.3, -61.69

 

CMYK 0 / 71 / 3 / 5

HEX #F146EA

RGB 241 70 234

HSL 302.46, 0.86%, 0.61%

LAB 60.8, 81.33, -48.53

 

CMYK 0 / 71 / 22 / 5

HEX #F146BC

RGB 241 70 188

HSL 318.6, 0.86%, 0.61%

LAB 58.71, 74.89, -25.73

 

CMYK 55 / 71 / 0 / 5

HEX #6D46F1

RGB 109 70 241

HSL 253.68, 0.86%, 0.61%

LAB 44.21, 58.15, -80.08

 

CMYK 71 / 71 / 0 / 5

HEX #4646F1

RGB 70 70 241

HSL 240, 0.86%, 0.61%

LAB 41.27, 53.46, -85.02

 

CMYK 55 / 71 / 0 / 5

HEX #6D46F1

RGB 109 70 241

HSL 253.68, 0.86%, 0.61%

LAB 44.21, 58.15, -80.08

 

CMYK 55 / 71 / 0 / 5

HEX #6D46F1

RGB 109 70 241

HSL 253.68, 0.86%, 0.61%

LAB 44.21, 58.15, -80.08

 

CMYK 47 / 62 / 0 / 12

HEX #7656E0

RGB 118 86 224

HSL 253.91, 0.69%, 0.61%

LAB 46.83, 46.33, -66.17

 

CMYK 39 / 51 / 0 / 18

HEX #7E66D0

RGB 126 102 208

HSL 253.58, 0.53%, 0.61%

LAB 50.09, 34.39, -51.77

 

CMYK 30 / 39 / 0 / 25

HEX #8776C0

RGB 135 118 192

HSL 253.78, 0.37%, 0.61%

LAB 53.94, 23.07, -36.48

 

CMYK 18 / 24 / 0 / 31

HEX #9086B0

RGB 144 134 176

HSL 254.29, 0.21%, 0.61%

LAB 58.15, 12.56, -20.75

 

CMYK 71 / 49 / 0 / 5

HEX #467CF1

RGB 70 124 241

HSL 221.05, 0.86%, 0.61%

LAB 54.1, 20.79, -64.11

 

CMYK 71 / 68 / 0 / 5

HEX #464EF1

RGB 70 78 241

HSL 237.19, 0.86%, 0.61%

LAB 42.92, 48.93, -82.31

 

CMYK 56 / 71 / 0 / 5

HEX #6B46F1

RGB 107 70 241

HSL 252.98, 0.86%, 0.61%

LAB 44.03, 57.86, -80.39

 

CMYK 37 / 71 / 0 / 5

HEX #9846F1

RGB 152 70 241

HSL 268.77, 0.86%, 0.61%

LAB 48.77, 65.06, -72.44

 

CMYK 18 / 71 / 0 / 5

HEX #C646F1

RGB 198 70 241

HSL 284.91, 0.86%, 0.61%

LAB 54.8, 73.71, -62.39

 

CMYK 71 / 92 / 0 / 17

HEX #3D10D4

RGB 61 16 212

HSL 253.78, 0.86%, 0.45%

LAB 29.7, 67.02, -87.62

 

CMYK 67 / 87 / 0 / 7

HEX #4F1FEE

RGB 79 31 238

HSL 253.91, 0.86%, 0.53%

LAB 35.63, 70.58, -92.64

 

CMYK 55 / 71 / 0 / 5

HEX #6D46F1

RGB 109 70 241

HSL 253.68, 0.86%, 0.61%

LAB 44.21, 58.15, -80.08

 

CMYK 43 / 56 / 0 / 5

HEX #8B6CF3

RGB 139 108 243

HSL 253.78, 0.85%, 0.69%

LAB 54.75, 43.57, -63.95

 

CMYK 31 / 41 / 0 / 4

HEX #A992F6

RGB 169 146 246

HSL 253.8, 0.85%, 0.77%

LAB 66.25, 30.13, -47.12

 

CMYK 54 / 70 / 0 / 5

HEX #6F48F1

RGB 111 72 241

HSL 253.85, 0.86%, 0.61%

LAB 44.75, 57.43, -79.18

 

CMYK 0 / 71 / 30 / 5

HEX #F146A9

RGB 241 70 169

HSL 325.26, 0.86%, 0.61%

LAB 57.99, 72.6, -15.84

 

CMYK 58 / 0 / 71 / 5

HEX #65F146

RGB 101 241 70

HSL 109.12, 0.86%, 0.61%

LAB 85.06, -67.48, 67.48

 

CMYK 54 / 70 / 0 / 5

HEX #6F48F1

RGB 111 72 241

HSL 253.85, 0.86%, 0.61%

LAB 44.75, 57.43, -79.18

 

CMYK 0 / 56 / 71 / 5

HEX #F16B46

RGB 241 107 70

HSL 12.98, 0.86%, 0.61%

LAB 61.36, 49.32, 45.39

 

CMYK 71 / 0 / 56 / 5

HEX #46F16B

RGB 70 241 107

HSL 132.98, 0.86%, 0.61%

LAB 84.62, -69.85, 51.72

 

CMYK 54 / 70 / 0 / 5

HEX #6F48F1

RGB 111 72 241

HSL 253.85, 0.86%, 0.61%

LAB 44.75, 57.43, -79.18

 

CMYK 0 / 71 / 30 / 5

HEX #F146A9

RGB 241 70 169

HSL 325.26, 0.86%, 0.61%

LAB 57.99, 72.6, -15.84

 

CMYK 15 / 0 / 71 / 5

HEX #CCF146

RGB 204 241 70

HSL 72.98, 0.86%, 0.61%

LAB 89.95, -33.89, 73.99

 

CMYK 71 / 0 / 41 / 5

HEX #46F18D

RGB 70 241 141

HSL 144.91, 0.86%, 0.61%

LAB 85.07, -64.75, 36.06

 

CMYK 54 / 70 / 0 / 5

HEX #6F48F1

RGB 111 72 241

HSL 253.85, 0.86%, 0.61%

LAB 44.75, 57.43, -79.18

 

CMYK 0 / 71 / 51 / 5

HEX #F14676

RGB 241 70 118

HSL 343.16, 0.86%, 0.61%

LAB 56.48, 67.64, 11.94

 

CMYK 15 / 0 / 71 / 5

HEX #CCF146

RGB 204 241 70

HSL 72.98, 0.86%, 0.61%

LAB 89.95, -33.89, 73.99

 

CMYK 71 / 0 / 20 / 5

HEX #46F1C0

RGB 70 241 192

HSL 162.81, 0.86%, 0.61%

LAB 86.02, -54.42, 11.28

 

Description

Color code: RGB 111 72 241 | qconv.com Color code: RGB 111 72 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 72 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 72 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 70 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 70% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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