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Color name
RGB 111 65 220

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 65 220 it is the complementary color RGB 144 190 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 65 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 65 220 shade: RGB 116 65 215, RGB 133 83 234, RGB 150 101 253, RGB 167 119 255 and RGB 184 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 65 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 94 47 201, RGB 77 29 182, RGB 60 11 163 and RGB 43 0 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 153 65 220, RGB 194 65 220, RGB 220 65 203 and RGB 220 65 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 69 65 220 and RGB 65 65 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 65 220 shade matches the following richer shades: RGB 111 65 220 and RGB 103 47 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 118 83 202, RGB 126 101 183, RGB 133 119 165 and RGB 140 137 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 65 220 shade: RGB 65 104 220, RGB 67 65 220, RGB 109 65 220, RGB 150 65 220 and RGB 191 65 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 65 220 shade: RGB 73 31 171, RGB 87 37 206, RGB 111 65 220, RGB 137 100 226 and RGB 164 135 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 220 65 145 and RGB 83 220 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 220 109 65 and RGB 65 220 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 220 65 145, RGB 176 220 65 and RGB 65 220 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 65 220 shade: RGB 111 65 220, RGB 220 65 98, RGB 176 220 65 and RGB 65 220 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

Complementary color

CMYK 24 / 0 / 82 / 25

HEX #90BE23

RGB 144 190 35

HSL 77.81, 0.69%, 0.44%

LAB 71.47, -35.78, 66.1

 

CMYK 46 / 70 / 0 / 16

HEX #7441D7

RGB 116 65 215

HSL 260.4, 0.65%, 0.55%

LAB 41.84, 54.65, -69.15

 

CMYK 43 / 65 / 0 / 8

HEX #8553EA

RGB 133 83 234

HSL 259.87, 0.78%, 0.62%

LAB 48.4, 53.57, -69.2

 

CMYK 41 / 60 / 0 / 1

HEX #9665FD

RGB 150 101 253

HSL 259.34, 0.97%, 0.69%

LAB 54.95, 52.42, -69.12

 

CMYK 35 / 53 / 0 / 0

HEX #A777FF

RGB 167 119 255

HSL 261.18, 1%, 0.73%

LAB 60.45, 46.97, -61.28

 

CMYK 28 / 46 / 0 / 0

HEX #B889FF

RGB 184 137 255

HSL 263.9, 1%, 0.77%

LAB 65.98, 41.35, -52.38

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 53 / 77 / 0 / 21

HEX #5E2FC9

RGB 94 47 201

HSL 258.31, 0.62%, 0.49%

LAB 35.26, 56.13, -71.93

 

CMYK 58 / 84 / 0 / 29

HEX #4D1DB6

RGB 77 29 182

HSL 258.82, 0.73%, 0.41%

LAB 28.99, 56.52, -71.13

 

CMYK 63 / 93 / 0 / 36

HEX #3C0BA3

RGB 60 11 163

HSL 259.34, 0.87%, 0.34%

LAB 23.15, 55.67, -69.42

 

CMYK 70 / 100 / 0 / 44

HEX #2B0090

RGB 43 0 144

HSL 257.92, 1%, 0.28%

LAB 18.04, 52.69, -66.27

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 30 / 70 / 0 / 14

HEX #9941DC

RGB 153 65 220

HSL 274.06, 0.69%, 0.56%

LAB 46.61, 62.63, -64.07

 

CMYK 12 / 70 / 0 / 14

HEX #C241DC

RGB 194 65 220

HSL 289.94, 0.69%, 0.56%

LAB 52.31, 70.85, -54.6

 

CMYK 0 / 70 / 8 / 14

HEX #DC41CB

RGB 220 65 203

HSL 306.58, 0.69%, 0.56%

LAB 55.39, 73.69, -39.76

 

CMYK 0 / 70 / 26 / 14

HEX #DC41A2

RGB 220 65 162

HSL 322.45, 0.69%, 0.56%

LAB 53.61, 68.08, -18.74

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 69 / 70 / 0 / 14

HEX #4541DC

RGB 69 65 220

HSL 241.55, 0.69%, 0.56%

LAB 38.22, 49.44, -78.11

 

CMYK 70 / 70 / 0 / 14

HEX #4141DC

RGB 65 65 220

HSL 240, 0.69%, 0.56%

LAB 37.97, 49.02, -78.53

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 57 / 80 / 0 / 7

HEX #672FEE

RGB 103 47 238

HSL 257.59, 0.85%, 0.56%

LAB 39.73, 66.97, -85.78

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 42 / 59 / 0 / 21

HEX #7653CA

RGB 118 83 202

HSL 257.65, 0.53%, 0.56%

LAB 44.66, 41.87, -57.08

 

CMYK 31 / 45 / 0 / 28

HEX #7E65B7

RGB 126 101 183

HSL 258.29, 0.36%, 0.56%

LAB 48.46, 28.23, -39.97

 

CMYK 19 / 28 / 0 / 35

HEX #8577A5

RGB 133 119 165

HSL 258.26, 0.2%, 0.56%

LAB 52.84, 15.15, -22.64

 

CMYK 5 / 7 / 0 / 42

HEX #8C8993

RGB 140 137 147

HSL 258, 0.04%, 0.56%

LAB 57.63, 3.11, -4.94

 

CMYK 70 / 53 / 0 / 14

HEX #4168DC

RGB 65 104 220

HSL 224.9, 0.69%, 0.56%

LAB 47.23, 25.11, -63.42

 

CMYK 70 / 70 / 0 / 14

HEX #4341DC

RGB 67 65 220

HSL 240.77, 0.69%, 0.56%

LAB 38.09, 49.23, -78.33

 

CMYK 50 / 70 / 0 / 14

HEX #6D41DC

RGB 109 65 220

HSL 257.03, 0.69%, 0.56%

LAB 41.53, 54.85, -72.56

 

CMYK 32 / 70 / 0 / 14

HEX #9641DC

RGB 150 65 220

HSL 272.9, 0.69%, 0.56%

LAB 46.22, 62.05, -64.72

 

CMYK 13 / 70 / 0 / 14

HEX #BF41DC

RGB 191 65 220

HSL 288.77, 0.69%, 0.56%

LAB 51.86, 70.23, -55.33

 

CMYK 57 / 82 / 0 / 33

HEX #491FAB

RGB 73 31 171

HSL 258, 0.69%, 0.4%

LAB 27.67, 52.34, -66.74

 

CMYK 58 / 82 / 0 / 19

HEX #5725CE

RGB 87 37 206

HSL 257.75, 0.7%, 0.48%

LAB 33.57, 60.85, -77.64

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 39 / 56 / 0 / 11

HEX #8964E2

RGB 137 100 226

HSL 257.62, 0.68%, 0.64%

LAB 51.75, 43.03, -59.26

 

CMYK 30 / 42 / 0 / 9

HEX #A487E9

RGB 164 135 233

HSL 257.76, 0.69%, 0.72%

LAB 62.6, 31.76, -45.75

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 0 / 70 / 34 / 14

HEX #DC4191

RGB 220 65 145

HSL 329.03, 0.69%, 0.56%

LAB 52.99, 66.1, -9.61

 

CMYK 62 / 0 / 70 / 14

HEX #53DC41

RGB 83 220 65

HSL 113.03, 0.69%, 0.56%

LAB 78.11, -64.8, 61.99

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 0 / 50 / 70 / 14

HEX #DC6D41

RGB 220 109 65

HSL 17.03, 0.69%, 0.56%

LAB 58.54, 40.26, 43.96

 

CMYK 70 / 0 / 50 / 14

HEX #41DC6D

RGB 65 220 109

HSL 137.03, 0.69%, 0.56%

LAB 78.12, -63.25, 42.87

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 0 / 70 / 34 / 14

HEX #DC4191

RGB 220 65 145

HSL 329.03, 0.69%, 0.56%

LAB 52.99, 66.1, -9.61

 

CMYK 20 / 0 / 70 / 14

HEX #B0DC41

RGB 176 220 65

HSL 77.03, 0.69%, 0.56%

LAB 82.27, -35.47, 67.55

 

CMYK 70 / 0 / 36 / 14

HEX #41DC8C

RGB 65 220 140

HSL 149.03, 0.69%, 0.56%

LAB 78.58, -58.01, 27.97

 

CMYK 50 / 70 / 0 / 14

HEX #6F41DC

RGB 111 65 220

HSL 257.81, 0.69%, 0.56%

LAB 41.73, 55.16, -72.22

 

CMYK 0 / 70 / 55 / 14

HEX #DC4162

RGB 220 65 98

HSL 347.23, 0.69%, 0.56%

LAB 51.7, 61.77, 16.7

 

CMYK 20 / 0 / 70 / 14

HEX #B0DC41

RGB 176 220 65

HSL 77.03, 0.69%, 0.56%

LAB 82.27, -35.47, 67.55

 

CMYK 70 / 0 / 15 / 14

HEX #41DCBA

RGB 65 220 186

HSL 166.84, 0.69%, 0.56%

LAB 79.53, -47.89, 5.13

 

Description

Color code: RGB 111 65 220 | qconv.com Color code: RGB 111 65 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 65 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 65 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 70 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 70% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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