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Color name
RGB 111 223 30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 223 30 it is the complementary color RGB 144 32 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 223 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 223 30 shade: RGB 116 223 25, RGB 133 241 44, RGB 150 255 63, RGB 167 255 82 and RGB 184 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 223 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 223 30 shade: RGB 111 223 30, RGB 94 205 11, RGB 77 187 0, RGB 60 169 0 and RGB 43 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 223 30 shade: RGB 111 224 30, RGB 164 224 30, RGB 216 224 30, RGB 224 180 30 and RGB 224 127 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 223 30 shade: RGB 111 224 30, RGB 59 224 30, RGB 30 224 53, RGB 30 224 106 and RGB 30 224 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 223 30 shade matches the following richer shades: RGB 111 224 30 and RGB 108 245 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 223 30 shade: RGB 111 224 30, RGB 115 203 51, RGB 118 183 71, RGB 121 162 92 and RGB 125 141 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 223 30 shade: RGB 217 224 30, RGB 166 224 30, RGB 114 224 30, RGB 62 224 30 and RGB 30 224 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 223 30 shade: RGB 75 151 20, RGB 93 188 25, RGB 111 224 30, RGB 135 229 66 and RGB 158 234 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 223 30 shade: RGB 111 223 30, RGB 30 224 179 and RGB 224 30 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 223 30 shade: RGB 111 223 30, RGB 30 114 224 and RGB 224 30 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 223 30 shade: RGB 111 223 30, RGB 30 224 179, RGB 140 30 224 and RGB 224 30 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 223 30 shade: RGB 111 223 30, RGB 30 211 224, RGB 140 30 224 and RGB 224 43 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 87 / 13

HEX #6FDF1E

RGB 111 223 30

HSL 94.82, 0.76%, 0.5%

LAB 79.76, -60.69, 73.86

 

Complementary color

CMYK 36 / 86 / 0 / 12

HEX #9020E1

RGB 144 32 225

HSL 274.82, 0.76%, 0.5%

LAB 41.84, 73.62, -74.74

 

CMYK 48 / 0 / 89 / 13

HEX #74DF19

RGB 116 223 25

HSL 92.42, 0.8%, 0.49%

LAB 79.93, -59.38, 74.99

 

CMYK 45 / 0 / 82 / 5

HEX #85F12C

RGB 133 241 44

HSL 92.89, 0.88%, 0.56%

LAB 86.05, -60.28, 76.63

 

CMYK 41 / 0 / 75 / 0

HEX #96FF3F

RGB 150 255 63

HSL 92.81, 1%, 0.62%

LAB 90.95, -59.41, 76.2

 

CMYK 35 / 0 / 68 / 0

HEX #A7FF52

RGB 167 255 82

HSL 90.52, 1%, 0.66%

LAB 91.84, -52.71, 70.96

 

CMYK 28 / 0 / 60 / 0

HEX #B8FF65

RGB 184 255 101

HSL 87.66, 1%, 0.7%

LAB 92.86, -45.43, 64.87

 

CMYK 50 / 0 / 87 / 13

HEX #6FDF1E

RGB 111 223 30

HSL 94.82, 0.76%, 0.5%

LAB 79.76, -60.69, 73.86

 

CMYK 54 / 0 / 95 / 20

HEX #5ECD0B

RGB 94 205 11

HSL 94.33, 0.9%, 0.42%

LAB 73.59, -59.48, 71.36

 

CMYK 59 / 0 / 100 / 27

HEX #4DBB00

RGB 77 187 0

HSL 95.29, 1%, 0.37%

LAB 67.37, -57.88, 67.35

 

CMYK 64 / 0 / 100 / 34

HEX #3CA900

RGB 60 169 0

HSL 98.7, 1%, 0.33%

LAB 61.08, -55.86, 62.16

 

CMYK 72 / 0 / 100 / 41

HEX #2B9700

RGB 43 151 0

HSL 102.91, 1%, 0.3%

LAB 54.71, -53.5, 56.92

 

CMYK 50 / 0 / 87 / 12

HEX #6FE01E

RGB 111 224 30

HSL 94.95, 0.76%, 0.5%

LAB 80.06, -61.05, 74.12

 

CMYK 27 / 0 / 87 / 12

HEX #A4E01E

RGB 164 224 30

HSL 78.56, 0.76%, 0.5%

LAB 82.54, -43.29, 77.21

 

CMYK 4 / 0 / 87 / 12

HEX #D8E01E

RGB 216 224 30

HSL 62.47, 0.76%, 0.5%

LAB 86.01, -22.51, 81.49

 

CMYK 0 / 20 / 87 / 12

HEX #E0B41E

RGB 224 180 30

HSL 46.39, 0.76%, 0.5%

LAB 75.19, 3.15, 73.07

 

CMYK 0 / 43 / 87 / 12

HEX #E07F1E

RGB 224 127 30

HSL 30, 0.76%, 0.5%

LAB 62.61, 31.33, 62.96

 

CMYK 50 / 0 / 87 / 12

HEX #6FE01E

RGB 111 224 30

HSL 94.95, 0.76%, 0.5%

LAB 80.06, -61.05, 74.12

 

CMYK 74 / 0 / 87 / 12

HEX #3BE01E

RGB 59 224 30

HSL 111.03, 0.76%, 0.5%

LAB 78.66, -72.59, 72.36

 

CMYK 87 / 0 / 76 / 12

HEX #1EE035

RGB 30 224 53

HSL 127.11, 0.76%, 0.5%

LAB 78.37, -74.74, 66.04

 

CMYK 87 / 0 / 53 / 12

HEX #1EE06A

RGB 30 224 106

HSL 143.51, 0.76%, 0.5%

LAB 78.83, -69.09, 45.06

 

CMYK 87 / 0 / 29 / 12

HEX #1EE09E

RGB 30 224 158

HSL 159.59, 0.76%, 0.5%

LAB 79.65, -59.56, 20

 

CMYK 50 / 0 / 87 / 12

HEX #6FE01E

RGB 111 224 30

HSL 94.95, 0.76%, 0.5%

LAB 80.06, -61.05, 74.12

 

CMYK 56 / 0 / 96 / 4

HEX #6CF509

RGB 108 245 9

HSL 94.83, 0.93%, 0.5%

LAB 86.26, -69.6, 81.96

 

CMYK 50 / 0 / 87 / 12

HEX #6FE01E

RGB 111 224 30

HSL 94.95, 0.76%, 0.5%

LAB 80.06, -61.05, 74.12

 

CMYK 43 / 0 / 75 / 20

HEX #73CB33

RGB 115 203 51

HSL 94.74, 0.6%, 0.5%

LAB 73.93, -50.93, 63.06

 

CMYK 36 / 0 / 61 / 28

HEX #76B747

RGB 118 183 71

HSL 94.82, 0.44%, 0.5%

LAB 68.15, -40.05, 49.24

 

CMYK 25 / 0 / 43 / 36

HEX #79A25C

RGB 121 162 92

HSL 95.14, 0.28%, 0.5%

LAB 62.24, -26.83, 31.94

 

CMYK 11 / 0 / 20 / 45

HEX #7D8D71

RGB 125 141 113

HSL 94.29, 0.11%, 0.5%

LAB 56.69, -11.21, 13.04

 

CMYK 3 / 0 / 87 / 12

HEX #D9E01E

RGB 217 224 30

HSL 62.16, 0.76%, 0.5%

LAB 86.08, -22.09, 81.58

 

CMYK 26 / 0 / 87 / 12

HEX #A6E01E

RGB 166 224 30

HSL 77.94, 0.76%, 0.5%

LAB 82.65, -42.54, 77.35

 

CMYK 49 / 0 / 87 / 12

HEX #72E01E

RGB 114 224 30

HSL 94.02, 0.76%, 0.5%

LAB 80.17, -60.18, 74.26

 

CMYK 72 / 0 / 87 / 12

HEX #3EE01E

RGB 62 224 30

HSL 110.1, 0.76%, 0.5%

LAB 78.71, -72.11, 72.43

 

CMYK 87 / 0 / 78 / 12

HEX #1EE031

RGB 30 224 49

HSL 125.88, 0.76%, 0.5%

LAB 78.35, -75, 67.24

 

CMYK 50 / 0 / 87 / 41

HEX #4B9714

RGB 75 151 20

HSL 94.81, 0.77%, 0.34%

LAB 55.77, -44.68, 54.64

 

CMYK 51 / 0 / 87 / 26

HEX #5DBC19

RGB 93 188 25

HSL 94.97, 0.77%, 0.42%

LAB 68.29, -53.22, 64.71

 

CMYK 50 / 0 / 87 / 12

HEX #6FE01E

RGB 111 224 30

HSL 94.95, 0.76%, 0.5%

LAB 80.06, -61.05, 74.12

 

CMYK 41 / 0 / 71 / 10

HEX #87E542

RGB 135 229 66

HSL 94.6, 0.76%, 0.58%

LAB 82.69, -53.87, 66.9

 

CMYK 32 / 0 / 56 / 8

HEX #9EEA67

RGB 158 234 103

HSL 94.81, 0.76%, 0.66%

LAB 85.55, -45.24, 55.36

 

CMYK 50 / 0 / 87 / 13

HEX #6FDF1E

RGB 111 223 30

HSL 94.82, 0.76%, 0.5%

LAB 79.76, -60.69, 73.86

 

CMYK 87 / 0 / 20 / 12

HEX #1EE0B3

RGB 30 224 179

HSL 166.08, 0.76%, 0.5%

LAB 80.09, -54.69, 9.59

 

CMYK 0 / 87 / 14 / 12

HEX #E01EC0

RGB 224 30 192

HSL 309.9, 0.76%, 0.5%

LAB 52.49, 81.72, -37.94

 

CMYK 50 / 0 / 87 / 13

HEX #6FDF1E

RGB 111 223 30

HSL 94.82, 0.76%, 0.5%

LAB 79.76, -60.69, 73.86

 

CMYK 87 / 49 / 0 / 12

HEX #1E72E0

RGB 30 114 224

HSL 214.02, 0.76%, 0.5%

LAB 49.12, 16.74, -62.67

 

CMYK 0 / 87 / 49 / 12

HEX #E01E72

RGB 224 30 114

HSL 334.02, 0.76%, 0.5%

LAB 49.48, 73.51, 3.98

 

CMYK 50 / 0 / 87 / 13

HEX #6FDF1E

RGB 111 223 30

HSL 94.82, 0.76%, 0.5%

LAB 79.76, -60.69, 73.86

 

CMYK 87 / 0 / 20 / 12

HEX #1EE0B3

RGB 30 224 179

HSL 166.08, 0.76%, 0.5%

LAB 80.09, -54.69, 9.59

 

CMYK 38 / 87 / 0 / 12

HEX #8C1EE0

RGB 140 30 224

HSL 274.02, 0.76%, 0.5%

LAB 41.03, 73.38, -75.51

 

CMYK 0 / 87 / 67 / 12

HEX #E01E4B

RGB 224 30 75

HSL 346.08, 0.76%, 0.5%

LAB 48.62, 71.03, 26.67

 

CMYK 50 / 0 / 87 / 13

HEX #6FDF1E

RGB 111 223 30

HSL 94.82, 0.76%, 0.5%

LAB 79.76, -60.69, 73.86

 

CMYK 87 / 6 / 0 / 12

HEX #1ED3E0

RGB 30 211 224

HSL 184.02, 0.76%, 0.5%

LAB 77.43, -36.69, -18.36

 

CMYK 38 / 87 / 0 / 12

HEX #8C1EE0

RGB 140 30 224

HSL 274.02, 0.76%, 0.5%

LAB 41.03, 73.38, -75.51

 

CMYK 0 / 81 / 87 / 12

HEX #E02B1E

RGB 224 43 30

HSL 4.02, 0.76%, 0.5%

LAB 49.09, 66.68, 52.09

 

Description

Color code: RGB 111 223 30 | qconv.com Color code: RGB 111 223 30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 223 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 223 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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