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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 21 72 it is the complementary color RGB 144 234 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 21 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 21 72 shade: RGB 116 21 67, RGB 133 39 86, RGB 150 57 105, RGB 167 75 124 and RGB 184 93 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 21 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 94 3 53, RGB 77 0 34, RGB 60 0 15 and RGB 43 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 111 21 47, RGB 111 21 23 and RGB 111 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 111 21 96, RGB 101 21 111, RGB 77 21 111 and RGB 53 21 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 21 72 shade matches the following richer shades: RGB 111 21 72 and RGB 122 10 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 100 31 70, RGB 89 42 69, RGB 79 53 68 and RGB 68 64 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 21 72 shade: RGB 102 21 111, RGB 111 21 96, RGB 111 21 72, RGB 111 21 48 and RGB 111 21 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 21 72 shade: RGB 42 8 27, RGB 76 14 49, RGB 111 21 72, RGB 146 27 94 and RGB 180 34 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 111 78 21 and RGB 21 108 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 72 111 21 and RGB 21 72 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 111 78 21, RGB 21 111 60 and RGB 21 54 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 21 72 shade: RGB 111 21 72, RGB 111 105 21, RGB 21 111 60 and RGB 21 27 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

Complementary color

CMYK 38 / 0 / 22 / 8

HEX #90EAB7

RGB 144 234 183

HSL 146, 0.68%, 0.74%

LAB 86.1, -37.9, 16.42

 

CMYK 0 / 82 / 42 / 55

HEX #741543

RGB 116 21 67

HSL 330.95, 0.69%, 0.27%

LAB 25.73, 43.59, -3.14

 

CMYK 0 / 71 / 35 / 48

HEX #852756

RGB 133 39 86

HSL 330, 0.55%, 0.34%

LAB 32.05, 44.24, -5.98

 

CMYK 0 / 62 / 30 / 41

HEX #963969

RGB 150 57 105

HSL 329.03, 0.45%, 0.41%

LAB 38.6, 44.07, -8

 

CMYK 0 / 55 / 26 / 35

HEX #A74B7C

RGB 167 75 124

HSL 328.04, 0.38%, 0.47%

LAB 45.22, 43.52, -9.52

 

CMYK 0 / 49 / 22 / 28

HEX #B85D8F

RGB 184 93 143

HSL 327.03, 0.39%, 0.54%

LAB 51.84, 42.79, -10.73

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 97 / 44 / 63

HEX #5E0335

RGB 94 3 53

HSL 327.03, 0.94%, 0.19%

LAB 18.81, 40.88, -4.24

 

CMYK 0 / 100 / 56 / 70

HEX #4D0022

RGB 77 0 34

HSL 333.51, 1%, 0.15%

LAB 13.79, 35.53, 1.73

 

CMYK 0 / 100 / 75 / 76

HEX #3C000F

RGB 60 0 15

HSL 345, 1%, 0.12%

LAB 8.95, 29.32, 7.69

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 81 / 58 / 56

HEX #6F152F

RGB 111 21 47

HSL 342.67, 0.68%, 0.26%

LAB 24.07, 40.19, 8.02

 

CMYK 0 / 81 / 79 / 56

HEX #6F1517

RGB 111 21 23

HSL 358.67, 0.68%, 0.26%

LAB 23.6, 38.69, 23.63

 

CMYK 0 / 81 / 81 / 56

HEX #6F1515

RGB 111 21 21

HSL 0, 0.68%, 0.26%

LAB 23.57, 38.61, 24.87

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 81 / 14 / 56

HEX #6F1560

RGB 111 21 96

HSL 310, 0.68%, 0.26%

LAB 26.04, 46.14, -22.09

 

CMYK 9 / 81 / 0 / 56

HEX #65156F

RGB 101 21 111

HSL 293.33, 0.68%, 0.26%

LAB 25.11, 46.44, -33.44

 

CMYK 31 / 81 / 0 / 56

HEX #4D156F

RGB 77 21 111

HSL 277.33, 0.68%, 0.26%

LAB 21.06, 41.5, -40.17

 

CMYK 52 / 81 / 0 / 56

HEX #35156F

RGB 53 21 111

HSL 261.33, 0.68%, 0.26%

LAB 17.65, 37.25, -45.89

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 92 / 40 / 52

HEX #7A0A49

RGB 122 10 73

HSL 326.25, 0.85%, 0.26%

LAB 26.26, 48.55, -6.27

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 69 / 30 / 61

HEX #641F46

RGB 100 31 70

HSL 326.09, 0.53%, 0.26%

LAB 24.1, 35.23, -7.93

 

CMYK 0 / 53 / 22 / 65

HEX #592A45

RGB 89 42 69

HSL 325.53, 0.36%, 0.26%

LAB 24.35, 25.4, -7.06

 

CMYK 0 / 33 / 14 / 69

HEX #4F3544

RGB 79 53 68

HSL 325.38, 0.2%, 0.26%

LAB 25.64, 14.39, -4.61

 

CMYK 0 / 6 / 3 / 73

HEX #444042

RGB 68 64 66

HSL 330, 0.03%, 0.26%

LAB 27.54, 2.14, -0.61

 

CMYK 8 / 81 / 0 / 56

HEX #66156F

RGB 102 21 111

HSL 294, 0.68%, 0.26%

LAB 25.29, 46.66, -33.14

 

CMYK 0 / 81 / 14 / 56

HEX #6F1560

RGB 111 21 96

HSL 310, 0.68%, 0.26%

LAB 26.04, 46.14, -22.09

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 81 / 57 / 56

HEX #6F1530

RGB 111 21 48

HSL 342, 0.68%, 0.26%

LAB 24.09, 40.27, 7.37

 

CMYK 0 / 81 / 78 / 56

HEX #6F1518

RGB 111 21 24

HSL 358, 0.68%, 0.26%

LAB 23.61, 38.73, 23.01

 

CMYK 0 / 81 / 36 / 84

HEX #2A081B

RGB 42 8 27

HSL 326.47, 0.68%, 0.1%

LAB 6.73, 19.72, -4.25

 

CMYK 0 / 82 / 36 / 70

HEX #4C0E31

RGB 76 14 49

HSL 326.13, 0.69%, 0.18%

LAB 15.86, 32, -6.21

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 82 / 36 / 43

HEX #921B5E

RGB 146 27 94

HSL 326.22, 0.69%, 0.34%

LAB 33.36, 52.98, -8.96

 

CMYK 0 / 81 / 35 / 29

HEX #B42275

RGB 180 34 117

HSL 325.89, 0.68%, 0.42%

LAB 41.42, 62.26, -10.72

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 30 / 81 / 56

HEX #6F4E15

RGB 111 78 21

HSL 38, 0.68%, 0.26%

LAB 35.76, 8.26, 37.11

 

CMYK 81 / 3 / 0 / 56

HEX #156C6F

RGB 21 108 111

HSL 182, 0.68%, 0.26%

LAB 41.27, -22.89, -8.77

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 35 / 0 / 81 / 56

HEX #486F15

RGB 72 111 21

HSL 86, 0.68%, 0.26%

LAB 42.46, -28.46, 42.24

 

CMYK 81 / 35 / 0 / 56

HEX #15486F

RGB 21 72 111

HSL 206, 0.68%, 0.26%

LAB 29.27, -1.76, -27.27

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 30 / 81 / 56

HEX #6F4E15

RGB 111 78 21

HSL 38, 0.68%, 0.26%

LAB 35.76, 8.26, 37.11

 

CMYK 81 / 0 / 46 / 56

HEX #156F3C

RGB 21 111 60

HSL 146, 0.68%, 0.26%

LAB 40.98, -37.96, 21.29

 

CMYK 81 / 51 / 0 / 56

HEX #15366F

RGB 21 54 111

HSL 218, 0.68%, 0.26%

LAB 23.49, 10.63, -36.48

 

CMYK 0 / 81 / 35 / 56

HEX #6F1548

RGB 111 21 72

HSL 326, 0.68%, 0.26%

LAB 24.9, 42.76, -7.87

 

CMYK 0 / 5 / 81 / 56

HEX #6F6915

RGB 111 105 21

HSL 56, 0.68%, 0.26%

LAB 43.56, -7.7, 44.35

 

CMYK 81 / 0 / 46 / 56

HEX #156F3C

RGB 21 111 60

HSL 146, 0.68%, 0.26%

LAB 40.98, -37.96, 21.29

 

CMYK 81 / 76 / 0 / 56

HEX #151B6F

RGB 21 27 111

HSL 236, 0.68%, 0.26%

LAB 15.96, 29.71, -48.77

 

Description

Color code: RGB 111 21 72 | qconv.com Color code: RGB 111 21 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 21 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 21 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 35 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 35% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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