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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 213 92 it is the complementary color RGB 144 42 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 213 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 213 92 shade: RGB 116 213 87, RGB 133 231 106, RGB 150 249 125, RGB 167 255 144 and RGB 184 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 213 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 94 195 73, RGB 77 177 54, RGB 60 159 35 and RGB 43 141 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 144 213 92, RGB 176 213 92, RGB 209 213 92 and RGB 213 184 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 92 213 106, RGB 92 213 138, RGB 92 213 171 and RGB 92 213 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 213 92 shade matches the following richer shades: RGB 111 213 92, RGB 100 229 76 and RGB 89 246 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 123 196 109, RGB 134 180 125, RGB 145 163 142 and RGB 157 147 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 213 92 shade: RGB 177 213 92, RGB 144 213 92, RGB 112 213 92, RGB 92 213 104 and RGB 92 213 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 213 92 shade: RGB 66 177 45, RGB 82 204 60, RGB 111 213 92, RGB 140 221 125 and RGB 169 230 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 92 209 213 and RGB 213 92 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 92 112 213 and RGB 213 92 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 92 209 213, RGB 193 92 213 and RGB 213 96 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 213 92 shade: RGB 111 213 92, RGB 92 173 213, RGB 193 92 213 and RGB 213 132 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

Complementary color

CMYK 12 / 74 / 0 / 36

HEX #902AA3

RGB 144 42 163

HSL 290.58, 0.59%, 0.4%

LAB 38.25, 58.21, -44.28

 

CMYK 46 / 0 / 59 / 16

HEX #74D557

RGB 116 213 87

HSL 106.19, 0.6%, 0.59%

LAB 77.27, -51.63, 52.44

 

CMYK 42 / 0 / 54 / 9

HEX #85E76A

RGB 133 231 106

HSL 107.04, 0.72%, 0.66%

LAB 83.54, -51.71, 51.35

 

CMYK 40 / 0 / 50 / 2

HEX #96F97D

RGB 150 249 125

HSL 107.9, 0.91%, 0.73%

LAB 89.73, -51.68, 50.19

 

CMYK 35 / 0 / 44 / 0

HEX #A7FF90

RGB 167 255 144

HSL 107.57, 1%, 0.78%

LAB 92.46, -46.54, 44.76

 

CMYK 28 / 0 / 36 / 0

HEX #B8FFA3

RGB 184 255 163

HSL 106.3, 1%, 0.82%

LAB 93.6, -38.48, 37.12

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 52 / 0 / 63 / 24

HEX #5EC349

RGB 94 195 73

HSL 109.67, 0.5%, 0.53%

LAB 70.8, -52.34, 51.03

 

CMYK 56 / 0 / 69 / 31

HEX #4DB136

RGB 77 177 54

HSL 108.78, 0.53%, 0.45%

LAB 64.39, -51.89, 51.84

 

CMYK 62 / 0 / 78 / 38

HEX #3C9F23

RGB 60 159 35

HSL 107.9, 0.64%, 0.38%

LAB 57.92, -51.06, 52.12

 

CMYK 70 / 0 / 89 / 45

HEX #2B8D10

RGB 43 141 16

HSL 107.04, 0.8%, 0.31%

LAB 51.38, -49.66, 51.31

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 32 / 0 / 57 / 16

HEX #90D55C

RGB 144 213 92

HSL 94.21, 0.59%, 0.6%

LAB 78.63, -42.06, 52.1

 

CMYK 17 / 0 / 57 / 16

HEX #B0D55C

RGB 176 213 92

HSL 78.35, 0.59%, 0.6%

LAB 80.51, -30.29, 54.75

 

CMYK 2 / 0 / 57 / 16

HEX #D1D55C

RGB 209 213 92

HSL 61.98, 0.59%, 0.6%

LAB 82.87, -17.17, 58.05

 

CMYK 0 / 14 / 57 / 16

HEX #D5B85C

RGB 213 184 92

HSL 45.62, 0.59%, 0.6%

LAB 75.58, -0.71, 49.84

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 57 / 0 / 50 / 16

HEX #5CD56A

RGB 92 213 106

HSL 126.94, 0.59%, 0.6%

LAB 76.62, -55.76, 42.62

 

CMYK 57 / 0 / 35 / 16

HEX #5CD58A

RGB 92 213 138

HSL 142.81, 0.59%, 0.6%

LAB 77.1, -50.6, 27.14

 

CMYK 57 / 0 / 20 / 16

HEX #5CD5AB

RGB 92 213 171

HSL 159.17, 0.59%, 0.6%

LAB 77.76, -43.86, 10.67

 

CMYK 57 / 0 / 5 / 16

HEX #5CD5CB

RGB 92 213 203

HSL 175.04, 0.59%, 0.6%

LAB 78.56, -36.1, -5.28

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 56 / 0 / 67 / 10

HEX #64E54C

RGB 100 229 76

HSL 110.59, 0.75%, 0.6%

LAB 81.44, -63.06, 61.47

 

CMYK 64 / 0 / 76 / 4

HEX #59F63B

RGB 89 246 59

HSL 110.37, 0.91%, 0.6%

LAB 86.18, -72.53, 72.12

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 37 / 0 / 44 / 23

HEX #7BC46D

RGB 123 196 109

HSL 110.34, 0.42%, 0.6%

LAB 72.76, -39.63, 36.57

 

CMYK 26 / 0 / 31 / 29

HEX #86B47D

RGB 134 180 125

HSL 110.18, 0.27%, 0.6%

LAB 68.89, -26.02, 23.25

 

CMYK 11 / 0 / 13 / 36

HEX #91A38E

RGB 145 163 142

HSL 111.43, 0.1%, 0.6%

LAB 65.1, -10.42, 8.78

 

CMYK 1 / 7 / 0 / 38

HEX #9D939E

RGB 157 147 158

HSL 294.55, 0.05%, 0.6%

LAB 62.09, 5.77, -4.46

 

CMYK 17 / 0 / 57 / 16

HEX #B1D55C

RGB 177 213 92

HSL 77.85, 0.59%, 0.6%

LAB 80.58, -29.91, 54.84

 

CMYK 32 / 0 / 57 / 16

HEX #90D55C

RGB 144 213 92

HSL 94.21, 0.59%, 0.6%

LAB 78.63, -42.06, 52.1

 

CMYK 47 / 0 / 57 / 16

HEX #70D55C

RGB 112 213 92

HSL 110.08, 0.59%, 0.6%

LAB 77.16, -52.26, 50.02

 

CMYK 57 / 0 / 51 / 16

HEX #5CD568

RGB 92 213 104

HSL 125.95, 0.59%, 0.6%

LAB 76.6, -56.04, 43.55

 

CMYK 57 / 0 / 36 / 16

HEX #5CD588

RGB 92 213 136

HSL 141.82, 0.59%, 0.6%

LAB 77.07, -50.96, 28.13

 

CMYK 63 / 0 / 75 / 31

HEX #42B12D

RGB 66 177 45

HSL 110.45, 0.59%, 0.44%

LAB 63.99, -55.33, 54.71

 

CMYK 60 / 0 / 71 / 20

HEX #52CC3C

RGB 82 204 60

HSL 110.83, 0.59%, 0.52%

LAB 73.09, -59.91, 58.65

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 37 / 0 / 43 / 13

HEX #8CDD7D

RGB 140 221 125

HSL 110.63, 0.59%, 0.68%

LAB 81.16, -42.96, 39.41

 

CMYK 27 / 0 / 31 / 10

HEX #A9E69E

RGB 169 230 158

HSL 110.83, 0.59%, 0.76%

LAB 85.75, -32.75, 29.05

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 57 / 2 / 0 / 16

HEX #5CD1D5

RGB 92 209 213

HSL 181.98, 0.59%, 0.6%

LAB 77.69, -31.56, -11.95

 

CMYK 0 / 57 / 24 / 16

HEX #D55CA1

RGB 213 92 161

HSL 325.79, 0.59%, 0.6%

LAB 56.46, 55.05, -13.92

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 57 / 47 / 0 / 16

HEX #5C70D5

RGB 92 112 213

HSL 230.08, 0.59%, 0.6%

LAB 50.3, 22.25, -54.43

 

CMYK 0 / 57 / 47 / 16

HEX #D55C70

RGB 213 92 112

HSL 350.08, 0.59%, 0.6%

LAB 55.04, 49.39, 12.8

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 57 / 2 / 0 / 16

HEX #5CD1D5

RGB 92 209 213

HSL 181.98, 0.59%, 0.6%

LAB 77.69, -31.56, -11.95

 

CMYK 9 / 57 / 0 / 16

HEX #C15CD5

RGB 193 92 213

HSL 290.08, 0.59%, 0.6%

LAB 55.88, 57.95, -44.94

 

CMYK 0 / 55 / 57 / 16

HEX #D5605C

RGB 213 96 92

HSL 1.98, 0.59%, 0.6%

LAB 55.36, 45.78, 24.94

 

CMYK 48 / 0 / 57 / 16

HEX #6FD55C

RGB 111 213 92

HSL 110.58, 0.59%, 0.6%

LAB 77.13, -52.55, 49.97

 

CMYK 57 / 19 / 0 / 16

HEX #5CADD5

RGB 92 173 213

HSL 199.83, 0.59%, 0.6%

LAB 67.25, -13.32, -27.78

 

CMYK 9 / 57 / 0 / 16

HEX #C15CD5

RGB 193 92 213

HSL 290.08, 0.59%, 0.6%

LAB 55.88, 57.95, -44.94

 

CMYK 0 / 38 / 57 / 16

HEX #D5845C

RGB 213 132 92

HSL 19.83, 0.59%, 0.6%

LAB 62.86, 27.2, 34.53

 

Description

Color code: RGB 111 213 92 | qconv.com Color code: RGB 111 213 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 213 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 213 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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