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Color name
RGB 111 175 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 175 59 it is the complementary color RGB 144 80 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 175 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 175 59 shade: RGB 116 175 54, RGB 133 193 73, RGB 150 211 92, RGB 167 229 111 and RGB 184 247 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 175 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 175 59 shade: RGB 111 175 59, RGB 94 157 40, RGB 77 139 21, RGB 60 121 2 and RGB 43 103 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 175 59 shade: RGB 111 175 58, RGB 142 175 58, RGB 174 175 58, RGB 175 145 58 and RGB 175 114 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 175 59 shade: RGB 111 175 58, RGB 79 175 58, RGB 58 175 69, RGB 58 175 100 and RGB 58 175 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 175 59 shade matches the following richer shades: RGB 111 175 58, RGB 109 194 39, RGB 107 213 20 and RGB 105 232 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 175 59 shade: RGB 111 175 58, RGB 113 156 77, RGB 115 137 96, RGB 117 119 115 and RGB 119 100 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 175 59 shade: RGB 173 175 58, RGB 142 175 58, RGB 111 175 58, RGB 80 175 58 and RGB 58 175 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 175 59 shade: RGB 72 114 38, RGB 91 145 48, RGB 111 175 58, RGB 131 196 79 and RGB 153 206 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 175 59 shade: RGB 111 175 59, RGB 58 175 146 and RGB 175 58 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 175 59 shade: RGB 111 175 59, RGB 58 111 175 and RGB 175 58 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 175 59 shade: RGB 111 175 59, RGB 58 175 146, RGB 123 58 175 and RGB 175 58 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 175 59 shade: RGB 111 175 59, RGB 58 170 175, RGB 123 58 175 and RGB 175 64 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 66 / 31

HEX #6FAF3B

RGB 111 175 59

HSL 93.1, 0.5%, 0.46%

LAB 65.24, -40.08, 51.14

 

Complementary color

CMYK 27 / 59 / 0 / 23

HEX #9050C4

RGB 144 80 196

HSL 273.1, 0.5%, 0.54%

LAB 46.51, 48.03, -50.49

 

CMYK 34 / 0 / 69 / 31

HEX #74AF36

RGB 116 175 54

HSL 89.26, 0.53%, 0.45%

LAB 65.47, -38.68, 53.49

 

CMYK 31 / 0 / 62 / 24

HEX #85C149

RGB 133 193 73

HSL 90, 0.49%, 0.52%

LAB 71.97, -38.94, 52.82

 

CMYK 29 / 0 / 56 / 17

HEX #96D35C

RGB 150 211 92

HSL 90.76, 0.57%, 0.59%

LAB 78.37, -39.07, 51.88

 

CMYK 27 / 0 / 52 / 10

HEX #A7E56F

RGB 167 229 111

HSL 91.53, 0.69%, 0.67%

LAB 84.69, -39.11, 50.82

 

CMYK 26 / 0 / 47 / 3

HEX #B8F782

RGB 184 247 130

HSL 92.31, 0.88%, 0.74%

LAB 90.93, -39.11, 49.7

 

CMYK 37 / 0 / 66 / 31

HEX #6FAF3B

RGB 111 175 59

HSL 93.1, 0.5%, 0.46%

LAB 65.24, -40.08, 51.14

 

CMYK 40 / 0 / 75 / 38

HEX #5E9D28

RGB 94 157 40

HSL 92.31, 0.59%, 0.39%

LAB 58.65, -39.73, 51.54

 

CMYK 45 / 0 / 85 / 45

HEX #4D8B15

RGB 77 139 21

HSL 91.53, 0.74%, 0.31%

LAB 51.95, -39.09, 51.03

 

CMYK 50 / 0 / 98 / 53

HEX #3C7902

RGB 60 121 2

HSL 90.76, 0.97%, 0.24%

LAB 45.14, -38.08, 49.15

 

CMYK 58 / 0 / 100 / 60

HEX #2B6700

RGB 43 103 0

HSL 94.95, 1%, 0.2%

LAB 38.22, -36.35, 43.86

 

CMYK 37 / 0 / 67 / 31

HEX #6FAF3A

RGB 111 175 58

HSL 92.82, 0.5%, 0.46%

LAB 65.24, -40.17, 51.55

 

CMYK 19 / 0 / 67 / 31

HEX #8EAF3A

RGB 142 175 58

HSL 76.92, 0.5%, 0.46%

LAB 67.06, -28.34, 54.03

 

CMYK 1 / 0 / 67 / 31

HEX #AEAF3A

RGB 174 175 58

HSL 60.51, 0.5%, 0.46%

LAB 69.44, -14.93, 57.24

 

CMYK 0 / 17 / 67 / 31

HEX #AF913A

RGB 175 145 58

HSL 44.62, 0.5%, 0.46%

LAB 61.37, 1.44, 48.85

 

CMYK 0 / 35 / 67 / 31

HEX #AF723A

RGB 175 114 58

HSL 28.72, 0.5%, 0.46%

LAB 53.44, 18.71, 40.17

 

CMYK 37 / 0 / 67 / 31

HEX #6FAF3A

RGB 111 175 58

HSL 92.82, 0.5%, 0.46%

LAB 65.24, -40.17, 51.55

 

CMYK 55 / 0 / 67 / 31

HEX #4FAF3A

RGB 79 175 58

HSL 109.23, 0.5%, 0.46%

LAB 63.86, -50.24, 49.66

 

CMYK 67 / 0 / 61 / 31

HEX #3AAF45

RGB 58 175 69

HSL 125.64, 0.5%, 0.46%

LAB 63.33, -54.03, 44.06

 

CMYK 67 / 0 / 43 / 31

HEX #3AAF64

RGB 58 175 100

HSL 141.54, 0.5%, 0.46%

LAB 63.74, -49.43, 29.14

 

CMYK 67 / 0 / 25 / 31

HEX #3AAF84

RGB 58 175 132

HSL 157.95, 0.5%, 0.46%

LAB 64.34, -42.89, 12.68

 

CMYK 37 / 0 / 67 / 31

HEX #6FAF3A

RGB 111 175 58

HSL 92.82, 0.5%, 0.46%

LAB 65.24, -40.17, 51.55

 

CMYK 44 / 0 / 80 / 24

HEX #6DC227

RGB 109 194 39

HSL 92.9, 0.67%, 0.46%

LAB 70.86, -49.96, 63.76

 

CMYK 50 / 0 / 91 / 16

HEX #6BD514

RGB 107 213 20

HSL 92.95, 0.83%, 0.46%

LAB 76.54, -58.49, 72.81

 

CMYK 55 / 0 / 100 / 9

HEX #69E801

RGB 105 232 1

HSL 92.99, 0.99%, 0.46%

LAB 82.23, -66.08, 79.36

 

CMYK 37 / 0 / 67 / 31

HEX #6FAF3A

RGB 111 175 58

HSL 92.82, 0.5%, 0.46%

LAB 65.24, -40.17, 51.55

 

CMYK 28 / 0 / 51 / 39

HEX #719C4D

RGB 113 156 77

HSL 92.66, 0.34%, 0.46%

LAB 59.73, -28.83, 36.48

 

CMYK 16 / 0 / 30 / 46

HEX #738960

RGB 115 137 96

HSL 92.2, 0.18%, 0.46%

LAB 54.43, -15.76, 19.46

 

CMYK 2 / 0 / 3 / 53

HEX #757773

RGB 117 119 115

HSL 90, 0.02%, 0.46%

LAB 49.75, -1.56, 1.93

 

CMYK 11 / 25 / 0 / 47

HEX #776486

RGB 119 100 134

HSL 273.53, 0.15%, 0.46%

LAB 45.3, 14.52, -16.01

 

CMYK 1 / 0 / 67 / 31

HEX #ADAF3A

RGB 173 175 58

HSL 61.03, 0.5%, 0.46%

LAB 69.36, -15.36, 57.13

 

CMYK 19 / 0 / 67 / 31

HEX #8EAF3A

RGB 142 175 58

HSL 76.92, 0.5%, 0.46%

LAB 67.06, -28.34, 54.03

 

CMYK 37 / 0 / 67 / 31

HEX #6FAF3A

RGB 111 175 58

HSL 92.82, 0.5%, 0.46%

LAB 65.24, -40.17, 51.55

 

CMYK 54 / 0 / 67 / 31

HEX #50AF3A

RGB 80 175 58

HSL 108.72, 0.5%, 0.46%

LAB 63.89, -49.97, 49.71

 

CMYK 67 / 0 / 61 / 31

HEX #3AAF44

RGB 58 175 68

HSL 125.13, 0.5%, 0.46%

LAB 63.32, -54.15, 44.51

 

CMYK 37 / 0 / 67 / 55

HEX #487226

RGB 72 114 38

HSL 93.16, 0.5%, 0.3%

LAB 43.58, -28.6, 36.39

 

CMYK 37 / 0 / 67 / 43

HEX #5B9130

RGB 91 145 48

HSL 93.4, 0.5%, 0.38%

LAB 54.75, -34.92, 44.28

 

CMYK 37 / 0 / 67 / 31

HEX #6FAF3A

RGB 111 175 58

HSL 92.82, 0.5%, 0.46%

LAB 65.24, -40.17, 51.55

 

CMYK 33 / 0 / 60 / 23

HEX #83C44F

RGB 131 196 79

HSL 93.33, 0.5%, 0.54%

LAB 72.81, -40.43, 51.1

 

CMYK 26 / 0 / 47 / 19

HEX #99CE6E

RGB 153 206 110

HSL 93.13, 0.49%, 0.62%

LAB 77.31, -33.76, 42.12

 

CMYK 37 / 0 / 66 / 31

HEX #6FAF3B

RGB 111 175 59

HSL 93.1, 0.5%, 0.46%

LAB 65.24, -40.08, 51.14

 

CMYK 67 / 0 / 17 / 31

HEX #3AAF92

RGB 58 175 146

HSL 165.13, 0.5%, 0.46%

LAB 64.67, -39.51, 5.41

 

CMYK 0 / 67 / 10 / 31

HEX #AF3A9E

RGB 175 58 158

HSL 308.72, 0.5%, 0.46%

LAB 45.09, 58.57, -30.13

 

CMYK 37 / 0 / 66 / 31

HEX #6FAF3B

RGB 111 175 59

HSL 93.1, 0.5%, 0.46%

LAB 65.24, -40.08, 51.14

 

CMYK 67 / 37 / 0 / 31

HEX #3A6FAF

RGB 58 111 175

HSL 212.82, 0.5%, 0.46%

LAB 46.13, 3.41, -39.3

 

CMYK 0 / 67 / 37 / 31

HEX #AF3A6F

RGB 175 58 111

HSL 332.82, 0.5%, 0.46%

LAB 43.19, 52.14, -4.44

 

CMYK 37 / 0 / 66 / 31

HEX #6FAF3B

RGB 111 175 59

HSL 93.1, 0.5%, 0.46%

LAB 65.24, -40.08, 51.14

 

CMYK 67 / 0 / 17 / 31

HEX #3AAF92

RGB 58 175 146

HSL 165.13, 0.5%, 0.46%

LAB 64.67, -39.51, 5.41

 

CMYK 30 / 67 / 0 / 31

HEX #7B3AAF

RGB 123 58 175

HSL 273.33, 0.5%, 0.46%

LAB 38.43, 49.39, -51.32

 

CMYK 0 / 67 / 50 / 31

HEX #AF3A57

RGB 175 58 87

HSL 345.13, 0.5%, 0.46%

LAB 42.5, 49.68, 9.47

 

CMYK 37 / 0 / 66 / 31

HEX #6FAF3B

RGB 111 175 59

HSL 93.1, 0.5%, 0.46%

LAB 65.24, -40.08, 51.14

 

CMYK 67 / 3 / 0 / 31

HEX #3AAAAF

RGB 58 170 175

HSL 182.56, 0.5%, 0.46%

LAB 63.95, -29.22, -11.81

 

CMYK 30 / 67 / 0 / 31

HEX #7B3AAF

RGB 123 58 175

HSL 273.33, 0.5%, 0.46%

LAB 38.43, 49.39, -51.32

 

CMYK 0 / 63 / 67 / 31

HEX #AF403A

RGB 175 64 58

HSL 3.08, 0.5%, 0.46%

LAB 42.89, 44.91, 27.79

 

Description

Color code: RGB 111 175 59 | qconv.com Color code: RGB 111 175 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 175 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 175 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 66 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 66% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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