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Color name
RGB 111 164 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 164 91 it is the complementary color RGB 144 91 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 164 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 164 91 shade: RGB 116 164 86, RGB 133 182 105, RGB 150 200 124, RGB 167 218 143 and RGB 184 236 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 164 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 164 91 shade: RGB 111 164 91, RGB 94 146 72, RGB 77 128 53, RGB 60 110 34 and RGB 43 92 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 164 91 shade: RGB 110 164 90, RGB 130 164 90, RGB 150 164 90, RGB 164 158 90 and RGB 164 138 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 164 91 shade: RGB 110 164 90, RGB 90 164 90, RGB 90 164 110, RGB 90 164 130 and RGB 90 164 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 164 91 shade matches the following richer shades: RGB 110 164 90, RGB 101 185 69, RGB 92 205 49, RGB 82 226 28 and RGB 73 246 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 164 91 shade: RGB 110 164 90, RGB 120 143 111, RGB 129 123 131, RGB 138 102 152 and RGB 148 81 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 164 91 shade: RGB 150 164 90, RGB 131 164 90, RGB 111 164 90, RGB 91 164 90 and RGB 90 164 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 164 91 shade: RGB 74 111 61, RGB 92 137 75, RGB 110 164 90, RGB 134 179 117 and RGB 157 193 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 164 91 shade: RGB 111 164 91, RGB 90 164 158 and RGB 164 90 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 164 91 shade: RGB 111 164 91, RGB 90 111 164 and RGB 164 90 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 164 91 shade: RGB 111 164 91, RGB 90 164 158, RGB 143 90 164 and RGB 164 90 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 164 91 shade: RGB 111 164 91, RGB 90 148 164, RGB 143 90 164 and RGB 164 106 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 45 / 36

HEX #6FA45B

RGB 111 164 91

HSL 103.56, 0.29%, 0.5%

LAB 62.24, -31.56, 32.36

 

Complementary color

CMYK 12 / 45 / 0 / 36

HEX #905BA4

RGB 144 91 164

HSL 283.56, 0.29%, 0.5%

LAB 47.09, 34.77, -30.87

 

CMYK 29 / 0 / 48 / 36

HEX #74A456

RGB 116 164 86

HSL 96.92, 0.31%, 0.49%

LAB 62.45, -30.43, 35.27

 

CMYK 27 / 0 / 42 / 29

HEX #85B669

RGB 133 182 105

HSL 98.18, 0.35%, 0.56%

LAB 69.08, -30.33, 34.05

 

CMYK 25 / 0 / 38 / 22

HEX #96C87C

RGB 150 200 124

HSL 99.47, 0.41%, 0.64%

LAB 75.61, -30.2, 32.86

 

CMYK 23 / 0 / 34 / 15

HEX #A7DA8F

RGB 167 218 143

HSL 100.8, 0.5%, 0.71%

LAB 82.02, -30.05, 31.73

 

CMYK 22 / 0 / 31 / 7

HEX #B8ECA2

RGB 184 236 162

HSL 102.16, 0.66%, 0.78%

LAB 88.35, -29.9, 30.64

 

CMYK 32 / 0 / 45 / 36

HEX #6FA45B

RGB 111 164 91

HSL 103.56, 0.29%, 0.5%

LAB 62.24, -31.56, 32.36

 

CMYK 36 / 0 / 51 / 43

HEX #5E9248

RGB 94 146 72

HSL 102.16, 0.34%, 0.43%

LAB 55.49, -31.69, 33.62

 

CMYK 40 / 0 / 59 / 50

HEX #4D8035

RGB 77 128 53

HSL 100.8, 0.41%, 0.35%

LAB 48.6, -31.72, 34.85

 

CMYK 45 / 0 / 69 / 57

HEX #3C6E22

RGB 60 110 34

HSL 99.47, 0.53%, 0.28%

LAB 41.58, -31.56, 35.88

 

CMYK 53 / 0 / 84 / 64

HEX #2B5C0F

RGB 43 92 15

HSL 98.18, 0.72%, 0.21%

LAB 34.4, -31.03, 36.17

 

CMYK 33 / 0 / 45 / 36

HEX #6EA45A

RGB 110 164 90

HSL 103.78, 0.29%, 0.5%

LAB 62.17, -32.05, 32.78

 

CMYK 21 / 0 / 45 / 36

HEX #82A45A

RGB 130 164 90

HSL 87.57, 0.29%, 0.5%

LAB 63.37, -24.66, 34.54

 

CMYK 9 / 0 / 45 / 36

HEX #96A45A

RGB 150 164 90

HSL 71.35, 0.29%, 0.5%

LAB 64.78, -16.7, 36.61

 

CMYK 0 / 4 / 45 / 36

HEX #A49E5A

RGB 164 158 90

HSL 55.14, 0.29%, 0.5%

LAB 64.23, -7.74, 36.17

 

CMYK 0 / 16 / 45 / 36

HEX #A48A5A

RGB 164 138 90

HSL 38.92, 0.29%, 0.5%

LAB 58.8, 3.19, 29.32

 

CMYK 33 / 0 / 45 / 36

HEX #6EA45A

RGB 110 164 90

HSL 103.78, 0.29%, 0.5%

LAB 62.17, -32.05, 32.78

 

CMYK 45 / 0 / 45 / 36

HEX #5AA45A

RGB 90 164 90

HSL 120, 0.29%, 0.5%

LAB 61.19, -38.63, 31.33

 

CMYK 45 / 0 / 33 / 36

HEX #5AA46E

RGB 90 164 110

HSL 136.22, 0.29%, 0.5%

LAB 61.52, -35.25, 21.04

 

CMYK 45 / 0 / 21 / 36

HEX #5AA482

RGB 90 164 130

HSL 152.43, 0.29%, 0.5%

LAB 61.94, -31.21, 10.56

 

CMYK 45 / 0 / 9 / 36

HEX #5AA496

RGB 90 164 150

HSL 168.65, 0.29%, 0.5%

LAB 62.45, -26.56, 0.08

 

CMYK 33 / 0 / 45 / 36

HEX #6EA45A

RGB 110 164 90

HSL 103.78, 0.29%, 0.5%

LAB 62.17, -32.05, 32.78

 

CMYK 45 / 0 / 63 / 27

HEX #65B945

RGB 101 185 69

HSL 103.45, 0.46%, 0.5%

LAB 67.94, -46.72, 49.67

 

CMYK 55 / 0 / 76 / 20

HEX #5CCD31

RGB 92 205 49

HSL 103.46, 0.61%, 0.5%

LAB 73.65, -58.55, 63.14

 

CMYK 64 / 0 / 88 / 11

HEX #52E21C

RGB 82 226 28

HSL 103.64, 0.78%, 0.5%

LAB 79.77, -69.04, 73.89

 

CMYK 70 / 0 / 97 / 4

HEX #49F608

RGB 73 246 8

HSL 103.61, 0.94%, 0.5%

LAB 85.68, -77.35, 81.2

 

CMYK 33 / 0 / 45 / 36

HEX #6EA45A

RGB 110 164 90

HSL 103.78, 0.29%, 0.5%

LAB 62.17, -32.05, 32.78

 

CMYK 16 / 0 / 22 / 44

HEX #788F6F

RGB 120 143 111

HSL 103.13, 0.13%, 0.5%

LAB 56.87, -14.53, 14.37

 

CMYK 2 / 6 / 0 / 49

HEX #817B83

RGB 129 123 131

HSL 285, 0.03%, 0.5%

LAB 52.37, 3.86, -3.54

 

CMYK 9 / 33 / 0 / 40

HEX #8A6698

RGB 138 102 152

HSL 283.2, 0.2%, 0.5%

LAB 48.48, 23.87, -21.69

 

CMYK 14 / 53 / 0 / 32

HEX #9451AD

RGB 148 81 173

HSL 283.7, 0.36%, 0.5%

LAB 45.9, 43.38, -38.01

 

CMYK 9 / 0 / 45 / 36

HEX #96A45A

RGB 150 164 90

HSL 71.35, 0.29%, 0.5%

LAB 64.78, -16.7, 36.61

 

CMYK 20 / 0 / 45 / 36

HEX #83A45A

RGB 131 164 90

HSL 86.76, 0.29%, 0.5%

LAB 63.44, -24.28, 34.64

 

CMYK 32 / 0 / 45 / 36

HEX #6FA45A

RGB 111 164 90

HSL 102.97, 0.29%, 0.5%

LAB 62.23, -31.7, 32.86

 

CMYK 45 / 0 / 45 / 36

HEX #5BA45A

RGB 91 164 90

HSL 119.19, 0.29%, 0.5%

LAB 61.23, -38.33, 31.39

 

CMYK 45 / 0 / 34 / 36

HEX #5AA46D

RGB 90 164 109

HSL 135.41, 0.29%, 0.5%

LAB 61.51, -35.44, 21.56

 

CMYK 33 / 0 / 45 / 56

HEX #4A6F3D

RGB 74 111 61

HSL 104.4, 0.29%, 0.34%

LAB 43.01, -23.52, 23.72

 

CMYK 33 / 0 / 45 / 46

HEX #5C894B

RGB 92 137 75

HSL 103.55, 0.29%, 0.42%

LAB 52.59, -27.7, 28.4

 

CMYK 33 / 0 / 45 / 36

HEX #6EA45A

RGB 110 164 90

HSL 103.78, 0.29%, 0.5%

LAB 62.17, -32.05, 32.78

 

CMYK 25 / 0 / 35 / 30

HEX #86B375

RGB 134 179 117

HSL 103.55, 0.29%, 0.58%

LAB 68.46, -26.8, 26.95

 

CMYK 19 / 0 / 26 / 24

HEX #9DC18F

RGB 157 193 143

HSL 103.2, 0.29%, 0.66%

LAB 74.38, -21.43, 21.32

 

CMYK 32 / 0 / 45 / 36

HEX #6FA45B

RGB 111 164 91

HSL 103.56, 0.29%, 0.5%

LAB 62.24, -31.56, 32.36

 

CMYK 45 / 0 / 4 / 36

HEX #5AA49E

RGB 90 164 158

HSL 175.14, 0.29%, 0.5%

LAB 62.67, -24.55, -4.08

 

CMYK 0 / 45 / 14 / 36

HEX #A45A8D

RGB 164 90 141

HSL 318.65, 0.29%, 0.5%

LAB 48.42, 37.36, -14.97

 

CMYK 32 / 0 / 45 / 36

HEX #6FA45B

RGB 111 164 91

HSL 103.56, 0.29%, 0.5%

LAB 62.24, -31.56, 32.36

 

CMYK 45 / 32 / 0 / 36

HEX #5A6FA4

RGB 90 111 164

HSL 222.97, 0.29%, 0.5%

LAB 47.27, 6.8, -30.96

 

CMYK 0 / 45 / 32 / 36

HEX #A45A6F

RGB 164 90 111

HSL 342.97, 0.29%, 0.5%

LAB 47.43, 32.81, 1.58

 

CMYK 32 / 0 / 45 / 36

HEX #6FA45B

RGB 111 164 91

HSL 103.56, 0.29%, 0.5%

LAB 62.24, -31.56, 32.36

 

CMYK 45 / 0 / 4 / 36

HEX #5AA49E

RGB 90 164 158

HSL 175.14, 0.29%, 0.5%

LAB 62.67, -24.55, -4.08

 

CMYK 13 / 45 / 0 / 36

HEX #8F5AA4

RGB 143 90 164

HSL 282.97, 0.29%, 0.5%

LAB 46.75, 35.03, -31.41

 

CMYK 0 / 45 / 41 / 36

HEX #A45A60

RGB 164 90 96

HSL 355.14, 0.29%, 0.5%

LAB 47.04, 30.92, 10.07

 

CMYK 32 / 0 / 45 / 36

HEX #6FA45B

RGB 111 164 91

HSL 103.56, 0.29%, 0.5%

LAB 62.24, -31.56, 32.36

 

CMYK 45 / 10 / 0 / 36

HEX #5A94A4

RGB 90 148 164

HSL 192.97, 0.29%, 0.5%

LAB 58.07, -14.58, -14.35

 

CMYK 13 / 45 / 0 / 36

HEX #8F5AA4

RGB 143 90 164

HSL 282.97, 0.29%, 0.5%

LAB 46.75, 35.03, -31.41

 

CMYK 0 / 35 / 45 / 36

HEX #A46A5A

RGB 164 106 90

HSL 12.97, 0.29%, 0.5%

LAB 50.62, 21.29, 18.56

 

Description

Color code: RGB 111 164 91 | qconv.com Color code: RGB 111 164 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 164 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 164 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 45 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 45% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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