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Color name
RGB 111 142 220

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 142 220 it is the complementary color RGB 144 113 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 142 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 142 220 shade: RGB 116 142 215, RGB 133 160 234, RGB 150 178 253, RGB 167 196 255 and RGB 184 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 142 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 94 124 201, RGB 77 106 182, RGB 60 88 163 and RGB 43 70 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 111 112 220, RGB 139 111 220, RGB 168 111 220 and RGB 197 111 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 111 112 220 and RGB 111 111 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 142 220 shade matches the following richer shades: RGB 111 142 220, RGB 96 136 234 and RGB 82 129 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 125 148 205, RGB 140 154 191, RGB 154 160 176 and RGB 169 167 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 142 220 shade: RGB 111 202 220, RGB 111 173 220, RGB 111 143 220, RGB 111 114 220 and RGB 136 111 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 142 220 shade: RGB 48 91 200, RGB 78 116 212, RGB 111 142 220, RGB 144 168 228 and RGB 177 194 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 209 111 220 and RGB 187 220 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 220 111 143 and RGB 143 220 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 209 111 220, RGB 220 187 111 and RGB 122 220 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 142 220 shade: RGB 111 142 220, RGB 220 111 198, RGB 220 187 111 and RGB 111 220 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

Complementary color

CMYK 0 / 22 / 76 / 44

HEX #907123

RGB 144 113 35

HSL 42.94, 0.61%, 0.35%

LAB 49.33, 4, 45.57

 

CMYK 46 / 34 / 0 / 16

HEX #748ED7

RGB 116 142 215

HSL 224.24, 0.55%, 0.65%

LAB 59.86, 10.18, -40.29

 

CMYK 43 / 32 / 0 / 8

HEX #85A0EA

RGB 133 160 234

HSL 223.96, 0.71%, 0.72%

LAB 66.57, 9.48, -40.22

 

CMYK 41 / 30 / 0 / 1

HEX #96B2FD

RGB 150 178 253

HSL 223.69, 0.96%, 0.79%

LAB 73.17, 8.88, -40.19

 

CMYK 35 / 23 / 0 / 0

HEX #A7C4FF

RGB 167 196 255

HSL 220.23, 1%, 0.83%

LAB 78.99, 3.96, -32.15

 

CMYK 28 / 16 / 0 / 0

HEX #B8D6FF

RGB 184 214 255

HSL 214.65, 1%, 0.86%

LAB 84.74, -0.92, -23.26

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 53 / 38 / 0 / 21

HEX #5E7CC9

RGB 94 124 201

HSL 223.18, 0.5%, 0.58%

LAB 52.96, 11.44, -43.35

 

CMYK 58 / 42 / 0 / 29

HEX #4D6AB6

RGB 77 106 182

HSL 223.43, 0.42%, 0.51%

LAB 45.99, 12.6, -43.54

 

CMYK 63 / 46 / 0 / 36

HEX #3C58A3

RGB 60 88 163

HSL 223.69, 0.46%, 0.44%

LAB 38.87, 14.07, -43.77

 

CMYK 70 / 51 / 0 / 44

HEX #2B4690

RGB 43 70 144

HSL 223.96, 0.54%, 0.37%

LAB 31.6, 15.96, -44.03

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 50 / 49 / 0 / 14

HEX #6F70DC

RGB 111 112 220

HSL 239.45, 0.61%, 0.65%

LAB 51.99, 28.44, -55.61

 

CMYK 37 / 50 / 0 / 14

HEX #8B6FDC

RGB 139 111 220

HSL 255.41, 0.61%, 0.65%

LAB 54.05, 35.62, -52.18

 

CMYK 24 / 50 / 0 / 14

HEX #A86FDC

RGB 168 111 220

HSL 271.38, 0.61%, 0.65%

LAB 56.94, 43.14, -47.41

 

CMYK 10 / 50 / 0 / 14

HEX #C56FDC

RGB 197 111 220

HSL 287.34, 0.61%, 0.65%

LAB 60.25, 51.03, -41.96

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 50 / 49 / 0 / 14

HEX #6F70DC

RGB 111 112 220

HSL 239.45, 0.61%, 0.65%

LAB 51.99, 28.44, -55.61

 

CMYK 50 / 50 / 0 / 14

HEX #6F6FDC

RGB 111 111 220

HSL 240, 0.61%, 0.65%

LAB 51.74, 29.04, -56.01

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 59 / 42 / 0 / 8

HEX #6088EA

RGB 96 136 234

HSL 222.61, 0.77%, 0.65%

LAB 58.07, 15.31, -53.78

 

CMYK 67 / 48 / 0 / 2

HEX #5281F9

RGB 82 129 249

HSL 223.11, 0.93%, 0.65%

LAB 56.42, 22.22, -64.78

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 39 / 28 / 0 / 20

HEX #7D94CD

RGB 125 148 205

HSL 222.75, 0.44%, 0.65%

LAB 61.61, 6.16, -31.92

 

CMYK 27 / 19 / 0 / 25

HEX #8C9ABF

RGB 140 154 191

HSL 223.53, 0.28%, 0.65%

LAB 63.71, 3.43, -20.76

 

CMYK 13 / 9 / 0 / 31

HEX #9AA0B0

RGB 154 160 176

HSL 223.64, 0.12%, 0.65%

LAB 65.86, 1.15, -9.02

 

CMYK 0 / 1 / 4 / 34

HEX #A9A7A2

RGB 169 167 162

HSL 42.86, 0.04%, 0.65%

LAB 68.52, -0.21, 2.83

 

CMYK 50 / 8 / 0 / 14

HEX #6FCADC

RGB 111 202 220

HSL 189.91, 0.61%, 0.65%

LAB 76.55, -22.38, -17.35

 

CMYK 50 / 21 / 0 / 14

HEX #6FADDC

RGB 111 173 220

HSL 205.87, 0.61%, 0.65%

LAB 68.34, -7.15, -29.88

 

CMYK 50 / 35 / 0 / 14

HEX #6F8FDC

RGB 111 143 220

HSL 222.39, 0.61%, 0.65%

LAB 60.06, 9.9, -42.78

 

CMYK 50 / 48 / 0 / 14

HEX #6F72DC

RGB 111 114 220

HSL 238.35, 0.61%, 0.65%

LAB 52.49, 27.24, -54.81

 

CMYK 38 / 50 / 0 / 14

HEX #886FDC

RGB 136 111 220

HSL 253.76, 0.61%, 0.65%

LAB 53.78, 34.87, -52.62

 

CMYK 76 / 55 / 0 / 22

HEX #305BC8

RGB 48 91 200

HSL 223.03, 0.61%, 0.49%

LAB 41.66, 23.97, -61.02

 

CMYK 63 / 45 / 0 / 17

HEX #4E74D4

RGB 78 116 212

HSL 222.99, 0.61%, 0.57%

LAB 50.53, 16.81, -53.53

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 37 / 26 / 0 / 11

HEX #90A8E4

RGB 144 168 228

HSL 222.86, 0.61%, 0.73%

LAB 69.14, 6.18, -32.89

 

CMYK 25 / 18 / 0 / 7

HEX #B1C2EC

RGB 177 194 236

HSL 222.71, 0.61%, 0.81%

LAB 78.45, 3.28, -22.74

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 5 / 50 / 0 / 14

HEX #D16FDC

RGB 209 111 220

HSL 293.94, 0.61%, 0.65%

LAB 61.73, 54.34, -39.53

 

CMYK 15 / 0 / 50 / 14

HEX #BBDC6F

RGB 187 220 111

HSL 78.17, 0.61%, 0.65%

LAB 83.39, -27.6, 49.55

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 0 / 50 / 35 / 14

HEX #DC6F8F

RGB 220 111 143

HSL 342.39, 0.61%, 0.65%

LAB 60.4, 45.88, 2.48

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6F

RGB 143 220 111

HSL 102.39, 0.61%, 0.65%

LAB 80.84, -43.36, 45.86

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 5 / 50 / 0 / 14

HEX #D16FDC

RGB 209 111 220

HSL 293.94, 0.61%, 0.65%

LAB 61.73, 54.34, -39.53

 

CMYK 0 / 15 / 50 / 14

HEX #DCBB6F

RGB 220 187 111

HSL 41.83, 0.61%, 0.65%

LAB 77.22, 2.22, 42.64

 

CMYK 45 / 0 / 50 / 14

HEX #7ADC6F

RGB 122 220 111

HSL 113.94, 0.61%, 0.65%

LAB 79.88, -49.89, 44.47

 

CMYK 50 / 35 / 0 / 14

HEX #6F8EDC

RGB 111 142 220

HSL 222.94, 0.61%, 0.65%

LAB 59.79, 10.49, -43.21

 

CMYK 0 / 50 / 10 / 14

HEX #DC6FC6

RGB 220 111 198

HSL 312.11, 0.61%, 0.65%

LAB 62.22, 53.67, -26.28

 

CMYK 0 / 15 / 50 / 14

HEX #DCBB6F

RGB 220 187 111

HSL 41.83, 0.61%, 0.65%

LAB 77.22, 2.22, 42.64

 

CMYK 50 / 0 / 40 / 14

HEX #6FDC85

RGB 111 220 133

HSL 132.11, 0.61%, 0.65%

LAB 79.76, -49.72, 33.35

 

Description

Color code: RGB 111 142 220 | qconv.com Color code: RGB 111 142 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 142 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 142 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 35 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 35% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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