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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 138 43 it is the complementary color RGB 144 117 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 138 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 138 43 shade: RGB 116 138 38, RGB 133 156 57, RGB 150 174 76, RGB 167 192 95 and RGB 184 210 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 138 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 138 43 shade: RGB 111 138 43, RGB 94 120 24, RGB 77 102 5, RGB 60 84 0 and RGB 43 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 138 43 shade: RGB 109 135 42, RGB 134 135 42, RGB 135 111 42, RGB 135 86 42 and RGB 135 61 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 138 43 shade: RGB 109 135 42, RGB 84 135 42, RGB 59 135 42, RGB 42 135 51 and RGB 42 135 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 138 43 shade matches the following richer shades: RGB 109 135 42, RGB 115 150 28 and RGB 121 164 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 138 43 shade: RGB 109 135 42, RGB 103 121 57, RGB 96 106 71, RGB 90 92 86 and RGB 84 77 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 138 43 shade: RGB 135 112 42, RGB 134 135 42, RGB 109 135 42, RGB 84 135 42 and RGB 59 135 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 138 43 shade: RGB 58 72 23, RGB 84 104 32, RGB 109 135 42, RGB 134 167 52 and RGB 158 195 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 138 43 shade: RGB 111 138 43, RGB 42 135 87 and RGB 124 42 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 138 43 shade: RGB 111 138 43, RGB 42 109 135 and RGB 135 42 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 138 43 shade: RGB 111 138 43, RGB 42 135 87, RGB 69 42 135 and RGB 135 42 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 138 43 shade: RGB 111 138 43, RGB 42 135 115, RGB 69 42 135 and RGB 135 42 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 69 / 46

HEX #6F8A2B

RGB 111 138 43

HSL 77.05, 0.52%, 0.35%

LAB 53.74, -24.07, 45.72

 

Complementary color

CMYK 32 / 45 / 0 / 17

HEX #9075D4

RGB 144 117 212

HSL 257.05, 0.52%, 0.65%

LAB 55.49, 31.34, -45.35

 

CMYK 16 / 0 / 72 / 46

HEX #748A26

RGB 116 138 38

HSL 73.2, 0.57%, 0.35%

LAB 54.06, -22.26, 48.19

 

CMYK 15 / 0 / 63 / 39

HEX #859C39

RGB 133 156 57

HSL 73.94, 0.46%, 0.42%

LAB 60.83, -22.8, 47.66

 

CMYK 14 / 0 / 56 / 32

HEX #96AE4C

RGB 150 174 76

HSL 74.69, 0.39%, 0.49%

LAB 67.49, -23.17, 46.73

 

CMYK 13 / 0 / 51 / 25

HEX #A7C05F

RGB 167 192 95

HSL 75.46, 0.43%, 0.56%

LAB 74.02, -23.44, 45.64

 

CMYK 12 / 0 / 46 / 18

HEX #B8D272

RGB 184 210 114

HSL 76.25, 0.52%, 0.64%

LAB 80.46, -23.63, 44.5

 

CMYK 20 / 0 / 69 / 46

HEX #6F8A2B

RGB 111 138 43

HSL 77.05, 0.52%, 0.35%

LAB 53.74, -24.07, 45.72

 

CMYK 22 / 0 / 80 / 53

HEX #5E7818

RGB 94 120 24

HSL 76.25, 0.67%, 0.28%

LAB 46.81, -23.47, 45.8

 

CMYK 25 / 0 / 95 / 60

HEX #4D6605

RGB 77 102 5

HSL 75.46, 0.91%, 0.21%

LAB 39.73, -22.59, 44.48

 

CMYK 29 / 0 / 100 / 67

HEX #3C5400

RGB 60 84 0

HSL 77.14, 1%, 0.16%

LAB 32.48, -21.21, 39.79

 

CMYK 35 / 0 / 100 / 74

HEX #2B4200

RGB 43 66 0

HSL 80.91, 1%, 0.13%

LAB 24.98, -19.62, 33.12

 

CMYK 19 / 0 / 69 / 47

HEX #6D872A

RGB 109 135 42

HSL 76.77, 0.53%, 0.35%

LAB 52.67, -23.48, 44.99

 

CMYK 1 / 0 / 69 / 47

HEX #86872A

RGB 134 135 42

HSL 60.65, 0.53%, 0.35%

LAB 54.62, -12.49, 47.61

 

CMYK 0 / 18 / 69 / 47

HEX #876F2A

RGB 135 111 42

HSL 44.52, 0.53%, 0.35%

LAB 47.86, 1.34, 40.64

 

CMYK 0 / 36 / 69 / 47

HEX #87562A

RGB 135 86 42

HSL 28.39, 0.53%, 0.35%

LAB 41.17, 15.96, 33.35

 

CMYK 0 / 55 / 69 / 47

HEX #873D2A

RGB 135 61 42

HSL 12.26, 0.53%, 0.35%

LAB 35.31, 30.2, 26.59

 

CMYK 19 / 0 / 69 / 47

HEX #6D872A

RGB 109 135 42

HSL 76.77, 0.53%, 0.35%

LAB 52.67, -23.48, 44.99

 

CMYK 38 / 0 / 69 / 47

HEX #54872A

RGB 84 135 42

HSL 92.9, 0.53%, 0.35%

LAB 51.13, -33.47, 42.9

 

CMYK 56 / 0 / 69 / 47

HEX #3B872A

RGB 59 135 42

HSL 109.03, 0.53%, 0.35%

LAB 50.01, -41.7, 41.37

 

CMYK 69 / 0 / 62 / 47

HEX #2A8733

RGB 42 135 51

HSL 125.81, 0.53%, 0.35%

LAB 49.57, -44.89, 36.61

 

CMYK 69 / 0 / 44 / 47

HEX #2A874C

RGB 42 135 76

HSL 141.94, 0.53%, 0.35%

LAB 49.91, -40.99, 24

 

CMYK 19 / 0 / 69 / 47

HEX #6D872A

RGB 109 135 42

HSL 76.77, 0.53%, 0.35%

LAB 52.67, -23.48, 44.99

 

CMYK 23 / 0 / 81 / 41

HEX #73961C

RGB 115 150 28

HSL 77.21, 0.69%, 0.35%

LAB 57.6, -29.12, 54.94

 

CMYK 26 / 0 / 92 / 36

HEX #79A40D

RGB 121 164 13

HSL 77.09, 0.85%, 0.35%

LAB 62.21, -33.71, 62.39

 

CMYK 19 / 0 / 69 / 47

HEX #6D872A

RGB 109 135 42

HSL 76.77, 0.53%, 0.35%

LAB 52.67, -23.48, 44.99

 

CMYK 15 / 0 / 53 / 53

HEX #677939

RGB 103 121 57

HSL 76.88, 0.36%, 0.35%

LAB 48.08, -17.46, 32.59

 

CMYK 9 / 0 / 33 / 58

HEX #606A47

RGB 96 106 71

HSL 77.14, 0.2%, 0.35%

LAB 43.14, -10.39, 18.43

 

CMYK 2 / 0 / 7 / 64

HEX #5A5C56

RGB 90 92 86

HSL 80, 0.03%, 0.35%

LAB 38.72, -2.04, 3.17

 

CMYK 16 / 23 / 0 / 61

HEX #544D64

RGB 84 77 100

HSL 258.26, 0.13%, 0.35%

LAB 34.22, 8.11, -12.33

 

CMYK 0 / 17 / 69 / 47

HEX #87702A

RGB 135 112 42

HSL 45.16, 0.53%, 0.35%

LAB 48.14, 0.77, 40.93

 

CMYK 1 / 0 / 69 / 47

HEX #86872A

RGB 134 135 42

HSL 60.65, 0.53%, 0.35%

LAB 54.62, -12.49, 47.61

 

CMYK 19 / 0 / 69 / 47

HEX #6D872A

RGB 109 135 42

HSL 76.77, 0.53%, 0.35%

LAB 52.67, -23.48, 44.99

 

CMYK 38 / 0 / 69 / 47

HEX #54872A

RGB 84 135 42

HSL 92.9, 0.53%, 0.35%

LAB 51.13, -33.47, 42.9

 

CMYK 56 / 0 / 69 / 47

HEX #3B872A

RGB 59 135 42

HSL 109.03, 0.53%, 0.35%

LAB 50.01, -41.7, 41.37

 

CMYK 19 / 0 / 68 / 72

HEX #3A4817

RGB 58 72 23

HSL 77.14, 0.52%, 0.19%

LAB 28.37, -14.24, 26.82

 

CMYK 19 / 0 / 69 / 59

HEX #546820

RGB 84 104 32

HSL 76.67, 0.53%, 0.27%

LAB 41.04, -19.09, 36.66

 

CMYK 19 / 0 / 69 / 47

HEX #6D872A

RGB 109 135 42

HSL 76.77, 0.53%, 0.35%

LAB 52.67, -23.48, 44.99

 

CMYK 20 / 0 / 69 / 35

HEX #86A734

RGB 134 167 52

HSL 77.22, 0.53%, 0.43%

LAB 64.12, -28.15, 53.24

 

CMYK 19 / 0 / 67 / 24

HEX #9EC341

RGB 158 195 65

HSL 77.08, 0.52%, 0.51%

LAB 73.99, -30.96, 58.76

 

CMYK 20 / 0 / 69 / 46

HEX #6F8A2B

RGB 111 138 43

HSL 77.05, 0.52%, 0.35%

LAB 53.74, -24.07, 45.72

 

CMYK 69 / 0 / 36 / 47

HEX #2A8757

RGB 42 135 87

HSL 149.03, 0.53%, 0.35%

LAB 50.11, -38.8, 18.11

 

CMYK 8 / 69 / 0 / 47

HEX #7C2A87

RGB 124 42 135

HSL 292.9, 0.53%, 0.35%

LAB 33.33, 48.34, -35.25

 

CMYK 20 / 0 / 69 / 46

HEX #6F8A2B

RGB 111 138 43

HSL 77.05, 0.52%, 0.35%

LAB 53.74, -24.07, 45.72

 

CMYK 69 / 19 / 0 / 47

HEX #2A6D87

RGB 42 109 135

HSL 196.77, 0.53%, 0.35%

LAB 43.03, -12.29, -20.52

 

CMYK 0 / 69 / 19 / 47

HEX #872A6D

RGB 135 42 109

HSL 316.77, 0.53%, 0.35%

LAB 33.8, 46.75, -18.07

 

CMYK 20 / 0 / 69 / 46

HEX #6F8A2B

RGB 111 138 43

HSL 77.05, 0.52%, 0.35%

LAB 53.74, -24.07, 45.72

 

CMYK 69 / 0 / 36 / 47

HEX #2A8757

RGB 42 135 87

HSL 149.03, 0.53%, 0.35%

LAB 50.11, -38.8, 18.11

 

CMYK 49 / 69 / 0 / 47

HEX #452A87

RGB 69 42 135

HSL 257.42, 0.53%, 0.35%

LAB 25.77, 35.87, -47.81

 

CMYK 0 / 69 / 33 / 47

HEX #872A5A

RGB 135 42 90

HSL 329.03, 0.53%, 0.35%

LAB 33.02, 44.1, -7.09

 

CMYK 20 / 0 / 69 / 46

HEX #6F8A2B

RGB 111 138 43

HSL 77.05, 0.52%, 0.35%

LAB 53.74, -24.07, 45.72

 

CMYK 69 / 0 / 15 / 47

HEX #2A8773

RGB 42 135 115

HSL 167.1, 0.53%, 0.35%

LAB 50.75, -32.03, 2.89

 

CMYK 49 / 69 / 0 / 47

HEX #452A87

RGB 69 42 135

HSL 257.42, 0.53%, 0.35%

LAB 25.77, 35.87, -47.81

 

CMYK 0 / 69 / 54 / 47

HEX #872A3E

RGB 135 42 62

HSL 347.1, 0.53%, 0.35%

LAB 32.16, 41.08, 9.9

 

Description

Color code: RGB 111 138 43 | qconv.com Color code: RGB 111 138 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 138 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 138 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 69 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 69% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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