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Color name
RGB 111 111 178

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 111 178 it is the complementary color RGB 144 144 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 111 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 111 178 shade: RGB 116 111 173, RGB 133 129 192, RGB 150 147 211, RGB 167 165 230 and RGB 184 183 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 111 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 111 178 shade: RGB 111 111 178, RGB 94 93 159, RGB 77 75 140, RGB 60 57 121 and RGB 43 39 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 111 178 shade: RGB 112 112 178, RGB 130 112 178, RGB 147 112 178, RGB 165 112 178 and RGB 178 112 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 111 178 shade: RGB 112 112 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 111 178 shade matches the following richer shades: RGB 112 112 178, RGB 94 94 195, RGB 76 76 213, RGB 59 59 231 and RGB 41 41 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 111 178 shade: RGB 112 112 178, RGB 130 130 160, RGB 147 147 142, RGB 165 165 125 and RGB 183 183 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 111 178 shade: RGB 112 147 178, RGB 112 129 178, RGB 112 112 178, RGB 129 112 178 and RGB 147 112 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 111 178 shade: RGB 72 72 135, RGB 87 87 162, RGB 112 112 178, RGB 139 139 192 and RGB 166 166 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 111 178 shade: RGB 111 111 178, RGB 178 112 165 and RGB 138 178 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 111 178 shade: RGB 111 111 178, RGB 178 112 112 and RGB 112 178 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 111 178 shade: RGB 111 111 178, RGB 178 112 165, RGB 178 178 112 and RGB 112 178 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 111 178 shade: RGB 111 111 178, RGB 178 112 145, RGB 178 178 112 and RGB 112 178 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 38 / 0 / 30

HEX #6F6FB2

RGB 111 111 178

HSL 240, 0.3%, 0.57%

LAB 49.45, 16.64, -35.6

 

Complementary color

CMYK 0 / 0 / 47 / 44

HEX #90904D

RGB 144 144 77

HSL 60, 0.3%, 0.43%

LAB 58.43, -10.06, 35.41

 

CMYK 33 / 36 / 0 / 32

HEX #746FAD

RGB 116 111 173

HSL 244.84, 0.27%, 0.56%

LAB 49.62, 16.68, -32.4

 

CMYK 31 / 33 / 0 / 25

HEX #8581C0

RGB 133 129 192

HSL 243.81, 0.33%, 0.63%

LAB 56.58, 16, -32.36

 

CMYK 29 / 30 / 0 / 17

HEX #9693D3

RGB 150 147 211

HSL 242.81, 0.42%, 0.7%

LAB 63.39, 15.4, -32.37

 

CMYK 27 / 28 / 0 / 10

HEX #A7A5E6

RGB 167 165 230

HSL 241.85, 0.57%, 0.77%

LAB 70.06, 14.87, -32.42

 

CMYK 26 / 27 / 0 / 2

HEX #B8B7F9

RGB 184 183 249

HSL 240.91, 0.85%, 0.85%

LAB 76.62, 14.39, -32.5

 

CMYK 38 / 38 / 0 / 30

HEX #6F6FB2

RGB 111 111 178

HSL 240, 0.3%, 0.57%

LAB 49.45, 16.64, -35.6

 

CMYK 41 / 42 / 0 / 38

HEX #5E5D9F

RGB 94 93 159

HSL 240.91, 0.26%, 0.49%

LAB 42.33, 17.52, -35.75

 

CMYK 45 / 46 / 0 / 45

HEX #4D4B8C

RGB 77 75 140

HSL 241.85, 0.3%, 0.42%

LAB 35.01, 18.59, -35.99

 

CMYK 50 / 53 / 0 / 53

HEX #3C3979

RGB 60 57 121

HSL 242.81, 0.36%, 0.35%

LAB 27.48, 19.91, -36.3

 

CMYK 58 / 62 / 0 / 60

HEX #2B2766

RGB 43 39 102

HSL 243.81, 0.45%, 0.28%

LAB 19.74, 21.6, -36.66

 

CMYK 37 / 37 / 0 / 30

HEX #7070B2

RGB 112 112 178

HSL 240, 0.3%, 0.57%

LAB 49.79, 16.31, -35.05

 

CMYK 27 / 37 / 0 / 30

HEX #8270B2

RGB 130 112 178

HSL 256.36, 0.3%, 0.57%

LAB 51.32, 21.56, -32.55

 

CMYK 17 / 37 / 0 / 30

HEX #9370B2

RGB 147 112 178

HSL 271.82, 0.3%, 0.57%

LAB 52.96, 26.78, -29.88

 

CMYK 7 / 37 / 0 / 30

HEX #A570B2

RGB 165 112 178

HSL 288.18, 0.3%, 0.57%

LAB 54.87, 32.48, -26.76

 

CMYK 0 / 37 / 3 / 30

HEX #B270AD

RGB 178 112 173

HSL 304.55, 0.3%, 0.57%

LAB 56.16, 35.71, -21.77

 

CMYK 37 / 37 / 0 / 30

HEX #7070B2

RGB 112 112 178

HSL 240, 0.3%, 0.57%

LAB 49.79, 16.31, -35.05

 

CMYK 37 / 37 / 0 / 30

HEX #7070B2

RGB 112 112 178

HSL 240, 0.3%, 0.57%

LAB 49.79, 16.31, -35.05

 

CMYK 52 / 52 / 0 / 24

HEX #5E5EC3

RGB 94 94 195

HSL 240, 0.46%, 0.57%

LAB 44.7, 27.99, -53.09

 

CMYK 64 / 64 / 0 / 16

HEX #4C4CD5

RGB 76 76 213

HSL 240, 0.62%, 0.57%

LAB 40.43, 41.64, -70.46

 

CMYK 74 / 74 / 0 / 9

HEX #3B3BE7

RGB 59 59 231

HSL 240, 0.78%, 0.57%

LAB 37.53, 55.28, -85.55

 

CMYK 84 / 84 / 0 / 2

HEX #2929F9

RGB 41 41 249

HSL 240, 0.95%, 0.57%

LAB 35.78, 68.15, -98.65

 

CMYK 37 / 37 / 0 / 30

HEX #7070B2

RGB 112 112 178

HSL 240, 0.3%, 0.57%

LAB 49.79, 16.31, -35.05

 

CMYK 19 / 19 / 0 / 37

HEX #8282A0

RGB 130 130 160

HSL 240, 0.14%, 0.57%

LAB 55.33, 6.52, -15.96

 

CMYK 0 / 0 / 3 / 42

HEX #93938E

RGB 147 147 142

HSL 60, 0.02%, 0.57%

LAB 60.8, -0.95, 2.64

 

CMYK 0 / 0 / 24 / 35

HEX #A5A57D

RGB 165 165 125

HSL 60, 0.18%, 0.57%

LAB 66.82, -6.71, 20.81

 

CMYK 0 / 0 / 42 / 28

HEX #B7B76B

RGB 183 183 107

HSL 60, 0.35%, 0.57%

LAB 72.89, -11.23, 38.57

 

CMYK 37 / 17 / 0 / 30

HEX #7093B2

RGB 112 147 178

HSL 208.18, 0.3%, 0.57%

LAB 59.46, -4.25, -20.09

 

CMYK 37 / 28 / 0 / 30

HEX #7081B2

RGB 112 129 178

HSL 224.55, 0.3%, 0.57%

LAB 54.41, 6.14, -27.86

 

CMYK 37 / 37 / 0 / 30

HEX #7070B2

RGB 112 112 178

HSL 240, 0.3%, 0.57%

LAB 49.79, 16.31, -35.05

 

CMYK 28 / 37 / 0 / 30

HEX #8170B2

RGB 129 112 178

HSL 255.45, 0.3%, 0.57%

LAB 51.23, 21.26, -32.69

 

CMYK 17 / 37 / 0 / 30

HEX #9370B2

RGB 147 112 178

HSL 271.82, 0.3%, 0.57%

LAB 52.96, 26.78, -29.88

 

CMYK 47 / 47 / 0 / 47

HEX #484887

RGB 72 72 135

HSL 240, 0.3%, 0.41%

LAB 33.48, 17.64, -35.38

 

CMYK 46 / 46 / 0 / 36

HEX #5757A2

RGB 87 87 162

HSL 240, 0.3%, 0.49%

LAB 40.33, 20.37, -40.74

 

CMYK 37 / 37 / 0 / 30

HEX #7070B2

RGB 112 112 178

HSL 240, 0.3%, 0.57%

LAB 49.79, 16.31, -35.05

 

CMYK 28 / 28 / 0 / 25

HEX #8B8BC0

RGB 139 139 192

HSL 240, 0.3%, 0.65%

LAB 59.67, 11.96, -27.53

 

CMYK 20 / 20 / 0 / 19

HEX #A6A6CF

RGB 166 166 207

HSL 240, 0.3%, 0.73%

LAB 69.39, 8.59, -20.83

 

CMYK 38 / 38 / 0 / 30

HEX #6F6FB2

RGB 111 111 178

HSL 240, 0.3%, 0.57%

LAB 49.45, 16.64, -35.6

 

CMYK 0 / 37 / 7 / 30

HEX #B270A5

RGB 178 112 165

HSL 311.82, 0.3%, 0.57%

LAB 55.86, 34.25, -17.6

 

CMYK 22 / 0 / 37 / 30

HEX #8AB270

RGB 138 178 112

HSL 96.36, 0.3%, 0.57%

LAB 68.32, -25.6, 29.47

 

CMYK 38 / 38 / 0 / 30

HEX #6F6FB2

RGB 111 111 178

HSL 240, 0.3%, 0.57%

LAB 49.45, 16.64, -35.6

 

CMYK 0 / 37 / 37 / 30

HEX #B27070

RGB 178 112 112

HSL 0, 0.3%, 0.57%

LAB 54.26, 26.15, 10.99

 

CMYK 37 / 0 / 37 / 30

HEX #70B270

RGB 112 178 112

HSL 120, 0.3%, 0.57%

LAB 66.87, -34.59, 27.28

 

CMYK 38 / 38 / 0 / 30

HEX #6F6FB2

RGB 111 111 178

HSL 240, 0.3%, 0.57%

LAB 49.45, 16.64, -35.6

 

CMYK 0 / 37 / 7 / 30

HEX #B270A5

RGB 178 112 165

HSL 311.82, 0.3%, 0.57%

LAB 55.86, 34.25, -17.6

 

CMYK 0 / 0 / 37 / 30

HEX #B2B270

RGB 178 178 112

HSL 60, 0.3%, 0.57%

LAB 71.2, -10.1, 33.76

 

CMYK 37 / 0 / 30 / 30

HEX #70B27D

RGB 112 178 125

HSL 131.82, 0.3%, 0.57%

LAB 67.1, -32.36, 20.63

 

CMYK 38 / 38 / 0 / 30

HEX #6F6FB2

RGB 111 111 178

HSL 240, 0.3%, 0.57%

LAB 49.45, 16.64, -35.6

 

CMYK 0 / 37 / 19 / 30

HEX #B27091

RGB 178 112 145

HSL 330, 0.3%, 0.57%

LAB 55.17, 30.85, -7

 

CMYK 0 / 0 / 37 / 30

HEX #B2B270

RGB 178 178 112

HSL 60, 0.3%, 0.57%

LAB 71.2, -10.1, 33.76

 

CMYK 37 / 0 / 19 / 30

HEX #70B291

RGB 112 178 145

HSL 150, 0.3%, 0.57%

LAB 67.52, -28.46, 10.3

 

Description

Color code: RGB 111 111 178 | qconv.com Color code: RGB 111 111 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 111 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 111 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 38 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 38% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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