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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 95 68 it is the complementary color RGB 145 160 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 95 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 95 68 shade: RGB 115 95 63, RGB 132 113 82, RGB 149 131 101, RGB 166 149 120 and RGB 183 167 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 95 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 95 68 shade: RGB 110 95 68, RGB 93 77 49, RGB 76 59 30, RGB 59 41 11 and RGB 42 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 95 68 shade: RGB 110 95 67, RGB 110 83 67, RGB 110 72 67 and RGB 110 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 95 68 shade: RGB 110 95 67, RGB 110 106 67, RGB 102 110 67, RGB 91 110 67 and RGB 79 110 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 95 68 shade matches the following richer shades: RGB 110 95 67, RGB 125 99 53, RGB 139 103 38, RGB 153 107 24 and RGB 168 111 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 95 68 shade: RGB 110 95 67, RGB 96 91 82, RGB 81 87 96, RGB 67 82 111 and RGB 52 78 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 95 68 shade: RGB 110 72 67, RGB 110 83 67, RGB 110 94 67, RGB 110 106 67 and RGB 103 110 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 95 68 shade: RGB 59 51 36, RGB 85 73 52, RGB 110 95 67, RGB 136 117 83 and RGB 160 139 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 95 68 shade: RGB 110 95 68, RGB 74 110 67 and RGB 77 67 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 95 68 shade: RGB 110 95 68, RGB 67 110 94 and RGB 94 67 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 95 68 shade: RGB 110 95 68, RGB 74 110 67, RGB 67 83 110 and RGB 103 67 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 95 68 shade: RGB 110 95 68, RGB 67 110 73, RGB 67 83 110 and RGB 110 67 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 38 / 57

HEX #6E5F44

RGB 110 95 68

HSL 38.57, 0.24%, 0.35%

LAB 41.08, 1.72, 17.7

 

Complementary color

CMYK 22 / 14 / 0 / 27

HEX #91A0BB

RGB 145 160 187

HSL 218.57, 0.24%, 0.65%

LAB 65.55, 0.67, -15.69

 

CMYK 0 / 17 / 45 / 55

HEX #735F3F

RGB 115 95 63

HSL 36.92, 0.29%, 0.35%

LAB 41.51, 3.34, 21.32

 

CMYK 0 / 14 / 38 / 48

HEX #847152

RGB 132 113 82

HSL 37.2, 0.23%, 0.42%

LAB 48.67, 2.67, 19.97

 

CMYK 0 / 12 / 32 / 42

HEX #958365

RGB 149 131 101

HSL 37.5, 0.19%, 0.49%

LAB 55.65, 2.12, 18.75

 

CMYK 0 / 10 / 28 / 35

HEX #A69578

RGB 166 149 120

HSL 37.83, 0.21%, 0.56%

LAB 62.47, 1.67, 17.63

 

CMYK 0 / 9 / 24 / 28

HEX #B7A78B

RGB 183 167 139

HSL 38.18, 0.23%, 0.63%

LAB 69.16, 1.29, 16.6

 

CMYK 0 / 14 / 38 / 57

HEX #6E5F44

RGB 110 95 68

HSL 38.57, 0.24%, 0.35%

LAB 41.08, 1.72, 17.7

 

CMYK 0 / 17 / 47 / 64

HEX #5D4D31

RGB 93 77 49

HSL 38.18, 0.31%, 0.28%

LAB 33.68, 2.41, 19.09

 

CMYK 0 / 22 / 61 / 70

HEX #4C3B1E

RGB 76 59 30

HSL 37.83, 0.43%, 0.21%

LAB 26.03, 3.36, 20.64

 

CMYK 0 / 31 / 81 / 77

HEX #3B290B

RGB 59 41 11

HSL 37.5, 0.69%, 0.14%

LAB 18.1, 4.77, 21.67

 

CMYK 0 / 45 / 100 / 84

HEX #2A1700

RGB 42 23 0

HSL 32.86, 1%, 0.08%

LAB 9.84, 7.01, 14.86

 

CMYK 0 / 14 / 39 / 57

HEX #6E5F43

RGB 110 95 67

HSL 39.07, 0.24%, 0.35%

LAB 41.06, 1.59, 18.27

 

CMYK 0 / 25 / 39 / 57

HEX #6E5343

RGB 110 83 67

HSL 22.33, 0.24%, 0.35%

LAB 37.67, 8.84, 13.71

 

CMYK 0 / 35 / 39 / 57

HEX #6E4843

RGB 110 72 67

HSL 6.98, 0.24%, 0.35%

LAB 34.71, 15.56, 9.64

 

CMYK 0 / 39 / 39 / 57

HEX #6E4343

RGB 110 67 67

HSL 0, 0.24%, 0.35%

LAB 33.42, 18.61, 7.84

 

CMYK 0 / 14 / 39 / 57

HEX #6E5F43

RGB 110 95 67

HSL 39.07, 0.24%, 0.35%

LAB 41.06, 1.59, 18.27

 

CMYK 0 / 4 / 39 / 57

HEX #6E6A43

RGB 110 106 67

HSL 54.42, 0.24%, 0.35%

LAB 44.27, -4.87, 22.47

 

CMYK 7 / 0 / 39 / 57

HEX #666E43

RGB 102 110 67

HSL 71.16, 0.24%, 0.35%

LAB 44.78, -10.65, 22.98

 

CMYK 17 / 0 / 39 / 57

HEX #5B6E43

RGB 91 110 67

HSL 86.51, 0.24%, 0.35%

LAB 43.92, -15.32, 21.7

 

CMYK 28 / 0 / 39 / 57

HEX #4F6E43

RGB 79 110 67

HSL 103.26, 0.24%, 0.35%

LAB 43.09, -20.14, 20.47

 

CMYK 0 / 14 / 39 / 57

HEX #6E5F43

RGB 110 95 67

HSL 39.07, 0.24%, 0.35%

LAB 41.06, 1.59, 18.27

 

CMYK 0 / 21 / 58 / 51

HEX #7D6335

RGB 125 99 53

HSL 38.33, 0.4%, 0.35%

LAB 43.57, 4.52, 29.83

 

CMYK 0 / 26 / 73 / 45

HEX #8B6726

RGB 139 103 38

HSL 38.61, 0.57%, 0.35%

LAB 46.08, 7.6, 40.79

 

CMYK 0 / 30 / 84 / 40

HEX #996B18

RGB 153 107 24

HSL 38.6, 0.73%, 0.35%

LAB 48.7, 11.19, 49.61

 

CMYK 0 / 34 / 94 / 34

HEX #A86F0A

RGB 168 111 10

HSL 38.35, 0.89%, 0.35%

LAB 51.51, 15.46, 56.41

 

CMYK 0 / 14 / 39 / 57

HEX #6E5F43

RGB 110 95 67

HSL 39.07, 0.24%, 0.35%

LAB 41.06, 1.59, 18.27

 

CMYK 0 / 5 / 15 / 62

HEX #605B52

RGB 96 91 82

HSL 38.57, 0.08%, 0.35%

LAB 38.86, 0.26, 5.9

 

CMYK 16 / 9 / 0 / 62

HEX #515760

RGB 81 87 96

HSL 216, 0.08%, 0.35%

LAB 36.76, -0.27, -6.01

 

CMYK 40 / 26 / 0 / 56

HEX #43526F

RGB 67 82 111

HSL 219.55, 0.25%, 0.35%

LAB 34.75, 2.18, -18.52

 

CMYK 58 / 38 / 0 / 51

HEX #344E7D

RGB 52 78 125

HSL 218.63, 0.41%, 0.35%

LAB 33.26, 5.33, -29.63

 

CMYK 0 / 35 / 39 / 57

HEX #6E4843

RGB 110 72 67

HSL 6.98, 0.24%, 0.35%

LAB 34.71, 15.56, 9.64

 

CMYK 0 / 25 / 39 / 57

HEX #6E5343

RGB 110 83 67

HSL 22.33, 0.24%, 0.35%

LAB 37.67, 8.84, 13.71

 

CMYK 0 / 15 / 39 / 57

HEX #6E5E43

RGB 110 94 67

HSL 37.67, 0.24%, 0.35%

LAB 40.78, 2.19, 17.88

 

CMYK 0 / 4 / 39 / 57

HEX #6E6A43

RGB 110 106 67

HSL 54.42, 0.24%, 0.35%

LAB 44.27, -4.87, 22.47

 

CMYK 6 / 0 / 39 / 57

HEX #676E43

RGB 103 110 67

HSL 69.77, 0.24%, 0.35%

LAB 44.86, -10.22, 23.11

 

CMYK 0 / 14 / 39 / 77

HEX #3B3324

RGB 59 51 36

HSL 39.13, 0.24%, 0.19%

LAB 21.67, 0.84, 10.84

 

CMYK 0 / 14 / 39 / 67

HEX #554934

RGB 85 73 52

HSL 38.18, 0.24%, 0.27%

LAB 31.68, 1.53, 14.45

 

CMYK 0 / 14 / 39 / 57

HEX #6E5F43

RGB 110 95 67

HSL 39.07, 0.24%, 0.35%

LAB 41.06, 1.59, 18.27

 

CMYK 0 / 14 / 39 / 47

HEX #887553

RGB 136 117 83

HSL 38.49, 0.24%, 0.43%

LAB 50.19, 2.22, 21.5

 

CMYK 0 / 13 / 38 / 37

HEX #A08B64

RGB 160 139 100

HSL 39, 0.24%, 0.51%

LAB 58.84, 2.1, 23.79

 

CMYK 0 / 14 / 38 / 57

HEX #6E5F44

RGB 110 95 68

HSL 38.57, 0.24%, 0.35%

LAB 41.08, 1.72, 17.7

 

CMYK 33 / 0 / 39 / 57

HEX #4A6E43

RGB 74 110 67

HSL 110.23, 0.24%, 0.35%

LAB 42.78, -22.04, 20

 

CMYK 30 / 39 / 0 / 57

HEX #4D436E

RGB 77 67 110

HSL 253.95, 0.24%, 0.35%

LAB 31.16, 14.78, -23.42

 

CMYK 0 / 14 / 38 / 57

HEX #6E5F44

RGB 110 95 68

HSL 38.57, 0.24%, 0.35%

LAB 41.08, 1.72, 17.7

 

CMYK 39 / 0 / 15 / 57

HEX #436E5E

RGB 67 110 94

HSL 157.67, 0.24%, 0.35%

LAB 42.99, -18.94, 4.24

 

CMYK 15 / 39 / 0 / 57

HEX #5E436E

RGB 94 67 110

HSL 277.67, 0.24%, 0.35%

LAB 32.96, 20.49, -20.47

 

CMYK 0 / 14 / 38 / 57

HEX #6E5F44

RGB 110 95 68

HSL 38.57, 0.24%, 0.35%

LAB 41.08, 1.72, 17.7

 

CMYK 33 / 0 / 39 / 57

HEX #4A6E43

RGB 74 110 67

HSL 110.23, 0.24%, 0.35%

LAB 42.78, -22.04, 20

 

CMYK 39 / 25 / 0 / 57

HEX #43536E

RGB 67 83 110

HSL 217.67, 0.24%, 0.35%

LAB 35.01, 1.25, -17.5

 

CMYK 6 / 39 / 0 / 57

HEX #67436E

RGB 103 67 110

HSL 290.23, 0.24%, 0.35%

LAB 34.03, 23.61, -18.73

 

CMYK 0 / 14 / 38 / 57

HEX #6E5F44

RGB 110 95 68

HSL 38.57, 0.24%, 0.35%

LAB 41.08, 1.72, 17.7

 

CMYK 39 / 0 / 34 / 57

HEX #436E49

RGB 67 110 73

HSL 128.37, 0.24%, 0.35%

LAB 42.5, -23.47, 16.06

 

CMYK 39 / 25 / 0 / 57

HEX #43536E

RGB 67 83 110

HSL 217.67, 0.24%, 0.35%

LAB 35.01, 1.25, -17.5

 

CMYK 0 / 39 / 5 / 57

HEX #6E4368

RGB 110 67 104

HSL 308.37, 0.24%, 0.35%

LAB 34.66, 24.84, -13.91

 

Description

Color code: RGB 110 95 68 | qconv.com Color code: RGB 110 95 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 95 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 95 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 38 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 38% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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