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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 88 178 it is the complementary color RGB 145 167 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 88 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 88 178 shade: RGB 115 88 173, RGB 132 106 192, RGB 149 124 211, RGB 166 142 230 and RGB 183 160 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 88 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 88 178 shade: RGB 110 88 178, RGB 93 70 159, RGB 76 52 140, RGB 59 34 121 and RGB 42 16 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 88 178 shade: RGB 109 87 177, RGB 133 87 177, RGB 158 87 177, RGB 177 87 173 and RGB 177 87 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 88 178 shade: RGB 109 87 177 and RGB 87 87 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 88 178 shade matches the following richer shades: RGB 109 87 177, RGB 99 67 197, RGB 89 47 217 and RGB 79 27 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 88 178 shade: RGB 109 87 177, RGB 119 107 158, RGB 129 126 138, RGB 139 146 118 and RGB 149 166 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 88 178 shade: RGB 87 114 177, RGB 87 90 177, RGB 108 87 177, RGB 132 87 177 and RGB 156 87 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 88 178 shade: RGB 74 57 125, RGB 90 70 153, RGB 109 87 177, RGB 133 115 190 and RGB 158 143 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 88 178 shade: RGB 110 88 178, RGB 177 87 138 and RGB 102 177 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 88 178 shade: RGB 110 88 178, RGB 177 108 87 and RGB 87 177 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 88 178 shade: RGB 110 88 178, RGB 177 87 138, RGB 156 177 87 and RGB 87 177 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 88 178 shade: RGB 110 88 178, RGB 177 87 111, RGB 156 177 87 and RGB 87 177 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 51 / 0 / 30

HEX #6E58B2

RGB 110 88 178

HSL 254.67, 0.37%, 0.52%

LAB 43.52, 30.35, -45

 

Complementary color

CMYK 13 / 0 / 54 / 35

HEX #91A74D

RGB 145 167 77

HSL 74.67, 0.37%, 0.48%

LAB 65.12, -21.62, 43.42

 

CMYK 34 / 49 / 0 / 32

HEX #7358AD

RGB 115 88 173

HSL 259.06, 0.34%, 0.51%

LAB 43.71, 30.29, -41.72

 

CMYK 31 / 45 / 0 / 25

HEX #846AC0

RGB 132 106 192

HSL 258.14, 0.41%, 0.58%

LAB 50.71, 29.29, -41.58

 

CMYK 29 / 41 / 0 / 17

HEX #957CD3

RGB 149 124 211

HSL 257.24, 0.5%, 0.66%

LAB 57.57, 28.4, -41.47

 

CMYK 28 / 38 / 0 / 10

HEX #A68EE6

RGB 166 142 230

HSL 256.36, 0.64%, 0.73%

LAB 64.3, 27.6, -41.41

 

CMYK 27 / 36 / 0 / 2

HEX #B7A0F9

RGB 183 160 249

HSL 255.51, 0.88%, 0.8%

LAB 70.9, 26.87, -41.37

 

CMYK 38 / 51 / 0 / 30

HEX #6E58B2

RGB 110 88 178

HSL 254.67, 0.37%, 0.52%

LAB 43.52, 30.35, -45

 

CMYK 42 / 56 / 0 / 38

HEX #5D469F

RGB 93 70 159

HSL 255.51, 0.39%, 0.45%

LAB 36.39, 31.56, -45.23

 

CMYK 46 / 63 / 0 / 45

HEX #4C348C

RGB 76 52 140

HSL 256.36, 0.46%, 0.38%

LAB 29.12, 32.91, -45.44

 

CMYK 51 / 72 / 0 / 53

HEX #3B2279

RGB 59 34 121

HSL 257.24, 0.56%, 0.3%

LAB 21.78, 34.31, -45.54

 

CMYK 59 / 84 / 0 / 60

HEX #2A1066

RGB 42 16 102

HSL 258.14, 0.73%, 0.23%

LAB 14.52, 35.38, -45.18

 

CMYK 38 / 51 / 0 / 31

HEX #6D57B1

RGB 109 87 177

HSL 254.67, 0.37%, 0.52%

LAB 43.13, 30.41, -45.04

 

CMYK 25 / 51 / 0 / 31

HEX #8557B1

RGB 133 87 177

HSL 270.67, 0.37%, 0.52%

LAB 45.6, 36.82, -40.95

 

CMYK 11 / 51 / 0 / 31

HEX #9E57B1

RGB 158 87 177

HSL 287.33, 0.37%, 0.52%

LAB 48.59, 43.86, -36.04

 

CMYK 0 / 51 / 2 / 31

HEX #B157AD

RGB 177 87 173

HSL 302.67, 0.37%, 0.52%

LAB 50.9, 48.57, -29.9

 

CMYK 0 / 51 / 16 / 31

HEX #B15794

RGB 177 87 148

HSL 319.33, 0.37%, 0.52%

LAB 49.86, 44.34, -16.78

 

CMYK 38 / 51 / 0 / 31

HEX #6D57B1

RGB 109 87 177

HSL 254.67, 0.37%, 0.52%

LAB 43.13, 30.41, -45.04

 

CMYK 51 / 51 / 0 / 31

HEX #5757B1

RGB 87 87 177

HSL 240, 0.37%, 0.52%

LAB 41.24, 25.1, -48.16

 

CMYK 38 / 51 / 0 / 31

HEX #6D57B1

RGB 109 87 177

HSL 254.67, 0.37%, 0.52%

LAB 43.13, 30.41, -45.04

 

CMYK 50 / 66 / 0 / 23

HEX #6343C5

RGB 99 67 197

HSL 254.77, 0.53%, 0.52%

LAB 39.07, 45.62, -63.35

 

CMYK 59 / 78 / 0 / 15

HEX #592FD9

RGB 89 47 217

HSL 254.82, 0.69%, 0.52%

LAB 36.3, 59.87, -79.5

 

CMYK 67 / 89 / 0 / 7

HEX #4F1BED

RGB 79 27 237

HSL 254.86, 0.85%, 0.52%

LAB 35.12, 71.49, -92.91

 

CMYK 38 / 51 / 0 / 31

HEX #6D57B1

RGB 109 87 177

HSL 254.67, 0.37%, 0.52%

LAB 43.13, 30.41, -45.04

 

CMYK 25 / 32 / 0 / 38

HEX #776B9E

RGB 119 107 158

HSL 254.12, 0.21%, 0.52%

LAB 48.14, 16.07, -25.9

 

CMYK 7 / 9 / 0 / 46

HEX #817E8A

RGB 129 126 138

HSL 255, 0.05%, 0.52%

LAB 53.41, 3.58, -6.08

 

CMYK 5 / 0 / 19 / 43

HEX #8B9276

RGB 139 146 118

HSL 75, 0.11%, 0.52%

LAB 59.3, -7.69, 14.01

 

CMYK 10 / 0 / 41 / 35

HEX #95A662

RGB 149 166 98

HSL 75, 0.28%, 0.52%

LAB 65.39, -17.21, 33.2

 

CMYK 51 / 36 / 0 / 31

HEX #5772B1

RGB 87 114 177

HSL 222, 0.37%, 0.52%

LAB 48.56, 8.26, -36.54

 

CMYK 51 / 49 / 0 / 31

HEX #575AB1

RGB 87 90 177

HSL 238, 0.37%, 0.52%

LAB 42.02, 23.22, -46.92

 

CMYK 39 / 51 / 0 / 31

HEX #6C57B1

RGB 108 87 177

HSL 254, 0.37%, 0.52%

LAB 43.03, 30.16, -45.2

 

CMYK 25 / 51 / 0 / 31

HEX #8457B1

RGB 132 87 177

HSL 270, 0.37%, 0.52%

LAB 45.49, 36.55, -41.13

 

CMYK 12 / 51 / 0 / 31

HEX #9C57B1

RGB 156 87 177

HSL 286, 0.37%, 0.52%

LAB 48.33, 43.29, -36.46

 

CMYK 41 / 54 / 0 / 51

HEX #4A397D

RGB 74 57 125

HSL 255, 0.37%, 0.36%

LAB 29.06, 24.78, -36.21

 

CMYK 41 / 54 / 0 / 40

HEX #5A4699

RGB 90 70 153

HSL 254.46, 0.37%, 0.44%

LAB 35.7, 29.07, -42.72

 

CMYK 38 / 51 / 0 / 31

HEX #6D57B1

RGB 109 87 177

HSL 254.67, 0.37%, 0.52%

LAB 43.13, 30.41, -45.04

 

CMYK 30 / 39 / 0 / 25

HEX #8573BE

RGB 133 115 190

HSL 254.4, 0.37%, 0.6%

LAB 52.91, 23.74, -36.95

 

CMYK 22 / 30 / 0 / 20

HEX #9E8FCB

RGB 158 143 203

HSL 255, 0.37%, 0.68%

LAB 62.7, 18.15, -28.92

 

CMYK 38 / 51 / 0 / 30

HEX #6E58B2

RGB 110 88 178

HSL 254.67, 0.37%, 0.52%

LAB 43.52, 30.35, -45

 

CMYK 0 / 51 / 22 / 31

HEX #B1578A

RGB 177 87 138

HSL 326, 0.37%, 0.52%

LAB 49.49, 42.8, -11.38

 

CMYK 42 / 0 / 51 / 31

HEX #66B157

RGB 102 177 87

HSL 110, 0.37%, 0.52%

LAB 65.72, -41, 38.62

 

CMYK 38 / 51 / 0 / 30

HEX #6E58B2

RGB 110 88 178

HSL 254.67, 0.37%, 0.52%

LAB 43.52, 30.35, -45

 

CMYK 0 / 39 / 51 / 31

HEX #B16C57

RGB 177 108 87

HSL 14, 0.37%, 0.52%

LAB 52.69, 25.21, 23.35

 

CMYK 51 / 0 / 39 / 31

HEX #57B16C

RGB 87 177 108

HSL 134, 0.37%, 0.52%

LAB 65.4, -42.2, 27.27

 

CMYK 38 / 51 / 0 / 30

HEX #6E58B2

RGB 110 88 178

HSL 254.67, 0.37%, 0.52%

LAB 43.52, 30.35, -45

 

CMYK 0 / 51 / 22 / 31

HEX #B1578A

RGB 177 87 138

HSL 326, 0.37%, 0.52%

LAB 49.49, 42.8, -11.38

 

CMYK 12 / 0 / 51 / 31

HEX #9CB157

RGB 156 177 87

HSL 74, 0.37%, 0.52%

LAB 68.9, -21.19, 43.21

 

CMYK 51 / 0 / 29 / 31

HEX #57B17E

RGB 87 177 126

HSL 146, 0.37%, 0.52%

LAB 65.73, -38.83, 18.03

 

CMYK 38 / 51 / 0 / 30

HEX #6E58B2

RGB 110 88 178

HSL 254.67, 0.37%, 0.52%

LAB 43.52, 30.35, -45

 

CMYK 0 / 51 / 37 / 31

HEX #B1576F

RGB 177 87 111

HSL 344, 0.37%, 0.52%

LAB 48.65, 39.15, 3.57

 

CMYK 12 / 0 / 51 / 31

HEX #9CB157

RGB 156 177 87

HSL 74, 0.37%, 0.52%

LAB 68.9, -21.19, 43.21

 

CMYK 51 / 0 / 14 / 31

HEX #57B199

RGB 87 177 153

HSL 164, 0.37%, 0.52%

LAB 66.34, -32.86, 4.06

 

Description

Color code: RGB 110 88 178 | qconv.com Color code: RGB 110 88 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 88 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 88 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 51 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 51% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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