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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 87 31 it is the complementary color RGB 145 168 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 87 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 87 31 shade: RGB 115 87 26, RGB 132 105 45, RGB 149 123 64, RGB 166 141 83 and RGB 183 159 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 87 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 87 31 shade: RGB 110 87 31, RGB 93 69 12, RGB 76 51 0, RGB 59 33 0 and RGB 42 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 87 31 shade: RGB 111 88 31, RGB 111 66 31, RGB 111 44 31 and RGB 111 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 87 31 shade: RGB 111 88 31, RGB 111 109 31, RGB 91 111 31, RGB 69 111 31 and RGB 48 111 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 87 31 shade matches the following richer shades: RGB 111 88 31, RGB 122 92 19 and RGB 134 97 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 87 31 shade: RGB 111 88 31, RGB 99 83 42, RGB 88 78 54, RGB 76 73 66 and RGB 65 68 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 87 31 shade: RGB 111 44 31, RGB 111 66 31, RGB 111 87 31, RGB 111 108 31 and RGB 92 111 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 87 31 shade: RGB 47 37 13, RGB 79 62 22, RGB 111 88 31, RGB 143 113 40 and RGB 175 139 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 87 31 shade: RGB 110 87 31, RGB 39 111 31 and RGB 55 31 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 87 31 shade: RGB 110 87 31, RGB 31 111 87 and RGB 87 31 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 87 31 shade: RGB 110 87 31, RGB 39 111 31, RGB 31 55 111 and RGB 103 31 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 87 31 shade: RGB 110 87 31, RGB 31 111 47, RGB 31 55 111 and RGB 111 31 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 72 / 57

HEX #6E571F

RGB 110 87 31

HSL 42.53, 0.56%, 0.28%

LAB 38.25, 2.87, 34.93

 

Complementary color

CMYK 35 / 25 / 0 / 12

HEX #91A8E0

RGB 145 168 224

HSL 222.53, 0.56%, 0.72%

LAB 69.04, 5.4, -30.83

 

CMYK 0 / 24 / 77 / 55

HEX #73571A

RGB 115 87 26

HSL 41.12, 0.63%, 0.28%

LAB 38.79, 5.01, 38.01

 

CMYK 0 / 20 / 66 / 48

HEX #84692D

RGB 132 105 45

HSL 41.38, 0.49%, 0.35%

LAB 45.9, 3.62, 36.96

 

CMYK 0 / 17 / 57 / 42

HEX #957B40

RGB 149 123 64

HSL 41.65, 0.4%, 0.42%

LAB 52.87, 2.53, 35.62

 

CMYK 0 / 15 / 50 / 35

HEX #A68D53

RGB 166 141 83

HSL 41.93, 0.33%, 0.49%

LAB 59.69, 1.67, 34.26

 

CMYK 0 / 13 / 44 / 28

HEX #B79F66

RGB 183 159 102

HSL 42.22, 0.36%, 0.56%

LAB 66.38, 0.96, 32.94

 

CMYK 0 / 21 / 72 / 57

HEX #6E571F

RGB 110 87 31

HSL 42.53, 0.56%, 0.28%

LAB 38.25, 2.87, 34.93

 

CMYK 0 / 26 / 87 / 64

HEX #5D450C

RGB 93 69 12

HSL 42.22, 0.77%, 0.21%

LAB 30.9, 4.47, 35.51

 

CMYK 0 / 33 / 100 / 70

HEX #4C3300

RGB 76 51 0

HSL 40.26, 1%, 0.15%

LAB 23.35, 6.65, 32.62

 

CMYK 0 / 44 / 100 / 77

HEX #3B2100

RGB 59 33 0

HSL 33.56, 1%, 0.12%

LAB 15.58, 9.49, 23.06

 

CMYK 0 / 64 / 100 / 84

HEX #2A0F00

RGB 42 15 0

HSL 21.43, 1%, 0.08%

LAB 7.53, 12.54, 11.53

 

CMYK 0 / 21 / 72 / 56

HEX #6F581F

RGB 111 88 31

HSL 42.75, 0.56%, 0.28%

LAB 38.65, 2.75, 35.39

 

CMYK 0 / 41 / 72 / 56

HEX #6F421F

RGB 111 66 31

HSL 26.25, 0.56%, 0.28%

LAB 32.65, 16.1, 28.92

 

CMYK 0 / 60 / 72 / 56

HEX #6F2C1F

RGB 111 44 31

HSL 9.75, 0.56%, 0.28%

LAB 27.52, 28.81, 23.07

 

CMYK 0 / 72 / 72 / 56

HEX #6F1F1F

RGB 111 31 31

HSL 0, 0.56%, 0.28%

LAB 25.13, 35.17, 20.23

 

CMYK 0 / 21 / 72 / 56

HEX #6F581F

RGB 111 88 31

HSL 42.75, 0.56%, 0.28%

LAB 38.65, 2.75, 35.39

 

CMYK 0 / 2 / 72 / 56

HEX #6F6D1F

RGB 111 109 31

HSL 58.5, 0.56%, 0.28%

LAB 44.82, -9.46, 41.69

 

CMYK 18 / 0 / 72 / 56

HEX #5B6F1F

RGB 91 111 31

HSL 75, 0.56%, 0.28%

LAB 43.79, -19.74, 40.11

 

CMYK 38 / 0 / 72 / 56

HEX #456F1F

RGB 69 111 31

HSL 91.5, 0.56%, 0.28%

LAB 42.36, -28.95, 38.19

 

CMYK 57 / 0 / 72 / 56

HEX #306F1F

RGB 48 111 31

HSL 107.25, 0.56%, 0.28%

LAB 41.37, -36.2, 36.84

 

CMYK 0 / 21 / 72 / 56

HEX #6F581F

RGB 111 88 31

HSL 42.75, 0.56%, 0.28%

LAB 38.65, 2.75, 35.39

 

CMYK 0 / 25 / 84 / 52

HEX #7A5C13

RGB 122 92 19

HSL 42.52, 0.73%, 0.28%

LAB 40.96, 5.12, 43.16

 

CMYK 0 / 28 / 94 / 47

HEX #866108

RGB 134 97 8

HSL 42.38, 0.89%, 0.28%

LAB 43.71, 7.65, 49.17

 

CMYK 0 / 21 / 72 / 56

HEX #6F581F

RGB 111 88 31

HSL 42.75, 0.56%, 0.28%

LAB 38.65, 2.75, 35.39

 

CMYK 0 / 16 / 58 / 61

HEX #63532A

RGB 99 83 42

HSL 43.16, 0.4%, 0.28%

LAB 36, 0.84, 26.22

 

CMYK 0 / 11 / 39 / 65

HEX #584E36

RGB 88 78 54

HSL 42.35, 0.24%, 0.28%

LAB 33.54, 0.1, 15.75

 

CMYK 0 / 4 / 13 / 70

HEX #4C4942

RGB 76 73 66

HSL 42, 0.07%, 0.28%

LAB 31.1, -0.18, 4.63

 

CMYK 16 / 12 / 0 / 70

HEX #41444D

RGB 65 68 77

HSL 225, 0.08%, 0.28%

LAB 28.89, 0.93, -5.83

 

CMYK 0 / 60 / 72 / 56

HEX #6F2C1F

RGB 111 44 31

HSL 9.75, 0.56%, 0.28%

LAB 27.52, 28.81, 23.07

 

CMYK 0 / 41 / 72 / 56

HEX #6F421F

RGB 111 66 31

HSL 26.25, 0.56%, 0.28%

LAB 32.65, 16.1, 28.92

 

CMYK 0 / 22 / 72 / 56

HEX #6F571F

RGB 111 87 31

HSL 42, 0.56%, 0.28%

LAB 38.37, 3.35, 35.09

 

CMYK 0 / 3 / 72 / 56

HEX #6F6C1F

RGB 111 108 31

HSL 57.75, 0.56%, 0.28%

LAB 44.52, -8.9, 41.39

 

CMYK 17 / 0 / 72 / 56

HEX #5C6F1F

RGB 92 111 31

HSL 74.25, 0.56%, 0.28%

LAB 43.86, -19.3, 40.21

 

CMYK 0 / 21 / 72 / 82

HEX #2F250D

RGB 47 37 13

HSL 42.35, 0.57%, 0.12%

LAB 15.26, 1.12, 16.9

 

CMYK 0 / 22 / 72 / 69

HEX #4F3E16

RGB 79 62 22

HSL 42.11, 0.56%, 0.2%

LAB 27.2, 2.28, 26.67

 

CMYK 0 / 21 / 72 / 56

HEX #6F581F

RGB 111 88 31

HSL 42.75, 0.56%, 0.28%

LAB 38.65, 2.75, 35.39

 

CMYK 0 / 21 / 72 / 44

HEX #8F7128

RGB 143 113 40

HSL 42.52, 0.56%, 0.36%

LAB 49.26, 3.8, 43.28

 

CMYK 0 / 21 / 72 / 31

HEX #AF8B31

RGB 175 139 49

HSL 42.86, 0.56%, 0.44%

LAB 59.71, 4.24, 51.09

 

CMYK 0 / 21 / 72 / 57

HEX #6E571F

RGB 110 87 31

HSL 42.53, 0.56%, 0.28%

LAB 38.25, 2.87, 34.93

 

CMYK 65 / 0 / 72 / 56

HEX #276F1F

RGB 39 111 31

HSL 114, 0.56%, 0.28%

LAB 41.06, -38.68, 36.42

 

CMYK 50 / 72 / 0 / 56

HEX #371F6F

RGB 55 31 111

HSL 258, 0.56%, 0.28%

LAB 19.8, 32.21, -42.36

 

CMYK 0 / 21 / 72 / 57

HEX #6E571F

RGB 110 87 31

HSL 42.53, 0.56%, 0.28%

LAB 38.25, 2.87, 34.93

 

CMYK 72 / 0 / 22 / 56

HEX #1F6F57

RGB 31 111 87

HSL 162, 0.56%, 0.28%

LAB 41.76, -30.14, 6.5

 

CMYK 22 / 72 / 0 / 56

HEX #571F6F

RGB 87 31 111

HSL 282, 0.56%, 0.28%

LAB 24.17, 39.27, -35.07

 

CMYK 0 / 21 / 72 / 57

HEX #6E571F

RGB 110 87 31

HSL 42.53, 0.56%, 0.28%

LAB 38.25, 2.87, 34.93

 

CMYK 65 / 0 / 72 / 56

HEX #276F1F

RGB 39 111 31

HSL 114, 0.56%, 0.28%

LAB 41.06, -38.68, 36.42

 

CMYK 72 / 50 / 0 / 56

HEX #1F376F

RGB 31 55 111

HSL 222, 0.56%, 0.28%

LAB 24.23, 11.42, -35.27

 

CMYK 7 / 72 / 0 / 56

HEX #671F6F

RGB 103 31 111

HSL 294, 0.56%, 0.28%

LAB 26.77, 43.16, -30.77

 

CMYK 0 / 21 / 72 / 57

HEX #6E571F

RGB 110 87 31

HSL 42.53, 0.56%, 0.28%

LAB 38.25, 2.87, 34.93

 

CMYK 72 / 0 / 58 / 56

HEX #1F6F2F

RGB 31 111 47

HSL 132, 0.56%, 0.28%

LAB 41, -38.51, 28.5

 

CMYK 72 / 50 / 0 / 56

HEX #1F376F

RGB 31 55 111

HSL 222, 0.56%, 0.28%

LAB 24.23, 11.42, -35.27

 

CMYK 0 / 72 / 14 / 56

HEX #6F1F5F

RGB 111 31 95

HSL 312, 0.56%, 0.28%

LAB 27.26, 42.38, -19.54

 

Description

Color code: RGB 110 87 31 | qconv.com Color code: RGB 110 87 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 87 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 87 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 72 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 72% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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