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Color name
RGB 110 80 159

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 80 159 it is the complementary color RGB 145 175 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 80 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 80 159 shade: RGB 115 80 154, RGB 132 98 173, RGB 149 116 192, RGB 166 134 211 and RGB 183 152 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 80 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 93 62 140, RGB 76 44 121, RGB 59 26 102 and RGB 42 8 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 131 80 159, RGB 152 80 159, RGB 159 80 144 and RGB 159 80 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 89 80 159 and RGB 80 80 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 80 159 shade matches the following richer shades: RGB 110 80 159, RGB 105 60 178, RGB 100 41 198, RGB 96 22 217 and RGB 91 2 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 114 99 140, RGB 119 119 120, RGB 124 138 101 and RGB 128 157 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 80 159 shade: RGB 80 93 159, RGB 88 80 159, RGB 109 80 159, RGB 130 80 159 and RGB 151 80 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 80 159 shade: RGB 72 52 104, RGB 91 66 131, RGB 110 80 159, RGB 131 102 178 and RGB 153 130 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 159 80 114 and RGB 82 159 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 159 109 80 and RGB 80 159 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 159 80 114, RGB 130 159 80 and RGB 80 159 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 80 159 shade: RGB 110 80 159, RGB 159 80 90, RGB 130 159 80 and RGB 80 159 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

Complementary color

CMYK 17 / 0 / 45 / 31

HEX #91AF60

RGB 145 175 96

HSL 82.78, 0.33%, 0.53%

LAB 67.67, -23.58, 37.04

 

CMYK 25 / 48 / 0 / 40

HEX #73509A

RGB 115 80 154

HSL 268.38, 0.32%, 0.46%

LAB 40.76, 30.1, -35.11

 

CMYK 24 / 43 / 0 / 32

HEX #8462AD

RGB 132 98 173

HSL 267.2, 0.31%, 0.53%

LAB 47.83, 29.19, -35.1

 

CMYK 22 / 40 / 0 / 25

HEX #9574C0

RGB 149 116 192

HSL 266.05, 0.38%, 0.6%

LAB 54.75, 28.36, -35.11

 

CMYK 21 / 36 / 0 / 17

HEX #A686D3

RGB 166 134 211

HSL 264.94, 0.47%, 0.68%

LAB 61.53, 27.6, -35.15

 

CMYK 20 / 34 / 0 / 10

HEX #B798E6

RGB 183 152 230

HSL 263.85, 0.61%, 0.75%

LAB 68.19, 26.9, -35.21

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 34 / 56 / 0 / 45

HEX #5D3E8C

RGB 93 62 140

HSL 263.85, 0.39%, 0.4%

LAB 33.28, 31.04, -38.66

 

CMYK 37 / 64 / 0 / 53

HEX #4C2C79

RGB 76 44 121

HSL 264.94, 0.47%, 0.32%

LAB 25.92, 32.17, -38.73

 

CMYK 42 / 75 / 0 / 60

HEX #3B1A66

RGB 59 26 102

HSL 266.05, 0.59%, 0.25%

LAB 18.49, 33.18, -38.61

 

CMYK 49 / 90 / 0 / 67

HEX #2A0853

RGB 42 8 83

HSL 267.2, 0.82%, 0.18%

LAB 11.21, 33.43, -37.87

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 18 / 50 / 0 / 38

HEX #83509F

RGB 131 80 159

HSL 278.73, 0.33%, 0.47%

LAB 42.86, 35.98, -34.66

 

CMYK 4 / 50 / 0 / 38

HEX #98509F

RGB 152 80 159

HSL 294.68, 0.33%, 0.47%

LAB 45.52, 42.18, -30.3

 

CMYK 0 / 50 / 9 / 38

HEX #9F5090

RGB 159 80 144

HSL 311.39, 0.33%, 0.47%

LAB 45.8, 41.54, -20.83

 

CMYK 0 / 50 / 23 / 38

HEX #9F507B

RGB 159 80 123

HSL 327.34, 0.33%, 0.47%

LAB 45, 38.12, -9.37

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 44 / 50 / 0 / 38

HEX #59509F

RGB 89 80 159

HSL 246.84, 0.33%, 0.47%

LAB 38.49, 24.37, -41.88

 

CMYK 50 / 50 / 0 / 38

HEX #50509F

RGB 80 80 159

HSL 240, 0.33%, 0.47%

LAB 37.75, 22.17, -43.11

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 41 / 66 / 0 / 30

HEX #693CB2

RGB 105 60 178

HSL 262.88, 0.5%, 0.47%

LAB 36.84, 45.3, -55.78

 

CMYK 49 / 79 / 0 / 22

HEX #6429C6

RGB 100 41 198

HSL 262.55, 0.66%, 0.47%

LAB 34.75, 58.72, -71

 

CMYK 56 / 90 / 0 / 15

HEX #6016D9

RGB 96 22 217

HSL 262.77, 0.82%, 0.47%

LAB 34.13, 69.11, -83.07

 

CMYK 61 / 99 / 0 / 7

HEX #5B02EC

RGB 91 2 236

HSL 262.82, 0.98%, 0.47%

LAB 34.65, 76.47, -93.1

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 19 / 29 / 0 / 45

HEX #72638C

RGB 114 99 140

HSL 261.95, 0.17%, 0.47%

LAB 44.79, 14.81, -20.43

 

CMYK 1 / 1 / 0 / 53

HEX #777778

RGB 119 119 120

HSL 240, 0%, 0.47%

LAB 50.06, 0.21, -0.55

 

CMYK 10 / 0 / 27 / 46

HEX #7C8A65

RGB 124 138 101

HSL 82.7, 0.15%, 0.47%

LAB 55.48, -11.97, 18.18

 

CMYK 18 / 0 / 48 / 38

HEX #809D51

RGB 128 157 81

HSL 82.89, 0.32%, 0.47%

LAB 61.04, -23.03, 36.26

 

CMYK 50 / 42 / 0 / 38

HEX #505D9F

RGB 80 93 159

HSL 230.13, 0.33%, 0.47%

LAB 41.28, 13.87, -37.48

 

CMYK 45 / 50 / 0 / 38

HEX #58509F

RGB 88 80 159

HSL 246.08, 0.33%, 0.47%

LAB 38.4, 24.12, -42.02

 

CMYK 31 / 50 / 0 / 38

HEX #6D509F

RGB 109 80 159

HSL 262.03, 0.33%, 0.47%

LAB 40.4, 29.69, -38.72

 

CMYK 18 / 50 / 0 / 38

HEX #82509F

RGB 130 80 159

HSL 277.97, 0.33%, 0.47%

LAB 42.74, 35.69, -34.86

 

CMYK 5 / 50 / 0 / 38

HEX #97509F

RGB 151 80 159

HSL 293.92, 0.33%, 0.47%

LAB 45.39, 41.88, -30.52

 

CMYK 31 / 50 / 0 / 59

HEX #483468

RGB 72 52 104

HSL 263.08, 0.33%, 0.31%

LAB 26.25, 21.28, -27.35

 

CMYK 31 / 50 / 0 / 49

HEX #5B4283

RGB 91 66 131

HSL 263.08, 0.33%, 0.39%

LAB 33.48, 25.58, -32.81

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 26 / 43 / 0 / 30

HEX #8366B2

RGB 131 102 178

HSL 262.89, 0.33%, 0.55%

LAB 48.94, 27.78, -36.28

 

CMYK 20 / 32 / 0 / 25

HEX #9982C0

RGB 153 130 192

HSL 262.26, 0.33%, 0.63%

LAB 58.55, 21.48, -29.17

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 0 / 50 / 28 / 38

HEX #9F5072

RGB 159 80 114

HSL 334.18, 0.33%, 0.47%

LAB 44.69, 36.8, -4.34

 

CMYK 48 / 0 / 50 / 38

HEX #529F50

RGB 82 159 80

HSL 118.48, 0.33%, 0.47%

LAB 59.13, -40.34, 33.86

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 0 / 31 / 50 / 38

HEX #9F6D50

RGB 159 109 80

HSL 22.03, 0.33%, 0.47%

LAB 50.56, 16.42, 24.16

 

CMYK 50 / 0 / 31 / 38

HEX #509F6D

RGB 80 159 109

HSL 142.03, 0.33%, 0.47%

LAB 59.53, -35.97, 18.81

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 0 / 50 / 28 / 38

HEX #9F5072

RGB 159 80 114

HSL 334.18, 0.33%, 0.47%

LAB 44.69, 36.8, -4.34

 

CMYK 18 / 0 / 50 / 38

HEX #829F50

RGB 130 159 80

HSL 82.03, 0.33%, 0.47%

LAB 61.76, -23.35, 37.68

 

CMYK 50 / 0 / 21 / 38

HEX #509F7D

RGB 80 159 125

HSL 154.18, 0.33%, 0.47%

LAB 59.87, -32.61, 10.37

 

CMYK 31 / 50 / 0 / 38

HEX #6E509F

RGB 110 80 159

HSL 262.78, 0.33%, 0.47%

LAB 40.5, 29.97, -38.55

 

CMYK 0 / 50 / 43 / 38

HEX #9F505A

RGB 159 80 90

HSL 352.41, 0.33%, 0.47%

LAB 44.01, 33.74, 9.36

 

CMYK 18 / 0 / 50 / 38

HEX #829F50

RGB 130 159 80

HSL 82.03, 0.33%, 0.47%

LAB 61.76, -23.35, 37.68

 

CMYK 50 / 0 / 7 / 38

HEX #509F94

RGB 80 159 148

HSL 171.65, 0.33%, 0.47%

LAB 60.46, -27.06, -1.74

 

Description

Color code: RGB 110 80 159 | qconv.com Color code: RGB 110 80 159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 80 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 80 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 50 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 50% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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