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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 54 159 it is the complementary color RGB 145 201 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 54 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 54 159 shade: RGB 115 54 154, RGB 132 72 173, RGB 149 90 192, RGB 166 108 211 and RGB 183 126 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 54 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 93 36 140, RGB 76 18 121, RGB 59 0 102 and RGB 42 0 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 138 54 159, RGB 159 54 151, RGB 159 54 123 and RGB 159 54 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 82 54 159 and RGB 54 54 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 54 159 shade matches the following richer shades: RGB 110 54 159, RGB 111 37 176, RGB 112 19 194 and RGB 114 2 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 109 71 142, RGB 108 89 124, RGB 107 106 107 and RGB 105 123 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 54 159 shade: RGB 54 54 159, RGB 82 54 159, RGB 110 54 159, RGB 138 54 159 and RGB 159 54 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 54 159 shade: RGB 67 33 98, RGB 89 44 128, RGB 110 54 159, RGB 131 65 190 and RGB 151 96 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 159 54 82 and RGB 54 159 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 159 110 54 and RGB 54 159 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 159 54 82, RGB 103 159 54 and RGB 54 159 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 54 159 shade: RGB 110 54 159, RGB 159 58 54, RGB 103 159 54 and RGB 54 156 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

Complementary color

CMYK 28 / 0 / 52 / 21

HEX #91C960

RGB 145 201 96

HSL 92, 0.49%, 0.58%

LAB 75.23, -35.94, 46.26

 

CMYK 25 / 65 / 0 / 40

HEX #73369A

RGB 115 54 154

HSL 276.6, 0.48%, 0.41%

LAB 35.23, 44.61, -43.92

 

CMYK 24 / 58 / 0 / 32

HEX #8448AD

RGB 132 72 173

HSL 275.64, 0.41%, 0.48%

LAB 42.09, 43.89, -44.2

 

CMYK 22 / 53 / 0 / 25

HEX #955AC0

RGB 149 90 192

HSL 274.71, 0.45%, 0.55%

LAB 48.89, 43.04, -44.35

 

CMYK 21 / 49 / 0 / 17

HEX #A66CD3

RGB 166 108 211

HSL 273.79, 0.54%, 0.63%

LAB 55.62, 42.17, -44.44

 

CMYK 20 / 45 / 0 / 10

HEX #B77EE6

RGB 183 126 230

HSL 272.88, 0.68%, 0.7%

LAB 62.26, 41.32, -44.5

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 34 / 74 / 0 / 45

HEX #5D248C

RGB 93 36 140

HSL 272.88, 0.59%, 0.35%

LAB 28.07, 45.14, -47.06

 

CMYK 37 / 85 / 0 / 53

HEX #4C1279

RGB 76 18 121

HSL 273.79, 0.74%, 0.27%

LAB 21.39, 44.83, -46.07

 

CMYK 42 / 100 / 0 / 60

HEX #3B0066

RGB 59 0 102

HSL 274.71, 1%, 0.2%

LAB 14.89, 43.63, -44.49

 

CMYK 49 / 100 / 0 / 67

HEX #2A0053

RGB 42 0 83

HSL 270.36, 1%, 0.16%

LAB 9.93, 37.26, -39.98

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 13 / 66 / 0 / 38

HEX #8A369F

RGB 138 54 159

HSL 288, 0.49%, 0.42%

LAB 38.8, 51.22, -41.04

 

CMYK 0 / 66 / 5 / 38

HEX #9F3697

RGB 159 54 151

HSL 304.57, 0.49%, 0.42%

LAB 41.6, 54.96, -31.58

 

CMYK 0 / 66 / 23 / 38

HEX #9F367B

RGB 159 54 123

HSL 320.57, 0.49%, 0.42%

LAB 40.31, 50.62, -16.48

 

CMYK 0 / 66 / 40 / 38

HEX #9F365F

RGB 159 54 95

HSL 336.57, 0.49%, 0.42%

LAB 39.3, 47.06, -0.5

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 48 / 66 / 0 / 38

HEX #52369F

RGB 82 54 159

HSL 256, 0.49%, 0.42%

LAB 31.66, 38.65, -52.92

 

CMYK 66 / 66 / 0 / 38

HEX #36369F

RGB 54 54 159

HSL 240, 0.49%, 0.42%

LAB 29.22, 33.79, -57

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 37 / 79 / 0 / 31

HEX #6F25B0

RGB 111 37 176

HSL 271.94, 0.65%, 0.42%

LAB 33.64, 56.55, -59.76

 

CMYK 42 / 90 / 0 / 24

HEX #7013C2

RGB 112 19 194

HSL 271.89, 0.82%, 0.42%

LAB 33.57, 66.1, -70.52

 

CMYK 46 / 99 / 0 / 17

HEX #7202D3

RGB 114 2 211

HSL 272.15, 0.98%, 0.42%

LAB 34.65, 72.59, -78.67

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 23 / 50 / 0 / 44

HEX #6D478E

RGB 109 71 142

HSL 272.11, 0.33%, 0.42%

LAB 37.32, 30.69, -33.34

 

CMYK 13 / 28 / 0 / 51

HEX #6C597C

RGB 108 89 124

HSL 272.57, 0.16%, 0.42%

LAB 40.88, 15.04, -16.82

 

CMYK 0 / 1 / 0 / 58

HEX #6B6A6B

RGB 107 106 107

HSL 300, 0%, 0.42%

LAB 44.94, 0.59, -0.43

 

CMYK 15 / 0 / 27 / 52

HEX #697B5A

RGB 105 123 90

HSL 92.73, 0.15%, 0.42%

LAB 49.38, -13.11, 15.91

 

CMYK 66 / 66 / 0 / 38

HEX #36369F

RGB 54 54 159

HSL 240, 0.49%, 0.42%

LAB 29.22, 33.79, -57

 

CMYK 48 / 66 / 0 / 38

HEX #52369F

RGB 82 54 159

HSL 256, 0.49%, 0.42%

LAB 31.66, 38.65, -52.92

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 13 / 66 / 0 / 38

HEX #8A369F

RGB 138 54 159

HSL 288, 0.49%, 0.42%

LAB 38.8, 51.22, -41.04

 

CMYK 0 / 66 / 4 / 38

HEX #9F3698

RGB 159 54 152

HSL 304, 0.49%, 0.42%

LAB 41.65, 55.13, -32.11

 

CMYK 32 / 66 / 0 / 62

HEX #432162

RGB 67 33 98

HSL 271.38, 0.5%, 0.26%

LAB 20.68, 30.01, -32.37

 

CMYK 30 / 66 / 0 / 50

HEX #592C80

RGB 89 44 128

HSL 272.14, 0.49%, 0.34%

LAB 28.07, 37.23, -39.59

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 31 / 66 / 0 / 25

HEX #8341BE

RGB 131 65 190

HSL 271.68, 0.49%, 0.5%

LAB 41.73, 51.25, -54.78

 

CMYK 25 / 52 / 0 / 22

HEX #9760C8

RGB 151 96 200

HSL 271.73, 0.49%, 0.58%

LAB 50.82, 42.16, -45.88

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 0 / 66 / 48 / 38

HEX #9F3652

RGB 159 54 82

HSL 344, 0.49%, 0.42%

LAB 38.93, 45.72, 7.17

 

CMYK 66 / 0 / 57 / 38

HEX #369F44

RGB 54 159 68

HSL 128, 0.49%, 0.42%

LAB 58.04, -49.14, 38.33

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 0 / 31 / 66 / 38

HEX #9F6E36

RGB 159 110 54

HSL 32, 0.49%, 0.42%

LAB 50.44, 13.67, 38.3

 

CMYK 66 / 0 / 31 / 38

HEX #369F6E

RGB 54 159 110

HSL 152, 0.49%, 0.42%

LAB 58.7, -41.75, 16.99

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 0 / 66 / 48 / 38

HEX #9F3652

RGB 159 54 82

HSL 344, 0.49%, 0.42%

LAB 38.93, 45.72, 7.17

 

CMYK 35 / 0 / 66 / 38

HEX #679F36

RGB 103 159 54

HSL 92, 0.49%, 0.42%

LAB 59.84, -36.31, 47.34

 

CMYK 66 / 0 / 18 / 38

HEX #369F83

RGB 54 159 131

HSL 164, 0.49%, 0.42%

LAB 59.18, -36.82, 5.89

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 0 / 64 / 66 / 38

HEX #9F3A36

RGB 159 58 54

HSL 2.29, 0.49%, 0.42%

LAB 39.01, 41.69, 24.78

 

CMYK 35 / 0 / 66 / 38

HEX #679F36

RGB 103 159 54

HSL 92, 0.49%, 0.42%

LAB 59.84, -36.31, 47.34

 

CMYK 66 / 2 / 0 / 38

HEX #369C9F

RGB 54 156 159

HSL 181.71, 0.49%, 0.42%

LAB 59.03, -27.68, -10.18

 

Description

Color code: RGB 110 54 159 | qconv.com Color code: RGB 110 54 159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 54 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 54 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 66 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 66% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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