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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 187 204 it is the complementary color RGB 145 68 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 187 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 187 204 shade: RGB 115 187 199, RGB 132 205 218, RGB 149 223 237, RGB 166 241 255 and RGB 183 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 187 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 187 204 shade: RGB 110 187 204, RGB 93 169 185, RGB 76 151 166, RGB 59 133 147 and RGB 42 115 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 187 204 shade: RGB 111 187 204, RGB 111 162 204, RGB 111 137 204, RGB 111 112 204 and RGB 135 111 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 187 204 shade: RGB 111 187 204, RGB 111 162 204, RGB 111 137 204, RGB 111 112 204 and RGB 111 111 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 187 204 shade matches the following richer shades: RGB 111 187 204, RGB 95 197 220, RGB 80 207 235 and RGB 64 217 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 187 204 shade: RGB 111 187 204, RGB 127 177 188, RGB 142 167 173, RGB 158 157 157 and RGB 174 147 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 187 204 shade: RGB 111 204 170, RGB 111 204 195, RGB 111 189 204, RGB 111 164 204 and RGB 111 139 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 187 204 shade: RGB 60 152 172, RGB 81 173 193, RGB 111 187 204, RGB 142 202 215 and RGB 172 216 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 187 204 shade: RGB 110 187 204, RGB 145 111 204 and RGB 204 182 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 187 204 shade: RGB 110 187 204, RGB 204 111 189 and RGB 189 204 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 187 204 shade: RGB 110 187 204, RGB 145 111 204, RGB 204 127 111 and RGB 170 204 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 187 204 shade: RGB 110 187 204, RGB 173 111 204, RGB 204 127 111 and RGB 142 204 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 8 / 0 / 20

HEX #6EBBCC

RGB 110 187 204

HSL 190.85, 0.48%, 0.62%

LAB 71.7, -19.3, -15.99

 

Complementary color

CMYK 0 / 53 / 65 / 43

HEX #914433

RGB 145 68 51

HSL 10.85, 0.48%, 0.38%

LAB 38.54, 31.11, 25.49

 

CMYK 42 / 6 / 0 / 22

HEX #73BBC7

RGB 115 187 199

HSL 188.57, 0.43%, 0.62%

LAB 71.76, -19.4, -13.14

 

CMYK 39 / 6 / 0 / 15

HEX #84CDDA

RGB 132 205 218

HSL 189.07, 0.54%, 0.69%

LAB 78.25, -19.44, -13.64

 

CMYK 37 / 6 / 0 / 7

HEX #95DFED

RGB 149 223 237

HSL 189.55, 0.71%, 0.76%

LAB 84.63, -19.45, -14.11

 

CMYK 35 / 5 / 0 / 0

HEX #A6F1FF

RGB 166 241 255

HSL 189.44, 1%, 0.83%

LAB 90.89, -19.69, -14.1

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 46 / 8 / 0 / 20

HEX #6EBBCC

RGB 110 187 204

HSL 190.85, 0.48%, 0.62%

LAB 71.7, -19.3, -15.99

 

CMYK 50 / 9 / 0 / 27

HEX #5DA9B9

RGB 93 169 185

HSL 190.43, 0.4%, 0.55%

LAB 65.13, -19.14, -15.51

 

CMYK 54 / 9 / 0 / 35

HEX #4C97A6

RGB 76 151 166

HSL 190, 0.37%, 0.47%

LAB 58.44, -18.91, -14.99

 

CMYK 60 / 10 / 0 / 42

HEX #3B8593

RGB 59 133 147

HSL 189.55, 0.43%, 0.4%

LAB 51.62, -18.56, -14.43

 

CMYK 67 / 10 / 0 / 50

HEX #2A7380

RGB 42 115 128

HSL 189.07, 0.51%, 0.33%

LAB 44.68, -18.01, -13.81

 

CMYK 46 / 8 / 0 / 20

HEX #6FBBCC

RGB 111 187 204

HSL 190.97, 0.48%, 0.62%

LAB 71.74, -19.06, -15.92

 

CMYK 46 / 21 / 0 / 20

HEX #6FA2CC

RGB 111 162 204

HSL 207.1, 0.48%, 0.62%

LAB 64.63, -5.69, -26.76

 

CMYK 46 / 33 / 0 / 20

HEX #6F89CC

RGB 111 137 204

HSL 223.23, 0.48%, 0.62%

LAB 57.68, 8.63, -37.55

 

CMYK 46 / 45 / 0 / 20

HEX #6F70CC

RGB 111 112 204

HSL 239.35, 0.48%, 0.62%

LAB 51.07, 23.61, -48

 

CMYK 34 / 46 / 0 / 20

HEX #876FCC

RGB 135 111 204

HSL 255.48, 0.48%, 0.62%

LAB 52.82, 30.32, -45.1

 

CMYK 46 / 8 / 0 / 20

HEX #6FBBCC

RGB 111 187 204

HSL 190.97, 0.48%, 0.62%

LAB 71.74, -19.06, -15.92

 

CMYK 46 / 21 / 0 / 20

HEX #6FA2CC

RGB 111 162 204

HSL 207.1, 0.48%, 0.62%

LAB 64.63, -5.69, -26.76

 

CMYK 46 / 33 / 0 / 20

HEX #6F89CC

RGB 111 137 204

HSL 223.23, 0.48%, 0.62%

LAB 57.68, 8.63, -37.55

 

CMYK 46 / 45 / 0 / 20

HEX #6F70CC

RGB 111 112 204

HSL 239.35, 0.48%, 0.62%

LAB 51.07, 23.61, -48

 

CMYK 46 / 46 / 0 / 20

HEX #6F6FCC

RGB 111 111 204

HSL 240, 0.48%, 0.62%

LAB 50.81, 24.22, -48.4

 

CMYK 46 / 8 / 0 / 20

HEX #6FBBCC

RGB 111 187 204

HSL 190.97, 0.48%, 0.62%

LAB 71.74, -19.06, -15.92

 

CMYK 57 / 10 / 0 / 14

HEX #5FC5DC

RGB 95 197 220

HSL 191.04, 0.64%, 0.62%

LAB 74.53, -23.15, -20.47

 

CMYK 66 / 12 / 0 / 8

HEX #50CFEB

RGB 80 207 235

HSL 190.84, 0.79%, 0.62%

LAB 77.48, -26.31, -24.1

 

CMYK 75 / 14 / 0 / 2

HEX #40D9FB

RGB 64 217 251

HSL 190.91, 0.96%, 0.62%

LAB 80.56, -28.43, -27.96

 

CMYK 46 / 8 / 0 / 20

HEX #6FBBCC

RGB 111 187 204

HSL 190.97, 0.48%, 0.62%

LAB 71.74, -19.06, -15.92

 

CMYK 32 / 6 / 0 / 26

HEX #7FB1BC

RGB 127 177 188

HSL 190.82, 0.31%, 0.62%

LAB 69.17, -13.76, -10.92

 

CMYK 18 / 3 / 0 / 32

HEX #8EA7AD

RGB 142 167 173

HSL 191.61, 0.16%, 0.62%

LAB 66.83, -7.32, -6

 

CMYK 0 / 1 / 1 / 38

HEX #9E9D9D

RGB 158 157 157

HSL 0, 0.01%, 0.62%

LAB 64.82, 0.36, 0.12

 

CMYK 0 / 16 / 19 / 32

HEX #AE938D

RGB 174 147 141

HSL 10.91, 0.17%, 0.62%

LAB 63.17, 9.1, 6.92

 

CMYK 46 / 0 / 17 / 20

HEX #6FCCAA

RGB 111 204 170

HSL 158.06, 0.48%, 0.62%

LAB 75.74, -35.68, 8.42

 

CMYK 46 / 0 / 4 / 20

HEX #6FCCC3

RGB 111 204 195

HSL 174.19, 0.48%, 0.62%

LAB 76.38, -29.84, -4.12

 

CMYK 46 / 7 / 0 / 20

HEX #6FBDCC

RGB 111 189 204

HSL 189.68, 0.48%, 0.62%

LAB 72.32, -20.09, -15.06

 

CMYK 46 / 20 / 0 / 20

HEX #6FA4CC

RGB 111 164 204

HSL 205.81, 0.48%, 0.62%

LAB 65.19, -6.79, -25.9

 

CMYK 46 / 32 / 0 / 20

HEX #6F8BCC

RGB 111 139 204

HSL 221.94, 0.48%, 0.62%

LAB 58.23, 7.45, -36.69

 

CMYK 65 / 12 / 0 / 33

HEX #3C98AC

RGB 60 152 172

HSL 190.71, 0.48%, 0.45%

LAB 58.41, -20.7, -18.49

 

CMYK 58 / 10 / 0 / 24

HEX #51ADC1

RGB 81 173 193

HSL 190.71, 0.47%, 0.54%

LAB 66.13, -21.45, -18.48

 

CMYK 46 / 8 / 0 / 20

HEX #6FBBCC

RGB 111 187 204

HSL 190.97, 0.48%, 0.62%

LAB 71.74, -19.06, -15.92

 

CMYK 34 / 6 / 0 / 16

HEX #8ECAD7

RGB 142 202 215

HSL 190.68, 0.48%, 0.7%

LAB 77.81, -16, -12.62

 

CMYK 24 / 4 / 0 / 11

HEX #ACD8E2

RGB 172 216 226

HSL 191.11, 0.48%, 0.78%

LAB 83.64, -12.07, -9.63

 

CMYK 46 / 8 / 0 / 20

HEX #6EBBCC

RGB 110 187 204

HSL 190.85, 0.48%, 0.62%

LAB 71.7, -19.3, -15.99

 

CMYK 29 / 46 / 0 / 20

HEX #916FCC

RGB 145 111 204

HSL 261.94, 0.48%, 0.62%

LAB 53.76, 33.04, -43.54

 

CMYK 0 / 11 / 46 / 20

HEX #CCB66F

RGB 204 182 111

HSL 45.81, 0.48%, 0.62%

LAB 74.47, -1.71, 38.89

 

CMYK 46 / 8 / 0 / 20

HEX #6EBBCC

RGB 110 187 204

HSL 190.85, 0.48%, 0.62%

LAB 71.7, -19.3, -15.99

 

CMYK 0 / 46 / 7 / 20

HEX #CC6FBD

RGB 204 111 189

HSL 309.68, 0.48%, 0.62%

LAB 59.78, 47.34, -25.1

 

CMYK 7 / 0 / 46 / 20

HEX #BDCC6F

RGB 189 204 111

HSL 69.68, 0.48%, 0.62%

LAB 79.13, -19.05, 44.41

 

CMYK 46 / 8 / 0 / 20

HEX #6EBBCC

RGB 110 187 204

HSL 190.85, 0.48%, 0.62%

LAB 71.7, -19.3, -15.99

 

CMYK 29 / 46 / 0 / 20

HEX #916FCC

RGB 145 111 204

HSL 261.94, 0.48%, 0.62%

LAB 53.76, 33.04, -43.54

 

CMYK 0 / 38 / 46 / 20

HEX #CC7F6F

RGB 204 127 111

HSL 10.32, 0.48%, 0.62%

LAB 60.93, 28.03, 21.25

 

CMYK 17 / 0 / 46 / 20

HEX #AACC6F

RGB 170 204 111

HSL 81.94, 0.48%, 0.62%

LAB 77.8, -26.41, 42.48

 

CMYK 46 / 8 / 0 / 20

HEX #6EBBCC

RGB 110 187 204

HSL 190.85, 0.48%, 0.62%

LAB 71.7, -19.3, -15.99

 

CMYK 15 / 46 / 0 / 20

HEX #AD6FCC

RGB 173 111 204

HSL 280, 0.48%, 0.62%

LAB 56.7, 40.95, -38.72

 

CMYK 0 / 38 / 46 / 20

HEX #CC7F6F

RGB 204 127 111

HSL 10.32, 0.48%, 0.62%

LAB 60.93, 28.03, 21.25

 

CMYK 30 / 0 / 46 / 20

HEX #8ECC6F

RGB 142 204 111

HSL 100, 0.48%, 0.62%

LAB 76.12, -36.6, 40.01

 

Description

Color code: RGB 110 187 204 | qconv.com Color code: RGB 110 187 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 187 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 187 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 8 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 8% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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