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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 142 58 it is the complementary color RGB 145 113 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 142 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 142 58 shade: RGB 115 142 53, RGB 132 160 72, RGB 149 178 91, RGB 166 196 110 and RGB 183 214 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 142 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 142 58 shade: RGB 110 142 58, RGB 93 124 39, RGB 76 106 20, RGB 59 88 1 and RGB 42 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 142 58 shade: RGB 109 141 57, RGB 131 141 57, RGB 141 127 57, RGB 141 105 57 and RGB 141 82 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 142 58 shade: RGB 109 141 57, RGB 86 141 57, RGB 64 141 57, RGB 57 141 73 and RGB 57 141 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 142 58 shade matches the following richer shades: RGB 109 141 57, RGB 113 157 41, RGB 117 173 25 and RGB 120 189 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 142 58 shade: RGB 109 141 57, RGB 105 125 73, RGB 101 109 89, RGB 97 92 105 and RGB 94 76 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 142 58 shade: RGB 141 127 57, RGB 132 141 57, RGB 110 141 57, RGB 88 141 57 and RGB 66 141 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 142 58 shade: RGB 64 82 33, RGB 86 111 45, RGB 109 141 57, RGB 132 170 69 and RGB 152 188 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 142 58 shade: RGB 110 142 58, RGB 57 141 105 and RGB 138 57 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 142 58 shade: RGB 110 142 58, RGB 57 110 141 and RGB 141 57 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 142 58 shade: RGB 110 142 58, RGB 57 141 105, RGB 88 57 141 and RGB 141 57 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 142 58 shade: RGB 110 142 58, RGB 57 141 130, RGB 88 57 141 and RGB 141 57 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 59 / 44

HEX #6E8E3A

RGB 110 142 58

HSL 82.86, 0.42%, 0.39%

LAB 55.04, -25.22, 40.32

 

Complementary color

CMYK 26 / 43 / 0 / 23

HEX #9171C5

RGB 145 113 197

HSL 262.86, 0.42%, 0.61%

LAB 53.88, 30.14, -39.36

 

CMYK 19 / 0 / 63 / 44

HEX #738E35

RGB 115 142 53

HSL 78.2, 0.46%, 0.38%

LAB 55.33, -23.61, 43.09

 

CMYK 18 / 0 / 55 / 37

HEX #84A048

RGB 132 160 72

HSL 79.09, 0.38%, 0.45%

LAB 62.1, -23.89, 42.08

 

CMYK 16 / 0 / 49 / 30

HEX #95B25B

RGB 149 178 91

HSL 80, 0.36%, 0.53%

LAB 68.74, -24.06, 40.94

 

CMYK 15 / 0 / 44 / 23

HEX #A6C46E

RGB 166 196 110

HSL 80.93, 0.42%, 0.6%

LAB 75.27, -24.17, 39.76

 

CMYK 14 / 0 / 40 / 16

HEX #B7D681

RGB 183 214 129

HSL 81.88, 0.51%, 0.67%

LAB 81.7, -24.23, 38.6

 

CMYK 23 / 0 / 59 / 44

HEX #6E8E3A

RGB 110 142 58

HSL 82.86, 0.42%, 0.39%

LAB 55.04, -25.22, 40.32

 

CMYK 25 / 0 / 69 / 51

HEX #5D7C27

RGB 93 124 39

HSL 81.88, 0.52%, 0.32%

LAB 48.12, -24.93, 41.19

 

CMYK 28 / 0 / 81 / 58

HEX #4C6A14

RGB 76 106 20

HSL 80.93, 0.68%, 0.25%

LAB 41.05, -24.42, 41.35

 

CMYK 33 / 0 / 99 / 65

HEX #3B5801

RGB 59 88 1

HSL 80, 0.98%, 0.17%

LAB 33.8, -23.64, 40.42

 

CMYK 40 / 0 / 100 / 73

HEX #2A4600

RGB 42 70 0

HSL 84, 1%, 0.14%

LAB 26.37, -22.1, 34.38

 

CMYK 23 / 0 / 60 / 45

HEX #6D8D39

RGB 109 141 57

HSL 82.86, 0.42%, 0.39%

LAB 54.65, -25.23, 40.35

 

CMYK 7 / 0 / 60 / 45

HEX #838D39

RGB 131 141 57

HSL 67.14, 0.42%, 0.39%

LAB 56.26, -15.94, 42.59

 

CMYK 0 / 10 / 60 / 45

HEX #8D7F39

RGB 141 127 57

HSL 50, 0.42%, 0.39%

LAB 53.1, -3.89, 39.27

 

CMYK 0 / 26 / 60 / 45

HEX #8D6939

RGB 141 105 57

HSL 34.29, 0.42%, 0.39%

LAB 47.05, 8.67, 32.24

 

CMYK 0 / 42 / 60 / 45

HEX #8D5239

RGB 141 82 57

HSL 17.86, 0.42%, 0.39%

LAB 41.2, 22.06, 25.11

 

CMYK 23 / 0 / 60 / 45

HEX #6D8D39

RGB 109 141 57

HSL 82.86, 0.42%, 0.39%

LAB 54.65, -25.23, 40.35

 

CMYK 39 / 0 / 60 / 45

HEX #568D39

RGB 86 141 57

HSL 99.29, 0.42%, 0.39%

LAB 53.3, -34.02, 38.45

 

CMYK 55 / 0 / 60 / 45

HEX #408D39

RGB 64 141 57

HSL 115, 0.42%, 0.39%

LAB 52.33, -41.07, 37.07

 

CMYK 60 / 0 / 48 / 45

HEX #398D49

RGB 57 141 73

HSL 131.43, 0.42%, 0.39%

LAB 52.29, -40.65, 28.76

 

CMYK 60 / 0 / 32 / 45

HEX #398D60

RGB 57 141 96

HSL 147.86, 0.42%, 0.39%

LAB 52.69, -36.34, 16.6

 

CMYK 23 / 0 / 60 / 45

HEX #6D8D39

RGB 109 141 57

HSL 82.86, 0.42%, 0.39%

LAB 54.65, -25.23, 40.35

 

CMYK 28 / 0 / 74 / 38

HEX #719D29

RGB 113 157 41

HSL 82.76, 0.59%, 0.39%

LAB 59.69, -32.55, 52.56

 

CMYK 32 / 0 / 86 / 32

HEX #75AD19

RGB 117 173 25

HSL 82.7, 0.75%, 0.39%

LAB 64.76, -38.98, 62.09

 

CMYK 37 / 0 / 95 / 26

HEX #78BD09

RGB 120 189 9

HSL 83, 0.91%, 0.39%

LAB 69.76, -45.11, 68.95

 

CMYK 23 / 0 / 60 / 45

HEX #6D8D39

RGB 109 141 57

HSL 82.86, 0.42%, 0.39%

LAB 54.65, -25.23, 40.35

 

CMYK 16 / 0 / 42 / 51

HEX #697D49

RGB 105 125 73

HSL 83.08, 0.26%, 0.39%

LAB 49.68, -16.79, 25.96

 

CMYK 7 / 0 / 18 / 57

HEX #656D59

RGB 101 109 89

HSL 84, 0.1%, 0.39%

LAB 44.84, -7.02, 10.16

 

CMYK 8 / 12 / 0 / 59

HEX #615C69

RGB 97 92 105

HSL 263.08, 0.07%, 0.39%

LAB 39.94, 4.78, -6.69

 

CMYK 23 / 38 / 0 / 52

HEX #5E4C7A

RGB 94 76 122

HSL 263.48, 0.23%, 0.39%

LAB 35.9, 17.84, -23.41

 

CMYK 0 / 10 / 60 / 45

HEX #8D7F39

RGB 141 127 57

HSL 50, 0.42%, 0.39%

LAB 53.1, -3.89, 39.27

 

CMYK 6 / 0 / 60 / 45

HEX #848D39

RGB 132 141 57

HSL 66.43, 0.42%, 0.39%

LAB 56.34, -15.51, 42.7

 

CMYK 22 / 0 / 60 / 45

HEX #6E8D39

RGB 110 141 57

HSL 82.14, 0.42%, 0.39%

LAB 54.72, -24.82, 40.44

 

CMYK 38 / 0 / 60 / 45

HEX #588D39

RGB 88 141 57

HSL 97.86, 0.42%, 0.39%

LAB 53.41, -33.31, 38.59

 

CMYK 53 / 0 / 60 / 45

HEX #428D39

RGB 66 141 57

HSL 113.57, 0.42%, 0.39%

LAB 52.4, -40.5, 37.17

 

CMYK 22 / 0 / 60 / 68

HEX #405221

RGB 64 82 33

HSL 82.04, 0.43%, 0.23%

LAB 32.33, -16.05, 26.11

 

CMYK 23 / 0 / 59 / 56

HEX #566F2D

RGB 86 111 45

HSL 82.73, 0.42%, 0.31%

LAB 43.56, -20.72, 33.19

 

CMYK 23 / 0 / 60 / 45

HEX #6D8D39

RGB 109 141 57

HSL 82.86, 0.42%, 0.39%

LAB 54.65, -25.23, 40.35

 

CMYK 22 / 0 / 59 / 33

HEX #84AA45

RGB 132 170 69

HSL 82.57, 0.42%, 0.47%

LAB 65.03, -29.06, 46.86

 

CMYK 19 / 0 / 51 / 26

HEX #98BC5C

RGB 152 188 92

HSL 82.5, 0.42%, 0.55%

LAB 71.84, -27.66, 44.23

 

CMYK 23 / 0 / 59 / 44

HEX #6E8E3A

RGB 110 142 58

HSL 82.86, 0.42%, 0.39%

LAB 55.04, -25.22, 40.32

 

CMYK 60 / 0 / 26 / 45

HEX #398D69

RGB 57 141 105

HSL 154.29, 0.42%, 0.39%

LAB 52.88, -34.36, 11.75

 

CMYK 2 / 60 / 0 / 45

HEX #8A398D

RGB 138 57 141

HSL 297.86, 0.42%, 0.39%

LAB 38.29, 46.32, -30.94

 

CMYK 23 / 0 / 59 / 44

HEX #6E8E3A

RGB 110 142 58

HSL 82.86, 0.42%, 0.39%

LAB 55.04, -25.22, 40.32

 

CMYK 60 / 22 / 0 / 45

HEX #396E8D

RGB 57 110 141

HSL 202.14, 0.42%, 0.39%

LAB 44.15, -7.96, -22.33

 

CMYK 0 / 60 / 22 / 45

HEX #8D396E

RGB 141 57 110

HSL 322.14, 0.42%, 0.39%

LAB 37.33, 41.91, -13.21

 

CMYK 23 / 0 / 59 / 44

HEX #6E8E3A

RGB 110 142 58

HSL 82.86, 0.42%, 0.39%

LAB 55.04, -25.22, 40.32

 

CMYK 60 / 0 / 26 / 45

HEX #398D69

RGB 57 141 105

HSL 154.29, 0.42%, 0.39%

LAB 52.88, -34.36, 11.75

 

CMYK 38 / 60 / 0 / 45

HEX #58398D

RGB 88 57 141

HSL 262.14, 0.42%, 0.39%

LAB 31.63, 33.03, -41.94

 

CMYK 0 / 60 / 34 / 45

HEX #8D395D

RGB 141 57 93

HSL 334.29, 0.42%, 0.39%

LAB 36.7, 39.52, -3.41

 

CMYK 23 / 0 / 59 / 44

HEX #6E8E3A

RGB 110 142 58

HSL 82.86, 0.42%, 0.39%

LAB 55.04, -25.22, 40.32

 

CMYK 60 / 0 / 8 / 45

HEX #398D82

RGB 57 141 130

HSL 172.14, 0.42%, 0.39%

LAB 53.53, -28.04, -1.73

 

CMYK 38 / 60 / 0 / 45

HEX #58398D

RGB 88 57 141

HSL 262.14, 0.42%, 0.39%

LAB 31.63, 33.03, -41.94

 

CMYK 0 / 60 / 52 / 45

HEX #8D3944

RGB 141 57 68

HSL 352.14, 0.42%, 0.39%

LAB 36, 36.7, 11.5

 

Description

Color code: RGB 110 142 58 | qconv.com Color code: RGB 110 142 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 142 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 142 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 59 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 59% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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