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Color name
RGB 110 134 192

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 134 192 it is the complementary color RGB 145 121 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 134 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 134 192 shade: RGB 115 134 187, RGB 132 152 206, RGB 149 170 225, RGB 166 188 244 and RGB 183 206 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 134 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 134 192 shade: RGB 110 134 192, RGB 93 116 173, RGB 76 98 154, RGB 59 80 135 and RGB 42 62 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 134 192 shade: RGB 109 133 191, RGB 109 111 191, RGB 129 109 191, RGB 151 109 191 and RGB 173 109 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 134 192 shade: RGB 109 133 191, RGB 109 111 191 and RGB 109 109 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 134 192 shade matches the following richer shades: RGB 109 133 191, RGB 92 126 208, RGB 75 119 225 and RGB 58 112 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 134 192 shade: RGB 109 133 191, RGB 126 140 174, RGB 143 147 157, RGB 160 154 140 and RGB 177 161 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 134 192 shade: RGB 109 177 191, RGB 109 155 191, RGB 109 134 191, RGB 109 112 191 and RGB 128 109 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 134 192 shade: RGB 66 91 151, RGB 81 109 178, RGB 109 133 191, RGB 138 157 203 and RGB 167 181 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 134 192 shade: RGB 110 134 192, RGB 183 109 191 and RGB 166 191 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 134 192 shade: RGB 110 134 192, RGB 191 109 134 and RGB 134 191 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 134 192 shade: RGB 110 134 192, RGB 183 109 191, RGB 191 166 109 and RGB 117 191 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 134 192 shade: RGB 110 134 192, RGB 191 109 174, RGB 191 166 109 and RGB 109 191 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 30 / 0 / 25

HEX #6E86C0

RGB 110 134 192

HSL 222.44, 0.39%, 0.59%

LAB 56.26, 6.62, -32.98

 

Complementary color

CMYK 0 / 17 / 57 / 43

HEX #91793F

RGB 145 121 63

HSL 42.44, 0.39%, 0.41%

LAB 51.9, 1.79, 34.9

 

CMYK 39 / 28 / 0 / 27

HEX #7386BB

RGB 115 134 187

HSL 224.17, 0.35%, 0.59%

LAB 56.37, 6.55, -29.94

 

CMYK 36 / 26 / 0 / 19

HEX #8498CE

RGB 132 152 206

HSL 223.78, 0.43%, 0.66%

LAB 63.19, 6.07, -29.99

 

CMYK 34 / 24 / 0 / 12

HEX #95AAE1

RGB 149 170 225

HSL 223.42, 0.56%, 0.73%

LAB 69.88, 5.65, -30.07

 

CMYK 32 / 23 / 0 / 4

HEX #A6BCF4

RGB 166 188 244

HSL 223.08, 0.78%, 0.8%

LAB 76.44, 5.29, -30.19

 

CMYK 28 / 19 / 0 / 0

HEX #B7CEFF

RGB 183 206 255

HSL 220.83, 1%, 0.86%

LAB 82.61, 3.04, -26.52

 

CMYK 43 / 30 / 0 / 25

HEX #6E86C0

RGB 110 134 192

HSL 222.44, 0.39%, 0.59%

LAB 56.26, 6.62, -32.98

 

CMYK 46 / 33 / 0 / 32

HEX #5D74AD

RGB 93 116 173

HSL 222.75, 0.33%, 0.52%

LAB 49.3, 7.29, -33.02

 

CMYK 51 / 36 / 0 / 40

HEX #4C629A

RGB 76 98 154

HSL 223.08, 0.34%, 0.45%

LAB 42.16, 8.11, -33.12

 

CMYK 56 / 41 / 0 / 47

HEX #3B5087

RGB 59 80 135

HSL 223.42, 0.39%, 0.38%

LAB 34.84, 9.16, -33.28

 

CMYK 64 / 47 / 0 / 55

HEX #2A3E74

RGB 42 62 116

HSL 223.78, 0.47%, 0.31%

LAB 27.29, 10.58, -33.51

 

CMYK 43 / 30 / 0 / 25

HEX #6D85BF

RGB 109 133 191

HSL 222.44, 0.39%, 0.59%

LAB 55.87, 6.65, -33.02

 

CMYK 43 / 42 / 0 / 25

HEX #6D6FBF

RGB 109 111 191

HSL 238.54, 0.39%, 0.59%

LAB 49.96, 19.86, -42.32

 

CMYK 32 / 43 / 0 / 25

HEX #816DBF

RGB 129 109 191

HSL 254.63, 0.39%, 0.59%

LAB 51.11, 26.42, -40.39

 

CMYK 21 / 43 / 0 / 25

HEX #976DBF

RGB 151 109 191

HSL 270.73, 0.39%, 0.59%

LAB 53.25, 32.74, -36.87

 

CMYK 9 / 43 / 0 / 25

HEX #AD6DBF

RGB 173 109 191

HSL 286.83, 0.39%, 0.59%

LAB 55.67, 39.31, -32.92

 

CMYK 43 / 30 / 0 / 25

HEX #6D85BF

RGB 109 133 191

HSL 222.44, 0.39%, 0.59%

LAB 55.87, 6.65, -33.02

 

CMYK 43 / 42 / 0 / 25

HEX #6D6FBF

RGB 109 111 191

HSL 238.54, 0.39%, 0.59%

LAB 49.96, 19.86, -42.32

 

CMYK 43 / 43 / 0 / 25

HEX #6D6DBF

RGB 109 109 191

HSL 240, 0.39%, 0.59%

LAB 49.44, 21.08, -43.15

 

CMYK 43 / 30 / 0 / 25

HEX #6D85BF

RGB 109 133 191

HSL 222.44, 0.39%, 0.59%

LAB 55.87, 6.65, -33.02

 

CMYK 56 / 39 / 0 / 18

HEX #5C7ED0

RGB 92 126 208

HSL 222.41, 0.55%, 0.59%

LAB 53.76, 12.05, -46.07

 

CMYK 67 / 47 / 0 / 12

HEX #4B77E1

RGB 75 119 225

HSL 222.4, 0.71%, 0.59%

LAB 51.98, 18.97, -58.56

 

CMYK 76 / 54 / 0 / 5

HEX #3A70F1

RGB 58 112 241

HSL 222.3, 0.87%, 0.59%

LAB 50.5, 26.82, -69.95

 

CMYK 43 / 30 / 0 / 25

HEX #6D85BF

RGB 109 133 191

HSL 222.44, 0.39%, 0.59%

LAB 55.87, 6.65, -33.02

 

CMYK 28 / 20 / 0 / 32

HEX #7E8CAE

RGB 126 140 174

HSL 222.5, 0.23%, 0.59%

LAB 58.27, 2.86, -19.54

 

CMYK 9 / 6 / 0 / 38

HEX #8F939D

RGB 143 147 157

HSL 222.86, 0.07%, 0.59%

LAB 60.91, 0.59, -5.77

 

CMYK 0 / 4 / 13 / 37

HEX #A09A8C

RGB 160 154 140

HSL 42, 0.1%, 0.59%

LAB 63.74, -0.31, 8.12

 

CMYK 0 / 9 / 31 / 31

HEX #B1A17B

RGB 177 161 123

HSL 42.22, 0.26%, 0.59%

LAB 66.72, -0.07, 21.94

 

CMYK 43 / 7 / 0 / 25

HEX #6DB1BF

RGB 109 177 191

HSL 190.24, 0.39%, 0.59%

LAB 68.36, -17.84, -13.89

 

CMYK 43 / 19 / 0 / 25

HEX #6D9BBF

RGB 109 155 191

HSL 206.34, 0.39%, 0.59%

LAB 62.05, -5.97, -23.48

 

CMYK 43 / 30 / 0 / 25

HEX #6D86BF

RGB 109 134 191

HSL 221.71, 0.39%, 0.59%

LAB 56.15, 6.07, -32.59

 

CMYK 43 / 41 / 0 / 25

HEX #6D70BF

RGB 109 112 191

HSL 237.8, 0.39%, 0.59%

LAB 50.22, 19.26, -41.91

 

CMYK 33 / 43 / 0 / 25

HEX #806DBF

RGB 128 109 191

HSL 253.9, 0.39%, 0.59%

LAB 51.02, 26.15, -40.53

 

CMYK 56 / 40 / 0 / 41

HEX #425B97

RGB 66 91 151

HSL 222.35, 0.39%, 0.43%

LAB 39.37, 9.17, -35.78

 

CMYK 54 / 39 / 0 / 30

HEX #516DB2

RGB 81 109 178

HSL 222.68, 0.39%, 0.51%

LAB 46.84, 10.27, -39.84

 

CMYK 43 / 30 / 0 / 25

HEX #6D85BF

RGB 109 133 191

HSL 222.44, 0.39%, 0.59%

LAB 55.87, 6.65, -33.02

 

CMYK 32 / 23 / 0 / 20

HEX #8A9DCB

RGB 138 157 203

HSL 222.46, 0.38%, 0.67%

LAB 64.83, 4.16, -25.76

 

CMYK 23 / 16 / 0 / 15

HEX #A7B5D8

RGB 167 181 216

HSL 222.86, 0.39%, 0.75%

LAB 73.69, 2.69, -19.22

 

CMYK 43 / 30 / 0 / 25

HEX #6E86C0

RGB 110 134 192

HSL 222.44, 0.39%, 0.59%

LAB 56.26, 6.62, -32.98

 

CMYK 4 / 43 / 0 / 25

HEX #B76DBF

RGB 183 109 191

HSL 294.15, 0.39%, 0.59%

LAB 56.85, 42.33, -30.99

 

CMYK 13 / 0 / 43 / 25

HEX #A6BF6D

RGB 166 191 109

HSL 78.29, 0.39%, 0.59%

LAB 73.85, -21.82, 38.49

 

CMYK 43 / 30 / 0 / 25

HEX #6E86C0

RGB 110 134 192

HSL 222.44, 0.39%, 0.59%

LAB 56.26, 6.62, -32.98

 

CMYK 0 / 43 / 30 / 25

HEX #BF6D86

RGB 191 109 134

HSL 341.71, 0.39%, 0.59%

LAB 55.82, 35.55, 0.57

 

CMYK 30 / 0 / 43 / 25

HEX #86BF6D

RGB 134 191 109

HSL 101.71, 0.39%, 0.59%

LAB 71.85, -33.66, 35.53

 

CMYK 43 / 30 / 0 / 25

HEX #6E86C0

RGB 110 134 192

HSL 222.44, 0.39%, 0.59%

LAB 56.26, 6.62, -32.98

 

CMYK 4 / 43 / 0 / 25

HEX #B76DBF

RGB 183 109 191

HSL 294.15, 0.39%, 0.59%

LAB 56.85, 42.33, -30.99

 

CMYK 0 / 13 / 43 / 25

HEX #BFA66D

RGB 191 166 109

HSL 41.71, 0.39%, 0.59%

LAB 69.08, 1.25, 32.83

 

CMYK 39 / 0 / 43 / 25

HEX #75BF6D

RGB 117 191 109

HSL 114.15, 0.39%, 0.59%

LAB 70.97, -39.33, 34.24

 

CMYK 43 / 30 / 0 / 25

HEX #6E86C0

RGB 110 134 192

HSL 222.44, 0.39%, 0.59%

LAB 56.26, 6.62, -32.98

 

CMYK 0 / 43 / 9 / 25

HEX #BF6DAE

RGB 191 109 174

HSL 312.44, 0.39%, 0.59%

LAB 57.14, 41.72, -20.69

 

CMYK 0 / 13 / 43 / 25

HEX #BFA66D

RGB 191 166 109

HSL 41.71, 0.39%, 0.59%

LAB 69.08, 1.25, 32.83

 

CMYK 43 / 0 / 35 / 25

HEX #6DBF7D

RGB 109 191 125

HSL 131.71, 0.39%, 0.59%

LAB 70.87, -39.22, 25.69

 

Description

Color code: RGB 110 134 192 | qconv.com Color code: RGB 110 134 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 134 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 134 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 30 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 30% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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