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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 207 114 it is the complementary color RGB 245 48 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 207 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 207 114 shade: RGB 15 207 109, RGB 32 225 128, RGB 49 243 147, RGB 66 255 166 and RGB 83 255 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 207 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 207 114 shade: RGB 10 207 114, RGB 0 189 95, RGB 0 171 76, RGB 0 153 57 and RGB 0 135 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 207 114 shade: RGB 9 209 115, RGB 9 209 61, RGB 12 209 9, RGB 65 209 9 and RGB 119 209 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 207 114 shade: RGB 9 209 115, RGB 9 209 169, RGB 9 195 209, RGB 9 142 209 and RGB 9 88 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 207 114 shade matches the following richer shades: RGB 9 209 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 207 114 shade: RGB 9 209 115, RGB 27 191 114, RGB 45 173 113, RGB 63 156 112 and RGB 80 138 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 207 114 shade: RGB 13 209 9, RGB 9 209 59, RGB 9 209 112, RGB 9 209 166 and RGB 9 199 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 207 114 shade: RGB 6 130 71, RGB 8 170 93, RGB 9 209 115, RGB 16 243 136 and RGB 56 245 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 207 114 shade: RGB 10 207 114, RGB 9 66 209 and RGB 209 33 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 207 114 shade: RGB 10 207 114, RGB 112 9 209 and RGB 209 112 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 207 114 shade: RGB 10 207 114, RGB 9 66 209, RGB 209 9 106 and RGB 209 152 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 207 114 shade: RGB 10 207 114, RGB 13 9 209, RGB 209 9 106 and RGB 206 209 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 45 / 19

HEX #0ACF72

RGB 10 207 114

HSL 151.68, 0.91%, 0.43%

LAB 73.48, -63.33, 34.42

 

Complementary color

CMYK 0 / 80 / 42 / 4

HEX #F5308D

RGB 245 48 141

HSL 331.68, 0.91%, 0.57%

LAB 55.53, 77.05, -2.99

 

CMYK 93 / 0 / 47 / 19

HEX #0FCF6D

RGB 15 207 109

HSL 149.38, 0.86%, 0.44%

LAB 73.44, -63.99, 36.87

 

CMYK 86 / 0 / 43 / 12

HEX #20E180

RGB 32 225 128

HSL 149.84, 0.76%, 0.5%

LAB 79.45, -65.72, 35.13

 

CMYK 80 / 0 / 40 / 5

HEX #31F393

RGB 49 243 147

HSL 150.31, 0.89%, 0.57%

LAB 85.43, -66.99, 33.49

 

CMYK 74 / 0 / 35 / 0

HEX #42FFA6

RGB 66 255 166

HSL 151.75, 1%, 0.63%

LAB 89.59, -65.77, 29.56

 

CMYK 67 / 0 / 27 / 0

HEX #53FFB9

RGB 83 255 185

HSL 155.58, 1%, 0.66%

LAB 90.26, -59.6, 20.89

 

CMYK 95 / 0 / 45 / 19

HEX #0ACF72

RGB 10 207 114

HSL 151.68, 0.91%, 0.43%

LAB 73.48, -63.33, 34.42

 

CMYK 100 / 0 / 50 / 26

HEX #00BD5F

RGB 0 189 95

HSL 150.16, 1%, 0.37%

LAB 67.44, -60.97, 36.29

 

CMYK 100 / 0 / 56 / 33

HEX #00AB4C

RGB 0 171 76

HSL 146.67, 1%, 0.34%

LAB 61.35, -58.09, 38.21

 

CMYK 100 / 0 / 63 / 40

HEX #009939

RGB 0 153 57

HSL 142.35, 1%, 0.3%

LAB 55.15, -54.96, 40.02

 

CMYK 100 / 0 / 72 / 47

HEX #008726

RGB 0 135 38

HSL 136.89, 1%, 0.26%

LAB 48.84, -51.49, 41.49

 

CMYK 96 / 0 / 45 / 18

HEX #09D173

RGB 9 209 115

HSL 151.8, 0.92%, 0.43%

LAB 74.12, -63.86, 34.74

 

CMYK 96 / 0 / 71 / 18

HEX #09D13D

RGB 9 209 61

HSL 135.6, 0.92%, 0.43%

LAB 73.54, -71.01, 58.39

 

CMYK 94 / 0 / 96 / 18

HEX #0CD109

RGB 12 209 9

HSL 119.1, 0.92%, 0.43%

LAB 73.35, -73.54, 70.75

 

CMYK 69 / 0 / 96 / 18

HEX #41D109

RGB 65 209 9

HSL 103.2, 0.92%, 0.43%

LAB 74.03, -67.56, 71.58

 

CMYK 43 / 0 / 96 / 18

HEX #77D109

RGB 119 209 9

HSL 87, 0.92%, 0.43%

LAB 75.79, -53.48, 73.74

 

CMYK 96 / 0 / 45 / 18

HEX #09D173

RGB 9 209 115

HSL 151.8, 0.92%, 0.43%

LAB 74.12, -63.86, 34.74

 

CMYK 96 / 0 / 19 / 18

HEX #09D1A9

RGB 9 209 169

HSL 168, 0.92%, 0.43%

LAB 75.15, -52.19, 7.84

 

CMYK 96 / 7 / 0 / 18

HEX #09C3D1

RGB 9 195 209

HSL 184.2, 0.92%, 0.43%

LAB 72.02, -34.73, -18.45

 

CMYK 96 / 32 / 0 / 18

HEX #098ED1

RGB 9 142 209

HSL 200.1, 0.92%, 0.43%

LAB 56.1, -7.08, -43.09

 

CMYK 96 / 58 / 0 / 18

HEX #0958D1

RGB 9 88 209

HSL 216.3, 0.92%, 0.43%

LAB 40.64, 26.73, -67.91

 

CMYK 96 / 0 / 45 / 18

HEX #09D173

RGB 9 209 115

HSL 151.8, 0.92%, 0.43%

LAB 74.12, -63.86, 34.74

 

CMYK 96 / 0 / 45 / 18

HEX #09D173

RGB 9 209 115

HSL 151.8, 0.92%, 0.43%

LAB 74.12, -63.86, 34.74

 

CMYK 86 / 0 / 40 / 25

HEX #1BBF72

RGB 27 191 114

HSL 151.83, 0.75%, 0.43%

LAB 68.54, -56.85, 28

 

CMYK 74 / 0 / 35 / 32

HEX #2DAD71

RGB 45 173 113

HSL 151.88, 0.59%, 0.43%

LAB 63.04, -48.31, 21.23

 

CMYK 60 / 0 / 28 / 39

HEX #3F9C70

RGB 63 156 112

HSL 151.61, 0.42%, 0.43%

LAB 58.04, -38.19, 15

 

CMYK 42 / 0 / 20 / 46

HEX #508A6F

RGB 80 138 111

HSL 152.07, 0.27%, 0.43%

LAB 52.98, -25.55, 8.58

 

CMYK 94 / 0 / 96 / 18

HEX #0DD109

RGB 13 209 9

HSL 118.8, 0.92%, 0.43%

LAB 73.35, -73.5, 70.76

 

CMYK 96 / 0 / 72 / 18

HEX #09D13B

RGB 9 209 59

HSL 135, 0.92%, 0.43%

LAB 73.53, -71.18, 59.11

 

CMYK 96 / 0 / 46 / 18

HEX #09D170

RGB 9 209 112

HSL 150.9, 0.92%, 0.43%

LAB 74.08, -64.38, 36.19

 

CMYK 96 / 0 / 21 / 18

HEX #09D1A6

RGB 9 209 166

HSL 167.1, 0.92%, 0.43%

LAB 75.08, -52.94, 9.35

 

CMYK 96 / 5 / 0 / 18

HEX #09C7D1

RGB 9 199 209

HSL 183, 0.92%, 0.43%

LAB 73.23, -36.59, -16.63

 

CMYK 95 / 0 / 45 / 49

HEX #068247

RGB 6 130 71

HSL 151.45, 0.91%, 0.27%

LAB 47.57, -44.48, 23.62

 

CMYK 95 / 0 / 45 / 33

HEX #08AA5D

RGB 8 170 93

HSL 151.48, 0.91%, 0.35%

LAB 61.3, -54.54, 29.52

 

CMYK 96 / 0 / 45 / 18

HEX #09D173

RGB 9 209 115

HSL 151.8, 0.92%, 0.43%

LAB 74.12, -63.86, 34.74

 

CMYK 93 / 0 / 44 / 5

HEX #10F388

RGB 16 243 136

HSL 151.72, 0.9%, 0.51%

LAB 84.99, -71.18, 38.31

 

CMYK 77 / 0 / 36 / 4

HEX #38F59C

RGB 56 245 156

HSL 151.75, 0.9%, 0.59%

LAB 86.28, -65.28, 30.11

 

CMYK 95 / 0 / 45 / 19

HEX #0ACF72

RGB 10 207 114

HSL 151.68, 0.91%, 0.43%

LAB 73.48, -63.33, 34.42

 

CMYK 96 / 68 / 0 / 18

HEX #0942D1

RGB 9 66 209

HSL 222.9, 0.92%, 0.43%

LAB 35.12, 40.98, -76.97

 

CMYK 0 / 84 / 96 / 18

HEX #D12109

RGB 209 33 9

HSL 7.2, 0.92%, 0.43%

LAB 45.17, 64.57, 55.76

 

CMYK 95 / 0 / 45 / 19

HEX #0ACF72

RGB 10 207 114

HSL 151.68, 0.91%, 0.43%

LAB 73.48, -63.33, 34.42

 

CMYK 46 / 96 / 0 / 18

HEX #7009D1

RGB 112 9 209

HSL 270.9, 0.92%, 0.43%

LAB 34.49, 71.05, -77.79

 

CMYK 0 / 46 / 96 / 18

HEX #D17009

RGB 209 112 9

HSL 30.9, 0.92%, 0.43%

LAB 57.23, 32.67, 63.15

 

CMYK 95 / 0 / 45 / 19

HEX #0ACF72

RGB 10 207 114

HSL 151.68, 0.91%, 0.43%

LAB 73.48, -63.33, 34.42

 

CMYK 96 / 68 / 0 / 18

HEX #0942D1

RGB 9 66 209

HSL 222.9, 0.92%, 0.43%

LAB 35.12, 40.98, -76.97

 

CMYK 0 / 96 / 49 / 18

HEX #D1096A

RGB 209 9 106

HSL 330.9, 0.92%, 0.43%

LAB 45.35, 72.16, 2.56

 

CMYK 0 / 27 / 96 / 18

HEX #D19809

RGB 209 152 9

HSL 42.9, 0.92%, 0.43%

LAB 66.54, 11.16, 69.6

 

CMYK 95 / 0 / 45 / 19

HEX #0ACF72

RGB 10 207 114

HSL 151.68, 0.91%, 0.43%

LAB 73.48, -63.33, 34.42

 

CMYK 94 / 96 / 0 / 18

HEX #0D09D1

RGB 13 9 209

HSL 241.2, 0.92%, 0.43%

LAB 26.4, 66.47, -91.44

 

CMYK 0 / 96 / 49 / 18

HEX #D1096A

RGB 209 9 106

HSL 330.9, 0.92%, 0.43%

LAB 45.35, 72.16, 2.56

 

CMYK 1 / 0 / 96 / 18

HEX #CED109

RGB 206 209 9

HSL 60.9, 0.92%, 0.43%

LAB 81.15, -19.74, 80.21

 

Description

Color code: RGB 10 207 114 | qconv.com Color code: RGB 10 207 114 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 207 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 207 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 45 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 45% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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