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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 155 241 it is the complementary color RGB 245 100 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 155 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 155 241 shade: RGB 15 155 236, RGB 32 173 255, RGB 49 191 255, RGB 66 209 255 and RGB 83 227 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 155 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 155 241 shade: RGB 10 155 241, RGB 0 137 222, RGB 0 119 203, RGB 0 101 184 and RGB 0 83 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 155 241 shade: RGB 9 154 239, RGB 9 92 239, RGB 9 30 239, RGB 51 9 239 and RGB 113 9 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 155 241 shade: RGB 9 154 239, RGB 9 92 239, RGB 9 30 239 and RGB 9 9 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 155 241 shade matches the following richer shades: RGB 9 154 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 155 241 shade: RGB 9 154 239, RGB 30 149 219, RGB 50 143 199, RGB 70 138 179 and RGB 90 133 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 155 241 shade: RGB 9 239 201, RGB 9 216 239, RGB 9 155 239, RGB 9 94 239 and RGB 9 32 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 155 241 shade: RGB 6 103 160, RGB 8 128 200, RGB 9 154 239, RGB 44 171 246 and RGB 84 187 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 155 241 shade: RGB 10 155 241, RGB 140 9 239 and RGB 239 232 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 155 241 shade: RGB 10 155 241, RGB 239 9 155 and RGB 155 239 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 155 241 shade: RGB 10 155 241, RGB 140 9 239, RGB 239 94 9 and RGB 109 239 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 155 241 shade: RGB 10 155 241, RGB 209 9 239, RGB 239 94 9 and RGB 40 239 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 36 / 0 / 5

HEX #0A9BF1

RGB 10 155 241

HSL 202.34, 0.92%, 0.49%

LAB 61.53, -2.59, -52.28

 

Complementary color

CMYK 0 / 59 / 94 / 4

HEX #F5640E

RGB 245 100 14

HSL 22.34, 0.92%, 0.51%

LAB 60.39, 52.45, 66.93

 

CMYK 94 / 34 / 0 / 7

HEX #0F9BEC

RGB 15 155 236

HSL 201.99, 0.88%, 0.49%

LAB 61.31, -4.3, -49.88

 

CMYK 87 / 32 / 0 / 0

HEX #20ADFF

RGB 32 173 255

HSL 202.06, 1%, 0.56%

LAB 67.59, -6.79, -50.33

 

CMYK 81 / 25 / 0 / 0

HEX #31BFFF

RGB 49 191 255

HSL 198.64, 1%, 0.6%

LAB 72.98, -15.36, -41.84

 

CMYK 74 / 18 / 0 / 0

HEX #42D1FF

RGB 66 209 255

HSL 194.6, 1%, 0.63%

LAB 78.45, -22.98, -33.33

 

CMYK 67 / 11 / 0 / 0

HEX #53E3FF

RGB 83 227 255

HSL 189.77, 1%, 0.66%

LAB 83.96, -29.73, -24.85

 

CMYK 96 / 36 / 0 / 5

HEX #0A9BF1

RGB 10 155 241

HSL 202.34, 0.92%, 0.49%

LAB 61.53, -2.59, -52.28

 

CMYK 100 / 38 / 0 / 13

HEX #0089DE

RGB 0 137 222

HSL 202.97, 1%, 0.44%

LAB 55.24, 0.52, -51.74

 

CMYK 100 / 41 / 0 / 20

HEX #0077CB

RGB 0 119 203

HSL 204.83, 1%, 0.4%

LAB 48.89, 4.08, -51.14

 

CMYK 100 / 45 / 0 / 28

HEX #0065B8

RGB 0 101 184

HSL 207.07, 1%, 0.36%

LAB 42.41, 7.84, -50.56

 

CMYK 100 / 50 / 0 / 35

HEX #0053A5

RGB 0 83 165

HSL 209.82, 1%, 0.32%

LAB 35.8, 11.87, -50

 

CMYK 96 / 36 / 0 / 6

HEX #099AEF

RGB 9 154 239

HSL 202.17, 0.93%, 0.49%

LAB 61.13, -2.79, -51.81

 

CMYK 96 / 62 / 0 / 6

HEX #095CEF

RGB 9 92 239

HSL 218.35, 0.93%, 0.49%

LAB 44.15, 35.72, -79.22

 

CMYK 96 / 87 / 0 / 6

HEX #091EEF

RGB 9 30 239

HSL 234.52, 0.93%, 0.49%

LAB 32.3, 68.79, -98.84

 

CMYK 79 / 96 / 0 / 6

HEX #3309EF

RGB 51 9 239

HSL 250.96, 0.93%, 0.49%

LAB 32.1, 74.61, -99.13

 

CMYK 53 / 96 / 0 / 6

HEX #7109EF

RGB 113 9 239

HSL 267.13, 0.93%, 0.49%

LAB 37.73, 77.65, -89.61

 

CMYK 96 / 36 / 0 / 6

HEX #099AEF

RGB 9 154 239

HSL 202.17, 0.93%, 0.49%

LAB 61.13, -2.79, -51.81

 

CMYK 96 / 62 / 0 / 6

HEX #095CEF

RGB 9 92 239

HSL 218.35, 0.93%, 0.49%

LAB 44.15, 35.72, -79.22

 

CMYK 96 / 87 / 0 / 6

HEX #091EEF

RGB 9 30 239

HSL 234.52, 0.93%, 0.49%

LAB 32.3, 68.79, -98.84

 

CMYK 96 / 96 / 0 / 6

HEX #0909EF

RGB 9 9 239

HSL 240, 0.93%, 0.49%

LAB 30.61, 73.98, -101.67

 

CMYK 96 / 36 / 0 / 6

HEX #099AEF

RGB 9 154 239

HSL 202.17, 0.93%, 0.49%

LAB 61.13, -2.79, -51.81

 

CMYK 96 / 36 / 0 / 6

HEX #099AEF

RGB 9 154 239

HSL 202.17, 0.93%, 0.49%

LAB 61.13, -2.79, -51.81

 

CMYK 86 / 32 / 0 / 14

HEX #1E95DB

RGB 30 149 219

HSL 202.22, 0.76%, 0.49%

LAB 58.87, -6.37, -44.3

 

CMYK 75 / 28 / 0 / 22

HEX #328FC7

RGB 50 143 199

HSL 202.55, 0.6%, 0.49%

LAB 56.53, -8.24, -36.72

 

CMYK 61 / 23 / 0 / 30

HEX #468AB3

RGB 70 138 179

HSL 202.57, 0.44%, 0.49%

LAB 54.8, -9, -28

 

CMYK 43 / 16 / 0 / 38

HEX #5A859F

RGB 90 133 159

HSL 202.61, 0.28%, 0.49%

LAB 53.44, -7.67, -18.5

 

CMYK 96 / 0 / 16 / 6

HEX #09EFC9

RGB 9 239 201

HSL 170.09, 0.93%, 0.49%

LAB 85, -55.96, 5.04

 

CMYK 96 / 10 / 0 / 6

HEX #09D8EF

RGB 9 216 239

HSL 186, 0.93%, 0.49%

LAB 79.27, -35.19, -23.6

 

CMYK 96 / 35 / 0 / 6

HEX #099BEF

RGB 9 155 239

HSL 201.91, 0.93%, 0.49%

LAB 61.42, -3.36, -51.35

 

CMYK 96 / 61 / 0 / 6

HEX #095EEF

RGB 9 94 239

HSL 217.83, 0.93%, 0.49%

LAB 44.65, 34.44, -78.4

 

CMYK 96 / 87 / 0 / 6

HEX #0920EF

RGB 9 32 239

HSL 234, 0.93%, 0.49%

LAB 32.53, 68.09, -98.45

 

CMYK 96 / 36 / 0 / 37

HEX #0667A0

RGB 6 103 160

HSL 202.21, 0.93%, 0.33%

LAB 41.65, -2.86, -37.64

 

CMYK 96 / 36 / 0 / 22

HEX #0880C8

RGB 8 128 200

HSL 202.5, 0.92%, 0.41%

LAB 51.45, -2.31, -45.34

 

CMYK 96 / 36 / 0 / 6

HEX #099AEF

RGB 9 154 239

HSL 202.17, 0.93%, 0.49%

LAB 61.13, -2.79, -51.81

 

CMYK 82 / 30 / 0 / 4

HEX #2CABF6

RGB 44 171 246

HSL 202.28, 0.92%, 0.57%

LAB 66.76, -8.04, -46.73

 

CMYK 66 / 24 / 0 / 3

HEX #54BBF7

RGB 84 187 247

HSL 202.09, 0.91%, 0.65%

LAB 72.32, -11.66, -38.5

 

CMYK 96 / 36 / 0 / 5

HEX #0A9BF1

RGB 10 155 241

HSL 202.34, 0.92%, 0.49%

LAB 61.53, -2.59, -52.28

 

CMYK 41 / 96 / 0 / 6

HEX #8C09EF

RGB 140 9 239

HSL 274.17, 0.93%, 0.49%

LAB 41.22, 79.97, -83.74

 

CMYK 0 / 3 / 96 / 6

HEX #EFE809

RGB 239 232 9

HSL 58.17, 0.93%, 0.49%

LAB 89.9, -17.07, 87.92

 

CMYK 96 / 36 / 0 / 5

HEX #0A9BF1

RGB 10 155 241

HSL 202.34, 0.92%, 0.49%

LAB 61.53, -2.59, -52.28

 

CMYK 0 / 96 / 35 / 6

HEX #EF099B

RGB 239 9 155

HSL 321.91, 0.93%, 0.49%

LAB 52.85, 82.87, -15.43

 

CMYK 35 / 0 / 96 / 6

HEX #9BEF09

RGB 155 239 9

HSL 81.91, 0.93%, 0.49%

LAB 86.37, -53.18, 82.84

 

CMYK 96 / 36 / 0 / 5

HEX #0A9BF1

RGB 10 155 241

HSL 202.34, 0.92%, 0.49%

LAB 61.53, -2.59, -52.28

 

CMYK 41 / 96 / 0 / 6

HEX #8C09EF

RGB 140 9 239

HSL 274.17, 0.93%, 0.49%

LAB 41.22, 79.97, -83.74

 

CMYK 0 / 61 / 96 / 6

HEX #EF5E09

RGB 239 94 9

HSL 22.17, 0.93%, 0.49%

LAB 58.39, 52.94, 66.16

 

CMYK 54 / 0 / 96 / 6

HEX #6DEF09

RGB 109 239 9

HSL 93.91, 0.93%, 0.49%

LAB 84.49, -67.32, 80.55

 

CMYK 96 / 36 / 0 / 5

HEX #0A9BF1

RGB 10 155 241

HSL 202.34, 0.92%, 0.49%

LAB 61.53, -2.59, -52.28

 

CMYK 13 / 96 / 0 / 6

HEX #D109EF

RGB 209 9 239

HSL 292.17, 0.93%, 0.49%

LAB 51.82, 88.44, -66

 

CMYK 0 / 61 / 96 / 6

HEX #EF5E09

RGB 239 94 9

HSL 22.17, 0.93%, 0.49%

LAB 58.39, 52.94, 66.16

 

CMYK 83 / 0 / 96 / 6

HEX #28EF09

RGB 40 239 9

HSL 111.91, 0.93%, 0.49%

LAB 83.02, -79.74, 78.75

 

Description

Color code: RGB 10 155 241 | qconv.com Color code: RGB 10 155 241 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 155 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 155 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 36 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 36% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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