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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 138 150 it is the complementary color RGB 245 117 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 138 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 138 150 shade: RGB 15 138 145, RGB 32 156 164, RGB 49 174 183, RGB 66 192 202 and RGB 83 210 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 138 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 138 150 shade: RGB 10 138 150, RGB 0 120 131, RGB 0 102 112, RGB 0 84 93 and RGB 0 66 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 138 150 shade: RGB 9 136 148, RGB 9 99 148, RGB 9 61 148, RGB 9 24 148 and RGB 32 9 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 138 150 shade: RGB 9 136 148, RGB 9 99 148, RGB 9 61 148, RGB 9 24 148 and RGB 9 9 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 138 150 shade matches the following richer shades: RGB 9 136 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 138 150 shade: RGB 9 136 148, RGB 22 126 135, RGB 35 115 123, RGB 47 104 110 and RGB 60 94 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 138 150 shade: RGB 9 148 86, RGB 9 148 123, RGB 9 137 148, RGB 9 99 148 and RGB 9 62 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 138 150 shade: RGB 4 65 71, RGB 7 101 109, RGB 9 136 148, RGB 11 172 187 and RGB 14 208 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 138 150 shade: RGB 10 138 150, RGB 48 9 148 and RGB 148 104 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 138 150 shade: RGB 10 138 150, RGB 148 9 137 and RGB 137 148 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 138 150 shade: RGB 10 138 150, RGB 48 9 148, RGB 148 21 9 and RGB 109 148 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 138 150 shade: RGB 10 138 150, RGB 90 9 148, RGB 148 21 9 and RGB 67 148 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 8 / 0 / 41

HEX #0A8A96

RGB 10 138 150

HSL 185.14, 0.88%, 0.31%

LAB 52.33, -26.05, -15.19

 

Complementary color

CMYK 0 / 52 / 57 / 4

HEX #F57569

RGB 245 117 105

HSL 5.14, 0.88%, 0.69%

LAB 64.29, 48.11, 30.08

 

CMYK 90 / 5 / 0 / 43

HEX #0F8A91

RGB 15 138 145

HSL 183.23, 0.81%, 0.31%

LAB 52.2, -27.44, -12.49

 

CMYK 80 / 5 / 0 / 36

HEX #209CA4

RGB 32 156 164

HSL 183.64, 0.67%, 0.38%

LAB 58.76, -28.92, -13.48

 

CMYK 73 / 5 / 0 / 28

HEX #31AEB7

RGB 49 174 183

HSL 184.03, 0.58%, 0.45%

LAB 65.23, -30, -14.36

 

CMYK 67 / 5 / 0 / 21

HEX #42C0CA

RGB 66 192 202

HSL 184.41, 0.56%, 0.53%

LAB 71.64, -30.8, -15.14

 

CMYK 62 / 5 / 0 / 13

HEX #53D2DD

RGB 83 210 221

HSL 184.78, 0.67%, 0.6%

LAB 77.97, -31.38, -15.85

 

CMYK 93 / 8 / 0 / 41

HEX #0A8A96

RGB 10 138 150

HSL 185.14, 0.88%, 0.31%

LAB 52.33, -26.05, -15.19

 

CMYK 100 / 8 / 0 / 49

HEX #007883

RGB 0 120 131

HSL 185.04, 1%, 0.26%

LAB 45.73, -23.81, -14.06

 

CMYK 100 / 9 / 0 / 56

HEX #006670

RGB 0 102 112

HSL 185.36, 1%, 0.22%

LAB 39.02, -21.05, -12.79

 

CMYK 100 / 10 / 0 / 64

HEX #00545D

RGB 0 84 93

HSL 185.81, 1%, 0.18%

LAB 32.1, -18.19, -11.5

 

CMYK 100 / 11 / 0 / 71

HEX #00424A

RGB 0 66 74

HSL 186.49, 1%, 0.15%

LAB 24.92, -15.21, -10.16

 

CMYK 94 / 8 / 0 / 42

HEX #098894

RGB 9 136 148

HSL 185.18, 0.89%, 0.31%

LAB 51.62, -25.75, -15.12

 

CMYK 94 / 33 / 0 / 42

HEX #096394

RGB 9 99 148

HSL 201.15, 0.89%, 0.31%

LAB 39.78, -5.03, -33.44

 

CMYK 94 / 59 / 0 / 42

HEX #093D94

RGB 9 61 148

HSL 217.55, 0.89%, 0.31%

LAB 28.2, 20.31, -52.03

 

CMYK 94 / 84 / 0 / 42

HEX #091894

RGB 9 24 148

HSL 233.53, 0.89%, 0.31%

LAB 19.43, 43.96, -66.49

 

CMYK 78 / 94 / 0 / 42

HEX #200994

RGB 32 9 148

HSL 249.93, 0.89%, 0.31%

LAB 18.54, 50.62, -67.94

 

CMYK 94 / 8 / 0 / 42

HEX #098894

RGB 9 136 148

HSL 185.18, 0.89%, 0.31%

LAB 51.62, -25.75, -15.12

 

CMYK 94 / 33 / 0 / 42

HEX #096394

RGB 9 99 148

HSL 201.15, 0.89%, 0.31%

LAB 39.78, -5.03, -33.44

 

CMYK 94 / 59 / 0 / 42

HEX #093D94

RGB 9 61 148

HSL 217.55, 0.89%, 0.31%

LAB 28.2, 20.31, -52.03

 

CMYK 94 / 84 / 0 / 42

HEX #091894

RGB 9 24 148

HSL 233.53, 0.89%, 0.31%

LAB 19.43, 43.96, -66.49

 

CMYK 94 / 94 / 0 / 42

HEX #090994

RGB 9 9 148

HSL 240, 0.89%, 0.31%

LAB 17.42, 49.99, -69.84

 

CMYK 94 / 8 / 0 / 42

HEX #098894

RGB 9 136 148

HSL 185.18, 0.89%, 0.31%

LAB 51.62, -25.75, -15.12

 

CMYK 94 / 8 / 0 / 42

HEX #098894

RGB 9 136 148

HSL 185.18, 0.89%, 0.31%

LAB 51.62, -25.75, -15.12

 

CMYK 84 / 7 / 0 / 47

HEX #167E87

RGB 22 126 135

HSL 184.78, 0.72%, 0.31%

LAB 48.06, -24.14, -12.88

 

CMYK 72 / 7 / 0 / 52

HEX #23737B

RGB 35 115 123

HSL 185.45, 0.56%, 0.31%

LAB 44.3, -20.78, -11.4

 

CMYK 57 / 5 / 0 / 57

HEX #2F686E

RGB 47 104 110

HSL 185.71, 0.4%, 0.31%

LAB 40.62, -16.7, -9.06

 

CMYK 38 / 3 / 0 / 62

HEX #3C5E61

RGB 60 94 97

HSL 184.86, 0.24%, 0.31%

LAB 37.53, -11.41, -5.63

 

CMYK 94 / 0 / 42 / 42

HEX #099456

RGB 9 148 86

HSL 153.24, 0.89%, 0.31%

LAB 53.93, -47.96, 23.68

 

CMYK 94 / 0 / 17 / 42

HEX #09947B

RGB 9 148 123

HSL 169.21, 0.89%, 0.31%

LAB 54.73, -39.07, 3.95

 

CMYK 94 / 7 / 0 / 42

HEX #098994

RGB 9 137 148

HSL 184.75, 0.89%, 0.31%

LAB 51.94, -26.26, -14.63

 

CMYK 94 / 33 / 0 / 42

HEX #096394

RGB 9 99 148

HSL 201.15, 0.89%, 0.31%

LAB 39.78, -5.03, -33.44

 

CMYK 94 / 58 / 0 / 42

HEX #093E94

RGB 9 62 148

HSL 217.12, 0.89%, 0.31%

LAB 28.49, 19.61, -51.57

 

CMYK 94 / 8 / 0 / 72

HEX #044147

RGB 4 65 71

HSL 185.37, 0.89%, 0.15%

LAB 24.52, -15.28, -8.79

 

CMYK 94 / 7 / 0 / 57

HEX #07656D

RGB 7 101 109

HSL 184.71, 0.88%, 0.23%

LAB 38.65, -21.09, -11.52

 

CMYK 94 / 8 / 0 / 42

HEX #098894

RGB 9 136 148

HSL 185.18, 0.89%, 0.31%

LAB 51.62, -25.75, -15.12

 

CMYK 94 / 8 / 0 / 27

HEX #0BACBB

RGB 11 172 187

HSL 185.11, 0.89%, 0.39%

LAB 64.29, -30.68, -18.05

 

CMYK 94 / 8 / 0 / 11

HEX #0ED0E2

RGB 14 208 226

HSL 185.09, 0.88%, 0.47%

LAB 76.49, -35.37, -20.86

 

CMYK 93 / 8 / 0 / 41

HEX #0A8A96

RGB 10 138 150

HSL 185.14, 0.88%, 0.31%

LAB 52.33, -26.05, -15.19

 

CMYK 68 / 94 / 0 / 42

HEX #300994

RGB 48 9 148

HSL 256.83, 0.89%, 0.31%

LAB 19.89, 51.45, -65.66

 

CMYK 0 / 30 / 94 / 42

HEX #946809

RGB 148 104 9

HSL 41.01, 0.89%, 0.31%

LAB 47.26, 10.22, 52.36

 

CMYK 93 / 8 / 0 / 41

HEX #0A8A96

RGB 10 138 150

HSL 185.14, 0.88%, 0.31%

LAB 52.33, -26.05, -15.19

 

CMYK 0 / 94 / 7 / 42

HEX #940989

RGB 148 9 137

HSL 304.75, 0.89%, 0.31%

LAB 34.59, 62.67, -34.22

 

CMYK 7 / 0 / 94 / 42

HEX #899409

RGB 137 148 9

HSL 64.75, 0.89%, 0.31%

LAB 58.53, -19.17, 60.53

 

CMYK 93 / 8 / 0 / 41

HEX #0A8A96

RGB 10 138 150

HSL 185.14, 0.88%, 0.31%

LAB 52.33, -26.05, -15.19

 

CMYK 68 / 94 / 0 / 42

HEX #300994

RGB 48 9 148

HSL 256.83, 0.89%, 0.31%

LAB 19.89, 51.45, -65.66

 

CMYK 0 / 86 / 94 / 42

HEX #941509

RGB 148 21 9

HSL 5.18, 0.89%, 0.31%

LAB 31.47, 49.87, 41.09

 

CMYK 26 / 0 / 94 / 42

HEX #6D9409

RGB 109 148 9

HSL 76.83, 0.89%, 0.31%

LAB 56.54, -31.24, 58.11

 

CMYK 93 / 8 / 0 / 41

HEX #0A8A96

RGB 10 138 150

HSL 185.14, 0.88%, 0.31%

LAB 52.33, -26.05, -15.19

 

CMYK 39 / 94 / 0 / 42

HEX #5A0994

RGB 90 9 148

HSL 274.96, 0.89%, 0.31%

LAB 25.28, 55.39, -56.58

 

CMYK 0 / 86 / 94 / 42

HEX #941509

RGB 148 21 9

HSL 5.18, 0.89%, 0.31%

LAB 31.47, 49.87, 41.09

 

CMYK 55 / 0 / 94 / 42

HEX #439409

RGB 67 148 9

HSL 94.96, 0.89%, 0.31%

LAB 54.44, -46.32, 55.53

 

Description

Color code: RGB 10 138 150 | qconv.com Color code: RGB 10 138 150 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 138 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 138 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 8 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 8% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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