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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 114 231 it is the complementary color RGB 245 141 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 114 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 114 231 shade: RGB 15 114 226, RGB 32 132 245, RGB 49 150 255, RGB 66 168 255 and RGB 83 186 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 114 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 114 231 shade: RGB 10 114 231, RGB 0 96 212, RGB 0 78 193, RGB 0 60 174 and RGB 0 42 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 114 231 shade: RGB 9 113 230, RGB 9 53 230, RGB 24 9 230, RGB 84 9 230 and RGB 143 9 230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 114 231 shade: RGB 9 113 230, RGB 9 53 230 and RGB 9 9 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 114 231 shade matches the following richer shades: RGB 9 113 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 114 231 shade: RGB 9 113 230, RGB 28 114 210, RGB 48 115 191, RGB 67 116 171 and RGB 87 117 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 114 231 shade: RGB 9 230 226, RGB 9 174 230, RGB 9 116 230, RGB 9 57 230 and RGB 20 9 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 114 231 shade: RGB 6 74 150, RGB 7 93 190, RGB 9 113 230, RGB 35 134 245 and RGB 74 156 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 114 231 shade: RGB 10 114 231, RGB 167 9 230 and RGB 204 230 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 114 231 shade: RGB 10 114 231, RGB 230 9 116 and RGB 116 230 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 114 231 shade: RGB 10 114 231, RGB 167 9 230, RGB 230 123 9 and RGB 72 230 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 114 231 shade: RGB 10 114 231, RGB 230 9 226, RGB 230 123 9 and RGB 9 230 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 51 / 0 / 9

HEX #0A72E7

RGB 10 114 231

HSL 211.76, 0.92%, 0.47%

LAB 49.34, 18.55, -66.28

 

Complementary color

CMYK 0 / 42 / 90 / 4

HEX #F58D18

RGB 245 141 24

HSL 31.76, 0.92%, 0.53%

LAB 68.41, 32.53, 70.26

 

CMYK 93 / 50 / 0 / 11

HEX #0F72E2

RGB 15 114 226

HSL 211.85, 0.88%, 0.47%

LAB 49.04, 16.76, -63.94

 

CMYK 87 / 46 / 0 / 4

HEX #2084F5

RGB 32 132 245

HSL 211.83, 0.91%, 0.54%

LAB 55.48, 13.63, -64.15

 

CMYK 81 / 41 / 0 / 0

HEX #3196FF

RGB 49 150 255

HSL 210.58, 1%, 0.6%

LAB 61.38, 7.73, -60.17

 

CMYK 74 / 34 / 0 / 0

HEX #42A8FF

RGB 66 168 255

HSL 207.62, 1%, 0.63%

LAB 66.81, -0.97, -51.51

 

CMYK 67 / 27 / 0 / 0

HEX #53BAFF

RGB 83 186 255

HSL 204.07, 1%, 0.66%

LAB 72.35, -8.7, -42.78

 

CMYK 96 / 51 / 0 / 9

HEX #0A72E7

RGB 10 114 231

HSL 211.76, 0.92%, 0.47%

LAB 49.34, 18.55, -66.28

 

CMYK 100 / 55 / 0 / 17

HEX #0060D4

RGB 0 96 212

HSL 212.83, 1%, 0.42%

LAB 42.94, 22.4, -65.89

 

CMYK 100 / 60 / 0 / 24

HEX #004EC1

RGB 0 78 193

HSL 215.75, 1%, 0.38%

LAB 36.55, 26.72, -65.31

 

CMYK 100 / 66 / 0 / 32

HEX #003CAE

RGB 0 60 174

HSL 219.31, 1%, 0.34%

LAB 30.13, 31.21, -64.62

 

CMYK 100 / 73 / 0 / 39

HEX #002A9B

RGB 0 42 155

HSL 223.74, 1%, 0.3%

LAB 23.75, 35.68, -63.65

 

CMYK 96 / 51 / 0 / 10

HEX #0971E6

RGB 9 113 230

HSL 211.76, 0.92%, 0.47%

LAB 48.98, 18.77, -66.29

 

CMYK 96 / 77 / 0 / 10

HEX #0935E6

RGB 9 53 230

HSL 228.05, 0.92%, 0.47%

LAB 34.64, 55.9, -89.83

 

CMYK 90 / 96 / 0 / 10

HEX #1809E6

RGB 24 9 230

HSL 244.07, 0.92%, 0.47%

LAB 29.67, 71.88, -98.09

 

CMYK 63 / 96 / 0 / 10

HEX #5409E6

RGB 84 9 230

HSL 260.36, 0.92%, 0.47%

LAB 33.55, 73.75, -91.53

 

CMYK 38 / 96 / 0 / 10

HEX #8F09E6

RGB 143 9 230

HSL 276.38, 0.92%, 0.47%

LAB 40.81, 78.47, -79.28

 

CMYK 96 / 51 / 0 / 10

HEX #0971E6

RGB 9 113 230

HSL 211.76, 0.92%, 0.47%

LAB 48.98, 18.77, -66.29

 

CMYK 96 / 77 / 0 / 10

HEX #0935E6

RGB 9 53 230

HSL 228.05, 0.92%, 0.47%

LAB 34.64, 55.9, -89.83

 

CMYK 96 / 96 / 0 / 10

HEX #0909E6

RGB 9 9 230

HSL 240, 0.92%, 0.47%

LAB 29.33, 71.74, -98.67

 

CMYK 96 / 51 / 0 / 10

HEX #0971E6

RGB 9 113 230

HSL 211.76, 0.92%, 0.47%

LAB 48.98, 18.77, -66.29

 

CMYK 96 / 51 / 0 / 10

HEX #0971E6

RGB 9 113 230

HSL 211.76, 0.92%, 0.47%

LAB 48.98, 18.77, -66.29

 

CMYK 87 / 46 / 0 / 18

HEX #1C72D2

RGB 28 114 210

HSL 211.65, 0.76%, 0.47%

LAB 48.18, 11.19, -56.26

 

CMYK 75 / 40 / 0 / 25

HEX #3073BF

RGB 48 115 191

HSL 211.89, 0.6%, 0.47%

LAB 47.82, 5.27, -45.92

 

CMYK 61 / 32 / 0 / 33

HEX #4374AB

RGB 67 116 171

HSL 211.73, 0.44%, 0.47%

LAB 47.78, 0.64, -34.33

 

CMYK 43 / 23 / 0 / 40

HEX #577598

RGB 87 117 152

HSL 212.31, 0.27%, 0.47%

LAB 48.28, -1.23, -22.35

 

CMYK 96 / 0 / 2 / 10

HEX #09E6E2

RGB 9 230 226

HSL 178.91, 0.92%, 0.47%

LAB 82.99, -45.43, -11.09

 

CMYK 96 / 24 / 0 / 10

HEX #09AEE6

RGB 9 174 230

HSL 195.2, 0.92%, 0.47%

LAB 66.55, -17.18, -38.34

 

CMYK 96 / 50 / 0 / 10

HEX #0974E6

RGB 9 116 230

HSL 210.95, 0.92%, 0.47%

LAB 49.81, 16.86, -64.95

 

CMYK 96 / 75 / 0 / 10

HEX #0939E6

RGB 9 57 230

HSL 226.97, 0.92%, 0.47%

LAB 35.4, 53.73, -88.57

 

CMYK 91 / 96 / 0 / 10

HEX #1409E6

RGB 20 9 230

HSL 242.99, 0.92%, 0.47%

LAB 29.56, 71.84, -98.29

 

CMYK 96 / 51 / 0 / 41

HEX #064A96

RGB 6 74 150

HSL 211.67, 0.92%, 0.31%

LAB 32.12, 11.97, -46.9

 

CMYK 96 / 51 / 0 / 25

HEX #075DBE

RGB 7 93 190

HSL 211.8, 0.93%, 0.39%

LAB 40.56, 15.77, -57.04

 

CMYK 96 / 51 / 0 / 10

HEX #0971E6

RGB 9 113 230

HSL 211.76, 0.92%, 0.47%

LAB 48.98, 18.77, -66.29

 

CMYK 86 / 45 / 0 / 4

HEX #2386F5

RGB 35 134 245

HSL 211.71, 0.91%, 0.55%

LAB 56.09, 12.6, -63.17

 

CMYK 70 / 37 / 0 / 3

HEX #4A9CF7

RGB 74 156 247

HSL 211.56, 0.92%, 0.63%

LAB 63.3, 4.21, -52.7

 

CMYK 96 / 51 / 0 / 9

HEX #0A72E7

RGB 10 114 231

HSL 211.76, 0.92%, 0.47%

LAB 49.34, 18.55, -66.28

 

CMYK 27 / 96 / 0 / 10

HEX #A709E6

RGB 167 9 230

HSL 282.9, 0.92%, 0.47%

LAB 44.41, 81.24, -73.25

 

CMYK 11 / 0 / 96 / 10

HEX #CCE609

RGB 204 230 9

HSL 67.06, 0.92%, 0.47%

LAB 86.73, -30.6, 84.37

 

CMYK 96 / 51 / 0 / 9

HEX #0A72E7

RGB 10 114 231

HSL 211.76, 0.92%, 0.47%

LAB 49.34, 18.55, -66.28

 

CMYK 0 / 96 / 50 / 10

HEX #E60974

RGB 230 9 116

HSL 330.95, 0.92%, 0.47%

LAB 49.83, 77.61, 3.42

 

CMYK 50 / 0 / 96 / 10

HEX #74E609

RGB 116 230 9

HSL 90.95, 0.92%, 0.47%

LAB 82.02, -62.23, 78.67

 

CMYK 96 / 51 / 0 / 9

HEX #0A72E7

RGB 10 114 231

HSL 211.76, 0.92%, 0.47%

LAB 49.34, 18.55, -66.28

 

CMYK 27 / 96 / 0 / 10

HEX #A709E6

RGB 167 9 230

HSL 282.9, 0.92%, 0.47%

LAB 44.41, 81.24, -73.25

 

CMYK 0 / 47 / 96 / 10

HEX #E67B09

RGB 230 123 9

HSL 30.95, 0.92%, 0.47%

LAB 62.51, 35.53, 68.08

 

CMYK 69 / 0 / 96 / 10

HEX #48E609

RGB 72 230 9

HSL 102.9, 0.92%, 0.47%

LAB 80.73, -72.71, 77.1

 

CMYK 96 / 51 / 0 / 9

HEX #0A72E7

RGB 10 114 231

HSL 211.76, 0.92%, 0.47%

LAB 49.34, 18.55, -66.28

 

CMYK 0 / 96 / 2 / 10

HEX #E609E2

RGB 230 9 226

HSL 301.09, 0.92%, 0.47%

LAB 54.56, 89.71, -54.06

 

CMYK 0 / 47 / 96 / 10

HEX #E67B09

RGB 230 123 9

HSL 30.95, 0.92%, 0.47%

LAB 62.51, 35.53, 68.08

 

CMYK 96 / 0 / 94 / 10

HEX #09E60D

RGB 9 230 13

HSL 121.09, 0.92%, 0.47%

LAB 80, -79.2, 75.83

 

Description

Color code: RGB 10 114 231 | qconv.com Color code: RGB 10 114 231 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 114 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 114 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 51 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 51% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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