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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 110 131 it is the complementary color RGB 245 145 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 110 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 110 131 shade: RGB 15 110 126, RGB 32 128 145, RGB 49 146 164, RGB 66 164 183 and RGB 83 182 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 110 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 110 131 shade: RGB 10 110 131, RGB 0 92 112, RGB 0 74 93, RGB 0 56 74 and RGB 0 38 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 110 131 shade: RGB 9 111 132, RGB 9 78 132, RGB 9 45 132, RGB 9 12 132 and RGB 40 9 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 110 131 shade: RGB 9 111 132, RGB 9 78 132, RGB 9 45 132, RGB 9 12 132 and RGB 9 9 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 110 131 shade matches the following richer shades: RGB 9 111 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 110 131 shade: RGB 9 111 132, RGB 21 103 121, RGB 33 96 109, RGB 44 88 98 and RGB 56 81 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 110 131 shade: RGB 9 132 87, RGB 9 132 120, RGB 9 112 132, RGB 9 79 132 and RGB 9 46 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 110 131 shade: RGB 4 47 56, RGB 7 79 94, RGB 9 111 132, RGB 12 143 171 and RGB 15 175 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 110 131 shade: RGB 10 110 131, RGB 55 9 132 and RGB 132 104 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 110 131 shade: RGB 10 110 131, RGB 132 9 112 and RGB 112 132 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 110 131 shade: RGB 10 110 131, RGB 55 9 132, RGB 132 30 9 and RGB 87 132 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 110 131 shade: RGB 10 110 131, RGB 91 9 132, RGB 132 30 9 and RGB 50 132 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 16 / 0 / 49

HEX #0A6E83

RGB 10 110 131

HSL 190.41, 0.86%, 0.28%

LAB 42.54, -17.9, -18.92

 

Complementary color

CMYK 0 / 41 / 49 / 4

HEX #F5917C

RGB 245 145 124

HSL 10.41, 0.86%, 0.72%

LAB 70.26, 35.61, 27.42

 

CMYK 88 / 13 / 0 / 51

HEX #0F6E7E

RGB 15 110 126

HSL 188.65, 0.79%, 0.28%

LAB 42.4, -19.36, -16.13

 

CMYK 78 / 12 / 0 / 43

HEX #208091

RGB 32 128 145

HSL 189.03, 0.64%, 0.35%

LAB 49.24, -20.81, -16.95

 

CMYK 70 / 11 / 0 / 36

HEX #3192A4

RGB 49 146 164

HSL 189.39, 0.54%, 0.42%

LAB 55.98, -21.82, -17.66

 

CMYK 64 / 10 / 0 / 28

HEX #42A4B7

RGB 66 164 183

HSL 189.74, 0.47%, 0.49%

LAB 62.62, -22.53, -18.28

 

CMYK 59 / 10 / 0 / 21

HEX #53B6CA

RGB 83 182 202

HSL 190.08, 0.53%, 0.56%

LAB 69.15, -23.03, -18.85

 

CMYK 92 / 16 / 0 / 49

HEX #0A6E83

RGB 10 110 131

HSL 190.41, 0.86%, 0.28%

LAB 42.54, -17.9, -18.92

 

CMYK 100 / 18 / 0 / 56

HEX #005C70

RGB 0 92 112

HSL 190.71, 1%, 0.22%

LAB 35.64, -15.53, -17.97

 

CMYK 100 / 20 / 0 / 64

HEX #004A5D

RGB 0 74 93

HSL 192.26, 1%, 0.18%

LAB 28.61, -12.42, -16.85

 

CMYK 100 / 24 / 0 / 71

HEX #00384A

RGB 0 56 74

HSL 194.59, 1%, 0.15%

LAB 21.29, -9.13, -15.75

 

CMYK 100 / 31 / 0 / 78

HEX #002637

RGB 0 38 55

HSL 198.55, 1%, 0.11%

LAB 13.6, -5.54, -14.67

 

CMYK 93 / 16 / 0 / 48

HEX #096F84

RGB 9 111 132

HSL 190.24, 0.87%, 0.28%

LAB 42.9, -18.15, -18.97

 

CMYK 93 / 41 / 0 / 48

HEX #094E84

RGB 9 78 132

HSL 206.34, 0.87%, 0.28%

LAB 32.2, 1.86, -35.75

 

CMYK 93 / 66 / 0 / 48

HEX #092D84

RGB 9 45 132

HSL 222.44, 0.87%, 0.28%

LAB 22.31, 24.9, -51.76

 

CMYK 93 / 91 / 0 / 48

HEX #090C84

RGB 9 12 132

HSL 238.54, 0.87%, 0.28%

LAB 15.42, 44.23, -63.16

 

CMYK 70 / 93 / 0 / 48

HEX #280984

RGB 40 9 132

HSL 255.12, 0.87%, 0.28%

LAB 17.05, 46.6, -60.39

 

CMYK 93 / 16 / 0 / 48

HEX #096F84

RGB 9 111 132

HSL 190.24, 0.87%, 0.28%

LAB 42.9, -18.15, -18.97

 

CMYK 93 / 41 / 0 / 48

HEX #094E84

RGB 9 78 132

HSL 206.34, 0.87%, 0.28%

LAB 32.2, 1.86, -35.75

 

CMYK 93 / 66 / 0 / 48

HEX #092D84

RGB 9 45 132

HSL 222.44, 0.87%, 0.28%

LAB 22.31, 24.9, -51.76

 

CMYK 93 / 91 / 0 / 48

HEX #090C84

RGB 9 12 132

HSL 238.54, 0.87%, 0.28%

LAB 15.42, 44.23, -63.16

 

CMYK 93 / 93 / 0 / 48

HEX #090984

RGB 9 9 132

HSL 240, 0.87%, 0.28%

LAB 15.06, 45.32, -63.76

 

CMYK 93 / 16 / 0 / 48

HEX #096F84

RGB 9 111 132

HSL 190.24, 0.87%, 0.28%

LAB 42.9, -18.15, -18.97

 

CMYK 93 / 16 / 0 / 48

HEX #096F84

RGB 9 111 132

HSL 190.24, 0.87%, 0.28%

LAB 42.9, -18.15, -18.97

 

CMYK 83 / 15 / 0 / 53

HEX #156779

RGB 21 103 121

HSL 190.8, 0.7%, 0.28%

LAB 39.98, -16.74, -16.8

 

CMYK 70 / 12 / 0 / 57

HEX #21606D

RGB 33 96 109

HSL 190.26, 0.54%, 0.28%

LAB 37.47, -15.34, -13.26

 

CMYK 55 / 10 / 0 / 62

HEX #2C5862

RGB 44 88 98

HSL 191.11, 0.38%, 0.28%

LAB 34.8, -12.06, -10.45

 

CMYK 35 / 6 / 0 / 66

HEX #385156

RGB 56 81 86

HSL 190, 0.21%, 0.28%

LAB 32.7, -8.05, -5.98

 

CMYK 93 / 0 / 34 / 48

HEX #098457

RGB 9 132 87

HSL 158.05, 0.87%, 0.28%

LAB 48.57, -41.62, 15.94

 

CMYK 93 / 0 / 9 / 48

HEX #098478

RGB 9 132 120

HSL 174.15, 0.87%, 0.28%

LAB 49.39, -32.77, -2.08

 

CMYK 93 / 15 / 0 / 48

HEX #097084

RGB 9 112 132

HSL 189.76, 0.87%, 0.28%

LAB 43.23, -18.7, -18.47

 

CMYK 93 / 40 / 0 / 48

HEX #094F84

RGB 9 79 132

HSL 205.85, 0.87%, 0.28%

LAB 32.52, 1.19, -35.24

 

CMYK 93 / 65 / 0 / 48

HEX #092E84

RGB 9 46 132

HSL 221.95, 0.87%, 0.28%

LAB 22.58, 24.19, -51.31

 

CMYK 93 / 16 / 0 / 78

HEX #042F38

RGB 4 47 56

HSL 190.38, 0.87%, 0.12%

LAB 17.2, -10.31, -9.8

 

CMYK 93 / 16 / 0 / 63

HEX #074F5E

RGB 7 79 94

HSL 190.34, 0.86%, 0.2%

LAB 30.51, -14.33, -14.56

 

CMYK 93 / 16 / 0 / 48

HEX #096F84

RGB 9 111 132

HSL 190.24, 0.87%, 0.28%

LAB 42.9, -18.15, -18.97

 

CMYK 93 / 16 / 0 / 33

HEX #0C8FAB

RGB 12 143 171

HSL 190.57, 0.87%, 0.36%

LAB 54.72, -21.35, -23.64

 

CMYK 93 / 16 / 0 / 18

HEX #0FAFD1

RGB 15 175 209

HSL 190.52, 0.87%, 0.44%

LAB 66.03, -24.76, -27.59

 

CMYK 92 / 16 / 0 / 49

HEX #0A6E83

RGB 10 110 131

HSL 190.41, 0.86%, 0.28%

LAB 42.54, -17.9, -18.92

 

CMYK 58 / 93 / 0 / 48

HEX #370984

RGB 55 9 132

HSL 262.44, 0.87%, 0.28%

LAB 18.69, 47.77, -57.62

 

CMYK 0 / 21 / 93 / 48

HEX #846809

RGB 132 104 9

HSL 46.34, 0.87%, 0.28%

LAB 45.39, 2.63, 50.13

 

CMYK 92 / 16 / 0 / 49

HEX #0A6E83

RGB 10 110 131

HSL 190.41, 0.86%, 0.28%

LAB 42.54, -17.9, -18.92

 

CMYK 0 / 93 / 15 / 48

HEX #840970

RGB 132 9 112

HSL 309.76, 0.87%, 0.28%

LAB 30.09, 55.88, -25.81

 

CMYK 15 / 0 / 93 / 48

HEX #708409

RGB 112 132 9

HSL 69.76, 0.87%, 0.28%

LAB 51.8, -22.14, 54.4

 

CMYK 92 / 16 / 0 / 49

HEX #0A6E83

RGB 10 110 131

HSL 190.41, 0.86%, 0.28%

LAB 42.54, -17.9, -18.92

 

CMYK 58 / 93 / 0 / 48

HEX #370984

RGB 55 9 132

HSL 262.44, 0.87%, 0.28%

LAB 18.69, 47.77, -57.62

 

CMYK 0 / 77 / 93 / 48

HEX #841E09

RGB 132 30 9

HSL 10.24, 0.87%, 0.28%

LAB 29.04, 42.13, 37.77

 

CMYK 34 / 0 / 93 / 48

HEX #578409

RGB 87 132 9

HSL 81.95, 0.87%, 0.28%

LAB 50.15, -32.72, 52.38

 

CMYK 92 / 16 / 0 / 49

HEX #0A6E83

RGB 10 110 131

HSL 190.41, 0.86%, 0.28%

LAB 42.54, -17.9, -18.92

 

CMYK 31 / 93 / 0 / 48

HEX #5B0984

RGB 91 9 132

HSL 280, 0.87%, 0.28%

LAB 23.95, 52.06, -48.77

 

CMYK 0 / 77 / 93 / 48

HEX #841E09

RGB 132 30 9

HSL 10.24, 0.87%, 0.28%

LAB 29.04, 42.13, 37.77

 

CMYK 62 / 0 / 93 / 48

HEX #328409

RGB 50 132 9

HSL 100, 0.87%, 0.28%

LAB 48.51, -45.09, 50.34

 

Description

Color code: RGB 10 110 131 | qconv.com Color code: RGB 10 110 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 110 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 110 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 16 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 16% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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