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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 106 224 it is the complementary color RGB 245 149 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 106 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 106 224 shade: RGB 15 106 219, RGB 32 124 238, RGB 49 142 255, RGB 66 160 255 and RGB 83 178 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 106 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 0 88 205, RGB 0 70 186, RGB 0 52 167 and RGB 0 34 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 10 48 224, RGB 29 10 224, RGB 87 10 224 and RGB 145 10 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 10 48 224 and RGB 10 10 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 106 224 shade matches the following richer shades: RGB 10 106 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 29 108 205, RGB 48 110 186, RGB 67 112 167 and RGB 86 114 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 106 224 shade: RGB 10 220 224, RGB 10 163 224, RGB 10 106 224, RGB 10 49 224 and RGB 28 10 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 106 224 shade: RGB 6 68 145, RGB 8 87 184, RGB 10 106 224, RGB 31 126 244 and RGB 70 149 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 170 10 224 and RGB 192 224 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 224 10 106 and RGB 106 224 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 170 10 224, RGB 224 127 10 and RGB 63 224 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 106 224 shade: RGB 10 106 224, RGB 224 10 213, RGB 224 127 10 and RGB 10 224 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

Complementary color

CMYK 0 / 39 / 87 / 4

HEX #F5951F

RGB 245 149 31

HSL 33.08, 0.91%, 0.54%

LAB 70.18, 28.5, 69.84

 

CMYK 93 / 52 / 0 / 14

HEX #0F6ADB

RGB 15 106 219

HSL 213.24, 0.87%, 0.46%

LAB 46.34, 19.14, -64.35

 

CMYK 87 / 48 / 0 / 7

HEX #207CEE

RGB 32 124 238

HSL 213.2, 0.86%, 0.53%

LAB 52.83, 15.94, -64.53

 

CMYK 81 / 44 / 0 / 0

HEX #318EFF

RGB 49 142 255

HSL 212.91, 1%, 0.6%

LAB 59.18, 12.53, -63.71

 

CMYK 74 / 37 / 0 / 0

HEX #42A0FF

RGB 66 160 255

HSL 210.16, 1%, 0.63%

LAB 64.58, 3.62, -55.05

 

CMYK 67 / 30 / 0 / 0

HEX #53B2FF

RGB 83 178 255

HSL 206.86, 1%, 0.66%

LAB 70.11, -4.3, -46.29

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 100 / 57 / 0 / 20

HEX #0058CD

RGB 0 88 205

HSL 214.24, 1%, 0.4%

LAB 40.23, 24.87, -66.29

 

CMYK 100 / 62 / 0 / 27

HEX #0046BA

RGB 0 70 186

HSL 217.42, 1%, 0.36%

LAB 33.83, 29.28, -65.67

 

CMYK 100 / 69 / 0 / 35

HEX #0034A7

RGB 0 52 167

HSL 221.32, 1%, 0.33%

LAB 27.42, 33.79, -64.87

 

CMYK 100 / 77 / 0 / 42

HEX #002294

RGB 0 34 148

HSL 226.22, 1%, 0.29%

LAB 21.14, 38.08, -63.66

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 96 / 79 / 0 / 12

HEX #0A30E0

RGB 10 48 224

HSL 229.35, 0.91%, 0.46%

LAB 33.05, 56.58, -89.03

 

CMYK 87 / 96 / 0 / 12

HEX #1D0AE0

RGB 29 10 224

HSL 245.33, 0.91%, 0.46%

LAB 29.06, 70.29, -95.68

 

CMYK 61 / 96 / 0 / 12

HEX #570AE0

RGB 87 10 224

HSL 261.59, 0.91%, 0.46%

LAB 33.19, 72.39, -88.68

 

CMYK 35 / 96 / 0 / 12

HEX #910AE0

RGB 145 10 224

HSL 277.85, 0.91%, 0.46%

LAB 40.6, 77.4, -76.19

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 96 / 79 / 0 / 12

HEX #0A30E0

RGB 10 48 224

HSL 229.35, 0.91%, 0.46%

LAB 33.05, 56.58, -89.03

 

CMYK 96 / 96 / 0 / 12

HEX #0A0AE0

RGB 10 10 224

HSL 240, 0.91%, 0.46%

LAB 28.55, 70.07, -96.54

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 86 / 47 / 0 / 20

HEX #1D6CCD

RGB 29 108 205

HSL 213.07, 0.75%, 0.46%

LAB 46.17, 13.13, -56.63

 

CMYK 74 / 41 / 0 / 27

HEX #306EBA

RGB 48 110 186

HSL 213.04, 0.59%, 0.46%

LAB 46.08, 6.52, -45.8

 

CMYK 60 / 33 / 0 / 35

HEX #4370A7

RGB 67 112 167

HSL 213, 0.43%, 0.46%

LAB 46.41, 1.71, -34.16

 

CMYK 42 / 23 / 0 / 42

HEX #567294

RGB 86 114 148

HSL 212.9, 0.26%, 0.46%

LAB 47.17, -0.89, -21.7

 

CMYK 96 / 2 / 0 / 12

HEX #0ADCE0

RGB 10 220 224

HSL 181.12, 0.91%, 0.46%

LAB 79.97, -41.58, -14.54

 

CMYK 96 / 27 / 0 / 12

HEX #0AA3E0

RGB 10 163 224

HSL 197.1, 0.91%, 0.46%

LAB 63.04, -13.34, -40.52

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 96 / 78 / 0 / 12

HEX #0A31E0

RGB 10 49 224

HSL 229.07, 0.91%, 0.46%

LAB 33.23, 56.06, -88.74

 

CMYK 88 / 96 / 0 / 12

HEX #1C0AE0

RGB 28 10 224

HSL 245.05, 0.91%, 0.46%

LAB 29.02, 70.27, -95.74

 

CMYK 96 / 53 / 0 / 43

HEX #064491

RGB 6 68 145

HSL 213.24, 0.92%, 0.3%

LAB 29.95, 14, -47.35

 

CMYK 96 / 53 / 0 / 28

HEX #0857B8

RGB 8 87 184

HSL 213.07, 0.92%, 0.38%

LAB 38.43, 17.35, -56.99

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 87 / 48 / 0 / 4

HEX #1F7EF4

RGB 31 126 244

HSL 213.24, 0.91%, 0.54%

LAB 53.76, 16.91, -66.38

 

CMYK 72 / 39 / 0 / 4

HEX #4695F6

RGB 70 149 246

HSL 213.07, 0.91%, 0.62%

LAB 61.18, 7.42, -55.53

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 24 / 96 / 0 / 12

HEX #AA0AE0

RGB 170 10 224

HSL 284.86, 0.91%, 0.46%

LAB 44.44, 80.45, -69.76

 

CMYK 14 / 0 / 96 / 12

HEX #C0E00A

RGB 192 224 10

HSL 68.97, 0.91%, 0.46%

LAB 84.25, -32.69, 82.03

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 0 / 96 / 53 / 12

HEX #E00A6A

RGB 224 10 106

HSL 333.08, 0.91%, 0.46%

LAB 48.39, 75.46, 7.33

 

CMYK 53 / 0 / 96 / 12

HEX #6AE00A

RGB 106 224 10

HSL 93.08, 0.91%, 0.46%

LAB 79.84, -62.91, 76.68

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 24 / 96 / 0 / 12

HEX #AA0AE0

RGB 170 10 224

HSL 284.86, 0.91%, 0.46%

LAB 44.44, 80.45, -69.76

 

CMYK 0 / 43 / 96 / 12

HEX #E07F0A

RGB 224 127 10

HSL 32.8, 0.91%, 0.46%

LAB 62.55, 31.01, 67.55

 

CMYK 72 / 0 / 96 / 12

HEX #3FE00A

RGB 63 224 10

HSL 105.14, 0.91%, 0.46%

LAB 78.69, -72.46, 75.27

 

CMYK 96 / 53 / 0 / 12

HEX #0A6AE0

RGB 10 106 224

HSL 213.08, 0.91%, 0.46%

LAB 46.65, 20.94, -66.69

 

CMYK 0 / 96 / 5 / 12

HEX #E00AD5

RGB 224 10 213

HSL 303.08, 0.91%, 0.46%

LAB 52.81, 86.84, -49.53

 

CMYK 0 / 43 / 96 / 12

HEX #E07F0A

RGB 224 127 10

HSL 32.8, 0.91%, 0.46%

LAB 62.55, 31.01, 67.55

 

CMYK 96 / 0 / 91 / 12

HEX #0AE015

RGB 10 224 21

HSL 123.08, 0.91%, 0.46%

LAB 78.13, -77.38, 73.26

 

Description

Color code: RGB 10 106 224 | qconv.com Color code: RGB 10 106 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 106 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 106 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 53 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 53% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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